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'''Milonga''' is a musical genre that originated in the [[Río de la Plata]] areas of [[Argentina]], [[Uruguay]] and the Brazilian state of [[Rio Grande do Sul]].<ref name=terradamusica>{{cite news|url=https://terradamusicablog.com.br/milonga-ritmo-gaucho-e-danca-2/ |title=Milonga: o poema e a música na tradição gaúcha |work=Terra da Música |date=2016-03-18 |author=Andressa Nathanailidis |language=Portuguese}}</ref><ref name=reporterrs>{{cite news|url=https://www.reporterriograndense.com.br/2019/04/a-historia-da-milonga.html |title=A história da milonga |website=Repórter Riograndense |date=2019-04-18 |author=Mateus Rosa |language=Portuguese}}</ref> |
'''Milonga''' is a musical genre that originated in the [[Río de la Plata]] areas of [[Argentina]], [[Uruguay]] and the Brazilian state of [[Rio Grande do Sul]].<ref name=terradamusica>{{cite news|url=https://terradamusicablog.com.br/milonga-ritmo-gaucho-e-danca-2/ |title=Milonga: o poema e a música na tradição gaúcha |work=Terra da Música |date=2016-03-18 |author=Andressa Nathanailidis |language=Portuguese}}</ref><ref name=reporterrs>{{cite news|url=https://www.reporterriograndense.com.br/2019/04/a-historia-da-milonga.html |title=A história da milonga |website=Repórter Riograndense |date=2019-04-18 |author=Mateus Rosa |language=Portuguese}}</ref> |
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It was derived from an earlier style of singing known as the ''[[payada]] de contrapunto''.{{ |
It was derived from an earlier style of singing known as the ''[[payada]] de contrapunto''.{{citation needed|date=April 2020}} The song was set to a lively {{music|time|2|4}} [[time signature]], as are most milongas. |
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"Milonga is an excited [[habanera (music)|habanera]]." The original habanera divided into four pulses, in a standard two-four where [[staccatissimo|every note was stressed]]. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel to milonga: one-two-three(four), one-two-three(four). |
"Milonga is an excited [[habanera (music)|habanera]]." The original habanera divided into four pulses, in a standard two-four where [[staccatissimo|every note was stressed]]. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel to milonga: one-two-three(four), one-two-three(four). |
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Habanera is a slower, more explicit sounding ''one'', two, ''three''-four. At least one modern tango pianist believes the [[polka]] influenced the speeding up of the milonga.<ref>Robert Thompson. "Tango the Art History of Love" page 129</ref> |
Habanera is a slower, more explicit sounding ''one'', two, ''three''-four. At least one modern tango pianist believes the [[polka]] influenced the speeding up of the milonga.<ref>Robert Thompson. "Tango the Art History of Love" page 129</ref> |
||
Milonga has a [[Syncopation|syncopated]] beat, consisting of 8 beats with accents on the 1st (sometimes also 2nd), 4th, 5th, and 7th beats. |
Milonga has a [[Syncopation|syncopated]] beat, consisting of 8 beats with accents on the 1st (sometimes also 2nd), 4th, 5th, and 7th beats. |
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* Regular {{music|time|2|4}} |
* Regular {{music|time|2|4}} |
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By the 1890s musicians were writing in a structured form that was something more than thinly disguised ''milongas'' or ''tangos andaluces'', and would later become the fully developed tango.<ref>Tango! The Dance, the Song, the Story. Collier, Cooper, Azzi and Martin. 1995. Thames and Hudson, Ltd, p. 51. {{ISBN|0-500-01671-2}}.</ref> |
By the 1890s musicians were writing in a structured form that was something more than thinly disguised ''milongas'' or ''tangos andaluces'', and would later become the fully developed tango.<ref>Tango! The Dance, the Song, the Story. Collier, Cooper, Azzi and Martin. 1995. Thames and Hudson, Ltd, p. 51. {{ISBN|0-500-01671-2}}.</ref> |
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==Artists== |
==Artists== |
||
Uruguayan and Argentine artists known for their milonga compositions and interpretations include [[Roberto Firpo]], [[Angel D'Agostino]], [[Pedro Laurenz]], [[Ángel Villoldo|Villoldo]], [[Francisco Canaro]], [[Rodolfo Biagi]], [[Juan d'Arienzo]], [[Edgardo Donato]], [[Gabino Ezeiza]], [[Aníbal Troilo]], [[Lucio Demare]], [[Domingo Federico]], [[Angel Vargas]], [[Mariano Mores]], [[Alfredo Zitarrosa]], [[Francisco Lomuto]], [[Ástor Piazzolla]] and [[Carlos Di Sarli]]. These artists are from the early years and the Golden era of tango. [[Los Moonlights]] released a song entitled "Milonga de pelo largo" (Milonga of long hair) on their debut LP, Moonlights. |
Uruguayan and Argentine artists known for their milonga compositions and interpretations include [[Roberto Firpo]], [[Angel D'Agostino]], [[Pedro Laurenz]], [[Ángel Villoldo|Villoldo]], [[Francisco Canaro]], [[Rodolfo Biagi]], [[Juan d'Arienzo]], [[Edgardo Donato]], [[Gabino Ezeiza]], [[Aníbal Troilo]], [[Lucio Demare]], [[Domingo Federico]], [[Angel Vargas]], [[Mariano Mores]], [[Alfredo Zitarrosa]], [[Francisco Lomuto]], [[Ástor Piazzolla]] and [[Carlos Di Sarli]]. These artists are from the early years and the Golden era of tango. [[Los Moonlights]] released a song entitled "Milonga de pelo largo" (Milonga of long hair) on their debut LP, Moonlights. |
