Jump to content

Sean Combs

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Bluili (talk | contribs) at 18:13, 16 June 2003 (added a paragragh). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

File:PuffDaddy.jpeg

P. Diddy (born November 4, 1970 aka Puff Daddy, Sean "Puffy" Combs) is an American record producer and executive of Bad Boy Entertainment, one of the driving forces in hip hop in the mid to late 1990s. P. Diddy first skyrocketed to fame, signing Father MC, Mary J. Blige, Jodeci, Notorious B.I.G., Faith Evans, 112 and Craig Mack. P. Diddy's own music career, and to a lesser extent, his production, has been criticized as watered-down and overly commercialized for a mainstream market, as well as an over-reliance on sampling for most of his hit songs.

Originally from Harlem, New York City, Combs began attending Howard University in Washington, D.C. before becoming an intern at Uptown Records. Only a few months later, Combs was an A&R executive, and helped produce Father's Day (Father MC; 1990), What's the 411? (Mary J. Blige; 1992), Blue Funk (Heavy D & the Boys; 1992) before being fired in 1993. Combs set up his own label, Bad Boy Entertainment, and soon signed Craig Mack and the Notorious B.I.G.. Both quickly released hit singles, followed by similarly successful LPs, particularly B.I.G.'s Ready to Die. Puff Daddy, as he was then known, began signing more acts to Bad Boy, including Faith Evans, 112 and Total, as well as producing for Lil' Kim, TLC, Mariah Carey, Boyz II Men, SWV, Aretha Franklin and others. Mase and The Lox soon joined Bad Boy, just as a widely publicized rivalry with the West Coast's Death Row Records. Puffy and Notorious B.I.G. were allied against Tupac Shakur and Suge Knight, trading insults in songs and interviews during the mid 1990s. Shakur was murdered by unknown persons in 1996. Six months later, in March of 1997, the Notorious B.I.G. was also murdered. Both cases remain unsolved. Biggie's second album was a huge posthumous success.

Puff Daddy began his own career in 1997, releasing "Can't Nobody Hold Me Down", followed by "I'll Be Missing You". Both singles were successful, though "I'll Be Missing You" (a tribute to Biggie with guests Faith Evans and 112) was heavily criticized for sampling The Police's "Every Break You Take" and adding little. Puff Daddy, plus various labelmates known as the Family, released No Way Out, an LP, in 1998. The album also produced the hit singles "It's All About The Benjamins," which featured Lil Kim, The Lox and The Notorious B.I.G. and had a popular rock remix, which was worked on by Rob Zombie and the Foo Fighters' Dave Grohl, among others; and "Been Around The World," a song that featured Puffy's lablemate, Mase, and the late Notorious B.I.G., and was probably best remembered for having sampled David Bowie's "Let's Dance" and Lisa Stansfield's "All Around The World". The song's video starred many celebrities, such as Wyclef Jean, Quincy Jones, and Puff Daddy's future love interest, Jennifer Lopez. "I'll Be Missing You" won a Grammy for Best Rap Performance by a Duo or Group, while No Way Out won Best Rap Album. Puffy's follow-up was 1999's failed Forever, which was a commercial failure and no more well-reviewed than No Way Out.

On April 15, 2000, Puffy was accused of beating Steve Stoute of Interscope Records. Stoute was the manager for Nas, whose video for "Hate Me Now" (off I Am) featured Puffy being crucified. Though Puffy had willingly filmed the video earlier that year, he demanded that the images be removed. Stoute's refusal led to an argument and Puffy's arrest for assault. This was followed by a yet more negative publicity as The Lox left Bad Boy Records, and a recording session with Lil' Kim and Lil' Cease was interrupted by gunfire. Most importantly, Puffy and his then-girlfriend, Jennifer Lopez, were present at a shooting in a New York nightclub. After a police investigation, Puffy (and fellow rapper Shyne) was arrested for weapons violations and other charges. Puffy was indicted after a huge blow to his case; his driver claimed that Puffy had tried to bribe him into taking the weapon after the shooting. With bribery charges added to the bill, Puffy was being attacked in the tabloids on a near daily basis. Before the trial was over, Puffy found himself in court on numerous civil charges. One was from a girl who claimed to have been mentally scarred at a party ten years before, and another was for sampling a phone conversation without permission. His driver and the club owner also sued before the shooting charges even made it to trial. With a gag order in place, the highly-publicized trial began. A talent agency then sued Puffy for unfair competition, as did a woman who rented an apartment owned by Puffy; she claimed he refused to rid the house of vermin. Puffy then launched his own lawsuit against a writer who did not follow through on an alleged agreement to help write his autobiography. Puffy was soon acquitted of all charges relating to the shooting incident, followed almost immediately by a break-up with Lopez. With the media circus over, Puffy changed his name to P. Diddy.

P. Diddy tried to reinvent his image, but was once again in court facing assault charges from a Michigan television host, and then an arrest for driving on a suspended license in Florida. In spite of continuing legal problems, P. Diddy released a much-delayed gospel album, Thank You, as well as a solo hip hop LP, The Saga Continues. After yet more legal problems stemming from an accusation of reckless driving by the Miami police, Puffy began working with a series of unusual (for him) artists. A collaboration with David Bowie appeared on the soundtrack to Training Day, while Puffy began working with Britney Spears and *N Sync.

This was followed by a serious set-back for Bad Boy Record when Arista Records stopped distributed Bad Boy releases. Faith Evans left the label, and 112 almost did, though P. Diddy filed a restraining order to keep them aboard.

In later 2002, he made his own show called "Making The Band 2," the sequel to the first "Making The Band." His show is on MTV. It's about where people every where come to New York City to compete agaisnt others to be in P. Diddys' new Bad Boy group. This is a reality show. There are six people that he picked at the end. But it's not over. P. Diddy said that they have to come up with there name, cd and video. If one of them messes up, the next person takes there place. P. Diddy isn't playin'.