Kisapmata (film)
| Kisapmata | |
|---|---|
 | |
| Directed by | Mike de Leon |
| Written by |
|
| Based on | "The House on Zapote Street" by Quijano de Manila |
| Produced by |
|
| Starring | |
| Cinematography | Rody Lacap |
| Edited by | Jess Navarro |
| Music by | Lorrie Ilustre |
Production company | Bancom Audiovision |
| Distributed by | Bancom Audiovision |
Release date | 25 December 1981 |
Running time | 98 minutes |
| Country | Philippines |
| Language | Filipino |
Kisapmata (lit. 'Blink') is a 1981 Filipino psychological horror film directed by Mike de Leon, written for the screen by De Leon, Clodualdo del Mundo Jr., and Raquel Villavicencio. The plot was inspired by Quijano de Manila's January 1961 article "The House on Zapote Street", which first appeared on an issue of the Philippines Free Press magazine and was later republished in de Manila's non-fiction crime anthology, Reportage on Crime (1977).[1][2] It starred Vic Silayan, Charo Santos, Jay Ilagan, and Charito Solis.
Released during the 7th Metro Manila Film Festival, the film barely broke even at the box office. However, it received unanimous critical acclaim, establishing De Leon as one of the great directors of the new generation. It eventually won the festival's most coveted title of "Best Film," garnered ten major awards in FAMAS, was presented at the 1982 Cannes Film Festival at the Directors' Fortnight, and was adjudged by the Manunuri ng Pelikulang Pilipino as one of the Ten Best Films of the 1980s.
It was the first major treatment of incest in Philippine cinema, which was considered daring for its time. Other strong subject matters covered were murder, suicide and parricide.
Plot
Dadong Carandang (Vic Silayan), a retired police officer, is the domineering father of Mila (Charo Santos), and he is extremely jealous of the latter's suitors, never allowing them into his house. One day, Mila falls in love with Noel Manalansan (Jay Ilagan) and they decide to seek Dadong's permission to get married. Mila finds out she is pregnant. Dadong agrees on the condition that Noel pay a ridiculously costly dowry as well as shoulder a luxurious wedding. Noel agrees and works hard to meet Dadong's demands.
After the wedding, Dadong insists that the couple stay in his house. Despite protestations by the couple, they acquiesce. The couple is not allowed to sleep together for various reasons, i.e., that Mila's mother Dely (Charito Solis) is sick and Mila needs to comfort her through the night. Noel is forced to leave the house after Dadong doesn't let him inside one evening.
Mila eventually decides to escape with Noel's help. They are hunted by Dadong, to no avail. One day Dadong changes his tactic and makes some compromises to bring them back. Eventually, the couple decides to go back to Dadong's house, but only to gather their belongings. Dadong pleads with Mila not to leave as it is revealed that he has been carrying out an incestuous relationship with his daughter all along, and the baby might be his. When Mila and Noel stand firm on leaving, Dadong is driven to desperation and brings out his gun, shooting Dely, Noel, and then finally, Mila. As his last act, he shoots himself.
