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Tank Girl

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For the film, see Tank Girl (film)
File:TankGirlCover.jpg
cover art to Tank Girl: The Odyssey

Tank Girl is a British comic character drawn by Jamie Hewlett, and written by Alan Martin, with later writing by Peter Milligan.

As the name suggests, Tank Girl drives a tank, which is also her home. She undertakes a series of missions for a nebulous organization before making a serious mistake and being declared an outlaw.

The comic's style being heavily influenced by punk visual art, later strips were deeply disorganized, anarchic, absurdist, and frequently psychedelic, featuring various elements of surrealist techniques, fanzines, collage, cut-up technique, stream of consciousness, and metafiction, with very little regard or interest for conventional plot or committed narrative. The strip was initially set in a stylized post-apocalyptic Australia (indeed, Hewlett and Martin have described her as "Mad Max designed by Vivienne Westwood"), although it drew heavily from contemporary British pop culture. Real-life celebrities were commonly cameoed (usually B list, from Britpop bands and UK children's TV, although on one occasion Tank Girl did headbutt Princess Diana and steal her tiara).

Characters

  • Rebecca Buck, aka Tank Girl. According to her own herstory included as a preface to one of the books, her first words were "cauliflower penis". When she was 7, she started a collection of novelty pencil sharpeners (the collection is now housed in the National Museum of Modern Pencil Sharpeners, Sydney). She later became a tank pilot and worked as a bounty hunter before shooting a heavily decorated officer, having mistaken him for her father, and failing to deliver colostomy bags to President Hogan, the incontinent Head of State in Australia, resulting in him publicly embarrassing himself at a large international trade conference (making front page news), and so making Tank Girl an outlaw with a multi-million dollar bounty on her head, which doesn't seem to bother her much. Prone to random acts of sex and violence, hair dyeing, flatulence, nose-picking, vomiting, spitting, and more than occasional drunkenness. Has the ability to outrun any ice-cream van - even Mr. Whippy
  • Booga: a nymphomanic mutated kangaroo, formerly quite a successful toy designer of "products Santa would've sacrificed a reindeer for", and presently Tank Girl's devoted boyfriend, whom she met when he snuck into her tank one night to pinch a pair of her knickers, only to fall in love. Big Dame Edna fan who once impersonated Bill Clinton. Always does the cooking, particularly the great British institution of tea, much to his protest. Follows TG everywhere and does whatever she tells him, by his own admission
  • the talking stuffed animals:
  • Camp Koala: a stitchy, brown, gay, koala-shaped rucksack described as "the Jeremy Thorpe of comics", whom TG sodomizes with a hot banana. Died tragically when they were playing baseball with live hand grenades which Camp eagerly caught in the outfield, exploding on impact. After a tearful funeral service, they go to a toy store and buy a new one, although the original's known for visiting occasionally as a guardian angel. He's the only character TG's ever admitted to loving
  • squeaky toy rat: a squeaky toy rat
  • Mr. Precocious: a "small Shakespearean mutant" who looks a bit like a mini bipedal pink elephant
  • Stevie, a wild-haired blond aborigine surfer-type chap who owns a convenience store and chain-smokes. Being TG's ex-fella, Booga is always a bit jealous of him
  • Barney: TG busted her out of a mental hospital, she's more or less insane (in The Odyssey, she was responsible for killing the whole lot, thereby sending them all to the land of the dead, from which TG was forced to save them by finding the Prince of Farts)
  • Sub Girl (real name unknown, although a trading card for the film once listed her real name as 'Subrina'). Described as "like a beautiful flower floating in the loo", she pilots a submarine that can operate both underwater and underground. A friend of TG's since childhood, she used to come round her house with Jet Girl and try on her mum's underwear
  • Jet Girl (real name unknown), a talented mechanic who flies a jet. She's the only girl, apart from Barney, with a full hippie head of hair (jet-black, naturally), and all her friends call her "boring" (she has admitted to being a big fan of Rod Stewart)
  • Tele: "child of Booga and Tank Girl. Made not begotten, from bits of old televisions, computers, corpses of washed up surfer boys", who considers Tank Girl more his father and Booga his mother (although later on, Tank Girl and Booga actually do get pregnant, the kid being born with a green chelsea and the lower half of his body an actual tank, as it's later revealed that TG cheated on Booga one night with her tank). Tele has a TV for a head, with which he can send signals to affect other television sets, making him the only character with an actual superpower. He only appeared in The Odyssey, so it's reasonable to assume that his name, apart from being short for the television he has for a noggin, is meant to allude to Telemachus. TG and Booga's first words after making this 'love-child' were, "Hey, Tele, make us a sandwich. And then get Starsky and Hutch for us."

