Mike Baur
 | This article, Mike Baur, has recently been created via the Articles for creation process. Please check to see if the reviewer has accidentally left this template after accepting the draft and take appropriate action as necessary.
Reviewer tools: Inform author |
Comment: This needs to be rewritten in an encyclopedic tone and manner. Also, need additional bibliographic details for "Power and Precision: The Sculpture of Mike Baur and Michael Dunbar" (publisher, date published, etc.). S0091 (talk) 18:54, 3 March 2024 (UTC)
| Born: | 1951 Ozarks, MO, USA |
| Education: | University of Illinois Urbana-Champaign |
| Known for: | Industrial Steel and Concrete Sculptures |
| Spouse: | Marianne C. Stanis |
| Website: | www.MikeBaurSculpture.com |
Mike Baur
Mike Baur, born in 1951, is a prominent American sculptor celebrated for his innovative work with industrial components and architectural forms. His artistic versatility spans diverse mediums, showcasing a profound commitment to pushing the boundaries of sculpture. Known for conveying a sense of weight, stability, and permanence in his pieces, Baur's journey is deeply rooted in the exploration of industrial materials..[1]
Utilizing a unique blend of steel, concrete, plastics, wood, and stone, Baur infuses his sculptures with layers of meaning that extend beyond the literal. His intentional exploration of the implied utility within industrial materials distinguishes him, providing viewers with immersive experiences that transcend conventional interpretations. With a career spanning over five decades, Baur's work reflects maturity through transformative exploration of common materials. He transcends formalistic concerns, consistently emphasizing the distinctive power of the three-dimensional object in his evocative creations.[2]
Baur has participated in various exhibitions, showcasing his work at galleries such as the Sonia Zaks Gallery and OK Harris in New York. Additionally, his sculptures have been displayed in institutions like the Illinois Department of Transportation Building and Elgin Community College. Some recognition has come his way, with honors such as Best in Show at "Sculpt Siouxland"[3] and an Illinois Arts Council Fellowship Grant in 1986[4].
Beyond individual sculptures, Baur's impact extends to the contemporary sculpture scene, where his intentional material choices and thoughtful approach to form and purpose position him as an artist with a lasting influence. As he continues to contribute to the artistic narrative, Baur's sculptures offer profound insights into the enduring potential of materials and the limitless possibilities of three-dimensional expression. [2]
Life and Career
Mike Baur's artistic journey is rooted in his cultural heritage as the son of Missouri preachers. Growing up in the rugged landscapes of the Ozarks, Baur's demeanor reflects his upbringing—he is a smiling, articulate individual, self-effacing, avuncular, and unapologetically honest. His path as an artist began with a childhood encounter with a photograph of a Jackson Pollock painting, setting him on a transformative path[5]. [2] Leaving high school at the age of 16, Baur pursued his artistic education at Arkansas State University (BFA’73) and the University of Illinois Urbana-Champaign, where he earned his MFA in Sculpture in 1976. Guided by sculptor Frank Gallo, he transitioned from fiberglass and plastics to a predominant focus on concrete and steel, drawing on the expertise of the U of I Civil Engineering Department. [2] Baur gained international recognition in 1974 when, still in Graduate School, he won a competition to create a one-hundred-ton concrete sculpture near Barcelona, Spain [2] [6]
Determined not to delegate the fabrication of his work, he personally completed every aspect of his sculptures, showcasing mastery in various approaches to working with concrete. His Chicago studio, established in 1976, became the venue for his first one-man show at Zriny-Hayes Gallery in 1977[7]. Represented by galleries such as Sonia Zaks Gallery and OK Harris[8], Baur's artistry has left a mark in museums, outdoor sculpture venues, and group shows across the United States and Europe[9]. Inspired by industrial imagery, his sculptures go beyond traditional artistic values, embodying a personal exploration of chosen materials. Baur's focus and defined aesthetic indicate artistic maturity, with his work standing as a testament to the philosophy that the object must speak for itself[10]. In his approach, Baur consciously avoids conforming to overarching artistic philosophies and allows his work to emerge organically through interaction with materials during the fabrication process[1]. This distinctive philosophy renders his sculptures approachable to a broad audience, from art connoisseurs to those with a basic familiarity with the materials he employs[4]. In a field often characterized by pretentiousness, Mike Baur is recognized as an abstract artist who reveals precisely what he envisions[8]. Mike Baur is married to Marianne C. Stanis, with one daughter and one son.
