Marie-Victoire Lemoine
Marie-Victoire Lemoine | |
---|---|
Born | 1754 Paris, France |
Died | 2 December 1820 Paris, France | (aged 65–66)
Nationality | French |
Known for | Painting |
Marie-Victoire Lemoine (French: [ma.ʁi vik.twaʁ lə.mwan]; 1754 – 2 December 1820) was a French classicist painter.
Life
Born in Paris, Marie-Victoire Lemoine was the eldest daughter of four sisters to Charles Lemoine and Marie-Anne Rousselle.[1] Her sisters, Marie-Denise Villers and Marie-Élisabeth Gabiou, also became painters. She was first cousins with Jeanne-Elisabeth Chaudet through her Mother's side.[1] Unlike her sisters, she remained unmarried and became one of the few women in contemporary art that made a living through painting.
She was a student of François-Guillaume Ménageot in the early 1770s, with whom she lived and worked in a house acquired by the art dealer Jean-Baptiste-Pierre Lebrun, next to the studio of Élisabeth-Louise Vigée-Le Brun (1755–1842), France's leading woman painter. From 1779, Marie-Victoire Lemoine lived in her parents' home until she moved in with her sister Marie-Elisabeth, where she remained even after her sister's death. She died six years after her last exhibition, aged sixty-six. At the time of her death, she only left 10 Francs in cash and clothing and Linen valued at 181 Francs and 50 Centimes,[1] which amounts to only $40.66 U.S dollars in cash and $4,290.68 for the clothing and Linen in today's currency.[2]
Work
Marie-Victoire Lemoine mainly painted portraits, miniatures, and genre scenes.[3] Lemoine set up her first salon in 1774.[4] She took part in numerous Salons,[5] for example, her first solo exhibition was held at Pahin de la Blancherie's Salon de Correspondance in 1779,[6] where she exhibited a now untraced portrait of the Princess Lamballe (57 x 45 cm).[7] Following this salon, she continued to display her works of art to the public in the salons of 1796, 1798, 1799, 1802, 1804 and 1814.
-
Marie-Victoire Lemoine's The Interior of an Atelier of a Woman Painter, at first interpreted as Vigée Le Brun with a student. Later interpretation is that the subject is Marie-Victoire herself with her sister Marie-Elisabeth[8]
-
The Two Sisters
-
Marie-Victoire Lemoine (attr) Portrait of a boy feeding two birds
-
Portrait of Zamor
References
- ^ a b c Oppenheimer, Margaret (1996). Women Artists in Paris. Ann Arbor, Michigan: UMI Company. pp. 143–144, 222–224.
- ^ "$1.72 in 1820 → 2021 | Inflation Calculator". www.officialdata.org. Retrieved 2021-12-01.
- ^ Bachmann, Donna G., Piland, Sherry (1994). Woman artists: an historical, contemporary, and feminist bibliography. Scarecrow Press. pp. 158–159.
{{cite book}}
: CS1 maint: multiple names: authors list (link) - ^ Vigué, Jordi (2003). Great Women Masters of Art. New York, New York: Watson-Guptill. pp. 159–162.
- ^ "Marie Victoire Lemoine | The Interior of an Atelier of a Woman Painter | The Met". The Metropolitan Museum of Art, i.e. The Met Museum. Retrieved 2017-03-08.
- ^ Auricchio, Laura (2002-01-01). "Pahin de la Blancherie's Commercial Cabinet of Curiosity (1779–87)". Eighteenth-Century Studies. 36 (1): 47–61. doi:10.1353/ecs.2002.0050. JSTOR 30053338. S2CID 162042216.
- ^ Bobko, Jane (2012). Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections. Washington, DC: National Museum of Women in the Arts. pp. 143–144.
- ^ "The Interior of an Atelier of a Woman Painter". The Met. Retrieved 2020-06-16.