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This is an old revision of this page, as edited by Akhilleus (talk | contribs) at 08:49, 11 March 2006 (omnibus reply: varia). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

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Gerasimo Volterras?

A line just added has the initial paragraph of the article reading, "This identification dates back to at least 1903, when Gerasimos Volterras published his A Critical Study of Homeric Ithaca..."

Would someone who has read Volterras please confirm, and quote him? The reference to his work in the study (p. 77) says, simply,

"...a few other writers over the last 100 years have also considered Paliki as a possible solution to Strabo's comment that 'where the island is narrowest it forms an isthmus so low-lying that it is often submerged from sea to sea'. In 1903 the Palikian G. Volterras published a book in Greek entitled A Critical Study of Homeric Ithaca which made this proposal..."

Volterras full cite is: Volterras, Gerasimo. Kritiki Meleti peri Omerikis Ithakis (A Critical Study of Homeric Ithaca) (Athens: ?, 1903) -- I'd be interested to know the extent to which he really did identify Paliki as "Homer's Ithaca", and particularly how he did it, his methodology: did he use the Homeric text and if so which one, and did he identify sites on Paliki at all close geographically to those identified in the study?

The study (p. 78) says Tsimaratos also suggested the isthmus as "Strabo's Channel", but that he identified central Kefalonia as the site of "Ithaca" -- so it would be interesting to learn exactly where Volterras thought his "Ithaca" really was. The point really, I suppose, is the geology or lack of it: without that, plenty of places might look like "Ithaca".

I'll put the Volterras & Tsimaratos results up on Homer's Ithaca, if anyone comes up with anything. I ask the question here just because this latest edit here raises it. A full "peri Omerikis Ithakis" translation would be great to see, too; altho someone pls suggest what the copyright status of that would be?

--Kessler 23:16, 4 March 2006 (UTC)[reply]

omnibus reply

Since this page is getting so long (over 50k, and only three people participating) I'm going to put my thoughts in this section, rather than clutter up the page more with scattered replies.

My main objection to this article is that it advocates a particular theory of where Homeric Ithaka was, rather than impartially reporting on the theory. This isn't appropriate for a Wikipedia article; nor is the idea that you state above, "The whole point here is to assess that new study, as its further investigation goes forward, and your contribution might form an important part of the process." This is an encyclopedia, not a book review, nor an online seminar. Assessing the theory qualifies as original research, and the Wikipedia guidelines state quite clearly that this isn't the place for original research.

I've suggested some ways the article can be made NPOV: the best way, I think, is to have a single page where the various theories of the location of ancient Ithaca can be catalogued. If you look at the article impartially, I think you'll find it easy to whittle it down to fit in a Homer's Ithaca article; for instance, it is not necessary to include the question about the hilltop fortress in Lefkas, or in general, narrate the process that led to Bittlestone's findings. Just report the findings, and the content will be short; it will still be quite interesting.

To restate this objection: this article was created to advocate the theory that Paliki is the true location of Homer's Ithaca. Wikipedia isn't the right place for advocacy. That's a sufficient reason to edit this page, or preferably merge it with Homer's Ithaca. So the miles of verbiage that follow are in some degree superfluous, but here goes anyway:

It seems like you don't think this is advocacy: rather, you regard this theory as proven fact, and not just a fact, but a pivotal moment in Homeric studies--a paradigm shift. Since it is true and important, it deserves its own page. I have two responses: 1) it's not proven. 2) regardless of the theory's truth or falsity, it's not a paradigm shift.

1) it's not proven.

a) Bittlestone characterizes his work as "preliminary researches" (xvi) and as "Initial research to demonstrate the strength of this proposal". In Ch. 34, and at the website, he says that the research documented in Odysseus Unbound is phase A of a three-phase research plan. Even though he's made a strong case from geological evidence, more research into the ancient sea level needs to be done, and more research into the contours of "Strabo's channel" needs to be performed ("Phase B"). In Phase C, archaeological investigation of the proposed locations for sites like Odysseus' palace, the polis of Ithaca, etc., needs to be conducted. In other words, the identification is not yet definite.

b) Not everyone agrees. Here's a reaction to Odysseus Unbound from Professor John Luce (go to the end of the linked article):

  1. First, Paliki offers nothing to match the close conjunction in Ithaki of Homer's 'Raven's Crag' and the perennial watering place that L. takes to be Homer's 'Fountain of Arethusa'. Here one can see the 'Sharp Islands', with which (L. points out) Athena tells Odysseus' son Telemachus to mark the route of his return home, 'keeping well away from the islands' (which must include Cephalonia).
  2. B. cannot match in Paliki the 'Cave of the Nymphs' at Marmarospilia in central Ithaki, where 'sherds dedicated to the Nymphs have been found, and whose double entrance precisely matches Homer's description'.
  3. Polis Bay in the north of Ithaki bears a very unusual name which suggests that the chief settlement of ancient Ithaca was in that area. There is the 'Tripod Cave', where 13 magnificent bronze tripod cauldrons (9-8th C BC) were dedicated, strongly reminiscent of gifts given to Odysseus on his travels. 'Whoever dedicated them must have had at least a proto-Odyssey in mind which located the hero in Ithaki.

