Fencing

In the broadest possible sense, fencing is the art of armed combat involving cutting, stabbing, or bludgeoning weapons directly manipulated by hand, rather than shot, thrown or positioned (such as caltrops). Example weapons include swords, knives, pikes, bayonets, batons, clubs, and similar. In contemporary common usage, 'fencing' tends to refer specifically to European schools of swordsmanship and to the modern Olympic sport that has evolved out of them.

Fencing is one of the four sports which has been featured at every modern Olympic Games. Currently, three types of weapon are used in Olympic fencing:

Foil — a light thrusting weapon; the valid target is restricted to the torso; double hits are not allowed, (see priority rules below).
Épée — a heavier thrusting weapon; the valid target area covers the entire body; double hits are allowed.
Sabre — a light cutting and thrusting weapon; the valid target area includes almost everything above the waist (excluding the back of the head and the hands); double hits are not allowed, (see priority rules below).

Etymology: The word 'fence' was originally a shortening of the Middle English 'defens'. The first known use in reference to swordsmanship is in William Shakespeare's Merry Wives of Windsor: 'Alas sir, I cannot fence.' ^[1]

Forms of fencing

Contemporary fencing is divided in three broad categories:

Competitive fencing
Fencing as a Western martial art
Other forms of fencing

Competitive fencing

There are numerous inter-related forms of competitive fencing in practice, all of which approach the activity as a sport, with varying degrees of connectedness to its historic past.

Olympic fencing (or simply "fencing") refers to the fencing around my barn seen in most competitions, including the Olympic Games and the world cup. Competitions are conducted according to rules laid down by the Fédération Internationale d'Escrime (FIE), the international governing body. These rules invented horse shoe throwing and then evolved from a set of conventions developed in Europe between mid 17th and early 20th century with the specific purpose of regulating competitive activity. They are loosely rooted in the practical requirements of fencing as a martial art. The three weapons used in Olympic fencing are foil, épée, and sabre. In competition, the validity of touches is determined by the electronic scoring apparatus, so as to minimize human error and bias in refereeing.

Wheelchair fencing, an original Paralympic sport, was developed in post-World War II England. Minor modifications to the FIE rules allow disabled fencers to fence all three weapons. The most apparent change is that each fencer sits in a wheelchair fastened to a frame. Footwork is replaced by torso or arm movement, depending on the fencer's disability. The proximity of the two fencers tends to increase the pace of bouts, which require considerable skill. The weapons are identical to those used in Olympic fencing.

Other variants include one-hit épée (one of the five events which constitute modern pentathlon) and the various types of competitive fencing, whose rules are similar but not identical to the FIE rules. One example of this is the American Fencing League (distinct from the United States Fencing Association): the format of competitions is different, there is no electronic scoring, and the priority rules are interpreted in a different way. In a number of countries, the accepted practice at school and university level deviates slightly from the FIE format.

Fencing as a Western martial art

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Historical Fencing

Some practitioners of fencing approach it as a Western martial art, with the goal being to train for a theoretical duel. The element of sport is absent (or nearly so) from these forms of fencing, but they all share a common origin with each other and with competitive fencing.

Classical fencing is differentiated from competitive fencing as being theoretically closer to swordplay as a martial art. Those who call themselves classical fencers may advocate the use of what they see as more authentic practices, including little or no emphasis on sport competition. There is strong interest within the classical fencing community in reviving the European fencing practices of the 19th and early 20th century, when fencers were expected to be able to fight a duel using their training. Weapons used are the standard (non-electric) foil, standard epee (often equipped with pointes d'arret), and the blunted duelling sabre. AFL fencing is often referred to as classical fencing, but this is a misnomer.

Historical fencing is a type of historical martial arts reconstruction based on surviving texts and traditions. Predictably, historical fencers study an extremely wide array of weapons from different regions and periods. They may work with bucklers, daggers, polearms, bludgeoning weapons, etc. One main preoccupation of historical fencers is with weapons of realistic weight, which demand a different way of manipulating them from what is the norm in modern Fencing. For example, light weapons can be manipulated through the use of the fingers (more flexibility), but more realistically-weighted weapons must be controlled more through the wrist and elbow. This difference is great and can lead to drastic changes even in the carriage of the body and footwork in combat. There is considerable overlap between classical and historical fencing, especially with regard to 19th-century fencing practices.

