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Marshall Berman
Photo of Marshall Berman at Occupy Wall Street in 2011
Berman at Occupy Wall Street in 2011
Born
Marshall Howard Berman

(1940-11-24)November 24, 1940
Bronx, New York City, New York, US
DiedSeptember 11, 2013(2013-09-11) (aged 72)
Manhattan, New York City, New York, US
Spouse(s)Shellie Sclan
Meredith Tax
Academic background
Alma mater
Academic advisorsSir Isaiah Berlin
Academic work
Discipline
Sub-discipline
School or tradition
InstitutionsCity College of New York
Notable worksAll That Is Solid Melts into Air (1982)
Notable ideasPhases of modernity

Marshall Howard Berman[a] (November 24, 1940 – September 11, 2013) was an American philosopher and Marxist humanist writer. He was a Distinguished Professor of Political Science at The City College of New York and at the Graduate Center of the City University of New York, teaching political philosophy and urbanism.

Life and work

Marshall Berman was born in New York City on November 24, 1940, and spent his childhood in Tremont, then a predominately Jewish neighborhood of the South Bronx. His parents Betty and Murray Berman (both children of Jewish Eastern European immigrants) owned the Betmar Tag and Label Company. His father died of a heart attack at age 48 in the autumn of 1955, shortly after the family had moved to the Kingsbridge neighborhood of the Bronx. Berman attended the Bronx High School of Science,[1] and was an alumnus of Columbia University,[2] receiving a Bachelor of Letters at the University of Oxford where he was a student of Sir Isaiah Berlin.[3] Berman completed his Doctor of Philosophy degree at Harvard University in 1968.[4] He began working at City College in 1968 where he taught until his death. He was on the editorial board of Dissent and a regular contributor to The Nation, The New York Times Book Review, and the Village Voice.

In Adventures in Marxism, Berman tells of how, while a Columbia University student in 1959, the chance discovery of Karl Marx's Economic and Philosophic Manuscripts of 1844 proved a revelation and inspiration, and became the foundation for all his future work.[5] This personal tone pervades his work, linking historical trends with individual observations and inflections from a particular situation. Berman is best known for his book All That Is Solid Melts into Air. Some of his other books include The Politics of Authenticity, Adventures in Marxism, On the Town: A Hundred Years of Spectacle in Times Square (2006). His final publication was the "Introduction" to the Penguin Classics edition of The Communist Manifesto. Also in the 2000s, Berman co-edited (with Brian Berger) an anthology, New York Calling: From Blackout To Bloomberg, for which he wrote the introductory essay. Berman also was a participant in Ric Burns' landmark eight-part documentary titled New York.

He died on September 11, 2013, of a heart attack.[6] According to friend and fellow author Todd Gitlin, Berman suffered the heart attack while eating at one of his favorite Upper West Side restaurants, the Metro Diner.[7]

Modernity and modernism

During the mid- to late 20th century, philosophical discourse focused on issues of modernity and the cultural attitudes and philosophies towards the modern condition. Berman put forward his own definition of modernism to counter postmodern philosophies.

Others believe that the really distinctive forms of contemporary art and thought have made a quantum leap beyond all the diverse sensibilities of modernism, and earned the right to call themselves "post-modern". I want to respond to these antithetical but complementary claims by reviewing the vision of modernity with which this book began. To be modern, I said, is to experience personal and social life as a maelstrom, to find one's world and oneself in perpetual disintegration and renewal, trouble and anguish, ambiguity and contradiction: to be part of a universe in which all that is solid melts into air. To be a modernist is to make oneself somehow at home in the maelstrom, to make its rhythms one's own, to move within its currents in search of the forms of reality, of beauty, of freedom, of justice, that its fervid and perilous flow allows.[8]

Berman's view of modernism is at odds with postmodernism. Paraphrasing Charles Baudelaire, Michel Foucault defined the attitude of modernity as "the ironic heroization of the present."[9] Berman viewed postmodernism as a soulless and hopeless echo chamber. He addressed this specifically in his Preface to the 1988 reprint of All That Is Solid Melts Into Air:

Post-modernists may be said to have developed a paradigm that clashes sharply with the one in this book. I have argued that modern life and art and thought have the capacity for perpetual self-critique and self-renewal. Post-modernists maintain that the horizon of modernity is closed, its energies exhausted—in effect, that modernity is passé. Post-modernist social thought pours scorn on all the collective hopes for moral and social progress, for personal freedom and public happiness, that were bequeathed to us by the modernists of the eighteenth-century Enlightenment. These hopes, post moderns say, have been shown to be bankrupt, at best vain and futile fantasies[10]

