Giovanni Battista Manso
Giovanni Battista Manso | |
|---|---|
| Born | 1570 Naples, Kingdom of Naples |
| Died | 28 December 1645 (aged 74–75) Naples, Kingdom of Naples |
| Occupation | Poet, scholar, and patron of the arts and artists |
| Language | Italian |
| Nationality | Napoletano |
| Period | Late Middle Ages |
| Literary movement | Baroque |
| Notable works | Vita di Torquato Tasso (1621) Erocallia overo dell'Amore e della Bellezza (1618) |
Giovanni Battista Manso (1570 – 28 December 1645) was an Italian aristocrat, scholar, and patron of the arts and artists.
Biography
Giambattista Manso was a wealthy nobleman and a prominent patron of the arts and letters in Naples during the late sixteenth century and the first half of the seventeenth century. In his youth he fought in the service of both the House of Savoy and the Spanish viceroyalty, but he eventually withdrew from military life to lead a patrician's existence in his villa overlooking the Gulf of Naples. By the beginning of the Seicento, Manso was probably the single most influential and powerful figure in his native city after the resident Spanish viceroy himself. He founded the Accademia degli Oziosi in Naples in 1611, and he actively promoted the establishment of the Collegio de' Nobili for the education — under the direction of the Jesuits — of young Neapolitan aristocrats. He was the author of a book of poems (Poesie Nomiche, 1635), two collections of dialogues (I paradossi, ovvero dell'amore, 1608, and Erocallia, ovvero dell'amore e della bellezza, 1628), and a number of other prose works, of which the best-known today is the Vita di Torquato Tasso (1619), the first biography of the poet.[1] This coltissimo cavaliere — as the eighteenth-century literary historian Girolamo Tiraboschi called him — knew a great many of the leading Italian letterati of the age. He numbered among his acquaintances Paolo Beni (the influential literary critic and theorist), Giambattista Della Porta, Antonio Bruni, Tommaso Campanella, Torquato Accetto, Galileo Galilei, and many other writers, artists, and philosophers up and down the peninsula; and his circle in Naples itself included practically all major figures of the city's literary life.[2] He was, moreover, the friend and benefactor of both Torquato Tasso and Giambattista Marino, perhaps the two most important Italian poets of Manso's lifetime.[3]
Manso befriended Tasso during the poet's troubled period of wandering after his release from confinement in Ferrara; a grateful Tasso dedicated a dialogue on friendship, entitled Il Manso ovvero dell'amicizia (1594), to him. Tasso has also celebrated Manso among the other princes of his country, in his poem entitled Jerusalem Conquered (Book XX).
Among cavaliers magnanimous and courteous
Manso is resplendent.
Manso repeatedly rescued Marino from personal and legal problems, even helping Marino to flee to Rome in order to escape the threat of a death sentence from the viceroy of Naples following a daring attempt to rescue a friend from prison. Later, Manso had Marino personally supervise the republication of Il Manso and worked on a biography of Marino after the latter's death in 1625. By late 1638, when John Milton visited Manso in Naples, his aging host had become “a living symbol of Italian literature,” one whose life was widely seen to be “identified at many points with the course of Italian literature during the preceding half-century, and more especially with the intellectual interests of Southern Italy in its condition as a Spanish province.”[4] Milton, before leaving the city, wrote his Latin poem Mansus and presented it to the marquis as a farewell gift.[1]
Works
- I paradossi overo dell'Amore dialogi, 1608, Milan.
- Erocallia overo dell'Amore e della Bellezza. Venice: Evangelista Deuchino. 1628.
- Poesie nomiche divise in Rime amorose, sacre e morali. Venice: Francesco Baba. 1634.
- Vita di Torquato Tasso published by Evangelista Deuchino, 1621.
Bibliography
- Tiraboschi, Girolamo. Storia della letteratura italiana. 8.1. pp. 52–54.
- Masson, David (1946) [1881]. The Life of John Milton. New York: Peter Smith.
- Denman, Thomas (2016). "A Gift Text of Hispano-Neapolitan Diplomacy: Giovan Battista Manso's Erocallia (1628)". History of European Ideas. 42 (5): 683–693. doi:10.1080/01916599.2016.1152742.
- Riga, Pietro Giulio (2018). Giovan Battista Manso e la cultura letteraria a Napoli nel primo Seicento. Biblioteca del Rinascimento e del Barocco. EMIL.
References
- ^ a b Snyder, Jon R. (1989). Writing the Scene of Speaking: Theories of Dialogue in the Late Italian Renaissance. Stanford University Press. p. 186. ISBN 9780804714594.
- ^ Tiraboschi, Storia, 8.1: 52–53.
- ^ Dizionario biografico universale, Volume 3, by Felice Scifoni, David Passigli, publisher, Florence (1844); page 893.
- ^ Masson, David (1946) [1881]. The Life of John Milton. Vol. 1. New York: Peter Smith. p. 811.
External links
- Calitti, Floriana (2007). "MANSO, Giovan Battista". Dizionario Biografico degli Italiani, Volume 69: Mangiabotti–Marconi (in Italian). Rome: Istituto dell'Enciclopedia Italiana. ISBN 978-8-81200032-6.