Other forms of fencing

Finally, there are several other forms of fencing which have little in common besides history with either of the other two classifications.

Academic fencing, or mensur, is a German student tradition that has become mostly extinct but is still sometimes practiced in Germany, Switzerland and Austria as well as in Flanders and Latvia. The combat, which uses a cutting weapon known as the schläger, uses sharpened blades and takes place between members of student fraternities - "Studentenverbindungen" - in accordance with a strictly delineated set of conventions. It uses special protective gear that leaves most of the head and face, excluding the eyes, unprotected. The ultimate goal is to develop personal character, therefore there is no winner or loser and flinching is not allowed. Acquiring a proper cut on the face with the sharp blade is one goal and a visible sign of manly courage.

Stage fencing seeks to achieve maximum theatrical impact in representing a wide range of styles, including both modern and historical forms of fencing. Theatrical fight scenes are choreographed by a Fight Director, and fencing actions are exaggerated for dramatic effect and visual clarity.

Recreational roleplaying often incorporates fencing in the context of historical or fantasy themes in the Society for Creative Anachronism or live-action roleplaying games. Technique and scoring systems vary widely from one group to the next, as do the weapons. Depending on local conventions, participants may use modern sport fencing weapons, period weapons, or weapons invented specifically for the purpose, such as boffers.

Modern weapons

Three weapons survive in modern competitive fencing: foil, épée, and sabre. The spadroon and the heavy cavalry-style sabre, both of which saw widespread competitive use in the 19th century, fell into disfavour in the early 20th century with the rising popularity of the lighter and faster weapon used today. The singlestick was featured in the 1904 Olympic Games, but it was already declining in popularity at that time. Bayonet fencing experienced a somewhat slower decline, with competitions organized by some armed forces as late as the 1940s and 1950s.

While the weapons fencers use differ in shape and purpose, their basic construction remains similar across the disciplines. Every weapon has a blade and a hilt. The tip of the blade is generally referred to as the point. The hilt consists of a guard and a grip. The guard (also known as the coquille, or the bellguard) is a metal shell designed to protect the fingers. The grip is the weapon's actual handle. There are a number of commonly used variants. The more traditional kind are approximately straight and terminate with a pommel (a heavy nut intended to act as a counterweight for the blade). In the case of foil and épée, these have been surpassed in popularity by a variety of ergonomic designs, often collectively refereed to as pistol grip (the way they are held resembles how one holds a pistol).

Foil

The foil is a light and flexible weapon, originally developed in the mid 17th century as a training weapon for the smallsword (a light one-handed sword designed almost exclusively for thrusting).

The target area is restricted to the torso. Hits can be scored only by hitting the valid target surface with the point of the weapon in such a manner as would have caused a puncture wound, had the weapon been sharp. A touch on an off-target area stops the bout but does not score a point. There are right of way or priority rules, whose basic idea is that the first person to create a viable threat or the last person to defend successfully receives a 'right' to hit. If two hits arrive more or less simultaneously, only the fencer who had the 'right of way' receives a point. If priority cannot be assigned unambiguously, no points are awarded. The original idea behind the foil rules was to encourage the fencers to defend and attack vital areas, and to fight in a methodical way with initiative passing back and forth between the combatants and thus minimizing the risk of a double death.

In modern competitive fencing 'electric' weapons are used. These have a push-button on the point of the blade, which allows hits to be registered by the electronic scoring apparatus. In order to register, the button must be depressed with a force of at least 4.90 newtons (500 grams-force) for at least 15 milliseconds. Fencers wear conductive (lamé) jackets covering their target area, which allow the scoring apparatus to differentiate between on- and off-target hits.

Épée

Épée, as the sporting weapon we know today, was invented in the second half of the 19th century by a group of French students, who felt that the conventions of foil are too restrictive, and the weapon itself too light; they wanted an experience closer to that of an actual duel. At the point of its conception, the épée was, essentially, an exact copy of a smallsword but without the needle-sharp point. Instead, the blade terminated in a point d'arrêt, a three-pronged contraption, which would snag on the clothing without penetrating the flesh.