||
In [[Rio Grande do Sul]], ''milonga'' is an important regional genre and it is part of the repertoire of many [[Rio Grande do Sul|gaucho]] musical groups and interpreters. It also continues to influence other genres of the modern gaucho music. [[José Cláudio Machado]]'s "Milonga Abaixo de Mau Tempo", [[Renato Borghetti]]'s "Milonga para as Missões" and [[Jayme Caetano Braun]]'s "Bochincho" are examples of the traditional [[Rio Grande do Sul|rio-grandense]] form of ''milonga'',<ref name=reporterrs /> while [[Vitor Ramil]]'s "Ramilonga" and [[Bebeto Alves]]'s "Milonga Orientao" are examples of modern form of this genre.<ref name=linhafria>{{cite news|url=http://obviousmag.org/archives/2013/01/do_frio_para_o_mundo_a_estetica_da_musica_platina.html |title=Do frio para o mundo: a estética da música platina |work=Obvious Mag |date=January 2013 |author=Guilherme Cruz |language=Portuguese }}</ref> |
In [[Rio Grande do Sul]], ''milonga'' is an important regional genre and it is part of the repertoire of many [[Rio Grande do Sul|gaucho]] musical groups and interpreters. It also continues to influence other genres of the modern gaucho music. [[José Cláudio Machado]]'s "Milonga Abaixo de Mau Tempo", [[Renato Borghetti]]'s "Milonga para as Missões" and [[Jayme Caetano Braun]]'s "Bochincho" are examples of the traditional [[Rio Grande do Sul|rio-grandense]] form of ''milonga'',<ref name=reporterrs /> while [[Vitor Ramil]]'s "Ramilonga" and [[Bebeto Alves]]'s "Milonga Orientao" are examples of modern form of this genre.<ref name=linhafria>{{cite news|url=http://obviousmag.org/archives/2013/01/do_frio_para_o_mundo_a_estetica_da_musica_platina.html |title=Do frio para o mundo: a estética da música platina |work=Obvious Mag |date=January 2013 |author=Guilherme Cruz |language=Portuguese }}</ref> |
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Argentine composer and pianist [[Fernando Otero]] has based many of his orchestral and chamber works on this rhythm <ref>{{cite news|url=http://www.qonstage.com/2013a/01/fernando/ |title=Fernando Otero’s "Romance" CD |work=[[qonstage.com]] |date=March 2013 |author=Sherrie Rase |url-status=dead |archiveurl=https://web.archive.org/web/20150104095548/http://www.qonstage.com/2013a/01/fernando/ |archivedate=2015-01-04 }}</ref> |
Argentine composer and pianist [[Fernando Otero]] has based many of his orchestral and chamber works on this rhythm <ref>{{cite news|url=http://www.qonstage.com/2013a/01/fernando/ |title=Fernando Otero’s "Romance" CD |work=[[qonstage.com]] |date=March 2013 |author=Sherrie Rase |url-status=dead |archiveurl=https://web.archive.org/web/20150104095548/http://www.qonstage.com/2013a/01/fernando/ |archivedate=2015-01-04 }}</ref> |
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,creating compositions for Symphonic Orchestra, String Quartet and Jazz Combos.<ref>{{cite news|url=http://www.newmusicbox.org/articles/sounds-heard-fernando-otero-romance/|title=Sounds Heard: Fernando Otero —Romance|work=[[NewMusicBox]]|date=2013-03-12|author= |
,creating compositions for Symphonic Orchestra, String Quartet and Jazz Combos.<ref>{{cite news|url=http://www.newmusicbox.org/articles/sounds-heard-fernando-otero-romance/|title=Sounds Heard: Fernando Otero —Romance|work=[[NewMusicBox]]|date=2013-03-12|author=Frank J. Oteri|author-link=Frank J. Oteri}}</ref><ref>{{cite news|url=http://www.nonesuch.com/artists/fernando-otero|title=About Fernando Otero|work=[[Nonesuch Records]]|author=Michael Hill|accessdate=2013-05-13}}</ref><ref>{{cite news|url=http://jazztimes.com/articles/19049-funk-tango-paquito-d-rivera-quintet|title=Jazz Reviews: Funk Tango Paquito D'Rivera Quintet -By Scott Albin-Jazz Articles|work=[[Jazztimes.com]]|author=Scott Albin|date=2007-03-11|access-date=2015-02-25|archive-url=https://web.archive.org/web/20150103134548/http://jazztimes.com/articles/19049-funk-tango-paquito-d-rivera-quintet|archive-date=2015-01-03|url-status=dead}}</ref> |
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[[Kevin Johansen]] is a modern Argentine rock artist who has a number of songs that combine folkloric and pop music with a milonga rhythm.<ref name=linhafria /> |
[[Kevin Johansen]] is a modern Argentine rock artist who has a number of songs that combine folkloric and pop music with a milonga rhythm.<ref name=linhafria /> |
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==References== |
==References== |
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{{ |
{{Reflist}} |
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{{Tango}} |
{{Tango}} |
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Revision as of 17:43, 24 December 2020
Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay and the Brazilian state of Rio Grande do Sul.[1][2]
It was derived from an earlier style of singing known as the payada de contrapunto.[citation needed] The song was set to a lively 2
4 time signature, as are most milongas.