Berman's view of modernism also conflicts with anti-modernism according to critic George Scialabba, who is persuaded by Berman's critique of postmodernism but finds the challenge posed by the anti-modernists to be more problematic. Scialabba admires Berman's stance as a writer and thinker, calling him "earnest and a democrat", and capable of withstanding the anti-modernist challenge as it has been posed by the likes of Christopher Lasch and Jackson Lears. But Scialabba also believes that Berman "never fully faces up to the possibility of nihilism."[11]

Berman has also contributed unique interpretations of the term "creative destruction", such as in All That is Solid, particularly in the chapter entitled "Innovative Self-Destruction" (pp. 98–104). Here, Berman provides a reading of Marxist "creative destruction" to explain key processes at work within modernity. In 2021, an article was published by Berman's younger son Daniel Berman which attempted to apply to the field of art history, the elder Berman's conception of creative destruction as communicated through his final public lecture "Emerging from the Ruins" (May 2013, Lewis Mumford Lecture @ CCNY). The article, entitled "Looking the Negative in the Face: Creative Destruction and the Modern Spirit in Photography, Photomontage, and Collage", was published in the second issue of Hunter College's graduate art history journal Assemblage.

Bibliography

Books

  • The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society (1970)
  • All That Is Solid Melts into Air: The Experience of Modernity (1982)
  • Adventures in Marxism (1999)
  • On the Town: One Hundred Years of Spectacle in Times Square (2006)
  • New York Calling (2007)
  • Modernism in the Streets: A Life and Times in Essays (2017)