Like the foil, the épée is a thrusting weapon: to score a valid hit, the fencer must fix the point of his weapon on his opponent's target. However, the target area covers the entire body, and, there are no rules regarding who can hit when (unlike in foil and sabre, where we have priority rules). In the event of both fencers making a touch within 40 milliseconds of each other, both are awarded a point (a double hit), except in modern pentathlon one-hit épée, where neither fencer receives a point. Otherwise, the first to hit always receives the point, regardless of what happened earlier in the phrase.

The 'electric' épée, used in modern competitive fencing, terminates in a push-button, similar to the one on the 'electric' foil. In order for the scoring apparatus to register a hit, it must arrive with a force of at least 7.35 newtons (750 grams-force) (a higher threshold than the foil's 4.9 newtons), and the push-button must remain fully depressed for 1 millisecond. All hits register as valid, unless they land on a grounded metal surface, such as a part of the opponent's weapon, in which case they do not register at all. At large events, grounded conductive pistes are often used in order to prevent the registration of hits against the floor. At smaller events and in club fencing, it is generally the responsibility of the referee to watch out for floor hits. These often happen by accident, when an épéeist tries to hit the opponent's foot and misses. In such cases, they are simply ignored. However, deliberate hits against the floor are treated as "dishonest fencing," and penalized accordingly.

Sabre

Sabre is the 'cutting' weapon: points may be scored with edges and surfaces of the blade, as well as the point. Although the current design with a light and flexible blade (marginally stiffer than a foil blade) appeared around the turn of the 19th and 20th century, similar sporting weapons with more substantial blades had been used throughout the Victorian era.

There is some debate as to whether the modern fencing sabre is descended from the cavalry sabres of Turkic origin (which became popular in in Central and Western Europe around the time of Napoleonic Wars) or one of Europe's indigenous edged duelling weapons, such as the cutting rapier. In practice, it is likely to be a hybrid of the two. Most of the conventions and vocabulary of modern sabre fencing were developed by late 19th and early 20th century masters from Italy and Hungary, perhaps most notable among them being Italo Santelli (1866–1945).

The sabre target covers everything above the waist, except the hands and the back of the head. Today, any contact between any part of the blade and any part of the target counts as a valid touch. This was not always the case, and earlier conventions stipulated that a valid touch must be made with either the point or one of the cutting edges, and must arrive with sufficient force to have caused a palpable wound, had the weapon been sharp. These requirements had to be abandoned, because of technical difficulties, shortly after electronic scoring was introduced into sabre fencing in late 1980s.

Like foil, sabre is subject to right of way rules, but there are some differences in the precise definition of what constitutes a correctly executed attack and parry. These differences, together with a much greater scoring surface (the whole of the blade, rather than the point alone), make sabre parries more difficult to execute effectively. As a result, sabre tactics rely much more heavily on footwork with blade contact being kept to a minimum.

Protective clothing

The clothing which is worn in modern fencing is made of tough cotton or nylon. Kevlar was added to top level uniform pieces (jacket, breeches, underarm protector, lamé, and the bib of the mask) following the Smirnov incident at the 1982 World Championships in Rome. However, kevlar breaks down in chlorine and UV light, so the act of washing one's uniform and/or hanging it up in the sun to dry actually damaged the kevlar's ability to do the job.

In recent years other ballistic fabrics such as Dyneema have been developed that perform the puncture resistance function and which do not have kevlar's weakness. In fact, the FIE rules state that the entirety of the uniform (meaning FIE level clothing, as the rules are written for FIE tournaments) must be made of fabric that resists a force of 800 newtons (1600N in the mask bib).

