William-Adolphe Bouguereau

William-Adolphe Bouguereau
William-Adolphe Bouguereau
	Self-Portrait (1879)
Born	William-Adolphe Bouguereau
Nationality	French
Known for	Painter
Movement	Realism

William-Adolphe Bouguereau (November 30, 1825 – August 19, 1905) was a French academic painter.

Biography

Bouguereau was born in La Rochelle.

A student at the École des Beaux-Arts in Paris, he won the Prix de Rome in 1850 and his realistic genre paintings and mythological themes were exhibited at the annual exhibitions of the Paris Salon for his entire working life. Although he fell into disregard in the early 20th century, due perhaps to his staunch opposition to the Impressionists, there is a new appreciation for his work. In his lifetime, Bouguereau painted eight hundred and twenty-six paintings.

In his own time, Bouguereau was considered to be one of the greatest painters in the world. In 1900, his contemporaries Degas and Monet reportedly named him as most likely to be remembered as the greatest 19th-century French painter by the year 2000, according to chairman Fred Ross of the Art Renewal Center - although with Degas' famous trenchant wit, and the aesthetic tendencies of the two Impressionists, it is possible the statement was meant as an ironic comment on the taste of the future public. Bouguereau's works were eagerly bought, at high prices, especially by American millionaires. After about 1920, Bouguereau fell into disrepute. Some assert this may have been consciously engineered by the new "art expert establishment", who resented his former opposition to new developments in painting, but it is likely that more profound societal factors were instrumental to this enormous shift in taste and sensibility. For decades, his name was not even mentioned in encyclopedias. Today, over one hundred museums throughout the world exhibit his works.

At a rather advanced age, Bouguereau was married for the second time, to fellow artist Elizabeth Jane Gardner Bouguereau, one of his pupils. He also used his influence to open many French art institutions to women for the first time, including the Académie française.

He died in La Rochelle.

Real name dilemma

Sources on his full name are contradictory; some give William-Adolphe Bouguereau (composed name), William Adolphe Bouguereau (usual and civil-only names according to the French tradition), while others give Adolphe William Bouguereau (with Adolphe as the usual name). However, the artist used to sign his works simply as William Bouguereau (hinting "William" was his given name, whatever the order), or more precisely as "W.Bouguereau.date" (French alphabet) and later as "W-BOVGVEREAV-date" (Latin alphabet).

Exhibitions

His first modern exhibition appeared in 1974 at the New York Cultural Center as a curiosity. In 1984 the Borghi Gallery hosted the commercial show of his 23 oil paintings and 1 drawing. In the same year a major exhibition was organized by the Montréal Museum of Fine Arts, in Canada. The exhibition opened at the Musée du Petit-Palais, in Paris, traveled to The Wadsworth Atheneum in Hartford, and concluded in Montréal. This was the beginning of renewal of interest about Bouguereau. In 1997 Mark Borghi and Laura Borghi organized an early Internet exhibition.

In 1979-1980, the company Royal Cornwall Ltd. produced a series of six china plates called "The Beauty of Bouguereau." The series featured one of Bouguereau's paintings on each of the plates. The plates were approximately 8 1/2 inches in diameter and limited to 19,500 copies of each plate. The plates were rimmed in gold, individually numbered, and came with certificates.

First plate: Lucie
Second plate: (unknown)
Third plate: (unknown)
Fourth plate: Detail of Solange et Enfant or Rest (1890)
Fifth plate: Colette
Sixth plate: Jean et Jeanette
Known to be in the collection, but unknown which plate in sequence:
- Detail of Breton Brother and Sister (1871)

Reviews

Albert Boime: The Academy and French Painting in the Nineteenth Century (London, 1971).
Aleska Celebonovic: Peinture kitsch ou réalisme bourgeois, l'art pompier dans le monde. Paris: Seghers, 1974.
Art Pompier: Anti-Impressionism. New York: The Emily Lowe Gallery, Hofstra University, 1974.
Mario Amaya (Forward), Robert Isaacson (catalogue and selection): William Adolphe Bouguereau. New York: New York Cultural Center, 1974.
John Russell: Art: Cultural Center Honors Bouguereau. In New York Times, 1974.
Louise d 'Argencourt and Douglas Druick: The Other Nineteenth Century. Ottawa: The National Gallery of Canada, 1978.
James Harding: Les peintres pompiers. Paris: Flammarion, 1980.
"The Bouguereau Market". The Art newsletter. January 6, 1981. pp. 6-8.
Louise d'Argencourt and Mark Steven Walker: William Bouguereau. Montreal, Canada: The Montreal Museum of Fine Arts, 1984.
Robert and H. W. Jason Rosenblums: 19th Century Art. New York: Harry N. Abrams, 1984.
Michael Gibson: Bouguereau's "Photo-Idealism". In International Herald Tribune, 1984.
Grace Glueck: To Bouguereau, Art Was Strictly "The Beautiful. In The New York Times, 1985.
Cécile Ritzenthaler: L'école des beaux art du XIXe siècle. édition Mayer, 1987
Exhibition catalogue William Adolphe Bouguereau, L'Art Pompier. Borghi & Co., New York, 1991.