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Girandole

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A girandole with mirror

A girandole (/ˈdʒɪrəndəʊl/) is an ornamental branched candle holder consisting of several lights that may be on a stand or mounted on the wall, either by itself or attached to a mirror.[1][2] Girandole has been used to describe a variety of different objects and designs; the early girandoles were candelabras decorated with crystals looking like a chandelier on a stand, and at one time it was also used to describe all candelabras and chandeliers, with or without crystals.[3] The girandole first appeared in France in the mid-17th century as a luxurious appliance for lighting,[4] and large wall-mounted girandoles that may incorporate a mirror became fashionable in England in the second half of the 18th century.[3][5] A form of girandole backed with a round convex mirror was also popular in the United States in the early 19th century.[6]

Etymology

A pair of late-17th century French girandoles

The word girandole first appeared in English in the first half of the 17th century in reference to a rotating firework.[7] It comes from the French girandole, which is in turn derived from the Italian girandola, meaning a kind of horizontal Catherine wheel firework.[3] Girandola is a diminutive of giranda, deriving from girare and Latin gyrāre, meaning "to gyrate", which in turn comes from gyrus and ultimately from Greek gŷros meaning "ring or circle".[7]

Girandole as a lighting device may have been named after the Catherine wheel-like firework because the early form of girandole was a branched candlestick with arms that radiated out from a central axis like the spoke of a wheel, thereby resembling the firework.[8][9]

Usage

An ornate American candelabra hung with crystals described as a girandole[10]

Girandoles was used in the second half of the 17th century in France to refer to a type of candelabra, usually with 6 arms emerging from a central stem.[8] The girandoles of this period were ornate candelabras pyramidal in shape often hung with pendants of crystals.[3] This, along with the firework, is still one of the definitions of girandole in France today.[11]

In the mid-18th century in England, it referred to a large gilded decorative sconce, or a wall light backed with a mirror. Later the mirror, especially if it is circular and convex, may be used alone without the light fixture.[3] The wall-mounted lighting device is a common definition of girandole in English today.[12][5][13] Some large dressing glasses of the 19th century were known as "girandoles" because of the lighting devices mounted to their sides.[citation needed] A form of girandole with a chandelier in front of a mirror was created in Ireland in the late 18th century.[14]

In Italy, it refers to the firework, a weathervane, or a pinwheel toy.[15] In Poland, the word girandole (żyrandol) is used to describe a traditional folk art. A popular form is "spider girandoles", which are decorative objects hung from the ceiling. These may be made from tissue paper cut, wrapped or manipulated into flowers or garland, and most recently, as festoons and garlands stretched starwise at the ceiling.[16]

Girandole is used in jewellery design to mean an earring with a large central stone or piece with smaller ones attached.[12] A popular form of girandole earrings consist of 3 pendant drops hanging from a larger cluster, in the shape of a bow or other designs, like the branches of a candelabra.[17] Girandole has also been used to describe a clock in the United States where the timepiece sits on top of a trunk and a round base in the shape of a girandole mirror.[18][19]

Designs

Late-17th century French girandole decorated with crystals and semi-precious stones

Girandoles as decorative candelabras appeared as items in French royal households around 1660, and an early version may have existed in 1653.[8] Many girandoles were found in the Palace of Versailles. It was also used in the private residences of the wealthy by the late 17th century. It stayed popular in France in the 18th-century, when some exceptional examples of girandole were created by famous ciseleurs of the period.[20][4] These girandoles were commonly made and used in pairs,[20][21] and together with sconces they lit the middle section of the room below the chandeliers.[22]

The early French girandoles have a base, a central stem and a plate that usually holds six arms with drip pans and bobèche for the candles. They were often decorated with rock crystals and glass – these may be strung together as beads, or hung as pendants or rosettes in a pyramidal or cone-shape arrangement, adding sparkles to the candleholder by reflecting the candlelight.[23] More extravagant girandoles may include semi-precious stones such as amethyst, agate, chalcedony as well as coral, carnelian and jade.[8] Girandoles can also be designed as sculptural figures, which may be made of gilt bronze with or without crystals. Also popular in the 18th century were porcelain girandoles with floral decorations. Some girandoles were made of silver, but gold was limited to the royal palaces.[24] The girandoles may be small, but they can also become quite large, with some over 7 feet tall including their sculptural base recorded.[25] The smaller girandoles were placed on a table or guéridon, while larger ones may be place on a torchère.[8] The popularity of girandoles declined in the 19th century in France, and those that were made there were mainly copies of older designs.[26]

English designs for girandoles
4 girandoles with mirrors by Thomas Chippendale
A late 18-century girandole

Girandoles may also be designed as wall lights or sconces, and many of these were in the ornate Rococo-style. Mirrors with elaborate frames and candleholders attached were produced in England in the mid-18th century, and these were also referred to as girandoles.[27] Thomas Chippendale produced girandoles, with and without mirrors, of asymmetric designs in rococo, chinoiserie or Gothic styles, consisting of scrolls and shells incorporating various motifs such as architectural ruins, Chinese figures and pagodas, columns, foliage, waterfalls, and birds. The mirrors were usually fitted in smaller plates, and the joints then covered with gilt mouldings or pilasters.[28] In the late-18th century, designs in the Neo-Classical style were popular.[5] The candleholders may be placed on the sides of the mirrors, or just below it, but a girandole can also be positioned in front of a mirror such that it and its reflected image create the illusion of a full candelabra.[29]