History

Martin and Hewlett first met in the mid-80s when Martin was in a band with Philip Bond called the University Smalls, one of their favorite tracks of which was a song called "Rocket Girl". They had started using the suffix 'girl' to everything habitually after the release of the Supergirl movie, but Rocket Girl was a student at college who Bond had a giant crush on and apparently bore a striking resemblance to a Love and Rockets character. Hewlett and Bond hit it off straight away, but Martin was at first a little put off by Hewlett's habit of drawing huge penises on any paper he came across. (Martin is known for insisting in interviews that Hewlett's penis is 'hammer-shaped'.) They began collaborating on a comic/fanzine called Atomtan, and while working on this, Jamie had drawn

"a grotty looking heffer of a girl brandishing an unfeasible firearm. One of our friends was working on a project to design a pair of headphones and was basing his design on the type used by World War II tank driver. His studio was littered with loads of photocopies of combat vehicles. I pinched one of the images and gave it to Jamie who then stuck it behind his grotty girl illustrations and then added a logo which read 'Tank Girl'."[1]

The image was published in the fanzine as a one-page ad (with a caption that read: "SHE'LL BREAK YOUR BACK AND YOUR BALLS!"), but the Tank Girl series first appeared in the debut issue of Deadline (1988), a UK magazine intended as a forum for new comic talent, or as its publishers Brett Ewins and Tom Astor put it, "a forum for the wild, wacky and hitherto unpublishable," and it continued until the end of the magazine in 1995.

The characters themselves are influenced heavily by Jaime Hernandez's aforementioned Love and Rockets, an underground indie comic set in the 80s punk scene, and having emerged from this exact same alternative ethos of late 80s/early 90s, the TG characters have all since become indelible mascots for riot grrrl and queercore culture due to the fun, humorously anarchic, empoweringly sexual, surreal punk rock approach to the tough-girl archetype. (In fact, Tank Girl first appeared with a shaved head very reminiscent of the appearance of infamous punk writer Kathy Acker, who's been acknowledged by several riot grrrl bands like Huggy Bear as a source of inspiration.) Conversely however, Kathleen Hanna has been quoted in the liner notes of The Fakes record as being quite decidedly reluctant to accept this connection:

"AND ALSO being fake becomes super valuable if you are involved in a community that is currently under seige by the arbitraitors of language (the media) like i am so sure we're gonna belive that Tank Girl, a comic drawn by a guy, is truly radical... yeah, well, i'm a freak in three dimensions, o whatever. (his idea of who i am supposed to be is dripping sticky wet all over my skin, winona ryder, drew barrymore) what-fuckin-ever".

Nevertheless, Tank Girl grew quite popular in the politicized indie counterculture zeitgeist as a sort of cartoon mirror of the growing empowerment of women in punk rock culture. Posters and t-shirts began springing up everywhere, including one especially made for the Clause 28 march against Margaret Thatcher's legislation, which stated that a local authority "shall not intentionally promote homosexuality or publish material with the intention of promoting homosexuality" or "promote the teaching in any maintained school of the acceptability of homosexuality as a pretended family relationship".

With public interest growing, Penguin, the largest publishing company in Britain, bought the rights to collect the strips as a book, and before long, Tank Girl had been published in Spain, Italy, Germany, Scandinavia, Argentina, Brazil and Japan, with several US publishers fighting over the license. Finally Dark Horse Comics won out, and the strips were reprinted in color in an American publication, creatively called Tank Girl, beginning in '91, with an extended break in '92, and ending in September '93. A graphic novel-length story named Tank Girl: The Odyssey was also published in '95, written by Peter Milligan and loosely inspired by Homer's Odyssey, Joyce's Ulysses and a considerable quantity of junk TV, (although Milligan asserts in the preface that the story's entirely based on real events, inspired by the wanderings and adventures of a group of lost friends, all of whom appear in the pages under various pseudonyms). Another graphic novel called Tank Girl: Apocalypse, in which TG becomes pregnant, also appeared in '96, written by Alan Grant after spending several hours alone in the pitch-dark bowels of an actual tank, in a sort of sensory deprivation experience. It was also co-authored and drawn by Philip Bond, the chap with whom Martin was in a band when he first met co-creator Hewlett. These last two stories, being graphic novels and not compilations of the strips, are distinctly more linear in nature, Apocalypse having absolutely no involvement from either Martin or Hewlett (and being dramatically less well-received by fans).

