Midnight on Cloud 69
| Midnight on Cloud 69 | ||||
|---|---|---|---|---|
 | ||||
| Studio album by George Shearing Quintet, Red Norvo Trio | ||||
| Released | 1956 | |||
| Recorded | 31 January 1949 (1–4, 7–10) May 1950 (11, 12) 13 April 1951 (5, 6) | |||
| Genre | Jazz | |||
| Length | 38:44 | |||
| Label | Savoy Records (MG 12093)[1] | |||
| George Shearing Quintet, Red Norvo Trio chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
Midnight on Cloud 69 is a 1956 studio album by the George Shearing Quintet and the Red Norvo Trio.
Recording
The tracks by the George Shearing Quintet (numbers 1–4, 7–10) were recorded on 31 January 1949 for Discovery Records, following the formation of the quintet that year.[3][4] The Red Norvo Trio tracks were recorded in May 1950 (11, 12) and on 13 April 1951 (5, 6).[4]
Shearing later wrote in 2004:[3]
Although it was a complete session of jazz titles—it contained hardly any standards—and because we played mostly originals, there was nothing for the listening public to catch on to and to understand that this was a new sound, a new approach to playing melodies. The sound was there in embryo, in fact the Quintet format was pretty well developed, but it was going to take something else for it really to catch on.
Reception
A review on 27 May 1957 in Billboard wrote that the album's tracks "have [a] life and swing that [the] commercial success of 'quintet sound' has since watered down [...] Norvo tracks are a matter of delightful empathy; Mingus and Farlow enmesh well with leader, and all play solos of great rhythmic and melodic interest."[5]
Richard Cook wrote in 1998 that the album sets Shearing "alongside two different groups, one with Hyams, Wayne, Levy and Best, playing in the manner that brought him hits such as 'Lullaby of Birdland', the other in the more demanding company of Norvo, Farlow and Mingus, although it's hardly a cutting contest. Titles such as 'Cotton Top', 'Be Bop's Fables' and 'Night and Day' still sound cooly pleasant."[6]
Shearing's piano solo on the title track has been said to have codified his "block-chord solo style" (sometimes called "Shearing voicing"), a number of years before Lennie Tristano's use of the style (exemplified on his 1956 album Lennie Tristano).[7]
Track listing
Side 1
- Sorry Wrong Rhumba (Leonard Feather[3]) – 3:21
- Cotton Top (Chuck Wayne[4]) – 2:50
- Be Bop's Fables (Feather[3]) – 3:04
- Midnight On Cloud 69 (Feather[3]) – 3:10
- Little White Lies (Walter Donaldson) – 3:50 (*)
- I'm Yours (Johnny Green, Yip Harburg) – 4:11 (*)
Side 2
- Moon Over Miami (Joe Burke, Edgar Leslie) – 3:13
- Cherokee (Ray Noble) – 2:44
- Life With Feather (Feather[3]) – 3:11
- Four Bars Short (Shearing[3]) – 2:24
- Time and Tide (Red Norvo[4]) – 2:37 (*)
- Night and Day (Cole Porter) – 4:09 (*)
(*) tracks recorded by Red Norvo Trio
Personnel
- George Shearing – piano (1–4, 7, 9), accordion (8, 10)[8]
- Marjorie Hyams – vibraphone (1–4, 7, 9), piano (8, 10)[8]
- John Levy – bass (1–4, 7–10)
- Denzil Best – drums (1–4, 7–10)
- Tal Farlow – guitar (5, 6, 11, 12)
- Charles Mingus – bass (5, 6, 11, 12)
- Red Norvo – vibraphone (5, 6, 11, 12)[4]
References
- ^ "Savoy Records Catalog: 12000 series - album index". www.jazzdisco.org. Retrieved 14 May 2024.
- ^ Midnight on Cloud 69 — AllMusic Accessed 15 May, 2024
- ^ a b c d e f g Shearing, George; Shipton, Alyn (2004). Lullaby of Birdland. New York: Continuum International Publishing Group. pp. 111–113. ISBN 978-0-8264-6015-8. OCLC 54079927.
- ^ a b c d e Midnight On Cloud 69 (Savoy Jazz MS 20bit Master Transfer Collection Limited Edition) (CY-18065) (Media notes). 1998. Archived from the original on 14 May 2024.
- ^ "Packaged Records: Reviews and Ratings of New Albums - Jazz". Billboard. Vol. 69, no. 22. 27 May 1957. p. 31. ProQuest 1040121570.
- ^ Cook, Richard; Morton, Brian (1998). "George Shearing". The Penguin guide to jazz on compact disc (4th ed.). London: Penguin Books. p. 1362. ISBN 978-0-14-051383-7. OCLC 1150979985.
- ^ Aldridge, James (2 January 2018). "Tristano's Reichian Theory of Improvisation: Jazz of the Unconscious Mind". Jazz Perspectives. 11 (1): 17–18. doi:10.1080/17494060.2018.1528995. ISSN 1749-4060.
- ^ a b Reny, Bob (2014). "Good To The Last Bop". IAJRC Journal. 47 (2): 66–67. ISSN 0098-9487. ProQuest 1657419894.