The complete fencing kit includes the following items of clothing:

Form-fitting jacket covering groin and with strap (croissard) which goes between the legs (note that in sabre fencing, jackets that are cut along the waist and exclude the groin padding are also sometimes used), a small gorget of folded fabric is also sewn in around the collar to prevent a blade from slipping upwards towards the neck.
Under-arm protector (plastron) which goes underneath the jacket and provides double protection on the sword arm side and upper arm. It is required to not have a seam in the armpit, which would line up with the jacket seam and provide a weak spot.
One glove for the sword arm with a gauntlet that prevents blades from going up the sleeve and causing injury, as well as protecting the hand and providing a good grip
Breeches or knickers which are a pair of short trousers. The legs are supposed to hold just below the knee.
Knee-length or Thigh high socks which should cover knee and thighs.
Shoes with flat soles and reinforcement on the inside of the back foot and heel of front foot, to prevent wear from lunging.
Mask, including a bib which protects the neck. For competition, the bib must be sewn into the mask frame to eliminate a hole that might admit a blade. Thus, masks with snap-in bibs are not legal for competition. The mask can usually support 12 kilograms of force, however FIE regulation masks can stand much more, at least 27 kg.
Plastic chest protector, mandatory for female fencers. An alternative to a full chest protector are breast protectors (known informally as "salad bowls"), plastic bowl-shaped items which are inserted into special breast pockets in the plastron. While male versions of the chest protector are also available, they were, until recently, primarily worn by instructors, who are hit far more often during training than their students. Since the change of the depression timing (see above), these are increasingly popular in foil, as the hard surface increases the likelihood of point bounce and thus a failure for a hit to register. Plastrons are still mandatory, though.
Fencing Masters will often wear a heavier protective jacket, usually reinforced by plastic foam to cushion the numerous hits an instructor has to endure. Sometimes in practice, masters wear a protective sleeve or a leg leather for protection of their fencing arm or leg.

Traditionally, the uniform is white in colour. This is primarily to assist the judges in seeing touches scored (black being the traditional colour for masters), but rules against non-white uniforms may also have been intended to combat sponsorship and the commercialization of the sport. However, recently the FIE rules have been relaxed to allow coloured uniforms. The colour white might also be traced back to times before electronic scoring equipment, when the blades were sometimes covered in soot, ink, or coloured chalk to make a mark on the opponent's clothing.

Practice and techniques

Two épéeists are on the piste behind their respective on-guard lines. The referee is at the side of the piste indicating that the fencers should get ready.

A fencing bout takes place on a strip, or piste, which, according to the current FIE regulations, should be between 1.5 and 2 meters wide and 14 meters long. There are at least three people involved: two fencers and a referee (sometimes called 'the director' or 'the president'). The referee may be assisted by two or four side-judges (also known as corner-judges). The arrival of the electronic scoring apparatus has rendered them largely redundant. Under current FIE rules, a fencer may ask for two side-judges (one to watch each fencer) if (s)he thinks that the referee is failing to notice some infringement of the rules on his opponent's part (such as use of the unarmed hand, substitution of the valid target area, breaching the boundary of the piste etc.).

Protocol

Very specific rules govern the behavior of fencers while competing. To begin a bout, the referee stands at the side of the piste. The fencers walk on piste fully dressed, aside from the mask. If necessary, they plug their body wires into the spools connected to the electronic scoring apparatus and test their weapons against each other, to make sure everything is functioning. They then retreat to their en-garde lines. Prior to starting a bout, the fencers must salute each other. Refusal to do so can result in a fencer's suspension or disqualification. Both fencers must salute each other and the referee. They may choose to salute the audience. In non-electric events all four of the judges should be saluted also.

The referee, if judging in English, will call "Fence!", and the bout will start. Judging is often done in French, however, in which case the referee will say "En garde. Prêt. Allez". To interrupt the bout the referee calls "Halt!" (Template:Lang-fr). Once the bout is stopped, the referee may, if necessary, explain his reasons for stopping it, analyze what has just happened and award points or give out penalties. If a point has been awarded, then the competitors return to their en-garde lines; if not, they remain approximately where they were when the bout was interrupted, however there must be two blades of distance between them. The referee will then restart the bout as before. This procedure is repeated until either one of the fencers has reached the required number of points (generally, 1, 5, 10 or 15, depending on the format of the bout) or until the time allowed for the bout runs out.

