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20,000 Leagues Under the Sea (1954 film)

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20,000 Leagues Under the Sea
Theatrical release poster
Directed byRichard Fleischer
Screenplay byEarl Felton
Based onTwenty Thousand Leagues Under the Seas
by Jules Verne
Produced byWalt Disney
Starring
CinematographyFranz Planer
Edited byElmo Williams
Music byPaul Smith
Production
company
Distributed byBuena Vista Distribution
Release date
  • December 23, 1954 (1954-12-23)
Running time
127 minutes
CountryUnited States
LanguageEnglish
Budget$5 million[1]
Box office$28.2 million[2]

20,000 Leagues Under the Sea is a 1954 American science fiction adventure film directed by Richard Fleischer, from a screenplay by Earl Felton. Adapted from Jules Verne's 1870 novel Twenty Thousand Leagues Under the Seas, the film was produced by Walt Disney Productions. It stars Kirk Douglas, James Mason, Paul Lukas, and Peter Lorre. Photographed in Technicolor, the film was one of the first feature-length motion pictures to be filmed in CinemaScope. It was also the first feature-length Disney film to be distributed by Buena Vista Distribution.

20,000 Leagues Under the Sea was a critical and commercial success, being especially remembered for the fight with a giant squid, as well as Mason's definitive performance as the charismatic anti-hero Captain Nemo. The film won two Academy Awards for its art direction and special effects.

Plot

In 1868, rumors spread of a sea monster attacking ships in the Pacific Ocean. Professor Aronnax and his assistant, Conseil, are asked to investigate, and board a U.S. Navy frigate. They are joined by master harpooner Ned Land.

After months of patrolling, the monster is spotted. The frigate's guncrew open fire, but the monster rams the warship. Ned, Conseil, and Aronnax are thrown overboard while the disabled frigate drifts away. While clinging to wreckage, Aronnax and Conseil come upon a metal vessel and realize the monster is a man-made "submerging boat" that appears deserted. Below decks, Aronnax finds a large viewport and witnesses an underwater funeral, while Ned arrives on an overturned longboat from their ship. Spotted by the divers, Ned, Aronnax, and Conseil attempt to leave in the longboat, but they are captured. The vessel's captain introduces himself as Captain Nemo, master of the Nautilus. He returns Ned and Conseil to the deck while offering Aronnax, whose name he recognizes, the chance to stay. After Aronnax proves willing to die with his companions as the ship submerges, Nemo allows Ned and Conseil to remain aboard.

Nemo takes Nautilus to a penal colony island, where the prisoners are loading a munitions ship. Nemo, once a prisoner there as were many of his crew, rams the steamer, destroying it and its crew. Nemo tells Aronnax that he has just saved thousands from death in war, and that "this hated nation" tortured his wife and son to death while attempting to force him to reveal his discoveries. In Nemo's cabin, Ned and Conseil discover the map coordinates of Nemo's secret island base, Vulcania, where Nautilus is now heading. Ned throws messages with Vulcania's coordinates overboard in bottles in the hope of being rescued.

Off the coast of New Guinea, Nautilus becomes stranded on a reef. Nemo allows Ned to go ashore with Conseil, ostensibly to collect specimens, while admonishing them to stay on the beach. Ned instead goes exploring for avenues of escape, and finds human skulls posted on stakes. Ned runs back to Conseil, and they row away pursued by cannibals. Aboard Nautilus, the cannibals are repelled by electrical charges sent through its hull, and Nemo confines Ned for disobeying orders.

A warship fires upon Nautilus, which descends into the depths, attracting a giant squid. After an electric charge fails to repel the creature, Nemo and his men surface during a storm to dislodge it. Nemo is caught by one of its long tentacles, and Ned, having escaped from captivity, fatally harpoons the squid, and saves Nemo when he is pulled into the sea. Having had a change of heart, Nemo decides to make amends with the world.

As Nautilus nears Vulcania, Nemo finds the island surrounded by warships, with marines having disembarked. The Nautilus enters his base through an underwater passage, and surfaces within its extinct volcano lagoon. Nemo rushes ashore to activate a time bomb in order to destroy any evidence of his discoveries but is shot and mortally wounded as he returns onboard. Navigating the submarine to a safe distance from Vulcania, Nemo announces that he will be "taking the Nautilus down for the last time". His crew declare that they will accompany their captain in death.