On the tripods on Ithaki, see also the historian and TV presenter Michael Wood--scroll down to the heading "Archaeological finds disprove theory": "What this proves is that the story was older than Homer; that the cult of Odysseus on today's Ithaca was already in existence in the ninth century BC, and it proves too that Homer had this very cave in Ithaca in mind when he composed the Odyssey. He may even have been there."

I'm not arguing that either Bittlestone or Luce or Wood is correct here, but that the existence of disagreement means that Bittlestone's identification is not regarded as proven fact.

c) Classics isn't an experimental science, so you can't just publish an article/book and regard something as proven. The community has to argue things out and some degree of acceptance has to occur (as I recall, Kuhn would say this is the way things work even in scientific communities). As an example, take Ventris' demonstration that Linear B recorded an early form of Greek--even though that was about as solid and scientific as things get in Classics, it still took awhile before that became the standard opinion. In 2006, of course, you can regard it as proven fact, but if you were writing an encyclopedia in 1956, the right tack to take would probably have been "An interesting new theory by Michael Ventris says....but it awaits confirmation." On the other hand, if in 1956 you were writing an article in the Journal for Hellenic Studies, then it would be time to argue vociferously that Linear B was Greek...and you would have been right.

Now, Bittlestone could be correct in every detail. An archaeological dig in a few years might find Odysseus' palace on Paliki. Until something like that happens, the majority of classicists will regard this theory as an interesting, but unproven, possibility. Until then, it seems best to adopt a more neutral tone in an encyclopedic article. To put this another way, the article shouldn't reflect an individual viewpoint, but the current state of the discipline...and right now, I don't think this article does that.

2) It's not a paradigm shift.

If we're going to see this through a Kuhnian lens--which might not make sense, since we're not dealing with an experimental science but a hermeneutic discipline--we should remember that not every new theory or finding causes a paradigm shift. Kuhn has a criterion of incommensurability--basically, the idea is that a paradigm shift occurs when a new way of looking at things and the old way are so incompatible that they can't be reasonably compared. This theory doesn't fit that criterion, for two reasons. First, Diggle's arguments for rejecting Ithaki as Homeric Ithaka are old chestnuts, except for his argument that nesos can mean "peninsula." However, the method he uses in that argument--and for every other argument he makes--are old-school philology. No new methodology there. That isn't a slight--Diggle's reputation as a textual critic is well-deserved. His editions of classical texts, esp. the OCT of Euripides, will be standards for at least a generation, and while it's possible to quarrel with his interpretations of the Odyssey, the quality of his procedure is undoubtable. But his arguments are not paradigm-shifting; he's using proven, standard techniques.

Second, the idea that the Odyssey faithfully represents the geography of Ithaca isn't new--Luce's 1998 book, which identifies Ithaki as Homeric Ithaka, argues that Homer's geography is perfect in every detail. Stubbings, in 1962 (A Companion to Homer) also thought Homer's geography was accurate--and he was largely following Victor Bérard (Les Phéniciens et l'Odyssée, 1902). Both of them identified Ithaka with modern Ithaki. Here's part of what Stubbings argues:

"It has, however, been pointed out by Victor Bérard that, as seen by someone approaching from the south or south-east, Ithaki does seem low by contrast with the very high mountains of Cephallenia behind it. It is from this aspect that Ithaki would be familiar to most of the ancient Greek world, and Bérard urges that the whole of the passage now under discussion is written from this standpoint."

The view that Homer's description of Ithaca is accurate is a mainstream position in classics. The idea that Paliki is Ithaca isn't a new one either (pp. 558-561). Bittlestone's protestations that classicists think that Homer is a geographic ninny are a standard rhetorical tack--a way of saying "what I'm doing is totally new"--but it's not accurate. He's not changing the terms of the debate, not introducing a radical new way at looking at Homeric geography. He's entering a debate that goes back farther than Strabo. He hasn't even found a totally unprecedented solution, but he has argued for it in a way that previous attempts haven't--better use of the methods of modern geology. This a good and praiseworthy thing. There is, however, ample precedent for using geological tools and methods in Greek (and Roman) archaeology, let's not overblow this research by calling it a paradigm shift.

