Swarmandal
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The swarmandal (Template:Lang-hi [s̪ʋərmən̪ɖəl̪]), surmandal or Indian harp is a plucked board zither, originating from the Indian subcontinent, similar to the qanun that is today most commonly used as an accompanying instrument for vocal Indian classical music.[1] It is part of the culture of Northern India, used in concerts to accompany vocal music.[2] The name combines Sanscrit words svara (notes) and maṇḍala (circle),[1] representing its ability to produce many notes. The instrument may be the same as the 13th century 21-string instrument called the mattakokilā (intoxicated cuckoo).[3] The instrument was seen as equivalent by Ā'īn-i-akbarī in the Mughal period to the qanun.[1]
Modern swarmandals are similar to European psaltries. Autoharps are used as an equivalent instrument in India today, especially with the chord-button mechanism taken out. Modern swarmandals are "trapezoid or semi-trapezoid", and measure about 20 inches in length and 11 in width. Instruments may have as many as 40 strings; older instruments from the 19th century were recorded as having 21 strings.[1][4] The strings are hooked in a nail lodged in the right edge of the swarmandal and on the left are wound around tuning pegs which can be tightened with a special key.[1] Wooden pegs were used instead of metal ones in the medieval period. A sharp 1⁄2-inch (13 mm) ridge on both sides of the swarmandal stands a little apart from the nails on which the strings are tightened. This ridge functions as a bridge on both sides. The swarmandal is similar to the autoharp or zither in many respects.
In the 19th century, a writer commented that good performances on the instrument were rare, because the instrument was difficult to play, and at the time was expensive to buy.[4] Today, there are modern artists who have performed with the instrument. Some of the vocalists who have used this instrument extensively are Bade Ghulam Ali Khan (1902–1968), Salamat Ali Khan (1934–2003), Jasraj (b. 1930), Kishori Amonkar (1932–2017), Rashid Khan (b. 1966) and Ajoy Chakrabarty (b. 1952). Other vocalists such as Amir Khan have played around with it privately but preferred the simpler, less intrusive tanpura for accompaniment.
The Beatles' 1967 single "Strawberry Fields Forever" features a swarmandal, played by George Harrison, as does "Within You Without You" (played by Indian musicians), from the band's Sgt. Pepper's Lonely Hearts Club Band album.[5][6]
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Bad Ghulam Ali Khan featured on a Indian stamp with the swarmandala.
See also
References
- ^ a b c d e Alastair Dick (1984). "Swarmandal". In Sadie, Stanley (ed.). The New Grove Dictionary of Musical Instruments. p. 477. Volume 3.
- ^ "SWARMANDAL". Government of India.
- ^ Sadie, Stanley, ed. (1984). "Surmandal". The New Grove Dictionary of Musical Instruments. p. 477. Volume 3.
in...Sangītaratnākara, a chordophone with 21 strings...is mentioned...does not make it clear whether this was a board zither or even whether the author had actually seen one...may have been a...harp-vīnā...
- ^ a b Charles Russell Day (1891). "Plate VIII Svarmandala". The music and musical instruments of southern India and the Deccan. New York & London: Novello, Ewer & Company. pp. 131–134.
- ^ Ryan Reed (31 August 2019). "Paul on Drums, George on Bass: 10 Great Beatles Instrument Swaps". Rolling Stone Magazine.
"Strawberry Fields Forever,"... McCartney adds Mellotron and booming timpani; Lennon supplements his inquisitive acoustic guitar progression with piano and bongos; Ringo pounds home decorative drum fills; and Harrison sneaks in descending lines with the swarmandal, an Indian harp
- ^ Richard Havers (15 March 2021). "The Making Of George Harrison's 'Within You Without You'". U Discover Music.
George was the only Beatle in the studio that day, and it's him and Neil Aspinall playing tamburas, with the dilruba and swarmandal played by Indian musicians...