Essays and Articles

  • Politics and Ideology on the American Right in Columbia Daily Spectator (1959)[12]
  • Interpreting and Changing: And No Perspective in Columbia Daily Spectator (1960)[13]
  • Sex, Love and the Individual in Columbia Daily Spectator (1961)[14]
  • The Truth, The Self and The World: Some Characteristic Problems of Romanticism in King's Crown Essays (1961)[15]
  • Theory and Practice in Partisan Review (1964)[16]
  • Alienation, Community, Freedom in Dissent (1965)[17]
  • The Train of History in Partisan Review (1966)[18]
  • The Lower East Side: Portal to American Life, 1870-1924 in Mosaic (1966)[19]
  • Subject Slip-Up in The Harvard Crimson (1966)[20]
  • Something Beautiful in The Village Voice (1967)[21]
  • Abe and Son "Out on Highway 61" in The Flame (1969)[22]
  • Must Man Go mad in Order to Be Sane? in The New York Times Book Review (1970)[23]
  • Notes Toward a New Society: Rousseau and the New Left in Partisan Review (1971)[24]
  • Weird But Brilliant Light on the Way We Live Now in The New York Times Book Review (1972)[25]
  • A New Edition of a Great Work of Historical Imagination in The New York Times Book Review (1972)[26]
  • That Is the Land of Lost Content, I See It Shining Plain in The New York Times Book Review (1973)[27]
  • Sympathy for the Devil: Faust, the 1960s, and the Tragedy of Development in American Review (1974)[28]
  • Everybody Who's Nobody and the Nobody Who's Everybody in The New York Times Book Review (1974)[29]
  • Buildings Are Judgment in Ramparts (1975)[30]
  • Erik Erikson: The Man Who Invented Himself in The New York Times Book Review (1975)[31]
  • Buildings Are Judgment II in Ramparts (1975)[32]
  • The Authentic Rousseau in American Political Science Review (1975)[33]
  • Liberal and Totalitarian Therapies in Rousseau: A Response to James M. Glass in Political Theory (1976)[34]
  • Facades at Face Value in The Nation (1977)[35]
  • Family Affairs in The New York Times Book Review (1978)[36]
  • The People in Capital in Bennington Review (1978)[37]
  • "All That Is Solid Melts into Air" in Dissent (1978)[38]
  • Marx: The Dancer and the Dance in The Nation (1979)[39]
  • Modernism in the Streets in Partisan Review (1979)[40]
  • Herbert Marcuse in The Nation (1979)[41]
  • From Paris to Gdansk in The New York Times (1980)[42]
  • Modernity - Yesterday, Today, and Tomorrow in Berkshire Review (1981)[43]
  • Misanthrope's Advice in The New York Times Book Review (1981)[44]
  • Feminism, Community, Freedom in Dissent (1983)[45]
  • The Bourgois Experience, Victoria to Freud: Volume 1, Education of the Senses in Vanity Fair (1984)[46]
  • The Signs in the Street: A Response to Perry Anderson in New Left Review (1984)[47]
  • Take It to the Streets: Conflict and Community in Public Space in Dissent (1986)[48]
  • The Place of the Poor in Our Cities in Utne Reader (1987)[49]
  • Ruins and Reforms: New York Yesterday and Today in Dissent (1987)[50]
  • Among the Ruins in New Internationalist (1987)[51]
  • Why Modernism Still Matters in Tikkun (1989)[52]
  • Taking to the Streets in Boston Review (1989)[53]
  • A Response to Jeffrey C. Isaac in Tikkun (1989)[54]
  • Can These Ruins Live? in Parkett (1989)[55]
  • Eternal City: Two Thousand Years of Street Smarts in Voice Literary Supplement (1989)[56]
  • Modernist Anti-Modernism in New Perspectives Quarterly (1991)[57]
  • After the Gold Rush in Dissent (1991)[58]
  • Hitting the Streets in The Los Angeles Times (1992)[59]
  • Architecture as a Universal Language in Places (1992)[60]
  • A View from the Bridge in Culturefront (1992)[61]
  • Roundtable: Nationalism and Ethnic Particularism in Tikkun (1992)[62]
  • Close to the Edge: Reflections on Rap in Tikkun (1993)[63]
  • Children of the Future in Dissent (1993)[64]
  • Remembering Irving Howe in Dissent (1993)[65]
  • “Don’t Kidnap Me, I’m a Professor”: Looking at Brazil in Dissent (1994)[66]
  • Modernism and Human Rights Near the Millennium in Dissent (1995)[67]
  • Meyer Schapiro: The Presence of the Subject in New Politics (1996)[68]
  • Picasso Surviving in Dissent (1997)[69]
  • Picasso sobreviviendo in etcétera (1997)[70]
  • Sign of the Times: The Lure of 42nd Street in Dissent (1997)[71]
  • The Marriage of Heaven and Hell in Harvard Design Magazine (1998)[72]
  • Childhood and Other Neighborhoods in Dissent (1998)[73]
  • Views from the Burning Bridge in Dissent (1999)[74]
  • Ten Years After 1989 in Dissent (1999)[75]
  • Museums in the Age of Giuliani in Art in America (1999)[76]
  • Blue Jay Way: Where Will Critical Culture Come From? in Dissent (2000)[77]
  • Lost in the Arcades in Metropolis (2000)[78]
  • Crossing Swords: Trees Growing in Brooklyn in Dissent (2000)[79]
  • Notes from Underground in Harvard Design Magazine (2001)[80]
  • The Labor Movement: Is Anybody Home? in Dissent (2001)[81]
  • Dancing with America: Philip Roth, Writer on the Left in New Labor Forum (2001)[82]
  • Women and the Metamorphoses of Times Square in Dissent (2001)[83]
  • Missing in Action: Death and Life in New York in Lingua Franca (2001)[84]
  • Dancing in the Dark in Dissent (2002)[85]
  • Love and Theft in Dissent (2002)[86]
  • Marshall Berman Responds in Dissent (2003)[87]
  • The City Rises in Dissent (2003)[88]
  • Standing in the Doorway in Dissent (2004)[89]
  • Israel: No Souvenirs in Dissent (2004)[90]
  • Marshall Berman Responds in Dissent (2005)[91]
  • The Last Page in Dissent (2005)[92]
  • Tradition... Transgression!: Singer in the Shtetl and on the Street in Logos (2005)[93]
  • A Times Square for the New Millennium: Life on the Cleaned-up Boulevard in Dissent (2006)[94]
  • Review: Moment of Grace: The American City in the 1950s by Michael Johns in Harvard Design Magazine (2006)[95]
  • Marx in China: Modern Art, Modern Conflicts, Modern Workers in Dissent (2006)[96]
  • New York Calling in Dissent (2007)[97]
  • Symposium 1968 in Dissent (2008)[98]
  • Review: "Modernism" in Columbia Magazine (2008)[99]
  • Modernism in the Streets in Dissent (2008)[100]
  • Orhan Pamuk and Modernist Liberalism in Dissent (2009)[101]
  • Emerging from the Ruins in Dissent (2014)[102]

See also

Notes

  1. ^ Pronounced /ˈbɜːrmən/.

