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Spider-Man (2002 film)

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Spider-Man
File:Spiderman movie.jpg
Spider-Man theatrical poster
Directed bySam Raimi
Written byScreenplay:
David Koepp
Alvin Sargent
(uncredited)
Comic Book:
Stan Lee
Steve Ditko
Produced byLaura Ziskin
Ian Bryce
Avi Arad
StarringTobey Maguire
Willem Dafoe
Kirsten Dunst
James Franco
Cliff Robertson
Rosemary Harris
CinematographyDon Burgess
Edited byArthur Coburn
Bob Murawski
Music byDanny Elfman
Distributed byColumbia Pictures
Sony Pictures Entertainment
Release date
May 3, 2002
Running time
121 min.
Country United States
LanguageEnglish
Budget$139 million
Box office$821,708,551

Spider-Man is a 2002 American superhero film based on the fictional Marvel Comics character Spider-Man. The film is the first in the Spider-Man film series. The film was directed by Sam Raimi and stars Tobey Maguire, Kirsten Dunst and Willem Dafoe. The script was credited to David Koepp.

The film begins with Peter Parker, a high school student, being bitten by a genetically altered spider. After misusing his newly-given abilities, which indirectly caused the death of his Uncle Ben, he becomes the heroic Spider-Man. Peter hopes to win the heart of Mary Jane Watson, the girl he has loved since he was a boy, and battles the villainous Green Goblin, who is the father of Peter's best friend, Harry Osborn.

After being stuck in development hell for nearly 25 years, the film was released on May 3, 2002 by Columbia Pictures. The film received multiple good reviews, went on to break box office records, and become the highest grossing film of 2002. Spider-Man is the 2nd most popular film based on a comic book (after The Dark Knight) and the 33rd most successful film of all time. The success of the film led to two sequels, Spider-Man 2 and Spider-Man 3.

Plot

Peter Parker, his best friend Harry Osborn, and Peter's secret crush Mary Jane Watson visit a genetics laboratory at Columbia University with their high school class. While taking photos in the laboratory, Peter is bitten on the hand by a genetically engineered "super spider". Feeling unwell, he passes out shortly after arriving home. Meanwhile, scientist Norman Osborn, Harry's father, is attempting to preserve his company's military contract, knowing that its loss will mean the end of his business. He experiments on himself with his company's new, but unstable, performance-enhancing chemical vapor which increases his speed, strength, and stamina. However, it also causes him to become insane and he kills his assistant, Mendel Stromm. The next morning, Peter wakes to find that his previously impaired vision has improved and that his body has metamorphosized into a more muscular physique. At school, he finds himself producing webbing and having the quick reflexes to avoid being injured in a fight with bully Flash Thompson. Peter escapes from the school and realizes that he has acquired spider-like abilities from the spider bite. He quickly learns to scale walls, long jump across building rooftops and swing via webs from his wrists.

Lying to his aunt and uncle about where he is going, Peter decides to enter a wrestling tournament to get money to buy a car and impress Mary Jane. During an argument, Uncle Ben advises Peter, "With great power comes great responsibility." Peter lashes out at his uncle and leaves for the tournament. Peter wins, but is cheated out of the contest money. In retaliation he allows a thief to escape with the promoter's gate money. Afterward, Peter finds his uncle has been carjacked and killed. Peter tracks down the carjacker only to find out it was the same thief he allowed to escape earlier. After Peter disarms him, the carjacker tries to get away but falls out of a window and is killed.

Upon graduating school, Peter decides to use his abilities to fight injustice, and dons a new costume and the persona of Spider-Man. Peter is hired as a freelance photographer when he arrives in newspaper editor J. Jonah Jameson's office with the only clear images of Spider-Man.

File:SpideyandGoblin.jpg
Spider-Man fights with the Green Goblin

Norman, upon finding out that Oscorp's board members plan to sell the company, attacks them at the World Unity Fair. Although he successfully murders them, Spider-Man arrives and drives him off. Jameson quickly dubs Norman the "Green Goblin". The Goblin offers Spider-Man a place at his side, but Spider-Man refuses, knowing that it is the right thing to do. At the Osborn and Parkers' Thanksgiving dinner, Norman, unknown to Peter, figures out Spider-Man's true identity; the Green Goblin subsequently attacks Aunt May. While Aunt May recovers in the hospital, Mary Jane admits she has a crush on Spider-Man, who rescued her on numerous occasions, and asks Peter whether he ever asked about her. Peter reflects on his own feelings, during which Harry enters. Feeling betrayed by his girlfriend and his best friend, Harry tells his father whom Peter loves the most, unintentionally revealing Spider-Man's biggest weakness.

