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Jean-Jacques Perrey

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Jean-Jacques Perrey
Perrey at a concert in 2006
Perrey at a concert in 2006
Background information
Birth nameJean Marcel Leroy
Born(1929-01-20)20 January 1929
Amiens, France[1]
Died4 November 2016(2016-11-04) (aged 87)
Morges, Switzerland[2]
Genres
Occupations
  • Composer
  • record producer
Instruments
Years active1951–2014
LabelsMusiCues (1962)
Vanguard (1966-1970)
Pickwick (1969)
Websitewww.jean-jacquesperrey.com


Jean Marcel Leroy[3] (French: [pɛʁɛ]; 20 January 1929 – 4 November 2016) artistically known as Jean-Jacques Perrey was a French electronic music producer and was an early pioneer in the genre.[4] He is known for being member of the electronic music duo Perrey and Kingsley with the German-American composer Gershon Kingsley.

Biography

Early life, education and musical beginnings (1929 - 1960)

Perrey born on 20 January 1929,[5] in Amiens,[6] a small town in the north of France.[7] His first instrument, the Accordion, was received at age 4 on Christmas Eve,[8] "at seven he had become an important source of entertainment in his town", Perrey also learned to play the piano.[9] And tried to study music at the Conservatory of Amiens,[10] in which he with some friends formed a group of jazz, however the director issued a final warning: "continue playing jazz or continue your studies,"[9] Perrey later he was expelled for violating the laws of the school and perform in public.[10] After graduating from the Lycée d'Amiens, he would dedicate himself to studying medicine in Paris School of Medicine for four years, and Perrey aspired to pursue scientific research,[8] and occasionally worked as an accordionist.[6]

In 1951 Charles Trenet he was looking for a special sound to complement a song he had written entitled "L'ame des poetes" (The Soul of the Poets in english). After hearing about Perrey and the Ondioline, Trenet told Perrey that he was looking for the "sound of a soul", Trenet was so fascinated with the instrument that he nicknamed his ensemble in various ways as "Son Quartette Ondioline" or "Son Trio Vigouroux Ondioline".[11] Perrey was the musician in charge of interpreting, who became a virtuoso of the Ondioline,[12] the song became an international success, Perrey later met other composers such as Yves Montand and Jacques Brel.[8] Perrey did a cabaret act where he played the piano and the ondioline, sometimes playing them simultaneously. This act was named "Around the World in 80 Ways". The show gained quite a lot of popularity, and it toured Western Europe. Working at the nightclub circuit.[10]

In 1952, when hearing Georges Jenny demonstrating the then new instrument Ondioline at a French radio station («A vacuum tube-powered keyboard instrument that was a forerunner of today's synthesizers and was capable of creating an amazing variety of sounds.»[13] «Suspended on space springs that allowed a natural vibrato to be introduced if the player moved the keyboard from side to side with the playing hand. The result was a beautiful, almost human vibrato.»).[14] Perrey he called the radio station and asked for the phone number of Georges Jenny to contact him. Perrey then called Jenny, saying he liked the sound of the ondioline, but he couldn't afford to buy one. Perrey offered to promote the instrument in exchange for obtaining one from Jenny for free. After a visit to the inventor's workshop, Perrey was loaned an ondioline. For six months, Perrey practiced playing the ondioline with his right hand while simultaneously playing the piano with his left. Jenny was so impressed with Perrey that he offered him a job as a salesperson and product demonstrator. After earning significant commissions from sales made during a trip to Sweden (during which he performed on television), Perrey dropped out of medical school[8] and devoted his entire career to electronic music. Perrey acquired so many orders for ondiolines during the 1950s that Jenny eventually had to open a factory for the massive production of Ondiolines. Perrey estimated that fewer than 700 were sold, mostly in Europe. By some estimates, fewer than two dozen Jenny-made Ondiolines exist today.

In 1958, recorded an "auditory recipe" for insomniacs entitled "Prelude au Sommeil" to induce sleep. The fruit of several years of research, it was the first record of its kind and it helped many insomniacs to regain their natural rest, and it had a great success in Europe,[8] Prelude au Sommeil was used privately in the Institut Dormiphone (Procédés Dormiphone) to induce sleep for people in psychiatric hospitals.[15] In a 2008 documentary, he explained that: "During my medical studies, I met a psychologist and psychiatrist who explained to me that sound had a positive and negative influence on the human being."[6] In 1959 was published "Cadmus, Le Robot de l'Espace", a album on Vinyl format by the Phillips label in collaboration with the French composer and filmmaker Henri Gruel,[16] for the recording of the album they used voice actors.

