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Mike Baur

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This is an old revision of this page, as edited by S0091 (talk | contribs) at 18:56, 4 March 2024 (Restored revision 1211832502 by S0091 (talk): Restore). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

  • Comment: This needs to be rewritten in an encyclopedic tone and manner. Also, need additional bibliographic details for "Power and Precision: The Sculpture of Mike Baur and Michael Dunbar" (publisher, date published, etc.). S0091 (talk) 18:54, 3 March 2024 (UTC)
Mike Baur in Chicago, 2013.
Born: 1951 Ozarks, MO, USA
Education: University of Illinois Urbana-Champaign
Known for: Industrial Steel and Concrete Sculptures
Spouse: Marianne C. Stanis
Website: www.MikeBaurSculpture.com

Mike Baur

Mike Baur, born in 1951, is an American sculptor recognized for his contributions to industrial sculpture. His work encompasses diverse mediums, including steel, concrete, plastics, wood, and stone, characterized by a commitment to exploring the inherent qualities of these materials.[1]

Baur's sculptures have been exhibited at various galleries, such as the Sonia Zaks Gallery and OK Harris in New York, as well as institutions like the Illinois Department of Transportation Building and Elgin Community College. Recognition for his work includes honors like Best in Show at "Sculpt Siouxland"[2] and an Illinois Arts Council Fellowship Grant in 1986[3].

Mike Baur's artistic journey, influenced by his upbringing in the Ozarks, began with exposure to a Jackson Pollock painting during his youth[4]. Leaving high school at 16, he pursued artistic education at Arkansas State University (BFA’73) and the University of Illinois Urbana-Champaign, obtaining his MFA in Sculpture in 1976 under the guidance of sculptor Frank Gallo. Baur gained international recognition in 1974, winning a competition for a one-hundred-ton concrete sculpture near Barcelona, Spain[5]

Establishing his Chicago studio in 1976, Baur's artistry has been represented by galleries such as Sonia Zaks Gallery and OK Harris. His impact extends beyond individual sculptures to the contemporary sculpture scene, emphasizing material choices and form with lasting influence.

Life and Career

Mike Baur's artistic journey is rooted in his cultural heritage as the son of Missouri preachers. Growing up in the rugged landscapes of the Ozarks, Baur's demeanor reflects his upbringing—he is a smiling, articulate individual, self-effacing, avuncular, and unapologetically honest. His path as an artist began with a childhood encounter with a photograph of a Jackson Pollock painting, setting him on a transformative path [4]. Leaving high school at the age of 16, Baur pursued his artistic education at Arkansas State University (BFA’73) and the University of Illinois Urbana-Champaign, where he earned his MFA in Sculpture in 1976. Guided by sculptor Frank Gallo, he transitioned from fiberglass and plastics to a predominant focus on concrete and steel, drawing on the expertise of the U of I Civil Engineering Department. Baur gained international recognition in 1974 when, still in Graduate School, he won a competition to create a one-hundred-ton concrete sculpture near Barcelona, Spain [5]

Determined not to delegate the fabrication of his work, he personally completed every aspect of his sculptures, showcasing mastery in various approaches to working with concrete. His Chicago studio, established in 1976, became the venue for his first one-man show at Zriny-Hayes Gallery in 1977[6]. Represented by galleries such as Sonia Zaks Gallery and OK Harris[7], Baur's artistry has left a mark in museums, outdoor sculpture venues, and group shows across the United States and Europe[8]. Inspired by industrial imagery, his sculptures go beyond traditional artistic values, embodying a personal exploration of chosen materials. Baur's focus and defined aesthetic indicate artistic maturity, with his work standing as a testament to the philosophy that the object must speak for itself[9]. In his approach, Baur consciously avoids conforming to overarching artistic philosophies and allows his work to emerge organically through interaction with materials during the fabrication process[1]. This distinctive philosophy renders his sculptures approachable to a broad audience, from art connoisseurs to those with a basic familiarity with the materials he employs[3]. In a field often characterized by pretentiousness, Mike Baur is recognized as an abstract artist who reveals precisely what he envisions[7]. Mike Baur is married to Marianne C. Stanis, with one daughter and one son.

In 1974, Mike Baur gained recognition by winning a competition, earning the opportunity to create a substantial 200-ton concrete sculpture in Barcelona, Spain. This marked the beginning of a career characterized by a deep connection to industrial materials and innovative sculptural forms.[5] In 1976, Baur established his first studio in Chicago, laying the foundation for his artistic presence. This marked the commencement of a prolific period during which he continued to produce significant works showcasing his mastery of concrete and steel, embodying his commitment to weight, stability, and permanence.[5] Baur's sculptures, known for their commanding presence and unique dialogue with industrial materials, have made an impact in various locations in Illinois, the United States, and Spain. Notable installations include venues such as the Illinois Department of Transportation Building, Elgin Community College, and North Point Marina, serving as testaments to his lasting influence on the public art landscape [10].

