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"Les Chants Magnétiques Part 4 (Remix)" Released: 1981
"The Last Rumba" Released: 1981
Les Chants Magnétiques (English title: Magnetic Fields) is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 20 May 1981.[2] The album reached number six in the United Kingdom, number 98 in the United States and number 76 in Australia.
Composition and recording
Les Chants Magnétiques was recorded and mixed by Jean-Pierre Janiaud assisted by Patrick Foulon at Croissy Studio, the cover was designed by Remy Magron.[3] The album is one of the first to use sounds from the Fairlight CMI.[4] Its digital technology allowed to Jarre continue his earlier sonic experimentation in new ways.[5] He also uses instruments from the EMS company, among them the Synthi AKS, the Synthi VCS 3 and the Vocoder 1000.[6]
"Les Chants Magnétiques (Part 1)" is divided into three different movements, "kicking off with an exhibitionist, cocksure first movement that seems to keep reaching to the sky for yet more key changes, followed by the swishy human samples and surreality of the second, and the mechanical chuntering and sonic lack of constraint of the third".[4] In minimalist piece "Les Chants Magnétiques (Part 3)" employs sounds from a toy box,[1][7] and Jarre's collaborator Michel Geiss recorded the sounds produced by trains that would be used in the album.[8]
Album title
Unlike Oxygène (1976) and Équinoxe (1978), the album has official titles in both French and English. The French title, Les Chants Magnétiques, is a play on the words "Les Champs Magnétiques" (literally: "Magnetic Fields"), due to the French words chants (songs or singing) and champs (fields) being homophones. As this is not the case in English, the more straightforward title Magnetic Fields was used in English.[citation needed]
Release
Les Chants Magnétiques was released on 20 May 1981 in Europe and 15 June in the USA. It sold a reported 200,000 units in France alone by the beginning of July.[2] In that same year, the British Embassy gave Radio Beijing copies of his albums, which became the first pieces of foreign music to be played on Chinese national radio in decades.[9] China invited Jarre to become the first western musician to play there since the death of Mao Zedong.[10]
Cashbox wrote that Magnetic Fields "is Jarre's most subtle work yet, being a bit busier than Oxygene and more textural than Equinoxe".[14] In Smash Hits, Johnny Black stated that the album "proves more energetic than either of its two mega-selling predecessors. It is, arguably, wallpaper music, but his creative use of Latin and African rhythms ... moves it all up a notch."[13] Simon Tebbutt of Record Mirror described the album as "nullifying, stultifying and ultimately BORING".[12] In an AllMusic retrospective review, writer John Bush commented that "It's often just as melodic and inventive as Oxygene, though not as consistently creative."[11]
Track listing
Side one
No.
Title
Length
1.
"Les Chants Magnétiques Part 1"
17:50
Side two
No.
Title
Length
1.
"Les Chants Magnétiques Part 2"
3:59
2.
"Les Chants Magnétiques Part 3"
4:15
3.
"Les Chants Magnétiques Part 4"
6:18
4.
"Les Chants Magnétiques Part 5 – La Dernière Rumba (English: The Last Rumba)"
^Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Kustannusosakeyhtiö Otava. p. 168. ISBN978-951-1-21053-5.