In 1974, Mike Baur gained recognition by winning a competition, earning the opportunity to create a substantial 200-ton concrete sculpture in Barcelona, Spain. This marked the beginning of a career characterized by a deep connection to industrial materials and innovative sculptural forms.[6] In 1976, Baur established his first studio in Chicago, laying the foundation for his artistic presence. This marked the commencement of a prolific period during which he continued to produce significant works showcasing his mastery of concrete and steel, embodying his commitment to weight, stability, and permanence.[6] Baur's sculptures, known for their commanding presence and unique dialogue with industrial materials, have made an impact in various locations in Illinois, the United States, and Spain. Notable installations include venues such as the Illinois Department of Transportation Building, Elgin Community College, and North Point Marina, serving as testaments to his lasting influence on the public art landscape [2] [11].
From 1981 to 2005, Mike Baur displayed his work at the Sonia Zaks Gallery, showcasing his evolving body of work and establishing a reputation as an artist capable of transcending conventional artistic values. His sculptures, marked by a fusion of industrial aesthetics and meticulous craftsmanship, found resonance within the gallery's walls.[11]
Beyond his collaboration with Sonia Zaks Gallery, Baur's artistic journey extended to other influential platforms. Represented by OK Harris Works of Art in New York, he participated in museums, large-scale outdoor venues, and group shows across the United States and Europe. Currently represented by Modern Arts Midwest in Omaha, NE, Olsen-Larsen Galleries in West Des Moines, IA, and Gallerique in Chicago, Baur's sculptures continue to engage audiences with their powerful presence and nuanced exploration of materials.[2]
This body of work reflects not only the evolution of Mike Baur's artistic expression but also his enduring commitment to exploring sculptural possibilities.[2]
Awards and Recognition
Throughout Mike Baur's esteemed career, he has received numerous awards and grants that underscore his steadfast commitment to artistic excellence. From local exhibitions to international competitions, these accolades stand as a testament to the enduring impact of his sculptural innovations.
International Sculpture Competition, Autopistas del Mediterraneo Open Air Permanent Exhibition, Barcelona, Spain (1974)
In 1974, a pivotal moment unfolded in Baur's career as he triumphed in the International Sculpture Competition held by Autopistas del Mediterraneo in Barcelona, Spain. This victory not only marked his global debut but also resulted in the purchase of his sculpture, solidifying his early international acclaim.[3]
Best in Show, 13th Annual Florida Outdoor Sculpture Exhibit, Lakeland, Florida (2013)
In 2013, Mike Baur's artistic prowess was acknowledged with the "Best in Show" award at the 13th Annual Florida Outdoor Sculpture Exhibit in Lakeland. This accolade not only reflects the captivating nature of his sculptures but also demonstrates their ability to command attention and admiration on a grand scale.[4]
I.D.E.A. Triton College, Award of Excellence (October 1974)
In October 1974, Baur's excellence in sculpture was further affirmed with the I.D.E.A. Triton College Award of Excellence. This recognition attested to his mastery of the craft and foreshadowed the continued success and impact he would have in the realm of sculpture.[10]
Illinois Arts Council Fellowship Grant (1986)
Baur's significant contributions to the Illinois arts scene were recognized in 1986 with the prestigious Illinois Arts Council Fellowship Grant. This grant served as a testament to his individual artistic merit and provided crucial support for the continued exploration of his unique sculptural vision.[8]
Illinois Arts Council Artist Grant (May 1983 and September 1983, 1981)
Mike Baur's creative journey received crucial support through multiple Illinois Arts Council Artist Grants. Awarded in May and September of 1983, as well as in 1981, these grants exemplify the recognition of his innovative approach to sculpture and the lasting impact of his work within the artistic community.[9]
The array of awards and grants bestowed upon Mike Baur forms a comprehensive tapestry of recognition, weaving together local and international honors. From his early triumphs in Spain to the acknowledgment of his contributions by the Illinois Arts Council, these accolades collectively illuminate the trajectory of a sculptor whose work transcends boundaries and captivates audiences worldwide.[7]
Commissions and Public Art
Mike Baur has been involved in various public art installations and commissions, contributing to the enhancement of public spaces through monumental works. These installations showcase Baur's sculptural language in diverse environments.