It should also be noted that Homer's geography is an old subject in studies of the Iliad, and the same methodology--archaeology, geology, investigations of sedimentation, etc., plus good old-fashioned philology--has been used there. Luce is a good example, the more recent book of J. Latacz (2004) is also a good place to look. The larger question at stake is one of Homer's historical reliability--is he preserving an accurate memory of the Bronze Age? This is one of the most intensively studied questions in Homeric studies in the last two generations, and Moses Finley, Ian Morris, Gregory Nagy, Anthony Snodgrass, and many others have a lot to say about it.

So, Bittlestone is working in a long-established paradigm: where is Homer's Ithaca? Is Homer's geography accurate? If it is, what does that tell us about the poems? Bittlestone does not substantially reframe any of these questions. What he is doing is new, yes--he makes excellent use of advances in geology, but this is not a radically new way of doing archaeological research--it's not a new paradigm. To sum up, then, I don't think Odysseus Unbound is path-breaking enough to warrant a page of its own.

What would a paradigm shift in classics be? Well, as you've said, Schliemann's excavations--those changed the way everyone thinks about how historically accurate Homer's poems are (not that it's led to a consensus, but the terms of the debate were radically altered by the discovery of Troy, Mycenae, etc.). The definitive identification of the "real" Ithaca wouldn't alter the terms of that debate, but would add a wealth of new data to it. Other paradigm shifts: the decipherment of Linear B, the research of Parry and Lord into oral poetry. Note that even Nagy, who in my estimation is the most influential Homerist alive, should not in my opinion be credited with causing a paradigm shift--though he has made amazing advances, he is working in the footsteps of Parry and Lord.

Ok, that's more than anyone ever wanted to read, but I just wanted to make three smaller comments: it's entirely appropriate to refer to this as Bittlestone's idea. Odysseus Unbound is written in a very conversational, first-person voice (as you say, it's much more readable that way), and the "I" who speaks is clearly Robert Bittlestone. Diggle and Underhill only make first-person appearances in the appendices, otherwise they're quoted. Bittlestone owns this idea; and why shouldn't he? What he's done is impressive, even if I disagree with it. Note that Diggle attributes the theory to Bittlestone (B.): "I thought it was far too good to be true to be able to identify original Homeric sites on Paliki, but when I went there, I found B.'s analysis tremendously persuasive. I am prepared to say that I cannot controvert B. on any of his proposed locations."

Also, the image of classics profs reading Bittlestone over the holidays and waiting for someone to bring it up is hilarious. Also the notion that someone might be shouted down in a graduate seminar if they hadn't read it. (The idea of anybody being "shouted down" in a grad seminar is quite alien to any grad seminar I've experienced; I'm not sure what it means--are we supposed to be evaluated on our disciplinary purity or something?) Anyway, Homeric geography is not a towering concern right now--it's only a small part of the study of Homer's relationship to his historical background, which in turn is just one of the many things Homerists study. For instance, in one of the Homer seminars I took, questions of oral formulaic composition and Homer's use of myth consumed more time and interest than Homeric geography. If you look at Classics-L, an email list for academic classicists (easily googled), the purported discovery of Odysseus' tomb aroused more interest--though not necessarily friendly interest...

Finally, just for amusement, here are some other things Gregory Nagy has said about new books in classics, from the forwards of books in the series he edits for Cornell University Press: "The interpretive power of Muellner's insight, in all its simplicity, is astonishing. His book rebuilds the ancient listener's cognitive process of understanding a story through its sequence. Perhaps even more astonishing is Muellner's discovery that the patterning of mēnis in the Homeric Iliad is matched in the Hesiodic Theogony. In addition to striking parallels...Muellner's discovery lays the foundation for a redefinition of intertextuality in oral traditions. It also leads to a powerful new understanding of the main epic theme of the Iliad..." (G. Nagy, in L. Muellner, The Anger of Achilles, Cornell 1996).

"The poetics of recomposition-in-performance, which are reflected in the patterns of wording and word placement within the fundamental rhythmical unit of the dactylic hexameter, can now be further examined from both synchronic and diachronic perspectives. Bakker's own explorations of these questions mark a monumental advance in our understanding of Homeric discourse as a linguistic system...In the wake of Bakker's analysis, the classicist cannot help but read the Greek of Homer differently: the reader's understanding of practically every verse is affected--and enhanced." (G. Nagy, in E. Bakker, Poetry in Speech, Cornell 1997).