Aronnax, Conseil, and Ned are confined to their cabins, while Nautilus's crew retreat to their own at Nemo's instructions. Ned, refusing to be part of the suicide pact, escapes and surfaces the submarine, striking a reef in the process, causing Nautilus to flood. Nemo dies while viewing his beloved undersea domain through the hull's viewport.

Aronnax tries retrieving his journal, but the urgency of their escape obliges Ned to knock him unconscious and carry him out. Aboard Nautilus's skiff, the three companions, along with Esmeralda, Nemo’s pet sea lion, witness Vulcania explode. A large, billowing mushroom cloud rises above the island's destruction. Ned apologizes to Aronnax for striking him, but Aronnax concedes that the loss of his journal might have been for the best. As Nautilus sinks, Nemo's last words to Aronnax echo: "There is hope for the future. And when the world is ready for a new and better life, all this will someday come to pass... in God's good time."

Cast

Dinner aboard the Nautilus. From left to right: James Mason, Kirk Douglas, Peter Lorre, and Paul Lukas.

Production

Walt Disney first expressed interest in an adaptation of Jules Verne's Twenty Thousand Leagues Under the Seas after seeing some marine footage and storyboards created by Harper Goff during the production of the True-Life Adventures series. At the time, the film rights were owned by Metro-Goldwyn-Mayer and King Brothers Productions.[5] In November 1950, film producer Sid Rogell announced he had acquired the screen rights to the novel, as well as a film adaptation prepared by Robert L. Lippert's production company. He had planned to start filming within a year at the General Service Studios.[6] However, in December 1951, it was reported that Disney had purchased the film rights from Rogell.[7] Goff's storyboards and art designs formed the film's basis, but he was not credited because he was not a member of the International Alliance of Theatrical Stage Employees.[5]

20,000 Leagues Under the Sea was filmed at various locations in The Bahamas and Jamaica, with the cave scenes filmed beneath what is now the Xtabi Resort on the cliffs of Negril.[5] Other scenes were photographed in Nassau, Lyford Cay, and Death Valley. Filming took place between January 11 and June 19, 1954.[5][8] According to the two-disc DVD documentary, the scenes in San Francisco at the beginning were filmed at Universal Studios while most of the modeling shots were done at 20th Century Fox. Some of the location filming sequences were so complex that they required a technical crew of more than 400 people. The production presented many other challenges, as well. The famous giant squid attack sequence had to be entirely re-shot, as it was originally filmed as taking place at dusk and in a calm sea.[9][Note 1] The sequence was filmed again, this time taking place at twilight and during a humongous thunderstorm, both to increase the drama and to better hide the cables and other mechanical workings of the Animatronic squid.[10]

With a total (and deeply over-run) production cost of $9 million,[11] 20,000 Leagues Under the Sea was the most expensive and ambitious production in Hollywood up to that time.

Differences between novel and film

The film was praised as faithfully adapting the novel. James W. Maertens writes that while this is true, "Close comparison of the novel and film reveals many changes, omissions, even reversals, which affect the story's fundamental concern (besides scientific education), a representation of class and gender, specifically masculinity, in the industrial age." Nemo's submarine, battery-powered in the novel, is powered by atomic energy in the film. The novel's submarine is also a "streamlined, cigar shaped sub" while the film's is "a more ornate vessel". The film's director and screenwriter extracted "the most memorable scenes from the novel and freely reordered them under the assumption that viewers would not remember the novel's order of events." Goff and Disney based the Nautilus's design in the film on the interior of the Forth Bridge.[5] In the novel, Nemo orders parts from various industries, secretly shipping them to an island for assembly, whom Maertens labeled "a logistical genius at manipulating Industrial Age manufacturing".[12]