Towards the end of 18th century, circular convex mirrors were created for use in homes. The mirrors, referred to as "girandoles" or "girandole mirrors", have projecting curved arms for holding candles and were designed to created a pleasantly distorted reflections of the rooms they were in.[30] These became popular in the Federal period (1790 to 1830) in the United States, where the mirrors were often topped with an eagle finial.[6][31] Some may be topped with wing horses or dragonsn and the mirrors may range in size from one to three feet in diameter.[32] In England, the mirrors may also be used without the lighting device.[30]

A great variety of metals have been used for the creation of girandoles. In the case of candlesticks, gilded bronze has been a very frequent medium, but for table use silver may be used. Some girandoles are also made of hardwoods.[20] The large wall-mounted girandole may be made of gilded carved wood.[27]

  • Louis XIV-era French girandole
    Louis XIV-era French girandole
  • 18th century French girandole
    18th century French girandole
  • French design for a pair of girandoles
    French design for a pair of girandoles
  • Girandole, Louis XVI period
    Girandole, Louis XVI period
  • 18th-century French drawing of a girandole
    18th-century French drawing of a girandole
  • 18th century English designs for girandoles and table
    18th century English designs for girandoles and table
  • Design for a girandole
    Design for a girandole
  • A design by William Chambers
    A design by William Chambers
  • Design for a girandole by Thomas Johnson
    Design for a girandole by Thomas Johnson
  • A girandole design by Thomas Chippendale
    A girandole design by Thomas Chippendale
  • Dutch girandole (1856, Rijksmuseum)
    Dutch girandole (1856, Rijksmuseum)
  • Meissen porcelain and gilt-bronze girandole
    Meissen porcelain and gilt-bronze girandole
  • A Russian girandole
    A Russian girandole
  • Girandole earrings
    Girandole earrings
  • A girandole clock
    A girandole clock

References

  1. ^ "Girandole". Merriam-Webster.
  2. ^ "gir·an·dole". American Heritage Dictionary.
  3. ^ a b c d e Joanna Banham, ed. (1997). Encyclopedia of Interior Design. Taylor & Francis. p. 126. ISBN 9781136787584.
  4. ^ a b Havard 1888, p. 980.
  5. ^ a b c "Girandole". Encyclopedia Britannica.
  6. ^ a b "Girandole". The Metropolitan Museum of Art.
  7. ^ a b "Word of the Day: Girandole". Dictionary.com. July 3, 2021.
  8. ^ a b c d e Wilson, Bremer-David & Weaver 2008, p. 292.
  9. ^ "Girandole". Merriam-Webster.
  10. ^ "William F. Shaw Girandole (part of a set)". The Museum of Fine Arts Houston.
  11. ^ "Girandole". CNRTL.
  12. ^ a b "Girandole". Collins Dictionary.
  13. ^ "Girandole". Dictionary.com.
  14. ^ Knight of Glin; James Peill (2007). Irish Furniture: Woodwork and Carving in Ireland from the Earliest Times to the Act of Union. Paul Mellon Centre for Studies in British Art. p. 269. ISBN 9780300117158.
  15. ^ "Girandola". Collins Dictionary.
  16. ^ Frys, Ewa. Iracka, Anna. Pokropek, Marian Folk Art in Poland page #75 Arkady 1988 ISBN 83-213-3478-4
  17. ^ Campbell 2006, p. 523, 524.
  18. ^ Baker Carlisle, Lilian (May 1978). "New Biographical Findings on Curtis & Dunning, Girandole Clockmakers". The American Art Journal. 10 (1): 90–109. JSTOR 1594111.
  19. ^ Campbell 2006, p. 255.
  20. ^ a b c Chisholm 1911.
  21. ^ Havard 1888, p. 981.
  22. ^ "Pair of Girandoles: about 1680–1700". Getty Museum Collection.
  23. ^ Wilson, Bremer-David & Weaver 2008, pp. 292, 295.
  24. ^ Havard 1888, p. 981–983.
  25. ^ Havard 1888, p. 983.
  26. ^ Havard 1888, p. 984.
  27. ^ a b Miller, Judith (2019). Miller's Antiques Handbook & Price Guide 2020-2021. Octopus. p. 229. ISBN 9781784726485.
  28. ^ Warren Clouston 1897, p. 58–59.
  29. ^ Campbell 2006, p. 324.
  30. ^ a b Shrum, Rebecca K. (2017). In the Looking Glass: Mirrors and Identity in Early America. Johns Hopkins University Press. pp. 24–25. ISBN 9781421423128.
  31. ^ Polson, Mary Ellen (April 2005). "Mirror Images". Old House Interiors. Vol. 11, no. 3. pp. 44–48. ISSN 1079-3941.
  32. ^ Clary Morse, Frances (2023). Furniture of the Olden Time. }}

Bibliography

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