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===Work===
===Work===
In 1979 Radstone established her first studio at 401½ Workshops in South London,<ref>Yates-Owen, Eric; Fournier, Robert. ''British Studio Potters' Marks''. London: Bloomsbury Academic, 2016. {{isbn|978-1-4081-9036-4}}</ref> receiving a grant from the Crafts Council, followed by an award from the Robert and Lisa Sainsbury Trust. She also received awards from Greater London Arts, the Oppenheim-John Downes Memorial Trust and won the Unilever Prize in 1988. In 1993 she was a recipient of the inaugural Arts Foundation Fellowship. Radstone was a contributor to the conference, ''Culture and the Unconscious'' at SOAS, London, and she was a participant at the St. George's House, Windsor Castle, consultation, ''The Value of Culture and the Crisis of Judgement''. In 2020 she delivered the annual Henry Hammond Memorial Lecture.<ref name="CSC"/>
In 1979 Radstone established her first studio at 401½ Workshops in South London,<ref>Yates-Owen, Eric; Fournier, Robert. ''British Studio Potters' Marks''. London: Bloomsbury Academic, 2016. {{isbn|978-1-4081-9036-4}}</ref> receiving a grant from the Crafts Council, followed by an award from the Robert and Lisa Sainsbury Trust. She also received awards from Greater London Arts, the Oppenheim-John Downes Memorial Trust and won the Unilever Prize in 1988. In 1993 she was a recipient of the inaugural Arts Foundation Fellowship. Radstone was a contributor to the conference, ''Culture and the Unconscious'' at SOAS, London, and she was a participant at the St. George's House, Windsor Castle, consultation, ''The Value of Culture and the Crisis of Judgement''. In 2020 she delivered the annual Henry Hammond Memorial Lecture.<ref name="CSC"/>
In 1985, with the support of the Sainsbury Trust, she was a founder member, with Julian Stair, of Arlingford Studios in Brixton, South London.


===Exhibitions===
===Exhibitions===

Revision as of 11:44, 30 November 2020

Sara Radstone (born 1955) is a British ceramic artist and lecturer.[1][2] Her work ranges from intimate wall based sculpture to large scale installations of multiple elements.

Radstone trained at Herefordshire College of Arts and later at the Camberwell College of Arts,[2] from where she graduated in 1979 as part of a cohort that included Angus Suttie and Henry Pim. Her work is included in numerous public collections both in the UK and overseas, including the Victoria and Albert Museum,[3][4][5] the Fitzwilliam Museum,[6] the British Council, [7] the Shigaraki Ceramic Cultural Park, Japan and Los Angeles County Museum of Art.[8]

She lives and works in South East London.

Career

Work

In 1979 Radstone established her first studio at 401½ Workshops in South London,[9] receiving a grant from the Crafts Council, followed by an award from the Robert and Lisa Sainsbury Trust. She also received awards from Greater London Arts, the Oppenheim-John Downes Memorial Trust and won the Unilever Prize in 1988. In 1993 she was a recipient of the inaugural Arts Foundation Fellowship. Radstone was a contributor to the conference, Culture and the Unconscious at SOAS, London, and she was a participant at the St. George's House, Windsor Castle, consultation, The Value of Culture and the Crisis of Judgement. In 2020 she delivered the annual Henry Hammond Memorial Lecture.[10] In 1985, with the support of the Sainsbury Trust, she was a founder member, with Julian Stair, of Arlingford Studios in Brixton, South London.

Exhibitions

Radstone has exhibited nationally and internationally for over 40 years. In addition to regular solo exhibitions at Marsden Woo Gallery in London, she has had solo exhibitions at a variety of galleries and museums,[11] and participated in group shows in Europe, the USA and Japan.

A major retrospective exhibition of her career, titled More than Words, was held in 2017-18 at the York Art Gallery's Centre of Ceramic Art.[12][13][14] In 2019 she was a joint organiser of Unearthed, a three person exhibition at the House Mill, Three Mills Island, London.[15]

Teaching

Radstone has taught and lectured throughout her career, both in the UK and abroad. She has held positions at Camberwell College of Art, University of the Arts, London; University for the Creative Arts, Farnham; Wimbledon School of Art, London; Portsmouth Polytechnic and The University of Colorado, Boulder, USA. Since 1994 Radstone has taught on the Ceramics Diploma Course at the City Lit in London. Institutions where she has been a visiting lecturer include New York State College of Ceramics at Alfred University. [10]

Writing

  • Catalogue essay for 79/97, An Lanntair and tour;
  • 'An Exemplary Artist', catalogue essay for Angus Suttie 1946-1993, published by Contemporary Applied Arts 1994;
  • Obituary: Angus Suttie, Crafts, September/October 1993;
  • 'Builders of Dreams', Crafts, March/April 1987;
  • Review, Crafts, May/June 1986;
  • 'The Whole Works', essay for Angus Suttie exhibition catalogue, Anatol Orient 1985.