The Goblin holds Mary Jane and a tram car full of children hostage on top the Queensboro Bridge where Spider-Man arrives. The Goblin forces Spider-Man to choose who he wants to save, and drops Mary Jane and the children. Spider-Man manages to save both Mary Jane and the tram car, while the Goblin is pelted by civilians showing loyalty to Spider-Man. The Goblin then grabs Spider-Man and throws him into an abandoned building where he begins to beat him [similar to how The Joker's black goon beats up Batman in the 1989 film]. The tables turn as the Goblin boasts of how he will later kill Mary Jane, and an enraged Spider-Man dominates over him, forcing the Goblin into being unmasked. Norman begs for forgiveness, but his Goblin persona attempts to remote-control his glider to impale Spider-Man. The superhero evades the attack, causing the glider to impale Norman instead, and he dies asking Peter not to tell Harry about the Green Goblin. At Norman’s funeral, Harry swears vengeance toward Spider-Man, who he believes is responsible for killing his father, and asserts that Peter is all he has left. Mary Jane confesses to Peter that she’s in love with him, but Peter, feeling that he must protect her from the unwanted attentions of Spider-Man's enemies, hides his true feelings. As Peter leaves the funeral, he recalls Uncle Ben's words about responsibility, and accepts his new life as Spider-Man.

Cast and characters

"I felt like I was an outsider. I think what happened to me made me develop this street sense of watching people and working out what made them tick, wondering whether I could trust them or not. I went to a lot of schools along the coast in California, made few friends and stayed with aunts, uncles and grandparents while my folks tried to make ends meet. It was tough. We had no money."
— Tobey Maguire on identifying with Peter Parker[1]
  • Tobey Maguire as Peter Parker / Spider-Man: An academic but socially inept student who is bitten by a genetically modified spider and gains spider-like abilities. Maguire was cast as Peter in July 2000,[2] having been Sam Raimi's primary choice for the role after he saw The Cider House Rules.[3] The studio was initially hesitant to cast someone who did not seem to fit the ranks of "adrenaline-pumping, tail-kicking titans",[2] but Maguire managed to impress studio executives with his audition. The actor was signed for a deal in the range of $3 to $4 million with higher salary options for two sequels.[2] To prepare, Maguire was trained by a physical trainer, a yoga instructor, a martial arts expert and a climbing expert, taking several months to improve his physique.[4] Maguire studied spiders and worked with a wire man to simulate the arachnidlike motion, and had a special diet.[5]
    The studio had expressed interest in actors Leonardo DiCaprio, Freddie Prinze, Jr,[6] Chris Klein, Wes Bentley and Heath Ledger.[7] DiCaprio had been considered by James Cameron for the role in 1995,[8] while Raimi joked of Prinze that "[he] won't even be allowed to buy a ticket to see this film."[7] In addition, actors Scott Speedman, Jay Rodan, and James Franco were involved in screen tests for the lead role.[9]
  • Willem Dafoe as Norman Osborn / Green Goblin: CEO of Oscorp who tests an unstable strength enhancer on himself and becomes the insane and powerful Green Goblin. Unaware of Spider-Man's true identity, he also sees himself as a father figure for Peter, ignoring his own son, Harry. Dafoe was cast as Osborn in November 2000.[10] Nicolas Cage turned down the role due to his commitment on Adaptation,[11] while John Malkovich also rejected the role because of scheduling difficulties and a disinterest in the genre.[12] Dafoe insisted on wearing the uncomfortable costume as he felt that a stuntman would not convey the character's necessary body language. The 580-piece suit took half an hour to put on.[7]
  • Kirsten Dunst as Mary Jane Watson: The girl whom Peter Parker has developed a crush since he was six years old. Mary Jane has an abusive father, and aspires to become an actress, but becomes a waitress at a run down diner, a fact she hides from her boyfriend Harry. Before Raimi cast Dunst, he had expressed his interest in casting Alicia Witt.[13] Dunst decided to audition after learning Maguire had been cast, feeling the film would have a more independent feel.[14] Dunst earned the role a month before shooting in an audition in Berlin.[7]
  • Cliff Robertson as Ben Parker: The husband to May Parker and uncle of Peter Parker, a fired electrician who is trying to find a new job. He is killed by a carjacker whom Peter failed to stop, and leaves Peter with the message, "With great power comes great responsibility."
  • J. K. Simmons as J. Jonah Jameson: The grouchy chief editor of the Daily Bugle who considers Spider-Man a criminal. Nonetheless he has a good side and pays Peter for photos of Spider-Man, and refuses to tell the Green Goblin the identity of the photographer.
  • Joe Manganiello as Flash Thompson: A repugnant high school student who bullies Peter, and is defeated in a fight after Peter inherits his spider-like powers.
  • Michael Papajohn as The Carjacker: The criminal who robs the wrestling manager who stiffs Peter Parker for his ring performance and murders Ben Parker (although the murderer was retconned as Flint Marko (Sandman) in Spider-Man 3). He was killed from falling from a window when confronted by Peter.