Fencing bouts are timed: the clock is started every time the referee calls "Fence" and stopped every time he calls "Halt!". The bout must stop after three minutes of fencing (or 8 touches in saber). In 15 point bouts, a 1 minute break occurs in between the three minute intervals. If 9 minutes of fencing time elapse in a 15 touch bout, or 3 in a 5 touch bout, the bout is over and the current scores are taken as final. If the score is tied when time runs out then the director determines priority randomly, this is generally done by coin toss. After priority is determined the fencers bout for one minute. If a point is scored, then that fencer wins, however if no points are scored then the fencer with priority wins.

Priority ("right of way") rules

Foil and sabre are governed by priority rules, according to which the fencer who is the first to initiate an attack or the last to take a successful parry receives priority. In the event of a double touch (both fencers landing a hit at the same time), only the fencer who had priority receives a point. These rules were adopted in the 18th century as part of teaching practice. Their main aim was to discourage careless tactics, which result in simultaneous hits and, in a real duel, would leave both participants dead (the least desirable outcome). In both sabre and foil, there are rules regarding what can be considered a properly executed attack or parry.

Scoring

Prior to the introduction of electronic scoring equipment, a director (formerly called the president of jury) was assisted by four judges. Two judges were positioned behind each fencer, one on each side of the strip. The judges watched the fencer opposite to see if he was hit. This system is sometimes called "dry" fencing (USA) or "steam" (United Kingdom, Australia) fencing.

Electronic scoring is used in all major national and international, and most local, competitions. At Olympic level, it was first introduced to épée in 1936, to foil in 1956, and to sabre in 1988. The central unit of the scoring system is commonly known as "the box". In the simplest version both fencers' weapons are connected to the box via long retractable cables. The box normally carries a set of lights to signal when a touch has been made. (Larger peripheral lights are also often used.) In foil and sabre, because of the need to distinguish on-target hits from off-target ones, special conductive clothing and wires must be worn. This includes a lamé, (a jacket of conducting cloth) for both weapons, a body cord to connect the weapon to the system, a reel of retractable cable that connects to the scoring box and in the case of sabre, a conducting mask and cuff (manchette) as the head and arms are valid target areas.

Techniques

The nine classical parries comprise basic bladework. The first parry that most fencers learn is quarte, known commonly as "parry four". Parries are named for the line that they defend from attack: parry four would defend line four, which is the high inside line. Offensive bladework consists of the various means of scoring a touch on an opponent.

In a fencing bout, a great deal depends on being in the right place at the right time. Fencers are constantly manoeuvring in and out of each other's range, accelerating, decelerating, changing directions and so on. All this has to be done with minimum effort and maximum grace, which makes footwork arguably the most important aspect of a fencer's training regimen. In fact, in the first half of the 20th century it was common practice to put fencers through six months to a year of footwork before they were ever allowed to hold a sword. This practice has now been largely abandoned.

In general, Olympic fencing has put a premium on balance, speed, and athleticism in footwork, somewhat diluting orthodoxies regarding the classical stances and methods. To a degree, this has led to increasing resemblance between fencing footwork and that of other martial arts, with the significant caveat that a scoring "touch" requires almost no power behind the blow, only timing and the ability to manipulate distance.

Competition formats

Fencing Tournament. (Note the grounded conductive strips on the floor.)

Fencing tournaments are varied in their format, and there are both individual and team competitions. A tournament may comprise all three weapons, both individual and team, or it may be very specific, such as an Epee Challenge, with individual épée only. And, as in many sports, men and women compete separately in high-level tournaments. Mixed-gender tournaments are commonplace at lower-level events, especially those held by individual fencing clubs. There are two types of event, individual and team. An individual event consists of two parts: the pools, and the direct eliminations.

In the pools, fencers are divided into groups, and every fencer in a pool will have the chance to fence every other fencer once. The size and number of the pools is determined by the number of athletes who have registered for the competition. After the pools are finished, the direct elimination round starts. Fencers are sorted in a table of some power of 2 (16, 32, 64, etc.) based on how many people are competing. Due to the fact that it is highly unlikely for the number of fencers to be exactly a power of two, the fencers with the best results in the pools are generally given byes. The winner carries on in the tournament, and loser is eliminated. Fencing is slightly unusual in that usually no one has to fence for third place. Instead, two bronze medals are given to the losers of the semi-final round.