Cast
- Vic Silayan as Sgt. Diosdado "Dadong" Carandang
- Charo Santos as Mila Carandang
- Jay Ilagan as Noel Manalansan
- Charito Solis as Dely Carandang
- Ruben Rustia as Peping Manalasan
- Carlito Gonzaga as Bonoy Carandang
- Aida Carmona as Onyang
- Juan Rodrigo as Ernie
- Cora Alforja as Cynthia
- Dindo Angeles as Mario
- Ray Villania as Eddie
- Edwin O'Hara as Police officer 1
- Mandy Bustamante as Police officer 2
- Crisanta Cruz as Pinty Manalansan
- Mely Mallari as Diomy
- Monette Alfon as Landlady
- Teresita R. Sanchez as Dra. Trinidad
- Larry Bugarin as Ayie
Production
![[icon]](/enwiki/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (June 2014) |
Kisapmata was inspired by an incident which occurred on the afternoon of January 17, 1961, when forensics detective Pablo Cabading of the Manila Police Department murdered both his daughter and son-in-law at his residence in 1074 Zapote Street, Makati. The screenplay was written by Mike De Leon, Doy del Mundo, and Raquel Villavicencio; the same team who previously collaborated on Kakabakaba Ka Ba (1980) and would later work on Batch '81 (1982). Del Mundo wrote dialogue for the male characters, while Villavicencio wrote for the female characters; with De Leon unifying the script through his concept. Filming was completed in one year, a rarity at a time when Filipino films were typically finished in two months.[3]
Reception
Box office
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At the start of the Metro Manila Film Festival in 1981, Kisapmata was 10th of 10 films at the box office. After it swept the awards at the festival, it climbed into the top three at the box office.[4]
Critical response
| This section needs expansion. You can help by adding to it. (June 2014) |
Mel Tobias wrote of Kisapmata, "this complex and remarkably modulated film may be De Leon’s finest work."[3]
The movie is "de Leon’s masterpiece," wrote Oggs Cruz. "It is clear that the characters in De Leon's film are real human beings—they work, they interact with other people, they have needs and ambitions. It is that factor that turns this nightmare even far more chilling than Hitchcock's Psycho."[5]
"Even after all this time, the film continues to unsettle, not only because De Leon gives us a very real monster that anticipates many of the paternalistic ogres that continue to dominate our lives—in one form or the other—today, but rather because it shows us a world where he can exist: our own," wrote Erwin Romulo.[6] Romulo says of Silayan's character, "the way he’s portrayed by Vic Silayan makes him also very human, all too unmistakably so, and perhaps all the more terrifying because we realize how familiar we already are with his features."[6]
Accolades
It won a total of eight Gawan Urian Awards and received one FAMAS award nomination.
| Year | Group | Category | Name | Result |
|---|---|---|---|---|
| 1981 | Metro Manila Film Festival[7] | Best Film | Kisapmata | Won |
| Best Director | Mike De Leon | Won | ||
| Best Actor | Vic Silayan | Won | ||
| Best Supporting Actor | Jay Ilagan | Won | ||
| Best Supporting Actress | Charito Solis | Won | ||
| Best Screenplay | Clodualdo del Mundo, Jr., Raquel Villavicencio, and Mike De Leon | Won | ||
| Best Story | Clodualdo del Mundo, Jr., Raquel Villavicencio, and Mike De Leon | Won | ||
| Best Editing | Jess Navarro and Ben Pelayo | Won | ||
| Best Production Design | Cesar Hernando | Won | ||
| Best Sound Engineering | Ramon Reyes | Won |
See also
References
- ^ Calimlim, Aldrin (October 27, 2016). "Inquirer's Guyito a symbol of hope in filmmaker's fight for free cinema". CNN Philippines. Retrieved December 16, 2019.
- ^ Romulo, Erwin T. (February 26, 2010). "Pop crimes: Quijano de Manila's 'Reportage on Crime'". The Philippine Star. Retrieved December 16, 2019.
- ^ a b Tobias, Mel (1998). One Hundred Acclaimed Tagalog Movies: Sineng Mundo, Best of Philippine Cinema. Vancouver: Peanut Butter Pub. ISBN 0897168100. OCLC 38949816.
- ^ Cruz, Marinel R.; San Diego, Bayani (December 15, 2017). "Inquirer's Guyito a symbol of hope in filmmaker's fight for free cinema". Inquirer. Retrieved June 24, 2018.
- ^ Cruz, Oggs (October 27, 2006). "Kisapmata (1982)". Lessons From the School of Inattention. Retrieved June 24, 2018.
- ^ a b "Remembering the Second Golden Age of Philippine cinema". CNN Philippines. September 23, 2016. Retrieved June 24, 2018.
- ^ "Metro Manila Film Festival (1981)". IMDb. Retrieved April 9, 2014.
