User:Brownie29/Marie-Victoire Lemoine
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Article Draft
Work
- Lemoine's most famous painting Interior of the Atelier of a Woman Painter was originally identified to be Elisabeth Vigée-Le Brun however there is no evidence that Vigée-Le Brun was ever Lemoine's Teacher, the painting is most likely some sort of tribute to her.[1]
Personal Life
- She was the eldest of four sisters[2]
- At the time of her death, she left only 10 Francs in cash and personal clothing and linen valued at 181 Frances and 50 centimes[2]. Which amounts to only $40.66 U.S dollars cash and $4,290.68 for the clothing and linen in today's currency.[3]
- Her first cousin was painter Jeanne-Elisabeth Chaudet through her mothers side[2]
Career
- She set up a studio in Paris in 1774[4]
- first solo exhibition is held at the Salon de la Correspondence in Paris in 1779 [4]
- 5 years after the Parisian salon allows women to participate, Marie-Victoire Lemoine exhibits there for the first time..[4]
- most active in the art community during the late 1780's and the early 1790's.[2]
- she signed her paintings "M. Vic Lemoine"[2]
- exhibited somewhat 20 paintings in the salon de la Correspondence in 1779 and 1785[1]
- Her work consisted primarily of miniatures and genre and portrait oils.[5]
- The first painting Lemoine exhibited was a portrait (Untraced) of the princesse de Lamballe[6]
Bibliography
Vigué, Jordi (2003). Great Women Masters of Art. New York, New York: Watson-Guptill. pp.159–162.
Oppenheimer, Margaret Ann. “ Lemoine, Marie-Victoire.” Essay. In Women Artists in Paris: 1791-1814, 222–24. UMI Company, 1996.
Commire, Anne, and Deborah Klezmer. “Marie-Victoire Lemoine.” Essay. In Women in World History: A Biographical Encyclopedia, 353–54. Waterford, Conn: Yorkin Publ, 2002.
Bachmann, Donna G., and Sherry Piland. “Marie-Victoire Lemoine .” Essay. In Women Artists: An Historical, Contemporary and Feminist Bibliography, 158–59. Scarecrow Press, 1994.
Bobko, Jane. “Marie Victoire Lemoine.” Essay. In Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections, 95. Washington, DC: National Museum of Women in the Arts, 2012.
Stafford, Barbara Maria. Essay. In Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education, 109. MIT Press, 1999. (https://books.google.com/books?id=I3EWhTQFvaEC&lpg=PR4&ots=3sGbgbK6Ni&dq=In%20Artful%20Science%3A%20Enlightenment%20Entertainment%20and%20the%20Eclipse%20of%20Visual%20Education%2C%20%201999.&pg=PA109#v=onepage&q=marie%20&f=false)
BAILLIO, Joseph. “Vie et oeuvre de Marie Victoire Lemoine (1754-1820).” Gazette des beaux-arts 127 (1996): 125–.
Himelfarb, Hélène. “Joseph Baillio : Vie et œuvre de Marie-Victoire Lemoine (1754-1820), suivi de Margaret A. Oppenheimer : Nisa Villers, née Lemoine (1774-1821). Gazette des Beaux-Arts, n° spécial, avril 1996.” Dix-huitième siècle 30, no. 1 (1998): 688–688.
Tuchman, Gaye. “The Obstacle Race: The Fortunes of Women Painters and Their Work. Germaine Greer.” Signs: Journal of Women in Culture and Society. Chicago: University of Chicago Press, 1980.
Garrard, Mary D. “‘Women Artists’ in Los Angeles.” The Burlington Magazine 119, no. 892 (1977): 531–530. http://www.jstor.org/stable/878926.
Quinn, Bridget. “Marie Denise Villers.” Essay. In Broad Strokes: 15 Women Who Made Art and Made History ( in That Order ), 51–59. San Francisco, CA: Chronicle Books, 2017.
Gonzalez, Angela. “Cummer Resources.” To engage and inspire through the arts, gardens, and education., 2021. https://blog.cummermuseum.org/in-the-gallery-marie-victoire-lemoine-louis-benoit-zamor/.
Baetjer, Katharine. “Marie-Victoire Lemoine.” Essay. In French Paintings in the Metropolitan Museum of Art: From the Early Eighteenth Century through the Revolution, 347–350. New York, New York: Metropolitan Museum of Art, 2019.
Rauser, Amelia F. The Age of Undress: Art, Fashion, and the Classical Ideal in the 1790s. New Haven: Yale University Press, 2020.
Young, Justine de. Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925. London: Bloomsbury Publishing, 2019.\
May, Gita, and Louise-Elisabeth Vigée-Lebrun. “The Russian Experience .” Essay. In Elisabeth Vigée Le Brun: The Odyssey of an Artist in an Age of Revolution, 140–41. New Haven, New York: Yale Univ. Press, 2005.
Author, About the. “Royalists to Romantics: Spotlight on Marie Victoire Lemoine: Broad Strokes Blog.” NMWA, June 8, 2012. https://nmwa.org/blog/artist-spotlight/royalists-to-romantics-spotlight-on-marie-victoire-lemoine/.
“Marie Victoire Lemoine – the Interior of an Atelier of a Woman Painter, 1789.” Arthur. Accessed October 22, 2021. https://arthur.io/art/marie-victoire-lemoine/the-interior-of-an-atelier-of-a-woman-painter.
“ Self Portrait by Marie-Victoire Lemoine (Detail), Ca. 1796.” Women at the easel / marie-victoire lemoine (detail), ca. 1796. Accessed October 22, 2021. https://www.earlywomenmasters.net/women_at_the_easel/slides/1796_ca_Marie-Victoire_Lemoine_detail.html.
- ^ a b Commire and Klezmer, Anne and Deborah (2002). Women in World History: A Biographical Encyclopedia. Waterford, CT: Yorkin Publishing. pp. 353–354.
- ^ a b c d e Oppenheimer, Margaret (1996). Women Artists in Paris. Ann Arbor, Michigan: UMI Company. pp. 143–144, 222–224.
- ^ "$1.72 in 1820 → 2021 | Inflation Calculator". www.officialdata.org. Retrieved 2021-11-30.
- ^ a b c Vigué, Jordi (2003). Great Women Masters of Art. New York, New York: Watson-Guptill. pp. 159–162.
- ^ Bachmann, Donna G., and Sherry Piland (1994). Women artists: an historical, contemporary, and feminist bibliography. Scarecrow Press. pp. 158–159.
- ^ Bobko, Jane (2012). Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections. Washington, DC: National Museum of Women in the Arts. pp. 143–144.