References

  1. ^ Seventy-fifth Anniversary Record - John Simon Guggenheim Memorial Foundation - Google Books. 1981. Retrieved 2013-09-16.
  2. ^ "Columbia College Today". www.college.columbia.edu. Retrieved 2022-06-03.
  3. ^ Davidzon, Vladislav (November 13, 2013). "All That Is Solid Melts Into Berman: The Unkempt Emperor of New York Intellectuals". Tablet.
  4. ^ "On Marshall Berman". 18 September 2013.
  5. ^ Christopher Hitchens (1999-11-16). "Marshall Berman's Love Affair With Marx". Village Voice. Archived from the original on 2011-06-04. Retrieved 2014-06-26.
  6. ^ In memoriam: Marshall Berman, 1940-2013
  7. ^ "Marshall Berman, author and educator, dead at 72". Times-Herald. Associated Press. 2013-09-12. Retrieved 2014-06-26.
  8. ^ Berman, Marshall (2009). All That Is Solid Melts Into Air:The Experience Of Modernity (9th ed.). London, New York: Verso. pp. 345–346. ISBN 978-1844676446.
  9. ^ Michel Foucault, 1978, "What Is Enlightenment?" Archived 2006-10-12 at the Wayback Machine (translation by Mathew Henson, 1992).
  10. ^ Berman, Marshall (1988). All That Is Solid Melts Into Air:The Experience Of Modernity (reissue ed.). London, New York: Penguin. pp. 9–10. ISBN 014-01-0962-5.
  11. ^ Published in Boston Phoenix on 21 June 1983 (1983-06-21). "All That Is Solid Melts into Air by Marshall Berman. Simon & Schuster, 383 pages, $6.95". GeorgeScialabba.Net. Retrieved 2014-06-26.{{cite web}}: CS1 maint: numeric names: authors list (link)
  12. ^ Berman, Marshall (October 29, 1959). "Politics and Ideology on the American Right". Columbia Daily Spectator. 1 (1): 1.
  13. ^ Berman, Marshall (October 14, 1960). "Interpreting and Changing: And No Perspective". Columbia Daily Spectator. II (1): 1–6.
  14. ^ Berman, Marshall (March 16, 1961). "Sex, Love and the Individual". Columbia Daily Spectator. II (5): 1–8.
  15. ^ Berman, Marshall (Spring 1961). "The Truth, The Self and The World". King's Crown Essays. VIII (2): 22–34.
  16. ^ Berman, Marshall (Fall 1964). "Theory and Practice". Partisan Review. XXXI (4): 617–626.
  17. ^ Berman, Marshall (Winter 1965). "Alienation, Community, Freedom". Dissent. XII (1).
  18. ^ Berman, Marshall (Summer 1966). "The Train of History". Partisan Review. XXXIII (3).
  19. ^ Berman, Marshall (Fall 1966). "The Lower East Side: Portal to American Life, 1870-1924". Mosaic. VII (2): 2–11.
  20. ^ Berman, Marshall (December 21, 1966). "Subject Slip-Up". The Harvard Crimson.
  21. ^ Berman, Marshall (October 26, 1967). "Something Beautiful". The Village Voice. XII (3): 6.
  22. ^ Berman, Marshall (May 21, 1969). "Abe and Son "Out on Highway 61"". The Flame. 1 (3): 3–4.
  23. ^ Berman, Marshall (February 22, 1970). "Must Man Go Mad in Order to Be Sane?". The New York Times Book Review: 1.
  24. ^ Berman, Marshall (Fall 1971). "Notes Toward a New Society: Rousseau and the New Left". Partisan Review. 38 (4): 404–422.
  25. ^ Berman, Marshall (February 27, 1972). "Weird But Brilliant Light on the Way We Live Now". The New York Times Book Review: 1–20.
  26. ^ Berman, Marshall (August 20, 1972). "To the Finland Station". The New York Times Book Review: 1–12.
  27. ^ Berman, Marshall (July 15, 1973). "That Is the Land of Lost Content, I See It Shining Plain". The New York Times Book Review: 1, 26.
  28. ^ Berman, Marshall (1974). American Review 19 (First ed.). Bantam Books. pp. 23–75.
  29. ^ Berman, Marshall (March 24, 1974). "Everybody Who's Nobody and the Nobody Who's Everybody". The New York Times Book Review.
  30. ^ Berman, Marshall (March 1975). "Buildings Are Judgment". Ramparts: 33–39.