Perrey also performed at the Olympia Theater in Paris in 1959 with singer French Edith Piaf, who was a great supporter of Perrey's work, and she arrangement for him to have the use of a recording studio and tape machines. After meeting with French Pierre Schaeffer, inventor behind the musique concrete, Perrey had become interested in the manipulation of tapes. Piaf after sending one of the tapes to the music contractor resident in the New York city, Caroll Bratman, the music contractor responded immediately by sending Perrey plane tickets with the word "Come!".[10] And consequently at age 30, Perrey relocated to New York, sponsored by music contractor Carroll Bratman, who built him an experimental laboratory and recording studio. Here he invented "a new process for generating rhythms with sequences and loops", utilising the environmental sounds of "musique concrète" created by Pierre Schaeffer. With scissors, splicing tape, and tape recorders, he spent weeks piecing together a uniquely comic take on the future, Perrey began appearing on television shows like "The Jack Paar Show" and composed jingles for radio and television.[17][10]

Musical career (1960 - 1970)

In the 1960s, Perrey continued to promote the ondioline, traveling, performing and recording under the nickname "Mr. Ondioline", in 1960 an EP was released in Vinyl format, from 7 inch with the "Pacific" label,[14] entitled "Mr.Ondioline" due to its nickname, (only in France). All the songs from the EP are covers recorded by Perrey of songs originating from Germany (2) and the United States (2) like: "Parade des Soldats de Bois" composed by the German composer Leon Jessel, "The Whistler and His Dog" composed by the American virtuoso of trombone, Arthur Pryor, (retitled by Perrey in French as "Le Siffleur et son Chien") The Glow-Worm composed by the German composer Paul Lincke, (retitled by Perrey like "La Gavotte des Vers Luisants") and "Nola" composed by the American pianist Felix Arndt. The album cover photographed by Andre Sas, shows a masked subject playing a Ondioline, who was presumably Jean-Jacques Perrey. The EP was relaunched in 2013 by the "Cacophonic" label in the United Kingdom, years later became one of the most sought after EPs by Electronic music collectors.[18]

In 1962 Perrey released the album entitled "Musique Electronique du Cosmos (Electronic Music From Outer Space)",[19] recorded in France and released by the "MusiCues" label in United States. Only 500 copies of this album were produced,[20] in 2017 the album was relaunched in Spain by the Wah-Wah Records label, being remastered by Roger Prades,[21] some songs of B side from this reissue They are from the July 1968 album "Electronic Music". One of the remaining copies on eBay was purchased by music collector DJ Zero.[22] the themes "The Alien Planet" and "Cybernuts", were previously released on a promotional single entitled "The Alien Planet / Cybernuts", with the Brain Discos label on 31 December 1959.

Befriending Robert Moog, and he became one of the first Moog synthesiser musicians, creating "far out electronic entertainment",[13] (later Perrey in several of his albums incorporated the name of the Moog synthesizer like: "Moog Indigo", "Moog Generation", "Moog Mig Mag Moog", "Moog is Moog"),[23] in 1965 Perrey met Gershon Kingsley,[24] a former colleague of John Cage, and a personal arranger for Vanguard,[14] at the residence of Perrey's sponsor, Carroll Bratman,[24] Perrey and Kingsley using the Ondioline, the Moog synthesizer, and tape loops, created two albums for the company Vanguard — The In Sound From Way Out! (1966) and Kaleidoscopic Vibrations: Electronic Pop Music From Way Out (1967) respectively.[17] Kaleidoscopic Vibrations: Electronic Pop Music From Way Out re-released on 1971 under the title "Kaleidoscopic Vibrations: Spotlight On The Moog". Perrey and Kingsley collaborated on sound design for radio and television advertising.[citation needed]