Bruce Campbell, a long-time colleague of director Sam Raimi, cameoed as the announcer at the wrestling ring Peter takes part in. Raimi himself appeared off-screen, throwing popcorn at Peter as he enters the arena to wrestle Bonesaw McGraw who was played by former professional wrestler "Macho Man" Randy Savage.[16] Spider-Man co-creator Stan Lee also had a cameo, in which he asks Peter, "Hey kid, would you like a pair of these glasses? They're the kind they wore in X-Men." The scene was cut, and Lee only briefly appears in the film to grab a young girl from falling debris during the battle between Spider-Man and the Green Goblin in Times Square.[3]

Production

Development

Further information: Spider-Man film series § Development

Although Sony Pictures acquired the "Cameron material" from MGM/UA, in April 1999 the studio announced they were not hiring James Cameron himself to direct the film.[17] The studio lined up Roland Emmerich, Tim Burton, Chris Columbus, and David Fincher as potential directors. Fincher did not want to depict the origin story, pitching the film as being based on The Night Gwen Stacy Died storyline, but the studio disagreed.[7] Sam Raimi was attached to direct in January 2000,[18] for a summer 2001 release.[19] He had been a big fan of the comic book during his youth, and his passion for Spider-Man earned him the job.[20]

Cameron's "scriptment" became the basis of David Koepp's first-draft screenplay, often word for word.[21] Cameron's versions of the Marvel villains Electro and Sandman remained the antagonists. Koepp's rewrite substituted the Green Goblin as the primary antagonist and added Doctor Octopus as a secondary villain.[22] Raimi felt the Green Goblin and the surrogate father-son theme between Norman Osborn and Peter Parker would be more interesting.[23] In June, Columbia hired Scott Rosenberg to rewrite of Koepp's material. Remaining a constant in all the rewrites was the "organic webshooter" idea from the Cameron "scriptment".[24] Raimi felt he would stretch the audience's suspension of disbelief too far to have Peter invent mechanical webshooters.[4]

Rosenberg removed Doctor Octopus and created several new action sequences.[25] Raimi felt adding a third origin story would be make the film too complex. Sequences removed from the final film had Spider-Man protecting Fargas, the wheelchair-bound Oscorp executive from the Goblin, and Spider-Man defusing a hostage situation on a train.[7] As production neared, producer Laura Ziskin hired her husband, award-winning writer Alvin Sargent, to polish the dialogue, primarily between Peter and Mary Jane.[26] Columbia offered David Koepp's name to the WGA as sole screenwriter, despite the fact that it had acquired Cameron's script and hired two subsequent writers. Without reading and comparing any of the material, the Writers Guild approved sole credit to Koepp.[21]

