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Juan Esteban Pérez Daza

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Juan Esteban Pérez Daza, who signs his works as Esteban, J. Esteban, or Esteban Pérez, is a painter and visual artist. He was born in Santiago, Chile, on November 15, 1939. He studied at the University of Chile’s School of Applied Arts and graduated in 1963. In 1965, he moved to the United States and settled in New York.[1] He uses enamel on steel to create compositions that illuminate the beauty of color and light.[2]

Awards and Distinctions

  • 1963 Second Prize in Painting, Art & Technique Exhibition, Santiago, Chile.
  • 1969 Second Prize in Crafts, Juried Exhibition, Westchester Art Society, Westchester, United States.
  • 1970 Acquisition Prize, Everson Museum de Syracuse, New York, United States.
  • 1982 Enamel Today Award of Merit from Enamel Guild, National Exhibition, The Northwest Craft Center, Seattle, Washington, United States.
  • 1991 Contest for a mural in the Port Authority of New York, United States.[1]

Works in Public Collections

Museo Nacional de Bellas Artes, Santiago, Chile

  • Fantasía Nocturna, 1977, enamel on metal, 42 x 42 cm
  • Alborada Rosa, 1977, enamel on metal, 42 x 42 cm

Museo de Artes Visuales, Mavi, Santiago, Chile

  • Untitled, 1968, enamel on metal, 41 x 41 cm
  • Untitled, 1968, enamel on metal, 41 x 41 cm

Colleción IBM, Santiago, Chile

  • Untitled, enamel on metal, 60 x 60 cm
  • Untitled, enamel on metal, 60 x 60 cm

Consulate of the Republic of Chile, Washington D.C., United States

  • Untitled, enamel on metal, 50 x 50 cm
  • Untitled, enamel on metal, 50 x 50 cm

Everson Museum, Syracuse, New York, United States

Centro de Bellas Artes, Maracaibo, Venezuela

Port Authority Bus Terminal, New York City, United States

  • Constructivist Space Drawing, mural-wall sculpture, porcelain enamel on steel, 32' x 8' x 4[1]

Yale University Art Gallery, New Haven, Connecticut, United States

  • Flying Experiment, enamel on copper, 20 x 20 cm[3]

Exhibitions

Individual Exhibitions

  • 1964 Beaux Arts Gallery, Santiago, Chile.
  • 1969 Metarco Galleries, New York City, United States.
  • 1970 Enamels, US Too Studio, Fairfax, Virginia, United States.
  • 1974 Knoll International, Washington D.C., United States.
  • 1975 Nueva Vision, Caracas, Venezuela.
  • 1976 Knoll International, Washington D.C., United States.
  • 1976 Taller Guayasamín, Caracas, Venezuela.
  • 1977 Sala de Exhibiciones Skriba, Santiago, Chile.
  • 1979 Centro Bellas Artes, Maracaibo, Venezuela.
  • 1980 Sutton Gallery, New York City, United States.
  • 1985 Pierre Antoine Gallery, Washington D.C., United States.
  • 1986 Pierre Antoine Gallery, Washington D.C., United States.
  • 1987 Pierre Antoine Gallery, Washington D.C., United States.
  • 1991 Cucalon Gallery, Art Miami '91, International Art Exposition, Miami, United States.

Group Exhibitions

  • 1963 First Art Fair, Santiago, Chile.
  • 1963 Art & Technique Exhibition, Santiago, Chile.
  • 1963 Beaux Arts Gallery, Santiago, Chile.
  • 1964 Beaux Arts Gallery, Santiago, Chile.
  • 1964 Second Art Fair, Santiago, Chile.
  • 1968 Metarco Galleries, New York, United States.
  • 1968 Couturier Gallery, Stamford, Connecticut, United States.
  • 1969 Bonfoey Gallery, Cleveland, United States.
  • 1969 Fisher Gallery, Cleveland, Ohio, United States.
  • 1969 Westchester Art Society, Westchester, New York, United States.
  • 1969 Metarco Galleries, New York, United States.
  • 1969 Palette Gallery, Palm Springs, California, United States.
  • 1970 Greenwich Library, Greenwich, CT, United States.
  • 1970 IDB Staff Association, World Monetary Fund, Washington D.C., United States.
  • 1970 Ceramics 70, Everson Museum, Syracuse, New York, United States.
  • 1970 Albany Museum of History and Art, Albany, New York, United States.
  • 1970 Couturier Gallery, Stamford, Conn., United States.
  • 1972 Three Enamelists, Adelphi University, Long Island, New York, United States.
  • 1972 Modern Latin American Art, Columbia University, New York, United States.
  • 1973 Ceramics International '73, Alberta, Canada.
  • 1974 Enamelist Guild, University of Maryland, MD, United States.
  • 1974 Couturier Gallery, Stamford, Connecticut, United States.
  • 1976 Looking Inside, Latin American presence in New York, New York Botanical Garden Museum, New York, United States.
  • 1976 Iman - New York, Center for Inter-American Relations, New York, United States.
  • 1976 Instituto Hispánico de Nueva York, United States.
  • 1977 El Objeto como Creación. Museo de Arte Contemporáneo, Universidad de Chile, Santiago, Chile.
  • 1978 Variations on Latin Themes in New York, Center for Inter-American Relations, New York, United States.
  • 1980 Sutton Gallery, New York City, United States.
  • 1981 Expo Arte 81, Latin America, La Paz, Bolivia.
  • 1982 Enamel Today, Enameling Symposium, National Juried Exhibition of Enamel on Metal, The Northwest Craft Center and Gallery, Seattle, Washington, United States.
  • 1983 Latin American Artist in the U.S. 1950-1970, Goodwin-Ternbach Museum, Queens College, New York, United States.
  • 1984 Couturier Gallery, Stamford, Connecticut, United States.
  • 1985 Pierre Antoine Gallery, Washington D.C., United States.
  • 1986 Plástica Chilena, Colección del Museo Nacional de Bellas Artes, Valdivia, Chile.
  • 1989 Sansar Gallery, Washington D.C., United States.
  • 1990 Works Gallery, Southhampton, New York, United States.
  • 1990 Cucalon Gallery, New York, United States.
  • 1991 Young Artist of the 1960’s, Couturier Gallery, Los Angeles, California, United States.
  • 1992 Souza-Edelstein Gallery, New York, United States.
  • 1993 Paulina Rieloff Gallery, New York, United States.
  • 1993 Cucalon Gallery, New York, United States.
  • 1993 Hopes and Dreams, Tweed Gallery, New York, United States.
  • 1993 Hopes and Dreams, The Tenement Museum, New York, United States.
  • 1996 Colección de Arte Contemporáneo chileno Edificio IBM, Museo Nacional de Bellas Artes, Santiago, Chile.[1]

References

  1. ^ a b c d "Juan Esteban Pérez". Museo Nacional de Bellas Artes. Museo Nacional de Bellas Artes. Retrieved November 4, 2022.
  2. ^ Bindis, Ricardo (2006). Chilean Painting: Two Hundred Years. Origo. p. 381. ISBN 9568077340.