Body Worlds
Body Worlds (German title: Körperwelten) is a traveling exhibition of preserved human bodies and body parts that are prepared using a technique called plastination to reveal inner anatomical structures. The exhibition's developer and promoter is a German anatomist named Gunther von Hagens, who invented the plastination technique in the late 1970s. The exhibition, first presented in Tokyo in 1995, has been shown in many cities in Europe and Asia. A second exhibition, along similar lines but with different exhibits, called Body Worlds 2 opened in 2005. A third exhibition, Body Worlds 3, opened on February 25, 2006, at The Houston Museum of Natural Science. More than 20 million people have seen one of the Body Worlds exhibits, which together have taken in $200 million.[1]
The exhibit states that its purpose and mission is the education of laymen about the human body, leading to better health awareness. All of the human plastinates are willing donors.[2] The original Body Worlds exhibit consisted of about 25 full body plastinates with expanded or selective organs shown in positions that enhanced the role of certain systems. Cased in glass amid the upright bodies are more than 200 specimens showing an array of real human bodies, organs, and organ systems, some having various medical conditions. For example, there are bodies with prosthetics such as artificial hip joints or heart valves; a liver with cirrhosis; and the lungs of a smoker and non-smoker placed side by side.
A curtained-off prenatal wing features a pregnant woman who died eight months into pregnancy; her unborn fetus died shortly thereafter. She is shown reclining and a large flap exposes her insides, with the nearly fully formed baby pushing aside her internal organs fully visible. This section also usually contains unborn fetuses and embryos, some with congenital disorders.
The last exhibit hall features a rearing horse and rider. All exhibits are accompanied with detailed descriptions, and audio guides are available with the option of beginner or advanced, for laymen or medical professionals respectively.
The exhibits were featured in a supposed Miami exhibition in the 2006 film Casino Royale, although the actual location for the exterior shots was the Ministry of Transport in Prague.
Controversies
The shows have been surrounded by controversy for a number of reasons. Von Hagens prepared some "artistic" exhibits, such as a man carrying his own skin (based on a 16th century drawing by Gaspar Becerra); a man on horseback holding his brain in one hand, the horse's brain in the other; and a man kneeling in prayer, holding his heart in his hands. These exhibits are seen by some as denigrating the deceased. Some religious groups object to any public exhibition of human corpses. Others accuse von Hagens of sensationalism.
Von Hagens has been repeatedly accused of using bodies from deceased persons who did not give consent, such as prison inmates and hospital patients from Kyrgyzstan and executed prisoners from China (this latter led to a lawsuit against Der Spiegel, which von Hagens won). He maintains that all bodies exhibited in Body Worlds came from donors who gave informed consent. A commission set up by the California Science Center in Los Angeles in 2004 confirmed Von Hagens' claims. However, Von Hagens does not make the same claim for all bodies prepared by his plastination institute, only the ones exhibited in Body Worlds. There is also the issue that the children and unborn fetuses included in the exhibition had no way of giving informed consent to the display of their bodies; in the case of children informed consent would have to have been obtained from their parents.
The exhibit has also been accused of perpetuating gender stereotypes.[3] The male plastinates are presented in active, "manly" and heroic roles (such as ‘the horseman’, ‘muscleman’, ‘the swordsman’, ‘the runner’ and ‘the chess player’) while some of the female plastinates are shown in the context of motherhood, beauty and passivity (such as 'the ballerina' who is actually wearing pink ballerina slippers; 'pregnant woman' a plastinate whose womb is exposed to show her unborn child and 'angel' whose feet are posed as if she were wearing high heels, complete with bits of her feet shaped into stilettos). There are, however, women portrayed as athletes, namely the swimmer, the figure skater and the archer.
Von Hagens maintains strict copyright control over pictures of his exhibits. Visitors are not allowed to take pictures, and press photographers are required to sign agreements permitting only a single publication in a strictly defined context, followed by a return of the copyright to von Hagens. Because of this, a German press organization has suggested that the press refrain from reporting about the exhibition altogether.[4]
In 2003, officials of Munich tried to prohibit the exhibition there, arguing that it violated laws regulating burials and did not respect human dignity. Von Hagens appealed and managed to obtain a temporary injunction allowing the exhibition to take place, but was required to cover the artistic exhibits mentioned above.
The exhibition in Hamburg in 2003 took place in the rooms of an erotic art museum on the Reeperbahn, the city's red light district. Prostitutes and cab drivers were admitted for free. Von Hagens added a new exhibit, "Early Bird", a man with an erection.[1] Initial objections of a local official to the artistic exhibits were overruled by officials of the Hamburg Senate.