Filming

With Spider-Man cast, filming was set to begin the following November in New York City and on Sony soundstages. The film was set for release a year later,[2] but when the film was postponed to be released on May 3, 2002,[27] the shoot began on January 8, 2001[26] in Culver City. Sony's Stage 29 was used for Peter's Forest Hills home, and Stage 27 was used for the wrestling sequence where Peter takes on Bonesaw McGraw (Randy Savage). Stage 27 was also used for the complex Times Square sequence where Spider-Man and the Goblin battle for the first time, where a three-story set with a breakaway balcony piece was built. The scene also required shooting in Downey, California.[28] On March 6,[29] 45-year-old construction worker Tim Holcombe was killed when a forklift modified as a construction crane crashed into a construction basket that he was in. The following court case led to the California Division of Occupational Safety and Health to fine Sony $58,805.[30]

In Los Angeles, locations included the Natural History Museum (for the Columbia University lab where Peter is bitten and receives his powers), the Pacific Electricity Building (the Daily Bugle offices) and Greystone Mansion for the interiors of Norman Osborn's home. In April, some of the Spider-Man costumes were stolen, and Sony put up a $25,000 reward, although they were never returned.[31] Production moved to New York City for two weeks, taking in locations such as the Queensboro Bridge, the exterior of Columbia University's Low Library and a rooftop garden in the Rockefeller Center.[28] The crew returned to L.A. where production was finished in June.[26]

Design

Although it wound up being faithful to the comics, many designs were made for Spider-Man's costumes: one concept costume designer James Acheson became fond of had a red emblem over a black costume.[7] To create Spider-Man's costume, Maguire was fitted for the skintight suit, being covered with layers of substance to create the suit's shape.[32] It was designed as a single piece, except for the mask. The webbing, which accented the costume, was cut by computer. The mask eye lenses were designed to have a mirror look.[33]

The Green Goblin's costume was created after Willem Dafoe was cast, as Dafoe rejected the initially bulky designs created beforehand. The finished design focused on a more streamlined and athletic feel,[20] and the mask in particular was created to be an extreme cartoon version of his face, focusing on his long cheekbones.[34] Some of the early designs were heavily inspired by black ops. One popular idea among the concept artists was to have the Goblin accompanied by adolescent women in costume and have their own gliders. Raimi hated the idea.[7]

Effects

Visual effects supervisor John Dykstra was hired to produce the visual effects for Spider-Man in May 2000.[35] He convinced Raimi to make many of the stunts computer generated, as they would have been physically impossible. Raimi had used more traditional special effects in his previous films and learned a lot about using computers during production.[20] Raimi worked hard to plan all the sequences of Spider-Man swinging from buildings, which he described as, "ballet in the sky." The complexity of such sequences meant the budget rose from an initially planned $70 million to around $100 million.[3] Shots were made more complicated because of the main characters' individual color schemes, so Spider-Man and the Green Goblin had to be shot separately for effects shots: Spider-Man was shot in front of a greenscreen, while the Green Goblin was shot against bluescreen. Shooting them together would have resulted in one character being erased from a shot.[7]

Dykstra said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization. Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content. Raimi wanted to convey the essence of being Spider-Man, being, "the transition that occurs between him being a young man going through puberty and being a superhero." Dykstra said his crew of animators had never reached such a level of sophistication to give subtle hints of still making Spider-Man feel like a human being.[36] When two studio executives were shown shots of the computer generated character, they believed it was actually Maguire performing stunts.[7] In addition, Dykstra's crew had to composite areas of New York City and replaced every car in shots with digital models. Raimi did not want it to feel entirely like animation, so none of the shots were 100% computer generated.[37]

Release

File:Bannedposter.jpg
Original Spider-Man teaser poster, which was recalled from theatres following 9/11

After the terrorist attacks on the United States of September 11, 2001, Sony recalled teaser posters which showed a close-up of Spider-Man's face with the New York skyline (including, prominently, the World Trade Center towers) reflected in his eyes. The movie's original teaser trailer, released in 2001, featured a mini-movie plot involving a group of bank robbers escaping in a helicopter, which gets caught from behind and propelled backward into what at first appears to be a net, then is shown to be a gigantic spider web spun between the two towers at the World Trade Center. According to Sony the trailer did not contain any actual footage from the film itself and is consequently one of the most popular "Special Shoot" trailers since Terminator 2: Judgement Day.[38] The trailer was pulled after the events of September 11, 2001, attacks but can be found on the internet.[39]

