Kama Ginkas

Ginkas and Yanovskaya

Kama Mironovich Ginkas (Template:Lang-ru; born 7 May 1941 in Kaunas, Lithuanian SSR, USSR) is a Russian and Soviet theatre director.

Biograрhy

Born into a Jewish family, Ginkas was forced into the infamous Kaunas ghetto with his father Miron and mother Maria when he was still an infant. The story of his family's miraculous survival is told in detail in numerous published sources. He graduated from the Leningrad State Institute of Theater, Music and Cinema in 1967, a student of the famed Georgian-born, Soviet director Georgy Tovstonogov. His professional debut took place that same year in Riga, Latvia, with a production of Viktor Rozov's The Reunion. From 1970 to 1972 he was the chief director at the Young Spectator Theater in Krasnoyarsk where he staged Shakespeare's Hamlet, Ray Bradbury's Fahrenheit 451 and other works. Throughout the 1970s and first half of the 1980s Ginkas had no professional home, but collaborated with various major Russian venues, including the Moscow Art Theatre (The Train Car and The Toastmaster), the Mossovet Theater, and the Mayakovsky Theater in Moscow, and the Theater on Liteiny in Leningrad. His wife Genrietta Yanovskaya was appointed chief director at the Moscow Young Spectator Theater (aka the Moscow New Generation Theater, where Ginkas had significant success with a dramatization of Dostoyevsky's Notes from the Underground (1988). This was followed by an important decade of collaboration with theaters in Finland, where he gained his first international recognition with renderings of Ward No. 6 after Chekhov (1989), Crime and Punishment (1990) and The Idiot (1993) after Dostoevsky, Chekhov's The Seagull (1996), and Macbeth by Shakespeare (1997). From 1988 to the present Ginkas has worked in Moscow primarily at the Young Spectator Theater, where he has staged numerous famed productions, including We Play "Crime" (after Dostoevsky's Crime and Punishment, 1991), K.I. from "Crime" (after segments of Crime and Punishment (1994), The Execution of the Decembrists (1995), Anton Chekhov's The Black Monk (1999), Lady with a Lapdog (2001), and Rothschild's Fiddle (2004), Nikolai Gogol's Notes of a Madman (2010), Adam Rapp's Nocturne (2013), Tennessee Williams' Cat on a Hot Tin Roof (2019), Samuel Beckett's Krapp's Last Tape (2021), Leo Tolstoy's Father Sergii (2022) and many more. In the first 55 years of his career he staged some 70 productions. Many of these have traveled to festivals in Germany, Italy, Belgium, Sweden, Finland, Bosnia, Brazil, United States, Poland, Croatia, the Netherlands, the former Yugoslavia, and France. His adaptations of Chekhov's stories are visually stunning and unique in form, and have earned him the highest honors in Russia and at festivals throughout the world. In the summer of 2003, he made his American debut with his production of K.I. from "Crime", starring Oksana Mysina, at the Bard SummerScape Festival. K.I. from "Crime" was revived for a month's run off-Broadway in 2005 with the Foundry Theatre acting as presenter and producer. Ginkas's English-language adaptation of the award-winning Lady with a Lapdog marked his American English-language premiere at the American Repertory Theater in Cambridge, Massachusetts (2003). He revived the production the following year at the Guthrie Theatre in Minneapolis. Ginkas has directed a number of productions outside of Russia, including N.F.B, an opera based on Dostoevsky's The Idiot by Vladimir Kobekin, in Germany (1995), and Chekhov's The Seagull in Korea (2007). He has taught directing at the Swedish Theatre Academy in Helsinki, the Moscow Art Theatre School and Konstantin Raikin's Graduate School of Performing Arts in Moscow. Ginkas has been a staff director under his wife Genrietta Yanovskaya at the Moscow Young Spectator Theater (aka New Generation Theatre) since 1986.

External links

• The Moscow New Generation Theater
• Provoking Theater by Kama Ginkas and John Freedman
• Lady with a Lapdog American Repertory Theatre