  31. ^ Berman, Marshall (March 30, 1975). "Erik Erikson: The Man Who Invented Himself". The New York Times Book Review.
  32. ^ Berman, Marshall (May 1975). "Buildings Are Judgment II". Ramparts: 53–55.
  33. ^ Berman, Marshall (September 1975). "The Authentic Rousseau". The American Political Science Review. 69 (3): 971–972. doi:10.1017/S0003055400280246. JSTOR 1958414. S2CID 146656430.
  34. ^ Berman, Marshall (May 1976). "Liberal and Totalitarian Therapies in Rousseau: A Response to James M. Glass". Political Theory. 4 (2): 185–194. doi:10.1177/009059177600400205. JSTOR 190628. S2CID 148591590.
  35. ^ Berman, Marshall (August 6, 1977). "Facades at Face Value". The Nation: 118–120.
  36. ^ Berman, Marshall (January 15, 1978). "Family Affairs". The New York Times Book Review: 2.
  37. ^ Berman, Marshall (April 1978). "The People in Capital". Bennington Review (1).
  38. ^ Berman, Marshall (Winter 1978). ""All That Is Solid Melts into Air"". Dissent.
  39. ^ Berman, Marshall (January 27, 1979). "Marx: The Dancer and the Dance". The Nation: 85–90.
  40. ^ Berman, Marshall (Spring 1979). "Modernism in the Streets". Partisan Review. 46 (2): 205–222.
  41. ^ Berman, Marshall (August 11, 1979). "Herbert Marcuse". The Nation: 100.
  42. ^ Berman, Marshall (September 14, 1980). "From Paris to Gdansk". The New York Times. CXXIX (44706): 99, 105–106.
  43. ^ Berman, Marshall (1981). "Modernity–Yesterday, Today, and Tomorrow". Berkshire Review. 16–17: 7.
  44. ^ Berman, Marshall (March 7, 1982). "Misanthrope's Advice". The New York Times Book Review. CXXXI (45245).
  45. ^ Berman, Marshall (Spring 1983). "Feminism, Community, Freedom". Dissent.
  46. ^ Berman, Marshall (February 1984). "The Bourgois Experience, Victoria to Freud: Volume 1, Education of the Senses". Vanity Fair. Vol. 47, no. 2. p. 12.
  47. ^ Berman, Marshall (March–April 1984). "The Signs in the Street: A Response to Perry Anderson". New Left Review. 144 (1). Retrieved 14 March 2023.
  48. ^ Berman, Marshall (Fall 1986). "Take It to the Streets: Conflict and Community in Public Space". Dissent: 476–485.
  49. ^ Berman, Marshall (May–June 1987). "The Place of the Poor in Our Cities". Utne Reader (21): 51–53.
  50. ^ Berman, Marshall (Fall 1987). "Ruins and Reforms: New York Yesterday and Today". Dissent: 421–428.
  51. ^ Berman, Marshall (December 5, 1987). "Among the Ruins". New Internationalist (178). Retrieved 14 March 2023.
  52. ^ Berman, Marshall (January–February 1989). "Why Modernism Still Matters". Tikkun. 4 (1): 11–86.
  53. ^ Berman, Marshall (June 1989). "Taking to the Streets". Boston Review. XIV (3): 5–18.
  54. ^ Berman, Marshall (July–August 1989). "A Response to Jeffrey C. Isaac". Tikkun. 4 (4): 123.
  55. ^ Berman, Marshall (1989). "Can These Ruins Live?". Parkett. 20: 42–49. Retrieved 14 March 2023.
  56. ^ Berman, Marshall (November 1989). "Eternal City: Two Thousand Years of Street Smarts". Voice Literary Supplement (80): 9–14.
  57. ^ Berman, Marshall (Spring 1991). "Modernist Anti-Modernism". New Perspectives Quarterly. 8 (2): 35–39.
  58. ^ Berman, Marshall (Fall 1991). "After the Gold Rush". Dissent.
  59. ^ Berman, Marshall (March 29, 1992). "Hitting the Streets". Los Angeles Times: 1–11.
  60. ^ Berman, Marshall (1992). "Architecture as a Universal Language". Places. 7 (4): 90–91.
  61. ^ Berman, Marshall (Fall 1992). "A View from the Bridge". Culturefront. 1 (2): 46–52.
  62. ^ Berman, Marshall (November–December 1992). "Roundtable: Nationalism and Ethnic Particularism". Tikkun. 7 (6): 49–56.
  63. ^ Berman, Marshall (March–April 1993). "Close to the Edge: Reflections on Rap". Tikkun. 8 (2).