Music

Rather than an authentic soundtrack recording of the film's score or dialogue, two vinyl studio cast record albums were released to coincide with the film's first two releases (1954 and 1963). Both albums contained condensed and heavily altered versions of the film's script without the usage of any of the film's cast for character voices. In addition, both albums were narrated by Ned Land as opposed to Aronnax, who narrated the film and the original novel. Neither album mentioned Nemo as actually being "cracked" (i.e. insane), as the film does, and considerably sanitized the character by omitting any mention of him killing anyone. The albums also had Nemo surviving at the end and releasing Ned, Arronax, and Conseil out of gratitude for their saving his life.[13] In this version, Ned, Aronnax and Conseil were not shipwrecked because the Nautilus rammed the ship they were on, but because a hurricane came up.[14]

The first album was issued in 1954 in conjunction with the film's original release, and starred William Redfield as the voice of Ned. This album, a book-and-record set, was issued as part of RCA Victor's Little Nipper series on two 45-RPM records.[15][better source needed] The second album, released by Disneyland Records in 1963 in conjunction with the film's first re-release,[16] was issued on one 331⁄3 RPM 12-inch LP with no accompanying booklet and no liner notes – the usual practice with most Disneyland label albums. It contained much more of the film's plot, but with many of the same alterations as the first album, so this recording was technically a remake of the earlier one. The cast for the 1963 album was uncredited. Neither album listed the film's credits or made any mention of the film's cast.

A single for the film's most memorable song "A Whale of a Tale", written by Norman Gimbel and Al Hoffman and sung by Kirk Douglas, was also released in 1954 under the Decca Children's Series label. According to Douglas, the recording was "very popular at the time".[17] The song "And the Moon Grew Brighter and Brighter", which Douglas had sung in the movie Man Without a Star (written by Lou Singer and Jimmy Kennedy), was the B-side. Both songs can be found on the 2008 digital release of the film's soundtrack.[18] In the film, Johann Sebastian Bach's Toccata and Fugue in D minor is played by Nemo on the Nautilus's organ, but James Mason's playing is actually dubbed by an anonymous organist.

Official soundtrack

On January 29, 2008, Walt Disney Records released a 26-track digital album containing the music of Paul Smith's original soundtrack score to 20,000 Leagues Under the Sea, plus both sides of the "A Whale of a Tale" single, as well as a digital booklet companion that explores the music of the film. This was the first official release of the film score and was initially available only through the iTunes Store.[18][19] Intrada released the same soundtrack on CD in 2011.[20] The music for 20,000 Leagues Under the Sea was composed by Paul Smith, with Joseph Dubin acting as the orchestrator.

Release

On September 15, 1954, Variety reported that Disney and RKO Pictures had begun discussions on the distribution plans for 20,000 Leagues Under the Sea.[21] A week later, it was reported that Disney decided to end his 17-year association with RKO, choosing instead to release the film through his newly formed distribution arm, Buena Vista Distribution. Overseas, the film was distributed by Walt Disney British Films Ltd, a studio-owned subsidiary in the UK, and other local distributors in international territories.[22]

On December 23, 1954, the film premiered at the Astor Theatre. It was released in 65 key cities across the United States two days later, on Christmas Day.[23] The film was re-released in theaters in 1963 and 1971.[8]

Home media

In September 1980, 20,000 Leagues Under the Sea was made available for purchase or rental on videocassette, among other Disney films.[24] In 1992, Scott MacQueen, then-senior manager of Disney's library restoration, did an extensive digital restoration for the film's videocassette release.[8]

On May 20, 2003, the film was released on a two-disc DVD set with supplemental features, including an audio commentary, deleted scenes (including the original squid fight albeit without sound), and an extensive making-of documentary. On the same day, the film was screened at the El Capitan Theatre, with Richard Fleischer introducing the film.[25] A 1080p HD version from a 4K restoration was released on iTunes in 2014.[26] In 2019, the film was released on Blu-ray via the Disney Movie Club. The film was made available to stream on Disney+ when the service launched on November 12, 2019.[27]

Reception

Box office

During its opening weekend, 20,000 Leagues Under the Sea opened in second place at the box office behind There's No Business Like Show Business (1954).[28] On its third weekend, the film became the number-one box office film in the United States, displacing Vera Cruz (1954).[29] It was dethroned by Vera Cruz on its fourth weekend, but the film reclaimed the number-one position on its fifth weekend.[30] By January 1956, the film had earned $8 million in distributor rentals at the box office from the United States and Canada,[31] becoming the third highest-grossing film of 1954. (Another account put its initial rentals in the US and Canada at $6,607,000.[32]

