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* [[Frank Pettingell]] as Bridegroom's father in Wedding Group
* [[Frank Pettingell]] as Bridegroom's father in Wedding Group
* [[Norman Pierce]] as Speaker in Connaught rooms
* [[Norman Pierce]] as Speaker in Connaught rooms
* [[Michael Redgrave]] as Mr. Lege
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* [[Oda Slobodskaya]] as Soloist at Bath concert
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Revision as of 12:04, 4 January 2021

For the 2002 Tunisian film, see [[:The Magic Box (2002 film)]]. For other uses, see [[:Magic Box]].

The Magic Box
Directed byJohn Boulting
Written byRay Allister and Eric Ambler
Produced byRonald Neame
StarringRobert Donat
Margaret Johnston
Maria Schell
Robert Beatty
Margaret Rutherford
CinematographyJack Cardiff
Edited byRichard Best
Music byWilliam Alwyn
Distributed byBritish Lion Films
Release date
  • 1951 (1951)
Running time
118 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£220,000[1]
Box office£82,398 (UK)[2]

The Magic Box is a 1951 British Technicolor biographical drama film directed by John Boulting.[3] The film stars Robert Donat as William Friese-Greene, with a host of cameo appearances by actors including Peter Ustinov and Laurence Olivier.[4] It was produced by Ronald Neame and distributed by British Lion Film Corporation.[3] The film was a project of the Festival of Britain and adapted by Eric Ambler from the controversial biography by Ray Allister.[5]

This biographical drama gives an account of the life of William Friese-Greene, who first designed and patented one of the earliest working cinematic cameras.[6] Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image", leading inexorably to a series of failures and disappointments, as others hog the credit for the protagonist's discoveries.[7]

Plot

The first section of the film is told from the perspective of Mrs Freize-Green telling the story of how she met Willie to a friend. They marry and hsave four sons but are in constant financial difficulties due to his experiments to create colour film. The three oldest boys lie about their age in order to enlist in the army in the First World War. His wife leaves him due to the stress.

Coming out of her flashback, back in 1921, William Friese-Greene, is still in dire financial straits,he attends a film conference in London. He is saddened that all those attending are businessmen interested only in moneymaking. He attempts to speak, but no-one is interested and he sits down. He thinks back to his early pioneering days and a longer flashback begins.

Young "Willie" works as an assistant to photographer Maurice Guttenberg, who will not let him take portraits his way. After an argument with Guttenberg he leaves and, with his new wife, a client of his former employer, he opens a studio. After a slow start, he does well and opens other studios, but he is more interested in developing moving pictures and colour films.

He goes to visit Fox Talbot on the same day he is meant to sing a solo within a choir with his wife. He forgets to go and she has to sing his part, but he is delighted with his meeting with Talbot. They move to London. Although he is a successful photographer he sidetracks this profitable work for his costly experiments in creating celluloid film. He is in partnership with Mr Collings who initially has fath in him but as a businessman is eventually forced to break the partnership. He mortgages his house to raise money.

In partnership with a businessman, he develops his ideas, but the partnership sours and he's on his own, bankrupt, again. Nevertheless, he perseveres and, late one night, he projects the short film he has taken in Hyde Park that afternoon. Excited, he rushes out and drags in a passing policeman, portrayed by Laurence Olivier (credited as Larry Oliver), to witness the success of the film. The policeman is dumbfounded, not quite comprehending what he has just seen.

Back at the conference, Friese-Greene again stands up to speak, but becomes incoherent and is forced to sit down. He collapses. A doctor is called, but it is too late. Examining the contents of his pockets in an attempt to identify him, the doctor comments that all the money he could find was just enough for a ticket to the cinema.

Cast

Cameos

Production

Half the budget was provided by the NFFC. The film was made by Festival Film Productions, a semi co operative to which all major British film companies contributed their services either free or on a reduced rate basis.[1]

Release

The film was completed and shown just before the end of the 1951 Festival of Britain, but it did not go on general release until 1952.[8]

Critical reception

In The New York Times, Bosley Crowther wrote "...it seems to have no ground beneath it—no association with historic events—and it turns out to be, in large measure, just a handsome exercise in pathos and sentiment. That doesn't say, however, that it is not expertly done and that it doesn't deserve the attention of all who are interested in the craft of the screen. In the principal role, Robert Donat does a superlative job of conveying both the vigor of a young man and the fragile dignity of old age—a role highly reminiscent of his unforgettable "Mr. Chips." As his two wives, Margaret Johnston and Maria Schnell [sic] are excellent, and a host of the best British performers are all fine in smaller roles. An idea of the extravagance may be had in the fact that the distinguished Laurence Olivier plays a policeman "bit." While Eric Ambler's script, based on a biography of Friese-Greene by Ray Allister, is understandably vague and extended, it is quaintly eventful and literate, and John Boulting's direction is finished and polished to the nines. Excellent color (by Technicolor) and superb setting and costuming all around add to the lustre of a picture that has everything but a major theme."[9]

Box Office

The film was a major financial failure.[1]

Nominations

The film was nominated for two BAFTA Awards in 1952—BAFTA Award for Best Film and BAFTA Award for Best British Film.[10]

References

  1. ^ a b c Harper, Sue; Porter, Vincent (2003). British Cinema of The 1950s The Decline of Deference. Oxford University Press USA. p. 16.
  2. ^ Porter, Vincent (2000). "The Robert Clark Account". Historical Journal of Film, Radio and Television. 20 (4): 495.
  3. ^ a b "The Magic Box (1951)".
  4. ^ Gifford, Denis (1 April 2016). British Film Catalogue: Two Volume Set – The Fiction Film/The Non-Fiction Film. Routledge. ISBN 978-1-317-74063-6 – via Google Books.
  5. ^ "Magic Box, The (1951)". BFI Screenonline.
  6. ^ "BBC Two – The Magic Box". BBC.
  7. ^ "The Magic Box (1951) – John Boulting – Synopsis, Characteristics, Moods, Themes and Related". AllMovie.
  8. ^ "'Magic Box' Premiere". British Pathé.
  9. ^ Crowther, Bosley (24 September 1952). "THE SCREEN IN REVIEW; ' The Magic Box,' British Film on Early Movie Experimenter, Arrives at the Normandie". The New York Times.
  10. ^ "1952 Film Film And British Film – BAFTA Awards". awards.bafta.org.

Further reading

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