Lincoln Land Community College, Springfield, IL (2021)
In 2021, Mike Baur contributed to a public art installation at Lincoln Land Community College, seamlessly integrating his work into the educational landscape. This commission reflects Baur's dedication to enhancing communal spaces with visually striking sculptures, contributing to the cultural fabric of Springfield, IL.[2]
Parker, Colorado (2018)
The cityscape of Parker, Colorado, features a public art installation by Baur from 2018, demonstrating a harmonious dialogue between his work and the surrounding environment. This installation serves as a focal point, inviting viewers to engage with the intersection of art and public life.[2]
University of Northern Iowa, Cedar Falls, Iowa (2015)
In 2015, the University of Northern Iowa hosted a distinctive public art installation by Baur in Cedar Falls, Iowa. This commission showcases Baur's ability to adapt his sculptures to diverse settings while preserving the integrity of his artistic vision. The enduring presence of Baur's sculptural contribution enriches the university community and its surroundings.[2]
These instances represent a portion of the public art created by Mike Baur across the United States and Europe. His commissions go beyond aesthetics, acting as catalysts for dialogue and cultural enrichment in the communities they serve. From educational institutions to cityscapes, Baur's public art demonstrates the transformative power of sculpture in the public domain. In each installation, Mike Baur carefully balances form and function, creating aesthetic landmarks that engage with the unique characteristics of each location. Whether shaping the visual identity of educational institutions or contributing to the cultural vibrancy of city landscapes, Baur's public art remains a testament to the enduring impact of his sculptural practice.[2]
- ^ a b Artner, Alan. "The year's best art exhibitions." Chicago Tribune, January 1, 1989.
- ^ a b c d e f g h i j k l Bates, Geoffrey. "Power and Precision: The Sculpture of Mike Baur and Michael Dunbar."
- ^ a b Hawkins, Margaret. "Mike Baur's Sculpture Evokes Boat People." Chicago Sun-Times, June 7, 1996.
- ^ a b c McCracken, David. "Baur hems in concrete with steel." Chicago Tribune, July 17, 1992, Section 7, p. 49.
- ^ Cassidy, Victor M. "Mike Baur: Form Builder." Facus.
- ^ a b c Artner, Alan G. "Baur's industrial-like sculptures at once brute, elegant." Chicago Tribune, March 9, 1990, Section 7, p. 52.
- ^ a b Camper, Fred. "HAND OF THE MAKER." Chicago Reader, June 7, 1996, Section One, p. 32.
- ^ a b c Holg, Garrett. "Mike Baur." ARTnews, September 1996, Sonia Zaks, p. 140.
- ^ a b Artner, Alan G. "Strength of Baur's sculpture undiminished." Chicago Tribune, July 12, 1985, Section 7, p. 34.
- ^ a b Artner, Alan G. "Artist's growth evident in newest works." Chicago Tribune, March 25, 1988, Section 7, p. 39.
- ^ a b Crain's Chicago Business. "Zaks Gallery." April 11, 1988.