Critical reaction

Bosley Crowther of The New York Times stated that, "As fabulous and fantastic as anything he has ever done in cartoons is Walt Disney's 'live action' movie made from Jules Verne's '20,000 Leagues Under the Sea.' Turned out in CinemaScope and color, it is as broad, fictitiously, as it is long (128 minutes), and should prove a sensation—at least with the kids."[33] Gene Arneel of Variety praised the film as "a special kind of picture making, combining photographic ingenuity, imaginative story telling and fiscal daring." He felt "Richard Fleischer's direction keeps the Disney epic moving at a smart clip, picking up interest right from the start and deftly developing each of the many tense moments ... Earl Fenton's screenplay looks to be a combination of the best in the Verne original and new material to suit the screen form. It's a fine job of writing stimulating pic fare. Technical credits — underline the water photography — are excellent."[34] Kate Cameron of the New York Daily News praised the film as a "thrilling and absorbing adaptation"; she further wrote: "Richard Fleischer handled the direction of the film with vivid imagination. The underwater scenes are fascinating in their eerie beauty and the interesting glimpses they contain of marine life."[35]

Philip K. Scheuer, reviewing for the Los Angeles Times, wrote: "Technically the film is a marvel itself, with actual underwater shot made in the Bahamas alternating with surface scale models that defy detection as such." He also praised Mason's performance, claiming "he lends depth and dimension to the stock figure of the 'mad genius.' The proof: he sometimes seems more pitied than scorned."[36] Harrison's Reports wrote: "Expertly utilizing the CinemaScope medium and Technicolor photography, he [Walt Disney] and his staff have fashioned a picture that is not only a masterpiece from the production point of view but also a great entertainment, the kind that should go over in a big way with all types of audiences."[37] A review in the Chicago Tribune wrote, "Produced with care, in handsome color and peppered with humor, it's a nicely balanced dose of old supposition and modern fact."[38]

Contemporary film critic Steve Biodrowski said that the film is "far superior to the majority of genre efforts from the period (or any period, for that matter), with production design and technical effects that have dated hardly at all." Biodrowski also added that the film "may occasionally succumb to some of the problems inherent in the source material (the episodic nature does slow the pace), but the strengths far outweigh the weaknesses, making this one of the greatest science-fiction films ever made."[39] On the review aggregator website Rotten Tomatoes, the film has an approval rating of 91% based on 32 reviews, with an average rating of 7.70/10. The website's critical consensus reads: "One of Disney's finest live-action adventures, 20,000 Leagues Under the Sea brings Jules Verne's classic sci-fi tale to vivid life, and features an awesome giant squid."[40]

Accolades

Award Category Recipients Result
27th Academy Awards[41] Best Art Direction – Color John Meehan, Emile Kuri Won
Best Special Effects John Hench, Joshua Meador
Best Film Editing Elmo Williams Nominated
National Board of Review Awards 1954[42] Top Ten Films 20,000 Leagues Under the Sea Won
Saturn Awards[43] Best DVD Classic Film Release Nominated
Online Film & Television Association Awards[44] Hall of Fame – Motion Picture Inducted

The film's primary art director Harper Goff, who designed the fictitious Nautilus submarine, was not a member of the Art Directors Union. Therefore, under a bylaw within the Academy of Motion Pictures, he was unable to receive his Academy Award for Art Direction.[45]

In Disney resorts

20,000 Leagues Under the Sea: Submarine Voyage at Walt Disney World in 1979

Disneyland used the original sets as a walk-through attraction from 1955 to 1966. Walt Disney World Resort's Magic Kingdom also had a dark ride named 20,000 Leagues Under the Sea: Submarine Voyage from 1971 to 1994 which consisted of a submarine ride, complete with the giant squid attack, and an arrangement of the main theme from the 1954 film playing on Captain Nemo's organ in the background. For this ride, voice artist Peter Renaday stood in for James Mason in the role of Captain Nemo.[46] In 1994, a walkthrough attraction at Disneyland Paris, named Les Mystères du Nautilus, opened,[47] and a dark ride at Tokyo DisneySea was created in 2001.[48] The exterior to The Little Mermaid: Ariel's Undersea Adventure contains a silhouette of the Nautilus in a rock wall[49] and the tiki bar Trader Sam's Grog Grotto at Disney's Polynesian Village Resort serves a cocktail called the "Nautilus"[50] which is itself served in a stylized drinking vessel resembling the submarine,[51] and features a dive helmet and a mechanical squid tentacle that pours liquor behind the bar.[52]