Harry Breuer, one of the first musicians what Perrey met in New York City,[25] (Who was also one of the composers of some songs prior to this album) Breuer together with Perrey they recorded the album The Happy Moog at the Caroll Instrument Rental Company studios in the city of New York, while Perrey played the Moog synthesizer and other keyboards, Breuer played mainly percussion, xylophone and sometimes used keyboards. Pickwick, the record company from the album, in the late 1960s and early 1970s was famous for releasing recordsthat got the most out of the artists of the time, sometimes sacrificing demo discs.[26] The album was manufactured by "Keel Mfg. Corp" and published by "Ondotronics, Inc" and "Mourbar Muisc Corporation" in 1969 with the Pickwick label in the countries U.S.A., UK and Canada.[27] Perrey credited Harry Breuer, for the musical inspiration and help it gave him in the business of working in a studio.[25] Later he collaborated on an album for the label Pickwick, titled "Switched-On Santa" with Sy Mann, the album contains a version of the popular Christmas song "Jingle Bells".

Return to France (1970 - 1999)

Perrey for family reasons, he returned definitively to France in 1970,[24] and became the musical director of a ballet company,[14] and continued investigated therapeutic sounds to heal people with insomnia,[28] this included a project that involved recording with dolphins in the waters of Vancouver, Canada.[14]

He also recorded music for commercials and animated television series French, and released some albums of this music on the label "Montparnasse 2000",[10] also released albums with the label "Canopo". In 2018 released the album "Kartoonery" with Daniel Longuein (in the first ten songs) and Guy Boyer (in the last two songs), David Chazam encouraged Perrey to continue performing, and Perrey continued to do live performances at various venues in the United States.[10] In 1997 Perrey with David Chazam recorded in Bordeaux, France the album Eclektronics, released in 1998 only in France in the Vinyl format by the "Basetonic" label. A 2002 reissue of the album Eclektronics in CD format was distributed in The Netherlands by the label "BASTA", the reissue with a different cover and adding the "Loops", which are short songs that function as a transition to other longer songs. In 1998 he collaborated with the band Air on the album Moon Safari to composed the song "Remember".[29]

Last years and death (2000 - 2016)

In 2000 his collaborative CD with Gilbert Sigrist and O.C. Banks, "Circus of Life" by the "Koka Media" label, was first released as a "library" recording for TV and radio (France only). In 2001 a compilation album titled "The Out Sound From Way Out!" was released, from Perrey's albums with the label Vanguard included "The In Sound from Way Out!", "Kaleidoscopic Vibrations: Electronic Pop Music From Way Out", "The Amazing New Electronic Pop Sound Of Jean Jacques Perrey" and "Moog Indigo". This album added remixes of the song "E.V.A." by Fatboy Slim,[30] and other songs like "The Unidentified Flying Object" and "Electronic Can-Can" from the album The In Sound From Way Out!, also included remixes of themes covers composed by Jean-Jacques Perrey, Gershon Kingsley or other composers like: "Winchester Cathedral", "Flight of the Bumblebee" and "A Lover's Concerto".

In 2006 saw the release of the album The Happy Electropop Music Machine on Oglio label, of Los Angeles, California. The album was a collaboration with musician/arranger Dana Countryman. The album added a version from the song "Chicken On The Rocks" from Musique Electronique du Cosmos (Electronic Music From Outer Space). The two toured the West Coast of America to promote the album. Also in 2006, Perrey began collaborating with producer Luke Vibert for a CD on England's Lo Records, 'Moog Acid. The duo performed concerts in New York City and Montreal in October 2008 to promote its release. The album is notable for Perrey being almost 80 years old when it was released. The result is a blend of retro and modern analogue house synth-pop, encapsulating many genres and the two respective styles of the artists. The CD was released in 2007.[31] Perrey's release Destination Space is also a collaboration with Dana Countryman. In 2009, the composers sued Mexican multimedia conglomerate Televisa for copyright infringement,[32] like other American and Mexican companies like Univison or Galavision. The case was settled in 2010. A previous lawsuit by Vanguard was settled, with the plaintiff Vanguard receiving a sum of one million dollars in damages for unauthorized use of Perrey's recordings on the Mexican network, without permission or payment.