"Milonga is an excited habanera." The original habanera divided into four pulses, in a standard two-four where every note was stressed. In becoming milonga, though, all four notes turned strong, as tempo was doubled. The strength of the first beat weakened the fourth giving an almost waltz-like feel to milonga: one-two-three(four), one-two-three(four). Habanera is a slower, more explicit sounding one, two, three-four. At least one modern tango pianist believes the polka influenced the speeding up of the milonga.[3]
Milonga has a syncopated beat, consisting of 8 beats with accents on the 1st (sometimes also 2nd), 4th, 5th, and 7th beats.
- Regular 2
4
[1] 2 3 4 [5] 6 7 8
- Milonga
[1] 2 3 [4] [5] 6 [7] 8, sometimes also [1] [2] 3 [4] [5] 6 [7] 8
Over time, dance steps and other musical influences were added, eventually contributing to the rise of tango.
By the 1890s musicians were writing in a structured form that was something more than thinly disguised milongas or tangos andaluces, and would later become the fully developed tango.[4]
Artists
Uruguayan and Argentine artists known for their milonga compositions and interpretations include Roberto Firpo, Angel D'Agostino, Pedro Laurenz, Villoldo, Francisco Canaro, Rodolfo Biagi, Juan d'Arienzo, Edgardo Donato, Gabino Ezeiza, Aníbal Troilo, Lucio Demare, Domingo Federico, Angel Vargas, Mariano Mores, Alfredo Zitarrosa, Francisco Lomuto, Ástor Piazzolla and Carlos Di Sarli. These artists are from the early years and the Golden era of tango. Los Moonlights released a song entitled "Milonga de pelo largo" (Milonga of long hair) on their debut LP, Moonlights.
In Rio Grande do Sul, milonga is an important regional genre and it is part of the repertoire of many gaucho musical groups and interpreters. It also continues to influence other genres of the modern gaucho music. José Cláudio Machado's "Milonga Abaixo de Mau Tempo", Renato Borghetti's "Milonga para as Missões" and Jayme Caetano Braun's "Bochincho" are examples of the traditional rio-grandense form of milonga,[2] while Vitor Ramil's "Ramilonga" and Bebeto Alves's "Milonga Orientao" are examples of modern form of this genre.[5]
Argentine composer and pianist Fernando Otero has based many of his orchestral and chamber works on this rhythm [6] ,creating compositions for Symphonic Orchestra, String Quartet and Jazz Combos.[7][8][9]
Kevin Johansen is a modern Argentine rock artist who has a number of songs that combine folkloric and pop music with a milonga rhythm.[5]
See also
References
- ^ Andressa Nathanailidis (2016-03-18). "Milonga: o poema e a música na tradição gaúcha". Terra da Música (in Portuguese).
- ^ a b Mateus Rosa (2019-04-18). "A história da milonga". Repórter Riograndense (in Portuguese).
- ^ Robert Thompson. "Tango the Art History of Love" page 129
- ^ Tango! The Dance, the Song, the Story. Collier, Cooper, Azzi and Martin. 1995. Thames and Hudson, Ltd, p. 51. ISBN 0-500-01671-2.
- ^ a b Guilherme Cruz (January 2013). "Do frio para o mundo: a estética da música platina". Obvious Mag (in Portuguese).
- ^ Sherrie Rase (March 2013). "Fernando Otero's "Romance" CD". qonstage.com. Archived from the original on 2015-01-04.
- ^ Frank J. Oteri (2013-03-12). "Sounds Heard: Fernando Otero —Romance". NewMusicBox.
- ^ Michael Hill. "About Fernando Otero". Nonesuch Records. Retrieved 2013-05-13.
- ^ Scott Albin (2007-03-11). "Jazz Reviews: Funk Tango Paquito D'Rivera Quintet -By Scott Albin-Jazz Articles". Jazztimes.com. Archived from the original on 2015-01-03. Retrieved 2015-02-25.