Comic book adaptation

Remake and prequel

On January 6, 2009, Variety reported that a live-action remake titled 20,000 Leagues Under the Sea: Captain Nemo was being planned with Joseph McGinty Nichol (professionally known as McG) attached to direct. The film served as an origin story for Captain Nemo, as he builds his warship, the Nautilus.[55] McG had remarked that it would be "much more in keeping with the spirit of the novel" than Richard Fleischer's film, in which it would reveal "what Aronnax is up to and the becoming of Captain Nemo, and how the man became at war with war itself". It was written by Bill Marsilli, with Justin Marks and Randall Wallace brought in to do rewrites.[56] The film was to be produced by Sean Bailey with McG's Wonderland Sound and Vision.[57]

McG once suggested that he wanted Will Smith as Captain Nemo, but he reportedly turned down the part.[58][59] As a second possible choice, McG had mentioned Sam Worthington, with whom he worked on Terminator Salvation (2009), though they did not hold serious discussions. In November 2009, the project was shelved by then-Walt Disney Pictures chairman Rich Ross, after $10 million had been spent on pre-production work. Prior to the announcement, McG and Bailey had been notified of the project's cancellation.[60]

During the 2010 San Diego Comic-Con, director David Fincher announced plans of directing 20,000 Leagues Under the Sea for Walt Disney Pictures based on a script by Scott Z. Burns.[61] While Fincher was wrapping up The Girl with the Dragon Tattoo (2011), it was speculated that 20,000 Leagues Under the Sea would enter principal photography by late 2012.[62] In the meantime, Fincher began courting Brad Pitt to play the role of Ned Land while the film was kept on hold.[63] However, in February 2013, it was announced that Pitt had officially turned down the role.[64]

In April 2013, it was announced that the Australian government would provide a one-off incentive of $20 million in order to secure the production.[65] Despite this, the film was put on hold again the following month due to complications in casting a lead.[66] On July 17, 2013, Fincher dropped out to direct the film adaptation of Gone Girl.[67] Fincher revealed in an interview that he left the film because he wanted Channing Tatum for Ned Land, but Disney wanted Chris Hemsworth for the role.[68] Additionally, the money originally allocated for the production of this film was redirected towards Pirates of the Caribbean: Dead Men Tell No Tales (2017).[69]

In February 2016, Disney announced that it was planning a live-action film titled Captain Nemo, with James Mangold directing.[70] Mangold left the project to instead direct Indiana Jones and the Dial of Destiny (2023).[71]

On August 23, 2021, it was announced that a ten-episode miniseries titled Nautilus was in development. The series will be an origin story about Captain Nemo and will be written by James Dormer, who will co-produce with Johanna Devereaux.[72] On November 12, 2021, Shazad Latif was cast in the lead role while Michael Matthews will direct the series.[73] However, in August 2023, Disney pulled out from the project due to its cost-reduction strategy to its streaming platforms.[74] In October of the same year, the AMC television channel acquired the series, with plans to air it in 2024.[75]

See also

Sources and notes

Notes
  1. ^ Footage of the original, rejected giant squid attack sequence shows details of the filming.
References
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  3. ^ Freese, Gene Scott (2014). Hollywood Stunt Performers, 1910s–1970s: A Biographical Dictionary (Second ed.). Jefferson, North Carolina: McFarland & Company. p. 111. ISBN 978-0-786-47643-5.
  4. ^ "Laurie Mitchell, Villainess in 'Queen of Outer Space,' Dies at 90". Billboard. September 24, 2018.
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  7. ^ Schallert, Edwin (December 28, 1951). "Neff Picked for 'Snows;' Caron, Angeli To Team; Disney to do Verne Film". Los Angeles Times. Part I, p. 13 – via Newspapers.com.
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Bibliography
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