Film

Main article: Tank Girl (film)

The comic was also adapted into a critically and financially unsuccessful film, albeit with a considerable cult following along with the far more widely acclaimed comics.

Martin and Hewlett are known for speaking poorly of the experience, calling it "a bit of a sore point" for them. Martin shrugs,

We had hardly any involvement until the very last minute when they realised that it really didn't look anything like the original comic and then they pulled in Jamie and Philip to pad it out with comic panels. Up until that point we'd kind of hoped that they knew what they were doing. They made a lot of noise as though they did know what they were doing, but when it came down to it it didn't look that way. To be honest they'd offered to make a film and at that point we were still a cult - Deadline was only selling 20 000 issues a month, which is just peanuts really - and the character wasn't really well known in America. So for someone to actually pick that up in the first place was a miracle and for them to then say: "You guys can write the script for us," knowing that we had no previous screenplay writing experience was impossible.

Hewlett has said:

The script was lousy - me and Alan kept rewriting it and putting Grange Hill jokes and Benny Hill jokes in, and they obviously weren't getting it. They forgot to film about ten major scenes so we had to animate them ... it was a horrible experience.[2]

Martin continues:

I can't remember the name of the film, but it was a heist movie about a bunch of guys digging their way through a sewer into a bank vault. At the moment they broke through, the lead character says, "Through the shit, to the stars." The experiences that Jamie and I had in Hollywood were almost the antithesis of that movie; it was like digging our way out of a loaded bank vault and into a shitty sewer.

The film did, however, broaden the comics' audience from a relatively modest UK cult following to an international audience.

The future of Tank Girl

After the film, Hewlett went on to make his fortune creating Gorillaz with Blur's Damon Albarn, a virtual band for which he reportedly received a 'big money' deal with Dreamworks recently to sell the rights so they could make a movie out of this creation too, but Hewlett declined, still soured by his previous Hollywood experience, and opting this time to wait until he could control things on the project himself.

Martin wandered around for a bit, staying at communes with hippie friends and looking for stone circles and ancient sites before settling on the Scottish Borders with his wife Lou and son Rufus Bodie (named after Lewis Collins' character in The Professionals), where he's written a Tank Girl novel (which is due for publication in 2007) as well as various screenplays and scripts. He is currently creating a new TG limited series (the first in over ten years) called Tank Girl: The Gifting with award-winning Australian artist Ashley Wood for British and American publishers, scheduled for release in May 2007.

We went to the comics graveyard and dug her up. She's smelling pretty bad, but we're gonna put her in a wheelbarrow and parade her around for all to see, anyway.[3]

Trivia

Publication history

  • Tank Girl Book 1 consists of the first 15 episodes, originally published in Deadline Magazine, starting Sept. '88, all originally in black and white.
  • Tank Girl Book 2 consists of the next 17 episodes, some colour, some black and white.
  • Tank Girl Book 3 rounds up a final 9 episodes, including some featuring Booga as the star. All in colour.

There are still some original Martin/Bond strips as yet uncollected.

  • Tank Girl - The Odyssey consists of 4 issues released between June and October 1995, published by DC's Vertigo imprint. These comics were printed in full colour.
  • Tank Girl - Apocalypse consists of 4 issues released between November 1995 and February 1996, published by DC's Vertigo imprint. Again these comics were in full colour.

A graphic novel adaptation of the movie was also released by Penguin books in 1995.

The entire back catalogue was reprinted by Titan books in 2002. These books are currently still available.

References

  1. ^ [1]
  2. ^ [2]
  3. ^ [3]
  4. ^ [4]
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