Post-bop

Post-bop
Stylistic origins	Jazz bebop hard bop modal jazz avant-garde jazz free jazz impressionist music
Cultural origins	Early 1960s, New York City
Typical instruments	Drums saxophone trumpet trombone clarinet piano double bass

Post-bop is a genre of small-combo jazz that evolved in the early to mid-1960s.

Definition

Post-bop is jazz from the mid-1960s onward that assimilates hard bop, modal jazz, avant-garde and free jazz without necessarily being immediately identifiable as any of the above. Post-bop can refer to a variety of Jazz music that is post-bebop chronologically but in the common understanding post-bop music reflects these influences: the more open approach to the jazz ensemble crystallized by the second Miles Davis quintet, and the modal intensity of that group as well as of the classic John Coltrane Quartet.

According to musicologist Jeremy Yudkin, post-bop does not follow "the conventions of bop or the apparently formless freedom of the new jazz". He wrote in his definition of the subgenre:

Forms, tempos, and meters are freer, all the compositions are new, and the band members themselves are featured composers.... [A]n approach that is abstract and intense in the extreme, with space created for rhythmic and coloristic independence of the drummer—an approach that incorporated modal and chordal harmonies, flexible form, structured choruses, melodic variation, and free improvisation."

History

Miles Davis' second quintet was active during 1964 to 1968 and featured pianist Herbie Hancock, bassist Ron Carter, saxophonist Wayne Shorter, and drummer Tony Williams. They recorded six studio albums that, according to All About Jazz's C. Michael Bailey, introduced post-bop: E.S.P. (1965), Miles Smiles (1967), Sorcerer (1967), Nefertiti (1968), Miles in the Sky (1968), and Filles de Kilimanjaro (1968).

Legacy

Due to the abstractness and the free form of post bop music it influenced fusion music in the 1970s. It transformed jazz music to another level that incorporates much more creative freedom and playing. The form free, harmonically free, and abstract post bop had influenced artists to move away from the diatonic approaches and opened up the creative aspects of Jazz music. According to the book Miles Davis, Miles Smiles, and the Invention of Post Bop', “Miles Davis is really the one who started Post Bop and continued on the legacy of his own creation towards fusion and hard bop."

See also

• Category:Post-bop jazz musicians

External links

• Indie Jazz article on Post-Bop
• Rhapsody.com
• http://www.jazzmusicarchives.com/subgenre/post-bop
• http://www.allmusic.com/subgenre/post-bop-ma0000005010
• http://www.allaboutjazz.com/post-bop-records-of-the-modern-era-by-aaj-staff.php