Publications

Sara Radstone: More than Words, The Anthony Shaw Collection 2018; a limited edition of this book (print run of 50) includes a unique and specially commissioned work on paper by the artist. Richard Stubbs, Conversation Pieces 2014; Phil Sayer, Studio, Ruthin Craft Centre 2012; David Whiting, Modern British Potters and their studios, A&C Black 2010; Michael Hardy, Coiling, A&C Black 2006; Jane Perryman, Naked Clay, A&C Black 2005; Cyril Frankel, Modern Pots, Lucie Rie, Hans Coper and their Contemporaries, the Lisa Sainsbury Collection, UEA 2001; Jo Lauria, Color and Fire: Defining Moments in Studio Ceramics 1950-2000, LACMA/Rizzoli 2000; Edmund de Waal, Design Sourcebook: Pottery and Ceramics, New Holland 1999; Richard Zakin, Ceramics - Mastering the Craft, Krause Publishing 2000; Betty Blandino, Coiled Pottery, (reprint, update), A&C Black 1996; Garth Clark, The Potter's Art, Abbeville Press 1992; Oliver Watson, British Studio Pottery, V&A/Phaidon/Christies 1990; Paul Rice and Christopher Gowing, British Studio Ceramics, Barrie and Jenkins 1989; Betty Blandino, Coiled Pottery, A&C Black 1984

References

  1. ^ "Sara Radstone (1955–)". British Council. Retrieved 20 November 2020.
  2. ^ a b David Whiting. "Sara Radstone". The Anthony Shaw Collection. Retrieved 20 November 2020.
  3. ^ "Nushu | Radstone, Sara | V&A Search the Collections". V and A Collections. 2020-11-20. Retrieved 2020-11-20.
  4. ^ "Vase | Radstone, Sara | V&A Search the Collections". V and A Collections. 2020-11-20. Retrieved 2020-11-20.
  5. ^ "Vessel | Radstone, Sara | V&A Search the Collections". V and A Collections. 2020-11-20. Retrieved 2020-11-20.
  6. ^ "Vessel (accession number C.4-2017)". Collections: Objects and Artworks. Fitzwilliam Museum. Retrieved 2020-11-20.
  7. ^ "Sara Radstone (1955 – )". British Council. Retrieved 2020-11-20.
  8. ^ "Untitled, Sara Radstone (England, born 1955)| LACMA Collections". collections.lacma.org. Retrieved 2020-11-24.
  9. ^ Yates-Owen, Eric; Fournier, Robert. British Studio Potters' Marks. London: Bloomsbury Academic, 2016. ISBN 978-1-4081-9036-4
  10. ^ a b "Current Programme Harry Hammond Lecture 2020: Sara Radstone". Crafts Study Centre. Retrieved 20 November 2020.
  11. ^ "Sara Radstone". Marsden Woo Gallery. Retrieved 21 November 2020.
  12. ^ Richard Moss (11 January 2018). "More than Words: Mining the depths of the interior clay void with Sara Radstone". Museum Crush. Retrieved 20 November 2020.
  13. ^ Hutchinson, Charles (5 January 2018). "Why ceramics mean more than words to artist Sara Radstone in York Art Gallery retrospective". York Press. Retrieved 18 November 2020.
  14. ^ Tophill, Charlie (11 January 2018). "The art to see in York this month – January 2018". York Mix. Retrieved 18 November 2020.
  15. ^ "Unearthed". Ceramic Review, Issue 306, November/December 2020. Retrieved 20 November 2020

Bibliography

  • Leaves of Clay, Ceramic Review, Jan/Feb 2015;
  • Review, Ceramic Review, March/April 2005;
  • Review, Ceramics in Society, Summer 2002;
  • Review, Crafts, May/June 2002 (page 51);
  • Review, Ceramic Review, May/June 2002 (page 59);
  • Review, Crafts, May/June 1999 (page 61);
  • Profile and review, Studio Pottery, August/September 1997;
  • Pandora's Box (catalogue), Crafts Council 1995;
  • The Raw and the Cooked (catalogue), Museum of Modern Art, Oxford 1993;
  • 'Acquisitive Artists', Arts Review, December/January 1993;
  • Review, Arts Review, February 1990;
  • Review by Tanya Harrod, Crafts, May/June 1990 (page 53);
  • Article, Monthly Crafts (Korea), October 1990;
  • Review by Jane Hamlyn, Crafts, March/April 1989;
  • Review by Graham Hughes, Arts Review, February 1988;
  • Review by Alison Britton, Crafts, May/June 1988 (page 49);
  • 'Radstone Wins at Portobello', Crafts, July/August 1988 (page 8);
  • Review by Emmanuel Cooper, Crafts, January/February 1987;
  • Profile by Angus Suttie, Ceramic Review, July/August 1986 (page 22);
  • Review by Alison Britton, Crafts, September/October 1986;
  • 'British Ceramics in Czechoslovakia', Milena Lamarova, American Craft, February/March 1985;
  • Review, Ceramics Monthly (USA), January 1984;
  • Profile by Richard Deacon, Crafts, May/June 1983 (page 26);
  • Review by Griselda Gilroy, Crafts, July/August 1981.
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