Wicked (musical)
| Wicked | |
|---|---|
 Broadway Poster | |
| Music | Stephen Schwartz |
| Lyrics | Stephen Schwartz |
| Book | Winnie Holzman |
| Basis | Gregory Maguire's novel Wicked |
| Productions | 2003 Broadway 2005 North American tour 2005 Chicago 2006 West End 2007 Stuttgart 2007 Los Angeles 2007 Tokyo |
| Awards | Drama Desk Outstanding Musical Drama Desk Outstanding Book Drama Desk Outstanding Lyrics Grammy for Best Cast Album |
Wicked is a hit American musical produced by Universal Pictures with music and lyrics by Stephen Schwartz and libretto by Winnie Holzman. The story is loosely based on the best-selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, a re-imagining of L. Frank Baum's classic story The Wonderful Wizard of Oz from the perspective of the witches of the Land of Oz. The musical tells the stories of Glinda and Elphaba, two young witches who eventually become the Good Witch of the North and the Wicked Witch of the West, respectively, and is set mostly prior to Dorothy's arrival from Kansas. The plot also includes several references to the classic 1939 film.
The musical debuted on Broadway on October 30, 2003. It was directed by Joe Mantello with musical staging by Wayne Cilento, and starred Kristin Chenoweth as Glinda, Idina Menzel as Elphaba, and Joel Grey as The Wizard.[1] Although the production received mixed reviews and was panned by The New York Times, it has proved to be one of the most popular musicals in history among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, and Stuttgart, along with a North American tour that has visited over 30 cities in Canada and the United States.[2]
Wicked has broken box office records around the world; it holds weekly-gross-takings records in New York, London, Chicago and Los Angeles, and the record for fastest opening £100,000 in the West End (slightly over one hour). The West End production has played to more than 800,000 people, and the North American tour has been seen by over two million patrons.[3] The show was nominated for ten 2004 Tony Awards, winning those for Best Actress, Scenic Design and Costume Design. It also won six Drama Desk Awards.
Development
Stephen Schwartz discovered the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West while on holiday in Hawaii and immediately realized its potential for dramatic adaptation.[4] Schwartz met Maguire in Connecticut in 1998 and persuaded him to release the rights for a stage production.[5]
Schwartz considered how best to condense the novel's complicated plot into a sensible script.[5] To this end, he collaborated with Emmy Award-winning writer Winnie Holzman to develop the outline of the plot over the course of a year.[6] While the draft followed Maguire's idea of retelling the story of the 1900 children's book from the perspective of its main villain, the storyline of the stage adaptation "goes far afield" from the novel. As Holzman observed in an interview with Playbill, "It was [Maguire's] brilliant idea to take this hated figure and tell things from her point of view, and to have the two witches be roommates in college, but the way in which their friendship develops – and really the whole plot – is different onstage."[7] Schwartz justified the deviation, saying "Primarily we were interested in the relationship between Galinda – who becomes Glinda and Elphaba... the friendship of these two women and how their characters lead them to completely different destinies."[8] In addition to this change in focus, changes include Fiyero's appearance as the scarecrow, Elphaba's survival at the end, Nessa's being wheel-chair bound instead of armless, and Doctor Dillamond is not murdered.[citation needed]
The book, lyrics, and score for the musical were developed through a series of readings. For these developmental workshops, Kristin Chenoweth, the Tony Award-winning actress whom Stephen Schwartz had in mind while composing the music for the character,[9] joined the project as Glinda. Stephanie J. Block read the role of Elphaba before Idina Menzel was cast in the role in 2001. In early 2000, the creators recruited David Stone, the New York producer, to begin the transition to a full Broadway production. Joe Mantello was brought in as director, and by April 2003 he had assembled a full cast, and the show was prepared for a public production.[9]
Tryout and Broadway production
On May 28 2003, Wicked opened for a pre-Broadway tryout at the Curran Theatre in San Francisco.[10] The cast included Kristin Chenoweth as Glinda, Idina Menzel as Elphaba, Robert Morse as the Wizard, Norbert Leo Butz as Fiyero and Carole Shelley as Madame Morrible.[9] Block also served as an ensemble member and understudy for Elphaba.[11] The musical staging was created by Wayne Cilento. Tony Award-winning designer Eugene Lee created a set and visual style for the production based on both W. W. Denslow's original illustrations for Baum's novels and Maguire's concept of the story being told through a giant clock.[9] Costume designer Susan Hilferty created a "twisted Edwardian" style through more than 200 costumes, while lighting designer Kenneth Posner used more than 800 individual lights to give each of the 54 distinct scenes and locations "its own mood."[9] The trial run closed on June 29 and extensive retooling for Broadway began.[9] Elements of the book were rewritten and several songs underwent minor transformations. One song from the pre-Broadway version was scrapped before the musical opened on Broadway. Entitled "Which Way Is The Party?", it was replaced by "Dancing Through Life"; each was used to introduce the character Fiyero.[9]
The Broadway production began previews at the George Gershwin Theatre on October 8, 2003, and officially opened on October 30.[1] Most of the production team and original cast members remained when the show opened on Broadway, but Morse was replaced by Joel Grey, who was billed over the title.[9] Other notable actors who have performed in the Broadway production of Wicked include Jennifer Laura Thompson, Megan Hilty, Kate Reinders, Kendra Kassebaum, and Annaleigh Ashford as Glinda; Shoshana Bean, Eden Espinosa, Ana Gasteyer, Julia Murney, and Stephanie J. Block as Elphaba; Kristoffer Cusick, Taye Diggs, Joey McIntyre, David Ayers, and Sebastian Arcelus as Fiyero; George Hearn, Ben Vereen, and David Garrison as the Wizard; Jenna Leigh Green as Nessarose; Robb Sapp as Boq; and Rue McClanahan and Carol Kane as Madame Morrible.