From 1981 to 2005, Mike Baur displayed his work at the Sonia Zaks Gallery, showcasing his evolving body of work and establishing a reputation as an artist capable of transcending conventional artistic values. His sculptures, marked by a fusion of industrial aesthetics and meticulous craftsmanship, found resonance within the gallery's walls.[10]

Beyond his collaboration with Sonia Zaks Gallery, Baur's artistic journey extended to other influential platforms. Represented by OK Harris Works of Art in New York, he participated in museums, large-scale outdoor venues, and group shows across the United States and Europe. Currently represented by Modern Arts Midwest in Omaha, NE, Olsen-Larsen Galleries in West Des Moines, IA, and Gallerique in Chicago, Baur's sculptures continue to engage audiences with their powerful presence and nuanced exploration of materials.

This body of work reflects not only the evolution of Mike Baur's artistic expression but also his enduring commitment to exploring sculptural possibilities.

Awards and Recognition

Throughout his distinguished career, Mike Baur has received acclaim through various awards and grants, highlighting his unwavering commitment to artistic excellence. These accolades, ranging from local exhibitions to international competitions, underscore the enduring impact of Baur's innovative sculptural contributions.

In 1974, a pivotal moment marked the commencement of Baur's international acclaim as he emerged triumphant in the prestigious International Sculpture Competition held by Autopistas del Mediterraneo in Barcelona, Spain. This victory not only signaled his global debut but also resulted in the acquisition of his sculpture, solidifying his early recognition on the international stage.[2] In 2013, Baur's artistic prowess was acknowledged with the "Best in Show" award at the 13th Annual Florida Outdoor Sculpture Exhibit in Lakeland, Florida. This honor attests to the captivating nature of his sculptures and highlights their ability to command attention and admiration on a grand scale.[3] The excellence in Baur's sculpture was affirmed in October 1974 with the I.D.E.A. Triton College Award of Excellence, showcasing his mastery of the craft and foreshadowing the continued success and impact he would have in the realm of sculpture.[9] In 1986, Baur's significant contributions to the Illinois arts scene were recognized with the prestigious Illinois Arts Council Fellowship Grant. This grant served as a testament to his individual artistic merit and provided crucial support for the continued exploration of his unique sculptural vision.[7] Furthermore, Baur's creative journey received crucial support through multiple Illinois Arts Council Artist Grants, awarded in May and September of 1983, as well as in 1981. These grants exemplify the recognition of his innovative approach to sculpture and the lasting impact of his work within the artistic community.[8]

The array of awards and grants bestowed upon Mike Baur forms a comprehensive tapestry of recognition, weaving together local and international honors. From his early triumphs in Spain to the acknowledgment of his contributions by the Illinois Arts Council, these accolades collectively illuminate the trajectory of a sculptor whose work transcends boundaries and captivates audiences worldwide.[6]

Commissions and Public Art

Mike Baur's artistic impact extends beyond traditional exhibition spaces through his involvement in various public art installations and commissions. These monumental works contribute to the enhancement of public spaces and showcase Baur's sculptural language in diverse environments.

In 2021, Baur contributed to a public art installation at Lincoln Land Community College in Springfield, IL. This endeavor seamlessly integrated his work into the educational landscape, reflecting Baur's dedication to enhancing communal spaces with visually striking sculptures, contributing to the cultural fabric of Springfield, IL. The cityscape of Parker, Colorado, features a public art installation by Baur from 2018, demonstrating a harmonious dialogue between his work and the surrounding environment. This installation serves as a focal point, inviting viewers to engage with the intersection of art and public life. In 2015, the University of Northern Iowa hosted a distinctive public art installation by Baur in Cedar Falls, Iowa. This commission showcases Baur's ability to adapt his sculptures to diverse settings while preserving the integrity of his artistic vision. The enduring presence of Baur's sculptural contribution enriches the university community and its surroundings.

These instances represent a portion of the public art created by Mike Baur across the United States and Europe. His commissions transcend mere aesthetics, acting as catalysts for dialogue and cultural enrichment in the communities they serve. From educational institutions to cityscapes, Baur's public art demonstrates the transformative power of sculpture in the public domain. In each installation, Mike Baur carefully balances form and function, creating aesthetic landmarks that engage with the unique characteristics of each location, leaving an indelible mark on the cultural landscape.

References

  1. ^ a b Artner, Alan. "The year's best art exhibitions." Chicago Tribune, January 1, 1989.
  2. ^ a b Hawkins, Margaret. "Mike Baur's Sculpture Evokes Boat People." Chicago Sun-Times, June 7, 1996.
  3. ^ a b c McCracken, David. "Baur hems in concrete with steel." Chicago Tribune, July 17, 1992, Section 7, p. 49.
  4. ^ a b Cassidy, Victor M. "Mike Baur: Form Builder." Facus.
  5. ^ a b c d Artner, Alan G. "Baur's industrial-like sculptures at once brute, elegant." Chicago Tribune, March 9, 1990, Section 7, p. 52.
  6. ^ a b Camper, Fred. "HAND OF THE MAKER." Chicago Reader, June 7, 1996, Section One, p. 32.
  7. ^ a b c Holg, Garrett. "Mike Baur." ARTnews, September 1996, Sonia Zaks, p. 140.
  8. ^ a b Artner, Alan G. "Strength of Baur's sculpture undiminished." Chicago Tribune, July 12, 1985, Section 7, p. 34.
  9. ^ a b Artner, Alan G. "Artist's growth evident in newest works." Chicago Tribune, March 25, 1988, Section 7, p. 39.
  10. ^ a b Crain's Chicago Business. "Zaks Gallery." April 11, 1988.
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