Pop art
 |
ITS A BUNCH OF PISH YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYSQDIUFWQFY OQFEOQFEBV IUFQYEFOUIFYOIEQFUIEEIoiiiiart, like pop music, aimed to employ images of popular as opposed to elitist culture in art, emphasizing the banal or kitschy elements of any given culture. Pop art at times targeted a broad audience, and often claimed to do so. However, much of pop art is considered very academic, as the unconventional organizational practices used often make it difficult for some to comprehend. Pop art and Minimalism are considered to be the last Modern art movements and thus the precursors to Contemporary art or Postmodern art.
Pop art in America
Temporally, the British pop art movement predated the American one. However, American pop art is said to have its own origins that are separate from the British. The movement was a response to Abstract Expressionism. It marked a return to sharp paintwork and representational art. It was an appreciation of theretofore unappreciated objects and images of mass culture and ordinary commerce. In the American pop art movement the groundbreakers, Jasper Johns and Robert Rauschenberg, were not actually path setters. Roy Lichtenstein was the most popular and one of the most consistent pop art practitioners using stencil-like dots to represent comics or later the simplification/parody of fine art from the vivid pop art perspective. Andy Warhol became the most famous American pop artist using a pseudo-industrial silkscreen process for painting commercial objects such as Campbell's Soup Cans, Coca-cola bottles, for portraying raging celebrity such as Liz Taylor, Jackie Kennedy, and Marilyn Monroe and for portraying the deadpan and banal. Warhol extended his artistic contribution to film direction yet managed to avoid social commentary in his art. James Rosenquist brought pop art to enormous billboard painting. Lichtenstein at times extended his dotwork to this grand scale where the artist's skill is challenged by limitations on visualizing a gigantic work while attending to a small section of it. Wayne Thiebaud attended to similar subject matter (common food) as Warhol and Lichtenstein touched upon, but with the meticulous detail.
Pop art in Spain
In Spain, the study of Pop art is associated with the “new figurative,” which arose from the roots of the crisis of informalism. Eduardo Arroyo could be said to fit within the Pop art trend, on account of his interest in the environment, his critique of our media culture which incorporates icons of both mass media communication and the history of painting, and his scorn for nearly all established artistic styles. However, the Spaniard who could be considered the most authentically “Pop” artist is Alfredo Alcaín, because of the use he makes of popular images and empty spaces in his compositions.
Also in the category of Spanish Pop art is the “Chronicle Team” (el Equipo Crónica), which existed in Valencia between 1964-1981, formed by the artists Manolo Valdés and Rafael Solbes. Their movement can be characterized as Pop because of its use of comics and publicity images and its simplification of images and photographic compositions.
Pop art in Japan
Pop art in Japan is unique and identifiable as Japanese because of the regular subjects and styles. Many Japanese pop artists take inspiration largely from Anime, and sometimes Ukiyo-e and traditional Japanese art. The most well known pop artist currently in Japan is Takashi Murakami, whose group of artists, Kaikai Kiki is world renowned for their own mass produced but highly abstract and unique Superflat art movement, a surrealist, post modern movement whose inspiration comes mainly from Anime and Japanese street culture, and is mostly aimed at youth in Japan, and has made large cultural impact. Some artists in Japan, like Yoshitomo Nara are famous for their Graffiti inspired art, and some, such as Takashi Murakami, are famous for mass produced plastic or polymer figurines. Many pop artists in Japan use surreal or obscene, shocking images in their art, which is clearly taken from Japanese Hentai. This element of the art catches the eye of viewers young and old, and is extremely thought provoking, but not taken as offensive in Japan. A common metaphor used in Japanese Pop Art is the innocence and vulnerability of children and youth. Artists like Aya Takano and Yoshitomo Nara use children as a subject in almost all of their art. While Yoshitomo Nara creates scenes of anger or rebellion through children, Aya Takano communicates the innocence of children by portraying nude girls.
Notable Pop artists
- Sir Peter Blake
- Derek Boshier
- Patrick Caulfield
- Jim Dine
- Marisol Escobar
- Alfred Gockel
- Red Grooms
- Philip Guston
- Keith Haring
- Richard Hamilton
- Robert Indiana
- Jasper Johns
- Allen Jones
- Nicholas Krushenick
- Yayoi Kusama
- Roy Lichtenstein
- Peter Max
- John McHale
- Takashi Murakami
- Julian Opie
- Claes Oldenburg
- Eduardo Paolozzi
- Sigmar Polke
- Hariton Pushwagner
- Mel Ramos
- Robert Rauschenberg
- James Rosenquist
- Ed Ruscha
- Aya Takano
- Wayne Thiebaud
- Andy Warhol
- Tom Wesselmann
- William Eggleston
- Richard Lindner
See also
- Op art
- lowbrow (art movement)
- street pop (art movement)
.png){kind=link}