In 2014 he released his latest album entitled "ELA", which includes covers of the songs Cat in the Night, and Perpetual Gossip of the album Moog Indigo in collaboration with David Chazam. The first was renamed Cats in the Night, while the second kept the same name. In 2015–16, Perrey became friends with Belgian-born Australian multi-instrumentalist and singer-songwriter Wouter de Backer (known professionally as Gotye). De Backer worked with Perrey to preserve his recorded legacy. After purchasing two vintage Ondiolines, de Backer formed the Ondioline Orchestra in New York. The sextet made their debut performing two shows in tribute to Perrey at National Sawdust in Brooklyn on 22 November 2016. Perrey, who lived in Switzerland, had planned to attend the tribute, but died at the age of 87 on November 4, 2016 by complications of Lung Cancer before it took place. Perrey's daughter Pat Prilly announced that the cause of death was lung cancer.[5][33] In May 2017, de Backer launched a new record label, Forgotten Futures, of which the first release was Jean-Jacques Perrey et son Ondioline, a compilation of rare and previously unreleased Perrey recordings. On 13 February 2018, de Backer and his Ondioline Orchestra performed Circuit Breakers: Gotye Presents a Tribute to Jean-Jacques Perrey at Roulette's Mixology Festival 2018 in New York. That same year Gotye's Ondioline Orchestra performed Gotye Presents a Tribute to Jean-Jacques Perrey in Australia. The concert won a Helpmann Award in the Contemporary Music category.[34]

Personal life

Family

His only daughter named Patricia Leroy better known as Pat Prilly. Prilly said in an interview that she did not compose and only gave ideas. She only played on his organ, yet it was credited on several Perrey's albums and songs, mostly by Editions Montparnasse 2000.[35]

According to Leroy, "Perrey was always interested in the future, and since his youth, he had read hundreds of science fiction books and seen I don't know how many movies".[36]

Discography

Studio albums

  • 1958: Prelude au Sommeil (Institut Dormiphone)
  • 1959: Cadmus, Le Robot de l'Espace (with Henri Gruel) (Phillips)
  • 1962: Musique Electronique du Cosmos (Electronic Music From Outer Space) (MusiCues)
  • 1966: The In Sound From Way Out! (with Gershon Kingsley) (Vanguard)
  • 1967: Kaleidoscopic Vibrations: Electronic Pop Music From Way Out' (with Gershon Kingsley) (Vanguard)
  • 1968: The Amazing New Electronic Pop Sound of Jean Jacques Perrey (Vanguard)
  • 1968: Electronic Music
  • 1969: The Happy Moog (with Harry Breuer) (Pickwick)
  • 1969: Switched On Santa (as engineer from recording and mixing) (with Sy Mann) (Pickwick)
  • 1970: Moog Indigo (Vanguard)
  • 1971: Kaleidoscopic Vibrations: Spotlight On The Moog (with Gershon Kingsley) (Vanguard)
  • 1971: Moog Sensations (Sonosyntheses Electroniques) (only in France) (Editions Montparnasse 2000)
  • 1972: Moogmusic (only in Italy) (release of Moog Sensations with other title) (Editions Montparnasse 2000)
  • 2001: Moog Sensations Dare-Dare)
  • 1972: Moog Expressions (only in France) (Editions Montparnasse 2000)
  • 1972: Moog Suono Del Domani (only in Italy) (release of Moog Expressions with other title and with Italian translations of the tracks) (Capono)
  • 1972: Moog Generation (only in France) (Editions Montparnasse 2000/Zero International Records)
  • 1974: Moog Mig Mag Moog (Editions Montparnasse 2000)
  • 1976: Dynamoog (with Gilbert Sigrist) (Mondiophone/Crea Sound Ltd)
  • 1977: Moog is Moog (with Harry Breuer) (Editions Montparnasse 2000)
  • 1980: Kartoonery (with Daniel Longuein and Guy Boyer) (Editions Montparnasse 2000)
  • 1982: Energize with Exercise (with Bette and Ione Darrel) (Black & White)
  • 1998: Eclektronics (with David Chazam) (Basetonic)
  • 2000: Circus Of Life (with Gilbert Sigrist and O.C. Banks) (Koka Media)
  • 2001: Moog Sensations (only in France) (Dare-Dare)
  • 2002: Eclektronics (reissue of Eclektronics) (with David Chazam) (BASTA)
  • 2006: The Happy Electropop Music Machine (with Dana Countryman) (Olgio)
  • 2007: Moog Acid (with Luke Vibert) (Lo Recordings)
  • 2008: Destination Space (with Dana Countryman) (Oglio)
  • 2010: Froots (with Cosmic Pocket) (In-Vitro Records)
  • 2014: ELA (with David Chazam) (Freaksville)

