Ayodhyecha Raja: Difference between revisions
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}}</ref> but also for its director, [[V. Shantaram]].<ref>{{cite book|title=The Illustrated history of the cinema|last=Lloyd|first=Ann|author2=David Robinson|year=1987|publisher=[[Macmillan Publishers|Macmillan]]|isbn=0-02-919241-2|page=[https://archive.org/details/illustratedhisto0000unse_t9t5/page/384 384]|url=https://archive.org/details/illustratedhisto0000unse_t9t5/page/384}}</ref> In its time, it was a leap not just in sound, song and dialogue quality and became a hit. Eventually, it turned out to be a social leap as well for the film industry, as the entry of [[Durga Khote]], who belonged to an upper class and elite [[Brahmin]] family into Marathi cinema, paved way for other women from upper classes to enter cinema.<ref name=ra/> V. Shantaram made another version film, ''[[Duniya Na Mane]]'' (''Kunku'' in Marathi) in 1937. |
}}</ref> but also for its director, [[V. Shantaram]].<ref>{{cite book|title=The Illustrated history of the cinema|last=Lloyd|first=Ann|author2=David Robinson|year=1987|publisher=[[Macmillan Publishers|Macmillan]]|isbn=0-02-919241-2|page=[https://archive.org/details/illustratedhisto0000unse_t9t5/page/384 384]|url=https://archive.org/details/illustratedhisto0000unse_t9t5/page/384}}</ref> In its time, it was a leap not just in sound, song and dialogue quality and became a hit. Eventually, it turned out to be a social leap as well for the film industry, as the entry of [[Durga Khote]], who belonged to an upper class and elite [[Brahmin]] family into Marathi cinema, paved way for other women from upper classes to enter cinema.<ref name=ra/> V. Shantaram made another version film, ''[[Duniya Na Mane]]'' (''Kunku'' in Marathi) in 1937. |
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After the 2003 fire at the [[National Archives of India]], [[Pune]] in which prints of first Indian talkie ''[[Alam Ara]]'' (1931) were lost, it is also the earliest surviving talkie of Indian cinema.<ref>''Looking back, 1896-1960'', by Rani Burra. Pub. [[Directorate of Film Festivals]], [[Ministry of Information and Broadcasting (India)|Ministry of Information and Broadcasting]], 1981. p. ''42''.</ref> |
After the 2003 fire at the [[National Archives of India]], [[Pune]] in which prints of first Indian talkie ''[[Alam Ara]]'' (1931) were lost, it is also the earliest surviving talkie of Indian cinema.<ref>''Looking back, 1896-1960'', by Rani Burra. Pub. [[Directorate of Film Festivals]], [[Ministry of Information and Broadcasting (India)|Ministry of Information and Broadcasting]], 1981. p. ''42''.</ref><ref>{{Cite web|last=Swamy|first=Rohan|date=2013-05-15|title=We were lucky that we could save Ayodhyecha Raja: Anil Damle|url=https://indianexpress.com/article/cities/pune/we-were-lucky-that-we-could-save-ayodhyecha-raja-anil-damle/|url-status=live|archive-url=https://web.archive.org/web/20210109074407/https://indianexpress.com/article/cities/pune/we-were-lucky-that-we-could-save-ayodhyecha-raja-anil-damle/|archive-date=2021-01-09|access-date=2021-01-09|website=The Indian Express|language=en}}</ref> |
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==Cast== |
==Cast== |
Revision as of 07:45, 9 January 2021
Ayodhyecha Raja | |
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अयोध्येचा राजा | |
Directed by | Shantaram Rajaram Vankudre (V. Shantaram) |
Written by | N.V. Kulkarni (story and screenplay) |
Produced by | Prabhat Film Company |
Starring | Govindrao Tembe Durga Khote Baburao Pendharkar Master Vinayak |
Cinematography | Keshavrao Dhaiber |
Edited by | Rajaram Vankudre Shantaram |
Music by | Govindrao Tembe |
Production company | |
Release date |
|
Running time | 146 min |
Country | India |
Languages | Marathi Hindi |
Ayodhyecha Raja, literally "The King of Ayodhya", was the first Marathi talkie, released in 1932,[1] directed by Shantaram Rajaram Vankudre.[2] It is based on the mythological story of Raja Harishchandra of Ayodhya and his test by sage Vishwamitra, as recounted in Valmiki's epic, Ramayana.[3]
The film was also made as a double-version, Ayodhya Ka Raja (1932) in Hindi, making it the first double version talkie of Indian cinema, wherein Munshi Ismail Farooque wrote the Hindi dialogue, while screenwriter N.V. Kulkarni also did Marathi dialogue.[4] India's first full-length feature film, Raja Harishchandra (1913), was also made on the same storyline.
