Skid Row (Irish band)
Skid Row | |
|---|---|
| Origin | Dublin, Ireland |
| Genres | Blues rock, psychedelic rock |
| Years active | October 1967–August 1972 |
| Labels | CBS |
| Past members | Brendan "Brush" Shiels Gary Moore Phil Lynott Noel "Nollaig" Bridgeman Bernard "Bernie" Cheevers Paul Chapman Robbie Brennan |
| Website | myspace.com/brushshiels |
Skid Row was a Dublin based blues rock band of the late 1960s and early 1970s, fronted by Brendan "Brush" Shiels. It was guitarist Gary Moore's first professional band.
History
The band was formed in August 1967, comprising Brendan 'Brush' Shiels on bass guitar (born in 1946, Dublin, Ireland - formerly of The Uptown Band), Noel 'Nollaig' Bridgeman on drums (born in 1947, Dublin - currently with Van Morrison), Bernard / Ben Cheevers on guitar (born in 1947, Dublin - formerly of The Intruders and Sugarshack),[1] and Phil Lynott on vocals. Brush Shiels and Ben Cheevers had played together in a number of groups in Dublin before forming Skid Row. The band's first gig was in September, 1967 in a basement club in Lower Abbey street in Dublin 1. Ben Cheevers left the band in September 1968 to continue working full-time in the electrical industry. Before his departure, the search for a suitably proficient guitarist resulted in Gary Moore joining the band as a fifth member. Gary Morre and Ben Cheevers both played in the band for a short 'hand-over' period. Robbie Brennan temporarily replaced original drummer Bridgeman until June 1969 and Cheevers was replaced by the 16-year-old Gary Moore in Mid 1968, and the band recorded a single, "New Places, Old Faces" / "Misdemeanour Dream Felicity", for the Irish 'Song Records' label (the only released recording of Lynott with Skid Row). Later that year Shiels dropped Lynott from the line-up, converting Skid Row to a power trio by making Sheils the lead vocalist.[2] By way of compensation, Shiels gave him a bass guitar he had bought from former musician Robert Ballagh for £49 in 1967 while with the Uptown Band, he taught Lynott to play bass, and after a stint with 'Orphanage' Lynott went on to international fame as founder, bassist and vocalist for Thin Lizzy.[3][4] The band recorded a second single for 'Song', "Saturday Morning Man" / "Mervyn Aldridge". These two singles, plus three tracks from a BBC recording, were issued on the 'Hux' label as Live and on Song in April 2006. At the end of 2006 a number of Skid Row demo tapes featuring Phil Lynott were discovered. These were his earliest recordings (from 1968) and had been presumed lost for decades.[5]
With the returning Bridgeman, Skid Row played support to some of the great rock groups of the 1960s, including Fleetwood Mac in January 1970. Moore was influenced by the Fleetwood Mac guitarist Peter Green, who was in turn impressed by Moore's guitar playing and introduced him to the Columbia/CBS record company. A third single, "Sandie’s Gone (Part 1)" / "Sandie’s Gone (Part 2)", was released on the band's new label in April 1970, and a number of sessions and concerts were also recorded for the BBC during this period. The band released its first album Skid, in October 1970. A second LP, entitled 34 Hours - so called because it took them a mere 34 hours to record it - was released in early 1971, preceded by the single "Night Of The Warm Witch" / "Mr. De-Luxe". Skid Row performed on the legendary German TV music show Beat Club on 18 March 1971. There were short tours of Europe (October 1970, with Canned Heat) and of the USA (October/November 1970 and August and October 1971).[6] A widely bootlegged show billed as "The Whiskey, Los Angeles, August 5, 1970", and featuring John Bonham as a guest, is more likely from August 1971.[7] A third album was recorded in the Autumn of 1971 but Moore left the band in December 1971 just before another planned US tour. He was temporarily replaced by Eric Bell (from Thin Lizzy) for some live appearances before Paul Chapman became the bands full-time guitarist. Moore later played with Thin Lizzy, replacing Eric Bell. Chapman overdubbed Moore's guitar tracks on the unreleased album but neither version was made public for almost twenty years. As the band faltered, Chapman left in July 1972 (later joining UFO). Shiels then teamed with drummer John Wilson (ex-Them, Taste and Stud) and future Sparks guitarist Adrian Fisher to form a band named simply 'Brush'.
Skid Row reformed in Ireland in 1973, initially with Shiels, Wilson, singer Eamonn Gibney (ex-Alyce) and guitarist Ed Deane, later adding keyboard player Kevin McAlea. The Shiels/Deane/Wilson line-up released the single "Dublin City Angels" / "Slow Down" (in 1971 according to Deane's website, but this seems too early).[8] John Wilson was replaced by Paddy Freeney before the band split again in early 1974. For the next few months Shiels played in the 'Bell-Brush Band' with Eric Bell and Timmy Creedon (drums, ex-Orphanage), sometimes joined by Eamonn Gibney. At the end of the year Shiels, Moore and Bridgeman briefly reunited for a series of gigs, and a 1975 line-up of Shiels (guitar/vocals), Bridgeman, Jimi Slevin (lead guitar/vocals, ex-Alyce, ex-Peggy's Leg) (born June 1950, Dublin), Timmy Creedon (second drummer/vocals) and Johann Brady (bass) recorded the Skid Row single "The Spanish Lady" / "Elvira".[9] In 1976 Jody Pollard (guitar, ex-Elmer Fudd) replaced Pat O'Farrell in a line-up with Shiels (vocals/mandolin), Bridgeman (drums), John Brady (bass) and Dave Gaynor (drums), recording the Phil Lynott-produced double A-sided single "Coming Home Again" / "Fight Your Heart Out" and unreleased track "Skid Row Flashback".[10] The 1976 double-disc live album of Rock n' Roll standards Alive And Kickin featured Shiels, Bridgeman, Brady, Pollard, Gaynor and Ian Anderson. In 1978 Pollard rejoined, this time replacing Eric Bell alongside Shiels, Bridgeman, Brady and Joe Staunton (guitar, ex-Orphanage).[10] John Brady was killed in a car accident during the 90s, whilst Phil Lynott died in January 1986 and Gary Moore died from a heart attack in February 2011. Skid Row had little commercial success outside Ireland and the UK, although Skid reached #30 on the UK Albums Chart.[11] More of their recorded material was released between 1990 and 2006.