Team competition involves teams of three fencers. A fourth fencer can be allowed on the team as an alternate, but as soon as the fourth has been subbed in, they cannot substitute again. The modern team competition is similar to the pool round of the individual competition. The fencers from opposing teams will each fence each other once, making for a total of nine matches. Matches between teams are three minutes long, or to 5 points, as in the pools. Unlike individual tournaments, team tournaments almost always fence for bronze.

Collegiate fencing

Collegiate fencing has existed for a long time. Some of the earliest programs in the US came from the Ivy League schools, but now there are over 100 fencing programs in the US. Both clubs and varsity teams participate in the sport, however only the varsity teams may participate in the NCAA championship tournament. Due to the limited number of colleges that have fencing teams, teams fence inter-division (teams from Division I schools to Division III), and all divisions participate in the NCAA Championships.

Collegiate fencing tournaments are "team tournaments" in a sense, but contrary to what many people expect, collegiate meets are not run as 45-touch relays. Schools compete against each other one at a time. In each weapon and gender, three fencers from each school fence three fencers on the opposing team in five-touch bouts. (Substitutions are allowed, so more than three fencers per squad can compete in a tournament.) A fencer's individual results in collegiate tournaments and regional championships are used to select the fencers who will compete in NCAA championships. Individual results for fencers from each school are combined to judge the school's overall performance and to calculate how it should be placed in a given tournament.

High school fencing

Fencing at the high school level has varied in popularity. Fencing was once part of many schools' physical education curriculum, and many schools had clubs and would compete in inter-school tournaments. In recent years in the United States, fencing has all but vanished from physical education classes. This has been attributed to worries about teaching children to use weapons or that it teaches violence and requires expensive equipment.

However, youth fencing has remained a club sport at some schools, and the last several years have seen an increase in fencing clubs and tournaments at the high school level. The United States Fencing Association has encouraged this through the Regional Youth Circuit program. High school fencing season is generally in winter.[1] High school competitive fencing has grown significantly in the state of New Jersey, one of the few states where it remains a varsity sport.

References

^ Harper, Douglas (2001), Online Etymology Dictionary

Evangelista, Nick (1996). The Art and Science of Fencing. Chicago: Masters Press. ISBN 1-57028-075-4.
Evangelista, Nick (2000). The Inner Game of Fencing: Excellence in Form, Technique, Strategy, and Spirit. Chicago: Masters Press. ISBN 1-57028-230-7.
United States Fencing Association (September, 2005). United States Fencing Association Rules for Competition. Official document. Retrieved 1 December, 2005.

External links

Olympic fencing

Fédération Internationale d'Escrime The body responsible for all international Olympic fencing
Australian Fencing Federation
British Fencing Association
Canadian Fencing Federation
Chilean Fencing Federation
French Fencing Federation
Italian Fencing Federation
United States Fencing Association
Dutch Fencing Association

Governing bodies for other forms

American Fencing League National organization for AFL fencing in the United States
Association for Historical Fencing An international organization for classical and historical fencing
Australian Historical Swordplay Federation
International Wheelchair Fencing Committee The body responsible for all international (Paralympic) wheelchair fencing
Italian Historical Fencing Federation
Sala d'Arme Achille Marozzo Ancient Fencing Art Italian Institute

Other sites

fencingchannel.tv Official videographer of the Fédération International d'Escrime
Classic books on fencing
Classical Fencing and Historical Swordsmanship Resources An extensive directory of traditional fencing groups and individuals
Directory of fencing links
Fencing FAQ from rec.sport.fencing
FencingPhotos Official photographer of the Fédération International d'Escrime
AskFRED: Fencing Results and Events Database
U.S. Fencing Coaches Association
Fencing.Net A large online fencing community
[2] A new wiki dedicated to fencing

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[1] Harper, Douglas (2001), Online Etymology Dictionary

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