Annoyed with the repeated legal harassment which he encountered in Germany, Von Hagens announced in the summer of 2004 that the exhibition would leave Germany for good. The exhibit has been travelling in the United States and Canada since then.
Where and when banned or newly regulated
State of Florida, USA: [2]
7/1/2007
State of Washington, USA:[3] 2007 (pending)
City of San Francisco, California, USA:[4] (2005)
Notable exhibits
The Swimmer
This is one of the few women featured in the exhibition. Her body is split in half laterally and the two halves are displayed swimming away from each other.
The Archer
This plastinate is another of the women featured in the exhibition. The archer is posed in a crouch after releasing the bow string. Her brain is situated above her skull for easy viewing.
The Runner
A runner is caught mid-stride with his muscles fanned out to show their complexity.
Winged Man
The muscles of Winged Man are splayed outwards, giving a rough wing-like appearance. Winged Man also wears a Panama hat, and is standing on a continuously rotating platform.
Reclining Pregnant Woman
One of the more controversial exhibits is a woman who is 8-months pregnant, lying on her side with her arm propping her upper body up (reclining). The bottom of her torso is cut away to reveal a curled fetus inside. A nearby sign states that this woman decided to donate her body and the fetus when she was informed that she had a terminal disease.
Blood vessel family
This exhibit includes a man, a woman, and a child on top of the man's shoulders. These bodies were prepared by injecting a red dye and plastinating agent into their blood vessels, then using chemicals and ultrasound to dissolve away their flesh and bones. As a result, only the circulatory system is left behind.
The Smoker
This displays a man holding a cigarette and has one lung exposed to show the damaging effects that smoking has on the body. Some people have even left their cigarettes at the display, possibly indicating they have chosen to quit smoking.[5]
The Skateboarder
Displays a teen performing a skateboarding move on a ramp. His muscles are visible and nothing seems to have been cut.
The Basketball Player
Displays a man dribbling a basketball and posed as if running down the court, with his skull opened to expose the brain. Pictures of him appear frequently in the official artwork and publicity materials for Body Worlds.
The Muscleman and His Skeleton
Displays a man's musculature and skeleton side by side in the same pose.
Exhibition schedule
Includes past, present, and future exhibitions
Original Exhibit
- Japan, various cities, beginning in Tokyo (September 14, 1995 - October 19, 1997)
- Mannheim (October 30, 1997 - March 1, 1998)
- Vienna (April 30, 1999 - August 31, 1999)
- Basle (September 4, 1999 - January 5, 2000)
- Cologne (February 12 - July 31, 2000)
- Oberhausen (August 5, 2000 - January 28, 2001)
- Berlin (February 10 - September 2, 2001)
- Brussels (September 22, 2001 - March 3, 2002)
- London (March 21, 2002 - February 9, 2003)
- Seoul (April 17, 2002 - March 2, 2003)
- Stuttgart (March 11 - 19, 2003)
- Munich (February 22 - August 17, 2003)
- Busan (March 11 - September 21, 2003)
- Hamburg (August 30, 2003 - January 4, 2004)
- Singapore (November 9, 2003 - March 21, 2004)
- Frankfurt (January 16 - June 13, 2004)
- Taipei (April 21 - October 24, 2004) - National Taiwan Science Education Center [5]
- Los Angeles, California (July 2, 2004 - January 23, 2005) - California Science Center [6]
- Chicago, Illinois (February 4 - September 5, 2005) - Museum of Science and Industry
- Philadelphia, Pennsylvania (October 7, 2005 - April 23, 2006) Franklin Institute Science Museum [7]
- Saint Paul, Minnesota (May 5, 2006 - December 3, 2006) Science Museum of Minnesota [8]
- Dallas, Texas (December 9, 2006 - May 28, 2007) - Museum of Nature and Science, Dallas [9]
- Charlotte, North Carolina (June 13, 2007 - October 8, 2007) - Discovery Place [10]
Body Worlds 2
- Los Angeles, California (US Debut, January 29 - March 27, 2005) - California Science Center, 264,916 visitors[11]
- Cleveland, Ohio (April 9 - September 18, 2005) - Great Lakes Science Center, 266,918 visitors[12]
- Toronto (September 30, 2005 - February 26, 2006) - Ontario Science Centre, 472,090 visitors[13]
- Denver, Colorado (March 10 - July 23, 2006) - Denver Museum of Nature and Science, 687,022 visitors [14]
- Boston, Massachusetts (July 30, 2006 - January 7, 2007) - Museum of Science, Boston [15]
- Chicago, Illinois (January 17, 2007 - April 29, 2007) - Museum of Science and Industry, Chicago [16]
- Montreal, Quebec (May 10, 2007 - September 16, 2007) - Montreal Science Centre [17]
Body Worlds 3
- Houston, Texas (February 25, 2006 - September 4, 2006) - Houston Museum of Natural Science [18]
- Vancouver, British Columbia (September 15, 2006 - January 14, 2007) - Science World at TELUS World of Science
- Phoenix, Arizona (January 26, 2007 - May 28, 2007) - Arizona Science Center
- Portland, Oregon (June 7, 2007 - October 7, 2007) - Oregon Museum of Science and Industry
Competitors
The financial success of Body Worlds and Body Worlds II gave rise to several similar shows featuring plastinated cadavers, including "The Universe Within" in San Francisco, "Bodies Revealed" in Seoul, "Body Exploration" in Taiwan, "Mysteries of the Human Body" in South Korea, "Jintai Plastomic: Mysteries of the Human Body" in Japan, "Cuerpos entrañables" in Spain, and "Our Body: The Universe Within" in Detroit.