It was reported that in 1987, Jon Bon Jovi asked Gary Moore to sell the name 'Skid Row' to the American heavy metal band for $35,000 (Bon Jovi part-owns the music publishing rights of this band). Lead singer Sebastian Bach recalled, "When (Skid Row) got signed to Atlantic, Gary Moore heard about it and said we could have the name for $35,000 U.S. dollars. 'We have to pay Gary Moore 35 grand to use the name,' and so we, as a band, did buy the name from Gary Moore. We were all glad to do it because it is a great name for a band. I remember saying, 'Wow, that's a lot of $, but we gotta do it!'"[12] However, Shiels maintains that Moore simply referred the band to Shiels to discuss the rights to the name, but that it was never followed up.[13] Shiels has said that he has always been unhappy at the group 'stealing their name', and said of their manager Doc McGhee, "he could be Doc Marten for all I know...but he's going to get a kick up the arse".[4] He still occasionally performs as 'Brush Shiels' Skid Row', as recently as February 2005. Bridgeman went on to perform studio work with Clannad, The Waterboys and Altan.
Brush Shiels returned to his Skid Row legacy once more releasing Mad Dog Woman (originally titled Skid Row Revisited) - an album of new material and re-recordings of Skid Row songs - through his website in June 2009. He also thanked the other Skid Row "for the generosity of spirit in acknowledging the contribution of the original Skid Row" by using the name.[14] In January 2012 Shiels issued a public request to Jon Bon Jovi via YouTube to contact him about the use the name 'Skid Row'. This was connected to Shiels having recently recovered the rights to his own songs recorded with the original Skid Row.[13]
They were managed in the 1970s by Oliver Byrne.
Discography
Albums
- Skid (CBS, October 1970) #30 UK
- 34 Hours (CBS, 1971)
- Alive and Kicking - 1976 live album of well known covers (RRL, June 1976)
- Skid Row (a.k.a. 'Dublin Gas Comy.') - CBS demos recorded early 1970 (CBS, 1983)
- Skid Row (a.k.a. 'Gary Moore/Brush Shiels/Noel Bridgeman') - Gary Moore version of the unreleased third album recorded late 1971 (Castle, 1990)
- Live And On Song - Both sides of Skid Row's first two singles on the Song label recorded 1969, plus a BBC 'In Concert' recording from 1971 (Hux, 2006)
- Bon Jovi Never Rang Me (Bruised Records, 2012)
Singles
- "New Places, Old Faces" / "Misdemeanour Dream Felicity" (Song Records, 1969)
- "Saturday Morning Man" / "Mervyn Aldridge" (Song Records, 1969)
- "Sandie’s Gone (Part 1)" / "Sandie’s Gone (Part 2)" (CBS, April 1970)
- "Night Of The Warm Witch" / "Mr. De-Luxe" (CBS, April 1971)
- "Living One Day At A Time" / "Girl from Dublin City" (CBS, February 1972)[15]
- "Dublin City Girls" / "Slow Down" (1973?)[8]
- "The Spanish Lady" / "Elvira" (1975?)[9]
- "Coming Home Again" / "Fight Your Heart Out" (1976?)[10]
- "House Of The Rising Sun" / "Buckfast Tonic" / "Let It Roll" (1981)[16]
- "Mr. Diablo" / "Bring Them Back Alive" (1989)[16][17]
- "Comin' Home Again" / "Flight Of Earls" (1990)
References
- ^ The Intruders
- ^ A Brief History of Skid Row on the Brush Shiels - Skid Row website
- ^ Hot Press: Special Philip Lynott Issue (24 February 2011)
- ^ a b Brush Shiels Tripod page
- ^ Fans' joy as Lynott demos unearthed
- ^ Skid Row tour dates, 1971
- ^ The Gary Moore Bible
- ^ a b Ed Deane discography
- ^ a b Jimi Slevin website (including audio samples of his single with Skid Row)
- ^ a b c Jody Pollard website
- ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 505. ISBN 1-904994-10-5.
- ^ Sebastian Bach on the BlabberMouth.Net website
- ^ a b Did Bon Jovi give Skid Row a 'Bad Name'? - Examiner.com (17 January 2012)
- ^ Brush Shiels on MySpace Music
- ^ Skid Row at Irish Showbands.com
- ^ a b Skid Row discography
- ^ Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. p. 887. ISBN 1-84195-017-3.
External links