Significance
The film was not just Prabhat Film Company's first talkie film,[5] but also for its director, V. Shantaram.[6] In its time, it was a leap not just in sound, song and dialogue quality and became a hit. Eventually, it turned out to be a social leap as well for the film industry, as the entry of Durga Khote, who belonged to an upper class and elite Brahmin family into Marathi cinema, paved way for other women from upper classes to enter cinema.[7] V. Shantaram made another version film, Duniya Na Mane (Kunku in Marathi) in 1937.
After the 2003 fire at the National Archives of India, Pune in which prints of first Indian talkie Alam Ara (1931) were lost, it is also the earliest surviving talkie of Indian cinema.[8][9]
Cast
- Govindrao Tembe as Harishchandra
- Mrs Durga Khote as Taramati
- Digambar as Rohitashwa
- Nimbalkar as Vishwamitra
- B.Desai as Jatadhar
- Sushila as Maid Queen
- B.Pendharkar as Ganganath
- Vinayak as Narad
- Domb as Mane
Soundtrack
Ayodhyecha Raja has music by Govindrao Tembe:
- "Shiv Shankara, Girjavaran"
- "Jai Jai Rajadiraj"; singer: Vasant Desai[7]
References
- ^ Meera Kosambi (5 July 2017). Gender, Culture, and Performance: Marathi Theatre and Cinema before Independence. Taylor & Francis. pp. 54–. ISBN 978-1-351-56589-9.
- ^ Gokulsing, K.; Wimal Dissanayake (2004). Indian popular cinema: a narrative of cultural change. Trentham Books. p. 24. ISBN 1-85856-329-1.
- ^ "Ayodhyecha Raja (1932)". The New York Times.
- ^ The Firsts of Indian Cinema: Milestones from 1896-2000 Archived 19 July 2011 at the Wayback Machine Film and Television Producers Guild of India
- ^ "Tribute: Remembering the pioneer". Screen. 8 December 2000. Archived from the original on 14 July 2008.
- ^ Lloyd, Ann; David Robinson (1987). The Illustrated history of the cinema. Macmillan. p. 384. ISBN 0-02-919241-2.
- ^ a b Ranade, Ashok Da. (2006). Hindi Film Song: Music Beyond Boundaries. Bibliophile South Asia. pp. 110, 229. ISBN 81-85002-64-9.
- ^ Looking back, 1896-1960, by Rani Burra. Pub. Directorate of Film Festivals, Ministry of Information and Broadcasting, 1981. p. 42.
- ^ Swamy, Rohan (15 May 2013). "We were lucky that we could save Ayodhyecha Raja: Anil Damle". The Indian Express. Archived from the original on 9 January 2021. Retrieved 9 January 2021.
External links
- 1932 films
- Marathi-language films
- Indian films
- Indian black-and-white films
- Films about Raja Harishchandra
- Prabhat Film Company films
- Films directed by V. Shantaram
- Indian historical drama films
- 1930s historical drama films
- 1932 multilingual films
- Indian multilingual films
- 1930s Marathi-language films
- 1932 drama films