Compilations

  • 1973: The Best Of The Moog (with Gershon Kingsley) (Vanguard)
  • 1975: Incredible Synthesizer (with Gershon Kingsley) (Vanguard)
  • 1988/1996/2006: The Essential Perrey and Kingsley (Vanguard)
  • 2000: Good Moog: Astral Animations and Komputer Kartoons (Kosinus)[37]
  • 2001: The Out Sound From Way In! The Complete Vanguard Recordings (Vanguard)
  • 2007: Vanguard Visionaries: Perrey and Kingsley (Vanguard)
  • 2017: Jean-Jacques Perrey Et son Ondioline (Forgotten Futures)[38]
  • 2019: Past Future Sound Tracks

Soundtracks

EPs

  • 1960: Mr.Ondioline (Pacific)
The 1970 album Moog Indigo generated notable singles, like: "E.V.A.", a Synthfunk composed by Jean-Jacques Perrey, Andy Badale and Marie Perreault,[39] that became one of the most sampled of Hip hop, Rap.[40] "The elephant never forgets" (composed by Perrey, Breuer and Gary Carol), was used as main theme of the Mexican series El Chavo del 8,[41] and used as main theme of the Canadian program The Buck Shot Show.[42] And "Passport To The Future" (composed by Perrey and Andy Badale),[39] which peaked at #20 on the weekly chart Adult Contemporary by magazine Billboard for 7 weeks in 1970.[43] In 1973 it would be versioned by the Instrumental Rock band The Ventures, being retitled "Skylab (Passport To The Future)", known simply as "Skylab". The theme "Skylab (Passport To The Future)" peaked at #38 on the Adult Contemporary weekly chart of Billboard for the 2 weeks of July 1973.[44]
  • The last track "Chicken on the Rocks" of the studio album "Musique Electronique Du Cosmos (Electronic Music From Outer Space)" was used for a 1960s commercials from Ideal Toy Company.[45]
  • The last track on the album The Happy Moog, written by Harry Breuer, Gary Carol and Pat Prilly, titled "March of the Martians", was used in the intro of the program "Hilarious House of Frightenstein".[46][47][48][49]
  • "Les Canaux de Mars" is used as the primary music throughout episode 12 of the 1972 Japanese television show Thunder Mask, "Cruel! Thunder mask capital punishment." "Les Mysteres du Cosmos" is used throughout episode 13, "At the end of the far away galaxy." this songs they belong to the Moog Expressions album.
  • "Baroque Hoedown" was the main theme for Disney's Main Street Electrical Parade, beginning in 1972 and others parks from disney. Disney had licensed it from PolyGram without Perrey's knowledge:

In the 1970s, Walt Disney Productions chose this tune to be the theme for the Electrical Parade. It was extraordinary, I didn't know about it because the publishers said nothing to me. It was by chance, in 1980, that I went there and was so surprised to hear Baroque Hoedown arranged for a full orchestra.

