God in Disguise
God in Disguise | |
---|---|
Lyrical suite by Lars-Erik Larsson | |
Native name | Förklädd gud |
Catalogue | Op. 24 |
Text | Text by Hjalmar Gullberg |
Language | Swedish |
Composed | 1940 |
Publisher | Gehrmans Musikförlag (1946) |
Duration | Approx. 30 minutes |
Premiere | |
Date | 1 April 1940 |
Location | Stockholm, Sweden |
Conductor | Lars-Erik Larsson |
Performers | Radio Entertainment Orchestra |
God in Disguise (in Swedish: Förklädd gud; sometimes translated to English as A God Disguised[1] or Disguised God),[2] Op. 24, is a cantata[1] (officially "lyrical suite")[a] for narrator, soprano, baritone, mixed choir, and orchestra written in 1940 by Swedish composer Lars-Erik Larsson. Tuneful and pastoral in style, the neoromantic God in Disguise is a setting of a 1933 narrative poem by the Swedish poet Hjalmar Gullberg; Gullberg's prose is itself a retelling of a Hellenic story by Euripides, in which the god Apollo is exiled from Olympus and condemned to mortal servitude as a Thessalian herdsman. The cantata, which premiered over Swedish Radio on 1 April 1940, remains one of Larsson's most celebrated compositions.[3]
Background
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Beginning in 1937, the Swedish Broadcasting Corporation—the country's national, publicly-funded radio—employed Larsson as an in-house composer, producer, and conductor;[4] his main task was to write music to accompany various radio programs.[5] One of Larsson's colleagues was the Swedish poet Hjalmar Gullberg, who had joined Swedish Radio in 1936 and headed its drama division.[6] Together, the two men developed a genre of entertainment they called the "lyrical suite", which alternated spoken poetry with musical interludes.[7][6]
The piece was a collaboration with Larsson's friend and colleague at the Swedish Radio, the poet Hjalmar Gullberg, who at a 1938 Christmas party approached the composer about setting a poem from his 1933 anthology Love in the Twentieth Century (Kärlek i tjugonde seklet).
God in Disguise dates to a transitional period in Larsson's art, in which began evolving his established neoclassical style with an emerging neoromanticism.[8]
The piece is based on a motif from ancient mythology where the god Apollo is doomed to appear as a human for one year and serve as farm hand with King Admetus in Thessaly in the drama Alcestis by Euripides.
In response to the 1940 Nazi occupation of Denmark and invasion of Norway during World War II, Gullberg asked Larsson if he could add to his text a new forward in support of Sweden's threatened Nordic neighbors. God in Disguise is thus a "protest against violence" that "inspired in listeners a sense of calm and confidence during dark times and instilled in them the firm hope that truth and right would eventually prevail".[9][10]
The piece premiered over Swedish Radio on 1 April 1940, with Larsson conducting the Radio Entertainment Orchestra and Chorus (Radiotjänsts Underhållningsorkester och Radiokören) in Stockholm; the narrator was Olof Molander, the soprano was Kerstin Torlind , and the baritone was Hugo Hasslo.[11]
Structure
God in Disguise, which lasts about thirty minutes in duration,[11] comprises ten sections:
- Prelude (Förspel): Andante tranquillo [Orchestra]
- Recitation:
- Förword (Forward). Ej för de starka i varlden ... (This is not for the strong in the world ...)[b]
- I. Vem spelar på en pipa ... (Who breathes an air in season ...)
- No. 2: Allegro moderato [Chorus and orchestra]
- Recitation:
- II. Apollon bor i ett tessaliskt stall ... (Apollo dwells in a Thessalian stable ...)
- III. Kring höstlig vaktelds bränder ... (Round watchful autumn embers ...)
- IV. Välsignelse följer ... (Where gods have passed over ...)
- No. 3: Agitato [Baritone, chorus, and orchestra]
- No. 4: Alla marcia [Chorus and orchestra]
- Recitation:
- V. Husbonden må vi prisa säll ... (Now blessed be Thessalia's lord ...)
- VI. Vad faller över träden ... (What woodland is transmuted ...)
- No. 5: Andantino quasi allegretto [Soprano, chorus, and orchestra]
- Recitation:
- VII. Än vandrar gudar över denna jord ... (And the gods are walking yet upon this earth ...)
- VIII. Tror du att fåren skulle ... (Think you at morning hour ...)
- IX. Bjuder ett mänskoöga ... (If a look bid us mingle ...)