These are both excellent books, and Nagy's descriptions are correct. They illustrate that the way we read Homer changes with every new work of scholarship. Akhilleus 09:02, 5 March 2006 (UTC)[reply]


To me it seems detailed identification of the home of Odysseus on Paliki is of great interest, to a large number of Wikipedians: classicists among us, but also any of us interested in the various fields of investigation involved -- geology and several of its subfields, philology, history, the others I have mentioned -- as well as anyone simply interested in the Odyssey, Greece, "the ancient world", and so on.
The current study appears not to have met your personal standards of "proof", Akhilleus: in our exchanges up above I have tried to respond, with my own understanding of standards and methodology in these areas, to each of the points you have raised -- your reply to my points is this "omnibus" reiteration of your own point of view. But the study does meet the standards of the recognized experts I have mentioned, such as Harvard's Gregory Nagy, and Cambridge's James Diggle who in fact is a study co-author, and Underhill at Edinburgh ditto, so the balance of authorities for now rests with the Bittlestone/Diggle/Underhill study, it seems to me.
Several of your suggestions have addressed specific wording in the article, and changes have been made in it to respond to those suggestions. And changes will continue, this being Wikipedia: I'll be making some myself, and others will -- I'll go through carefully again now, for instance, to try to rectify any bias favoring the study, per your worry that it's still in there, as yes NPOV is an important thing here. The more general "Homer's Ithaca" article, too, will benefit from some of the interesting points you raise here in this "omnibus" comment: I'll add in there the references you make to some of these non-Paliki authors. You might consider doing an article yourself, on "Ithaki, Homer's Ithaca" for example, and / or on any of the others: "Lefkas, Homer's Ithaca" would be well worth a full article, I think, just for Dörpfeld's contributions alone -- or it's one I myself very much would like to read, anyway, if only to compare & contrast Dörpfeld's approach and methodology with those of the others.
But I suggest you and I leave our discussion of more general topics alone now, for a bit. As you point out, our debate is getting long, and it seems unlikely that you and I personally are going to agree on general things. So let's give others a chance to speak up and discuss here for a while.
--Kessler 17:38, 5 March 2006 (UTC)[reply]

Actually, my "omnibus reply" is not a reiteration--I supplied new data and made new arguments. Perhaps they were missed because I wrote at too great length?

One point I made is that my personal view of the truth or falsity of the identification is irrelevant: this article is not the place to prove or disprove that Paliki is ancient Ithaca.

What is relevant are the objections of experts in the field, like Luce and Wood. If we're going to revert to tossing credentials around, Luce is an eminent scholar, and the inclusion of Wood in the "Resources" list indicates his expertise. They've examined the theory, and made substantive and specific objections. Another example of scholarly disagreement is Mary Beard's review, listed in the "Resources" section, though she does think that the identification of Paliki is plausible. Let's add this review by Tom Palaima in the Times Higher Education Supplement:

"Odysseus Unbound is full of hypotheses and hunches, assumptions and leaps of faith. According to the results of Underhill's fieldwork, the first seismic event occurred anywhere between 2550BC and 750BC. If it were any time before, say, 1300BC, Bittlestone's game would be over. No problem.

Bittlestone declares: 'These ratio-derived dates are hardly precise: they are simply order-of-magnitude estimates.'"

(Incidently, I don't think we can conclude that much from the Nagy quote, which is a dust-jacket blurb--a hyperbolic genre, lacking in nuance. Nagy doesn't say whether the identification is correct or not. There are parts of OU Nagy certainly wouldn't agree with, like the model of the composition/transmission of the Odyssey in Ch. 33--unless he's decided to leave behind everything he's written about Homer.)

So, can we acknowledge that expert opinion disagrees on this identification? If so, it doesn't matter whether the "balance of authorities" lies with one theory or another; Wikipedia is not supposed to prove something true or false--instead, according to the NPOV policy, we're supposed to report all significant points of view. The current version of the article, however, only presents the Paliki identification without noting other theories or specific objections to OU.

Another factor contributing to the POV feel of the article is that it reports Bittlestone's arguments in excessive detail, including lists of identified sites with latitude and longitude coordinates. This article should report on the findings, not on the book. The arguments don't need to be reproduced--after all, there's a whole book for people to look at if they're intrigued. Readers do not need to know that B. was inspired by a tourist map, or puzzled by a hilltop fortress on Lefkas. Methodology need not be reported unless it is ground-breaking, and as described in the article, it doesn't seem so. As currently written, the philological method described is "we translated the Odyssey, made a list of some places it describes, and found them." And as I've (tiresomely) explained above, it doesn't seem to me that there's any new philological method at work here.

Finally, as I thought we'd established, this article isn't the place for a discussion of the composition and transmission of the Homeric poems. (N.b. any discussion of the transmission of the poems is automatically a discussion of their composition as well, because of the way in which the poems became transmissible as texts.) If it's necessary to say something along these lines, the Homer's Ithaca article is the place to talk about why anyone gives two cents about any of this controversy about Ithaca. But even then, it's excessive to write about the manuscript-printed-digital transition, or to quote Hugo and Eliot (no matter how inspiring the 4 Quartets are). Akhilleus 08:49, 11 March 2006 (UTC)[reply]