— Jean-Jacques Perrey, text from english subtitle[50][51]
  • The Japanese series Hoshi no Ko Poron used 2 main themes for its series, the song "Boys and Girls" as the intro (it was also used in some episodes as incidental theme) and the song "The Old Bell Ringer" as the closing. Other themes that were used on the show were "La Bas", "Funny Blues", "Sentimental Trip", "Madder Than Mad", "Blues In 3-4 Time", "Washing Machine", "The Percolators" or "L'appel Des Biocybs", these cited tracks are from the 1974 album "Moog Mig Mag Moog".
  • A cover of Perrey's 1968 song "Mary France" was featured as the closing theme in the Japanese 1987 Famicom video game Yume Kōjō: Doki Doki Panic, later adapted and released globally in 1988 as Super Mario Bros. 2.
  • The song "E.V.A." composed by Jean-Jacques Perrey, Marie Perreault and Andy Badale better known as Angelo Badalamenti, has been sampled for many songs of the hip hop and rap,[52] examples of this are:
  • The musician Fatboy Slim made a remix of the song "E.V.A." of the 1970 album Moog Indigo, this Remix had his music video made by MTV in the 1990s, in the music video Perrey collaborated in the video clip appearing in it.
  • In 2002 Lighting Head made a version of the song "E.V.A." for the album "Studio Don".[62]
  • Two songs by Perrey were used in the Chilean program 31 minutos like: "The Mexican Cactus" used in the episode 12 of the second season of the series 31 minutos , in the segment of "Manualidades con Patana" (Crafts with Patana) from the episode "31 Minutos Educativio". and "The elephant never forgets" used in the credits of episode 11 of season 11 titled "La Gotera" (The Leak), the credits of the episode imitated those of the program El Chavo del 8 that used "The elephant never forgets" as the main theme of the series.
  • "Gossipo Perpetuo" was used for the intro of the Swedish comedy program Anders och Måns,[63] a series that aired on television between 2003 and 2004.
  • In 2004 a Zelnorm commercial,[64] used the song, "E.V.A."[65] specifically the remix of the musician Fatboy Slim.
  • The song Boys and Girls was used as the closing of the show The Mighty B! by Nickelodeon.
  • In 2010, Perrey's song "Chicken on the Rocks" was used in season 14 episode 3 of the TV Series South Park, "Medicinal Fried Chicken." The song played as Randy Marsh and friends bounced on their oversized testicles while consuming medicinal marijuana.[66]
  • In 2010 the song "Brazilian Flower" was used for a soccer commercial from NFL, this commercial can be found on the official website of Jean-Jacques Perrey[67][68][69][70]
  • The music of "Perrey" was used in a series of 3 shorts made by "David Lewandowsky" and an parody of the shorts of David, a song from "Perrey" also use, the first short called "Going to the store" used the song "The Little Ships",[71][72][73] the second short "Late for Meeting" used the song "The Mexican Cactus".[74] One short parody of the shorts of Lewandowsky "Missing the Bus" but also used a song by Perrey, in this case the song "Four, Three, Two, One", these three songs are from the album "The Amazing New Electronic Pop Sound Of Jean-Jacques Perrey", the last short I recorded "David Lewandowsky" called "Time for Sushi" used the song Dynamoog from the 1976 album Dynamoog as the background theme.[75]
  • The music of Perrey has also been used in later seasons of the Nickelodeon series SpongeBob SquarePants: Notable examples include "Funny Blues" used in the episode "The Night Patty", "La Bas" used in the episode "Dream Hoppers", and "Washing Machine" used in the chapters "Dream Hoppers" and "In Randomland", these three are from the album Moog Mig Mag Moog. "Borborygmus" from Moog Sensations , "Bal Campagnard" y "L'Horloge Hantee" from Moog Generation , "In Texas Tonight" composed by Jean-Jacques Perrey & Louis Delacour, "Kiyouli Le Clown" and "One Zero Zero" from Good Moog , "La Panthere Cosmique" from "Lullaby Pour un Bebe Robot / La Panthere Cosmique", "Mod Ghost", "Sailors Delight" and "Russian Rump" from Moog is Moog , "Music of Infinity" from Moog Expressions .
  • The Project Moonbase retrofuturistic music podcast declares Perrey to be "the patron saint of the show". They have interviewed him multiple times and dedicated entire shows to his music.
  • In 2018 Luke Vibert released a Extended Play "Turn" what includes a tribute song to Perrey.[76][77]

Chespirito

Two pieces by Perrey were used as themes principal for television comedy shows created by and starring Mexican writer, comedian "Chespirito" (Roberto Gómez Bolaños): "The Elephant Never Forgets", as the main theme for El Chavo,[78] and "Baroque Hoedown", as the closing theme for El Chapulín Colorado since 1975. Also were used other songs from the albums "Moog Indigo" (1970) and "The In Sound from Way Out!" in some episodes and Sketchs from the Chespirito shows.