- No. 6: Andante—Andante molto tranquillo [Soprano, baritone, chorus, and orchestra]
Instrumentation
God in Disguise is scored for narrator, soprano, baritone, mixed choir (sopranos, altos, tenors, and baritones), and orchestra. The orchestra includes the following instruments:
- Woodwinds: 2 flutes, 2 oboes, 2 clarinets (in B♭), and 2 bassoons
- Brass: 2 horns (in F), 2 trumpets (in C), and trombone
- Percussion: timpani
- Strings: violins, violas, cellos, double basses, and harp
God in Disguise was published by Gehrmans Musikförlag in 1946.
Recordings
The sortable table below lists commercially available recordings of God in Disguise:
Notes, references, and sources
- Notes
- ^ The original Swedish is "lyrisk svit".
- ^ A solo oboe plays the first 12 bars of No. 2 following the fourth and final line of the Forward: Det är en grekisk saga ... (It is a tale from Hellas ...). After this solo, the narrator reads Poem I; this, in turn, is followed by the entirety of No. 2.
- ^ Refers to the year in which the performers recorded the work; this may not be the same as the year in which the recording was first released to the general public.
- ^ S. Westerberg–Swedish Society (SCD 1096) 1998
- ^ S. Westerberg–EMI
- ^ S. Frykberg–BIS (CD–96) 1989
- ^ E. Salonen–Sony Classical (SK 64140) 1993
- ^ P. Sundkvist–Naxos (8.553738) 1996
- ^ E. Karpe–Nosag (NOSAGCD064) 2010
- ^ This recording of God in Disguise is sung in English rather than the Swedish original; the translation is by the British composer John Hearne.
- ^ C. Warren-Green–Intim Musik (IMCD 082) 2003
- ^ G. Sjökvist–Kungliga Hovstaterna (7320470113356) 2012
- References
- ^ a b Tillman 2012, p. 21.
- ^ Gehrmans Musikförlag 1946.
- ^ Schlüren 2015, pp. 14, 16.
- ^ Schlüren 2015, p. 15.
- ^ Nyström 1993, p. 6.
- ^ a b Skans 1989, p. 2.
- ^ Schlüren 2015, p. 16.
- ^ Tillman 2012, pp. 20–21.
- ^ Bergfors 1996, p. 2.
- ^ Skans 1989, p. 3.
- ^ a b Gehrmans Musikförlag.
- Sources
- Bergfors, P-G (1996). Lars-Erik Larsson: Förklädd gud (God in Disguise) / Hilding Rosenberg: Den heliga natten (Holy Night) (CD booklet). Translated by Smith, Andrew. Peter Sundkvist & Swedish Chamber Orchestra. Marco Polo. p. 2–3. 8.225123.
- Lundin, Peter (2002). Lars-Erik Larsson: God in Disguise / Little Serenade, Op. 12 / Winter's Tale, Op. 18 / Pastoral Suite, Op. 19 (CD booklet). Translated by Schenck, Linda. Christopher Warren-Green & Jönköping Sinfonietta. Intim musik. p. 2–3. IMCD 082. OCLC 53054794
- Nyström, Martin (1993). Lars-Erik Larsson: Förklädd Gud (God in Disguise) / Pastoral Suite / Violin Concerto (CD booklet). Esa-Pekka Salonen & Swedish Radio Symphony Orchestra. Sony Classical. p. 6–7. SK 64140. OCLC 34697048
- Schlüren, Christoph (2015). Lars-Erik Larsson: Symphony No. 2 / Variations, Op. 50 / Barococo Suite, Op. 64 (CD booklet). Translated by Robinson, J. Bradford. Andrew Manze & Helsingborg Symphony Orchestra. cpo. p. 14–20. 777 672–2. OCLC 965545444
- Skans, Per. Lars-Erik Larsson: Förklädd Gud (God in Disguise), Op. 24 / Symphony No. 3 in C minor, Op. 34 (CD booklet). Sten Frykberg & Helsingborg Symphony Orchestra. BIS. p. 2–4. CD–96. OCLC 21568279
- Tillman, Joakim (2012). Förklädd Gud (A God Disguised) (CD booklet). Gustaf Sjökvist & Royal Stockholm Philharmonic Orchestra. Kungliga Hovstaterna. p. 20–21. 7320470113356.
- Göran Bergendal. "Larsson, Lars-Erik." In Grove Music Online. Oxford Music Online (accessed August 19, 2009).
- Anderson, Martin. "Larsson, Lars-Erik (Vilner)." In The Oxford Companion to Music, edited by Alison Latham. Oxford Music Online (accessed August 19, 2009).
- Myggans nöjeslexikon : ett uppslagsverk om underhållning. 6, Fell-Gabl. - 1990. - ISBN 91-7752-264-8 (Wiken, Bra böcker) (in Swedish)
- Sohlmans musiklexikon. 4, Kammaropera - Partial. - 1977. - ISBN 91-7198-024-5 (in Swedish)