Victor Frankenstein
Victor Frankenstein is a fictional character, the protagonist of the 1818 novel Frankenstein, written by Mary Wollstonecraft Shelley.
In Shelley's novel
He is the son of Alphonse Frankenstein and Caroline Beaufort Frankenstein, the latter of whom died of scarlet fever when he was young. Victor had two younger brothers — William, the youngest, who was killed by his creation, and Ernest, the middle child, who wants to join the Foreign Service like a "true Genevese". Victor fell in love with his adoptive sister, Elizabeth Lavenza (in the 1818 text, his biological cousin; in the 1831 revision, a blonde among Gypsies whom his mother doted upon).
As a young man, Frankenstein was enamored with alchemists such as Cornelius Agrippa, Paracelsus, and Albertus Magnus, and he longed to discover the fabled elixir of life. He loses interest in both these pursuits and in science as a whole after seeing the remains of a tree struck by lightning. However, at the University of Ingolstadt, Frankenstein develops a fondness for chemistry. Unfortunately, he becomes obsessed with the idea of creating life in inanimate matter through artificial means, dropping out of school to pursue this goal for the next two years.
Assembling a humanoid creature perhaps by stitching together pieces of human corpses, perhaps by the use of a chemical, apparatus or a combination of both (he avoids the question three times when asked, though the fact that he noted lightning striking down a tree in his childhood is a prominent clue), Frankenstein successfully brings it to life only to be repulsed and terrified by its monstrous ugliness. He abandons and flees his creation, who disappears and soon embarks upon a journey of vengeance that results in the deaths of several of Frankenstein's family and friends.
Frankenstein pursues the "fiend" or "daemon" (as he calls his creation) to the Arctic with the intent of destroying it; he ultimately fails in his mission, however, and after relating his tale to the captain of a ship of explorers that has picked him up, he dies of pneumonia. His creature, upon discovering the death of its creator, is overcome by sorrow and ends the novel by vowing to commit suicide.
Characterization
While many subsequent film adaptations (notably the 1931 movie Frankenstein and the Hammer Films series starring Peter Cushing) have portrayed Frankenstein as insane (the prototypical "mad scientist"), Shelley's original novel depicts him more as a man tragically driven by ambition and scientific curiosity, unable to deal with the consequences of his actions in "playing God" (not Shelley's words), or being an irresponsible, neglectful parent.
It is also important to note that Victor Frankenstein of the novel was not a "Doctor", but a college dropout, as he is typically portrayed in adaptations, nor is he a "Baron"--and no title is given to his father, either, although they are clearly a wealthy family. Even so, while it is a stretch to call him a "doctor", he may still be considered a Baron due to his family's status, and nationality, even though he is never directly referred to by the title in the original novel.
In the novel, Victor promises Walton three times that he will explain later by what process he brought his creature to life, and never does. This indicates that he was deliberately reticent about his techniques that became a showpiece in adaptations, rather than simply Shelley's lack of knowledge of laboratory work. Our clue to the use of lightning is Frankenstein's mention of a tree being struck by lightning at the time of his mother's death, a detail he gives otherwise undue significance.
It has been argued that it is Frankenstein himself who is the monster, because of his savage rejection of the being he created. Although Victor has very few pangs of conscience regarding his duty towards the creature he brought to life, it is his undeserved neglect that causes the creature to turn to evil. In a moral, if not actual sense, it is indeed Victor who is the monster.
In other media
While Victor Frankenstein first appeared on screen in a 1910 film produced by Thomas Edison, in which he seemed more a magician, the character's first significant film appearance was in the 1931 Universal Picture, directed by James Whale. Here, the character is renamed Henry Frankenstein and is played with sympathy by British actor Colin Clive. Clive would reprise his role in the 1935 sequel, Bride of Frankenstein, which reunited Clive, Whale and Boris Karloff as The Monster, as well as first giving Frankenstein the official title of Baron. Although not present in the following sequels due to the untimely death of actor Colin Clive in 1937, Henry would make a cameo appearance in 1939's Son of Frankenstein, as an oil painting in the Frankenstein family library, and was the title character, in spite of having only a cameo, in The Ghost of Frankenstein.
The character would gain new life in 1957 when Peter Cushing first essayed the role in Hammer Films' The Curse of Frankenstein, opposite Christopher Lee as the Creature. While the period setting and atmosphere in the Hammer films was closer to the gothic flavor of the original novel[citation needed], Cushing's portrayal was much more sinister than the Victor of Shelley, portraying him as a sociopath with a ruthless edge [citation needed]. Cushing would go on to star as Victor Frankenstein, now identified as a Baron, in five more films for the studio.
Unlike most adaptations and sequels to the novel, Hammer decided to focus its Frankenstein franchise on the Baron rather than the Monster, to distance itself from the Universal series, and to perhaps remind audiences that Frankenstein is the name of the Creator, not the Creation.
After 1969's Frankenstein Must Be Destroyed, in which Cushing had temporarily retired from the role, Hammer had decide to reboot their aging series for the 1970's. The Horror of Frankenstein was a tongue-in-cheek black comedy, which featured Ralph Bates as a younger, "hipper" Baron in the sinister mold of Peter Cushing's character. After the film failed to be the success Hammer had hoped for, they brought Cushing back for one final film, in 1974's Frankenstein and the Monster from Hell.
The character would be featured in several films throughout the years, usually portraying him as a sinister madman, rather than the complex character of the original novel. Udo Kier played the Baron in 1973's Flesh for Frankenstein while Leonard Whiting played him in Frankenstein: The True Story, and Robert Foxworth played him in another television adaptation all in the same year. Rocker Sting appeared as "Charles" Frankenstein in 1985's The Bride, and esteemed stage actor Raul Julia portrayed the good Baron as hateful as ever, in Roger Corman's Frankenstein Unbound (1990). Four years later, Kenneth Brannagh would re-interpret the character as a return to the Victor of Shelley in the personally directed, Mary Shelley's Frankenstein.
None of these played the character as originally intended. The film that came the closest is Victor Frankenstein also known as Terror of Frankenstein (1977), in which Leon Vitali attempted to play the character essentially as Shelley wrote him. The film was not a great success and did little toward changing the public consciousness sourrounding Victor Frankenstein.[citation needed]
In Frankenstein (2007 TV movie), a character called Victoria Frankenstein, who is considered to be a female and modern version of Victor. Instead of making the monster out of dead people, she uses stem cells, her motive is that she thinks that making the creature could save her dying son. However its goes wrong and the creature escapes. When Victoria catchs up with the monster she comes to love it, and because it has her dead sons DNA in it, thinks it is her son.