TV series Episode
Title
Sketch
Title
Year(s) of Use Song Album
Chespirito
(1970-1973)
Un encuentro en el parque
(A meeting in the park)
1972 Hello, Dolly! Moog Indigo
(1970)
Bolsitas de Papas
(Potato Sachets)
Country Rock Polka
El mosco es algo tosco
(The fly is somewhat crude)
18Th Century Puppet
El Chapulin Colorado Enfermos por conveniencia
(Sick for convenience)
1973
El vampiro
(The vampire)
Swan's Splashdown The In Sound From Way Out!
(1966)
El Chavo del 8 Los Insectos del Chavo
(The insects of the Chavo)
Barnyard In Orbit
Los globos y las tijeras
(The insects of the Chavo)
Gossipo Perpetuo Moog Indigo
(1970)

Ultraman Taro

Some of Perrey's compositions were used in the Japanese program started in 1973 called Ultraman Taro:

Episode
Number
Episode
Title
Song Album
24 This is the Land of Ultra! Musique De L'Infini
(Infinity Music)
Moog Expressions
(1972)
29 Bemstar Resurrected! Taro Absolutely Sacrificed! Les Mysteres Du Cosmos
(The Mysteries Of The Cosmos)
36 Coward! The Breed Cried Musique De L'Infini
(Infinity Music)
40 Go Beyond the Ultra Brothers! Moog Expressions
(1972)
43 Pickle The Monster With Salt! Music A 7 Moog Sensations
(1971)
Le Défilé Des Moustiques
(Mosquito Parade)
Moog Generation
(1972)
One Two Two Moog Sensations
(1971)
La Panthere Cosmique
(Cosmic Panther)
47 The Monster Master A L'Aube De L'An 2000
(Dawn Of The Year 2000)
Moog Expressions
(1972)
Les Mysteres Du Cosmos
(The Mysteries Of The Cosmos)
48 Monster Girl's Festival Music A 7 Moog Sensations
(1971)
Moogie Boogy
50 The Monster Sign is V Ballet Intersideral
(Out Of Space Ballet)
52 Steal the Ultra Life! Musique De L'Infini
(Infinity Music)
Moog Expressions
(1972)

See also

References

  1. ^ "AMIENS Le pionnier de la musique électronique Jean-Jacques Perrey est décédé". Courrier Picard (in French): courrier-picard.fr. 4 November 2016. Retrieved 11 March 2021.
  2. ^ a b "Jean-Jacques Perrey | Biography, Albums, Streaming Links". AllMusic: allmusic.com. Retrieved 11 March 2021.
  3. ^ Molina, Hernan Porras (27 March 2020). "El chavo del 8: la increíble cifra que Chespirito pagó por el tema musical de la serie". EntornoInteligente (in European Spanish): www.entornointeligente.com. Retrieved 11 March 2021.
  4. ^ Rudland, Dean. "Jean Jacques Perrey - Ace Records". Acerecords.co.uk. Retrieved 11 March 2021.
  5. ^ a b Bromwich, Jonah Engel (6 November 2016). "Jean-Jacques Perrey, Electronic Music Pioneer, Dies at 87". The New York Times. Retrieved 24 March 2017.
  6. ^ a b c Vicente, Álex (7 November 2016). "Muere Jean-Jacques Perrey, precursor de la música electrónica, a los 87 años". El País (in Spanish): elpais.com. ISSN 1134-6582. Retrieved 11 March 2021.
  7. ^ "Fallece Jean-Jacques Perrey, precursor de música electrónica". AP News: apnews.com. 6 November 2016. Retrieved 11 March 2021.
  8. ^ a b c d e "The Fairy Tale Life of French Composer Jean-Jacques Perrey". daily.redbullmusicacademy.com. Retrieved 19 February 2021.
  9. ^ a b "Jean-Jacques Perrey's Passport to the Future". PopMatters: popmatters.com. 25 May 2017. Retrieved 10 March 2021.
  10. ^ a b c d e f g "Jean Jacques Perrey". www.spaceagepop.com. Retrieved 19 May 2021.
  11. ^ "L'âme des Poètes, by Charles Trenet et son Quartette Ondioline feat. Jean-Jacques Perrey". Jean-Jacques Perrey. Retrieved 19 May 2021.
  12. ^ "Instrumentos Musicales en los Museos de URUEÑA". funjdiaz.net. Retrieved 19 May 2021.
  13. ^ a b "Jean-Jacques Perrey's Press Kit". www.danacountryman.com. Retrieved 2 March 2021.
  14. ^ a b c d e "moog". Seven45rpm: seven45rpm.com. Retrieved 10 March 2021.
  15. ^ "Prelude au Sommeil (Remastered)". 27 May 2017: moochinaboutitd.bandcamp.com. Retrieved 26 January 2021. {{cite journal}}: Cite journal requires |journal= (help)
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