  64. ^ Berman, Marshall (Spring 1993). "Children of the Future". Dissent.
  65. ^ Berman, Marshall (Fall 1993). "Remembering Irving Howe". Dissent.
  66. ^ Berman, Marshall (Winter 1994). ""Don't Kidnap Me, I'm a Professor": Looking at Brazil". Dissent.
  67. ^ Berman, Marshall (Summer 1995). "Modernism and Human Rights Near the Millennium". Dissent.
  68. ^ Berman, Marshall (Winter 1996). "Meyer Schapiro: The Presence of the Subject". New Politics. 5 (20).
  69. ^ Berman, Marshall (Spring 1997). "Picasso Surviving". Dissent.
  70. ^ Berman, Marshall (August 21, 1997). "Picasso sobreviviendo". Etcétera (238): 21–23.
  71. ^ Berman, Marshall (Fall 1997). "Sign of the Times: The Lure of 42nd Street". Dissent.
  72. ^ "4: Popular Places, plus Books on Cities and Urbanism". Harvard Design Magazine. Harvard University.
  73. ^ Berman, Marshall (Fall 1998). "Childhood and Other Neighborhoods". Dissent.
  74. ^ Berman, Marshall (Summer 1999). "Views from the Burning Bridge". Dissent.
  75. ^ Berman, Marshall (Fall 1999). "Ten Years After 1989". Dissent.
  76. ^ Berman, Marshall (December 1999). "Museums in the Age of Giuliani". Art in America. 87 (12): 37–43.
  77. ^ Berman, Marshall (Winter 2000). "Blue Jay Way: Where Will Critical Culture Come From?". Dissent.
  78. ^ Berman, Marshall (February–March 2000). "Lost in the Arcades". Metropolis. 19: 116–121.
  79. ^ Berman, Marshall (Fall 2000). "Crossing Swords: Trees Growing in Brooklyn". Dissent.
  80. ^ "15: Five Houses, plus American Scenes". Harvard Design Magazine. Harvard University. Retrieved 11 March 2023.
  81. ^ Berman, Marshall (Summer 2001). "The Labor Movement: Is Anybody Home?". Dissent.
  82. ^ Berman, Marshall (2001). "Dancing with America: Philip Roth, Writer on the Left". New Labor Forum (9): 46–56. JSTOR 40342311.
  83. ^ Berman, Marshall (Fall 2001). "Women and the Metamorphoses of Times Square". Dissent.
  84. ^ Berman, Marshall (November 2001). "Missing in Action: Death and Life in New York". Linga Franca. 11 (8).
  85. ^ Berman, Marshall (Spring 2002). "Dancing in the Dark". Dissent.
  86. ^ Berman, Marshall (Summer 2002). "Love and Theft". Dissent.
  87. ^ Berman, Marshall (Winter 2003). "Marshall Berman Responds". Dissent.
  88. ^ Berman, Marshall (Summer 2003). "The City Rises". Dissent.
  89. ^ Berman, Marshall (Winter 2004). "Standing in the Doorway". Dissent.
  90. ^ Berman, Marshall (Summer 2004). "Israel: No Souvenirs". Dissent.
  91. ^ Berman, Marshall (Winter 2005). "Marshall Berman Responds". Dissent.
  92. ^ Berman, Marshall (Summer 2005). "The Last Page". Dissent.
  93. ^ Berman, Marshall (Fall 2005). "Tradition... Transgression! Singer in the Shtetl and on the Street". Logos. 4 (4).
  94. ^ Berman, Marshall (Winter 2006). "A Times Square for the New Millennium: Life on the Cleaned-up Boulevard". Dissent.
  95. ^ "24: The Origins and Evolution of "Urban Design," 1956–2006". Harvard Design Magazine. Harvard University. Retrieved 11 March 2023.
  96. ^ Berman, Marshall (Spring 2006). "Marx in China: Modern Art, Modern Conflicts, Modern Workers". Dissent.
  97. ^ Marshall, Berman (Fall 2007). "New York Calling". Dissent.
  98. ^ Berman, Marshall (Spring 2008). "Symposium 1968". Dissent.
  99. ^ Berman, Marshall (Spring 2008). "Review: "Modernism"". Columbia Magazine.
  100. ^ Berman, Marshall (Fall 2008). "Modernism in the Streets". Dissent.
  101. ^ Berman, Marshall (Spring 2009). "Orhan Pamuk and Modernist Liberalism". Dissent.
  102. ^ Berman, Marshall (Winter 2014). "Emerging from the Ruins". Dissent.
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