Some of these contain exhibits very similar to von Hagens' plastinates; von Hagens has asserted copyright protection, and has sued "Body Exploration" and "Bodies Revealed". The suits were based on a presumed copyright of certain positions of the bodies, but the counterparty asserts that the human body in its diversity can not be copyrighted.
Such lawsuits have not stopped the competition, though. While the Korean police in Seoul confiscated a few exhibits from "Bodies Revealed", the exhibition went on successfully.
Several of the competing exhibitions have been organized by the publicly traded US company Premier Exhibitions Inc.. They started their first "Bodies Revealed" exhibition in Blackpool, England which ran from August through October 2004. In 2005 and 2006 the company opened their "Bodies Revealed" and BODIES... The Exhibition exhibitions in Seoul, Tampa, Miami, New York City, and Seattle. Other exhibition sites in 2006 are Mexico City, Atlanta (GA), London, Great Britain and Las Vegas (Nevada).[6]
One Australian company's exhibition, 'The Amazing Human Body' inadvertently raised awareness of the practice in China of using executed prisoners' remains without informed consent. There is virtually no waiting list for organ transplant in China. The company's exhibits are from China.
References
http://www.amazinghumanbody.com.au/ http://melbourne.indymedia.org/news/2006/06/113853_comment.php
- ^ "China Turns Out Mummified Bodies for Displays", New York Times, August 8, 2006
- ^ "Bodydonation"
- ^ Megan Stern: "Shiny, happy people. ‘Body Worlds’ and the commodification of health.", Radical Philosophy, 118, March/April 2003
- ^ Pressemitteilung, Deutscher Journalisten-Verband, 25 August 2003
- ^ The "I Quit" Program, April 27, 2007.
- ^ Bodies The Exhibition sites
External links and sources
- Official website (English and German)
- The Montreal Science Centre's Body Worlds 2 special website (English and French)
- B-roll Videos from Official Website
- Body Worlds Exhibition - art, science or freak show?, review by the Institute of Biomedical Science
- The science of body donation. Educational resources developed around BODY WORLDS with feedback and forums from visitors to the exhibit.
- Russell Working: "Shock value", Chicago Tribune, July 31, 2005. Report on von Hagens and Body Worlds
- Body Worlds on Yahoo!
- A Bioethicist Takes a Peek at ‘Body Worlds’ Commentary by Ruth Guyer, a bioethicist, aired on National Public Radio’s All Things Considered on August 12, 2006.
- The Amazing Human Body, Australian version of Body Worlds.
- "dignityinboston", devoted to ethical questions about Body Worlds including comments, links, discussion,and study guide.
- 360°-Panorama view from the Frankfurt exhibition
Further reading
- Body Worlds - The Anatomical Exhibition of Real Human Bodies by Gunther von Hagens Amazon-UK ASIN: B000Q2MCDU
- Franz Josef Wertz, Brigitte Tag (eds.): "Schöne Neue Körperwelten, Der Streit um die Ausstellung", Klett-Cotta Verlag, Stuttgart 2001. Sixteen authors discuss the various ethical and aesthetical aspects of Body Worl.ds, in German.
- Liselotte Hermes da Fonseca: Wachsfigur - Mensch - Plastinat. Über die Mitteilbarkeit von Sehen, Nennen und Wissen, in: Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte (1999), Heft 1.
- Doms, Misia Sophia: Die Ausstellung „Körperwelten“ und der Umgang mit der endlichen Leiblichkeit. In: Volkskunde in Rheinland Pfalz 17/1 (2002). S. 62-108.
- Liselotte Hermes da Fonseca und Thomas Kliche (Hg.): Verführerische Leichen – verbotener Verfall. "Körperwelten" als gesellschaftliches Schlüsselereignis, Lengerich u.a.: Pabst Verlag 2006
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