Before Spider-Man's British theatrical release in June 2002, the BBFC gave the film a '12' certificate. Due to Spider-Man's popularity with younger children, this prompted much controversy. The BBFC defended their decision, arguing that the film could have been given a '15'. Despite this, North Norfolk and Breckland District Councils, in East Anglia, changed it to a 'PG', and Tameside council, Manchester, denoted it a 'PG-12'.[40] In late August, the BBFC relaxed their policy to '12A', leading Sony to re-release the film.[41]

Critical reception

Critical reaction to the film was mostly positive. Film review site Rotten Tomatoes calculated a 90% overall approval based on 207 reviews, and it scored an 85% Cream of the Crop rating from major news outlets.[42] The casting, mainly Tobey Maguire, is often cited as one of the high points of the film. Eric Harrison, of the Houston Chronicle, was initially skeptical of the casting of Tobey Maguire, but, after seeing the film, he stated, "within seconds, however, it becomes hard to imagine anyone else in the role."[43] USA Today critic Mike Clark believed the casting rivaled that of 1978's Superman.[44] Owen Gleiberman, of Entertainment Weekly, had mixed feelings about the casting, particularly Tobey Maguire. "Maguire, winning as he is, never quite gets the chance to bring the two sides of Spidey -- the boy and the man, the romantic and the avenger -- together."[45] The Hollywood Reporter's Kirk Honeycutt thought, "the filmmakers' imaginations work in overdrive from the clever design of the cobwebby opening credits and Spider-Man and M.J.'s upside down kiss -- after one of his many rescues of her -- to a finale that leaves character relationships open ended for future adventures."[46]

Not all of the criticism was good, as LA Weekly's Manohla Dargis wrote, "It isn't that Spider-Man is inherently unsuited for live-action translation; it's just that he's not particularly interesting or, well, animated."[47] Giving it 2.5/4 stars, Roger Ebert felt the film lacked a decent action element; "Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea."[48] Stylistically, there was heavy criticism of the Green Goblin's costume, which led Richard George of IGN to comment years later, "We're not saying the comic book costume is exactly thrilling, but the Goblin armor (the helmet in particular) from Spider-Man is almost comically bad... Not only is it not frightening, it prohibits expression."[49]

Box office performance

Spider-Man was a commercial success. With the release in the United States on May 3, 2002 in 3,615 theaters, The film earned $114,844,116 during its opening weekend and became the fastest theatrical release to reach $100 million, crossing the milestone in three days.[50] The film's three-day record was later surpassed by Pirates of the Caribbean: Dead Man's Chest in 2006.[51] Spider-Man also set an all-time record for the highest earnings in a single day with $43,622,264 on May 4, 2002, a record later surpassed by Shrek 2 in 2004.[52] In the U.S. box office, Spider-Man became the highest grossing film of 2002 with $403,706,375, defeating The Lord of the Rings: The Two Towers and Star Wars Episode II: Attack of the Clones.[53] Spider-Man currently ranks eighth in the all-time U.S. box office. The film also grossed $821,708,551 worldwide, currently placing it #18 in worldwide box office ranks.[54]

Awards

The film has won several awards ranging from Teen Choice Awards to the Saturn Awards, and was even nominated for two Academy Awards ("Best Visual Effects" and "Best Sound").[55] While only Danny Elfman brought home a Saturn Award, Raimi, Maguire, and Dunst were all nominated for their respective positions. It also took home the People's Choice Award for "Favorite Motion Picture."[55]

See also

References

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  50. ^ Brandon Gray (2002-05-06). "'Spider-Man' Takes Box Office on the Ultimate Spin: $114.8 Million". Box Office Mojo. Retrieved 2007-01-24. {{cite news}}: Check date values in: |date= (help)
  51. ^ Brandon Gray (2006-07-10). "'Pirates' Raid Record Books". Box Office Mojo. Retrieved 2007-01-24. {{cite news}}: Check date values in: |date= (help)
  52. ^ "Top Grossing Movies in a Single Day at the Box Office". Box Office Mojo. Retrieved 2007-01-25.
  53. ^ "2002 Yearly Box Office Records". Box Office Mojo. Retrieved 2007-01-24.
  54. ^ "Spider-Man (2002)". Box Office Mojo. Retrieved 2007-01-24.
  55. ^ a b "Awards and Nominations". Internet Movie Database. Retrieved 2007-01-24.
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