William Behnes
William Behnes (1795 – 3 January 1864) was an English sculptor of the early 19th century.[1]
Life
Born in London, Behnes was the son of a Hanoverian piano-maker and his English wife. His brother was Henry Behnes, also a sculptor, albeit an inferior one. The family moved to Ireland and their early life was spent in Dublin. There he studied art at the Dublin Academy.
After the family returned to London, Behnes continued his artistic training, studying at the Royal Academy School of Art from 1813, under the tutorship of Peter Francis Chenu[2]. As a painter, he exhibited at the Royal Academy in 1815 and won several medals during the ensuing years. In 1819 he won a Society of Arts gold medal for inventing an instrument to assist sculpture work, having by this time begun to practice successfully as a sculptor.
In 1837 Behnes was appointed 'Sculptor in Ordinary' to Queen Victoria. His pupils included noted sculptors George Frederic Watts, Thomas Woolner and Henry Weekes,[3] and naturalist Benjamin Waterhouse Hawkins.
Despite success, he was financially inept and was declared bankrupt in 1861, and died in poverty.
Works
see[4]
He produced many busts of children, reliefs and also some notable church monuments and statues, including ones of Dr William Babington in St Paul's Cathedral and Major-General Sir Henry Havelock (believed to be the first statue based on a photograph, two casts were made – one is today situated in Trafalgar Square, London, the other in Mowbray Park, Sunderland) and several of Sir Robert Peel (including ones situated in Leeds, Peel Park in Bradford, and at the police college in Hendon in north-west London). Other subjects included: Thomas Arnold, Sir Joshua Reynolds, Benjamin West and George Cruikshank.
- Monument to John Tunno, St. John's Wood Chapel (1819)
- Monument to Joseph Nollekens, Paddington Parish Church, London (1823)
- Figures on the clock-tower at Buckingham Palace (1829)
- Monument to Dr Andrew Bell, Westminster Abbey (1832)
- Monument to Admiral Sir Henry Blackwood, Westminster Abbey (1832)
- Monument to Sir Henry Russell, 1st Baronet, Swallowfield, Berkshire, (1836)
- Statue of Dr Babington, St Paul's Cathedral (1837)
- Bust of Queen Victoria (1837)
- Monument to Sir John St Aubyn, 5th Baronet, Crowan, cornwall (1839)
- Statue of the Earl of Egremont, Petworth House (1839)
- The mare's head "The Queen of Beauty" as ridden by Lord Seymour (1843)
- Statue of Sir John Jones, St Paul's Cathedral (1843)
- Statue of Sir Thomas Gresham, Royal Exchange, London (1845)
- Statue of Sir William Follett, Westminster Abbey]], (1850)
- Monument to Mrs Elsworth, Highgate Cemetery (1858)
References
- ^ Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951
- ^ http://www.npg.org.uk/research/programmes/british-bronze-founders-and-plaster-figure-makers-1800-1980-1/british-bronze-founders-and-plaster-figure-makers-1800-1980-c.php
- ^ "Stevens T. 'Weekes, Henry (1807–1877)', Oxford Dictionary of National Biography (2004)". Oxford University Press. Retrieved 2008-03-17.
- ^ Dictionary of British Sculptors, 1660-1851, Rupert Gunnis
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