Synopsis
Wicked tells the story of Elphaba, misunderstood and victimized, who grows up to become the Wicked Witch of the West, and of her reactions to the charlatan Wizard's corrupt government. It also shows the development of her relationship with the beautiful and ambitious Galinda Upland, who becomes Glinda the Good Witch of the North. Throughout the show, their friendship struggles to endure their opposing personalities and viewpoints, rivalry over the same love-interest, and Elphaba's eventual fall from grace.
Act I
The citizens of Oz celebrate the death of the Wicked Witch of the West. Glinda descends in her gleaming bubble to confirm the circumstances of the Witch's melting ("No One Mourns the Wicked").
The scene then shifts to an earlier time – the birth of the green-skinned Elphaba Thropp, who will later become the Wicked Witch of the West. Elphaba, the daughter of the governor of Munchkinland, suffers an unhappy childhood, facing descrimination because of her skin color. At Shiz University, Galinda Upland first encounters Elphaba ("Dear Old Shiz"). In a moment of anger, as she is told she will be rooming with the spoiled and popular Galinda, Elphaba – whose father sent her to the university to care for her disabled sister Nessa – reveals an innate magical talent. This impresses Madam Morrible, the "headshiztress" of Shiz, who notes that Elphaba's talents may be of use to the Wizard of Oz and promises to ask him for an audience, also promising that she will instruct Elphaba personally in the art of sorcery and will take no other students ("The Wizard and I"). Galinda (who had been hoping to be admitted to Madame Morrible's sorcery seminar) is horrified, and takes an immediate dislike to Elphaba. Elphaba also dislikes Galinda, and they each lament that they have no choice but to room together ("What is this Feeling?").
Doctor Dillamond, a goat and Shiz university's only AnimalNote professor, is teaching history class when it is interrupted by an anti-Animal demonstration. After dismissing the class, he confides in Elphaba that something is causing the Animals of Oz to lose their powers of speech ("Something Bad"). Fiyero Tiggular, a Winkie prince, arrives at Shiz and immediately impresses his own brand of cavalier, carefree living on the students ("Dancing Through Life").
Fiyero organizes a party at a local ballroom. Galinda, while preparing for the dance, discovers a black pointed hat in a box and gives it to Elphaba as a 'present'. Galinda convinces a munchkin student named Boq to take Nessa, Elphaba's wheelchair bound sister, to the party. Nessa has a crush on Boq and is overjoyed to be invited. At the dance, Galinda is surprised by the appearance of Madame Morrible, who gives her a training wand and tells her that Elphaba has insisted she be included in the sorcery seminar. Elphaba arrives wearing the hat Galinda had given her, only to be ridiculed. Defiant, she proceeds to dance alone and without musical accompaniment. Fiyero is impressed that Elphaba doesn't seem to care what anyone thinks of her, but Galinda finally realizes that this isn't true. Feeling guilty, she joins Elphaba on the dance floor, marking the start of a new friendship between the two. After the dance, Galinda and Elphaba talk in their room. Elphaba confides that her father hates her because of her green skin and had forced her mother to eat milk flowers to ensure that Nessa was not born the same, causing Nessa to come early and killing their mother. Galinda comforts Elphaba and tells her that none of that was her fault. Moved by a desire to help her new friend, Galinda decides to give Elphaba a makeover and to make her popular ("Popular").
The next day, Ozian officials take Doctor Dillamond away. The new history teacher arrives with a caged lion cub, revealing that Animals that are kept in cages will never learn to speak. Outraged, Elphaba and Fiyero steal the cub and set it free. There is a hint of chemistry between the pair, but Fiyero leaves, embarrassed. Elphaba takes refuge under a bridge and regrets that it would be impossible for someone like Fiyero to love someone like her ("I'm Not That Girl"). Madame Morrible finds Elphaba and announces that she has been granted an audience with the Wizard. At the train station, Galinda and Fiyero see Elphaba off to the Emerald City. Galinda complains to Elphaba privately that Fiyero's affections toward her seem to be waning. Fiyero has brought flowers for Elphaba as a going away present, and seems to be more interested in her than he is in Galinda. In an attempt to impress Fiyero, Galinda announces that she will change her name to "Glinda" in honor of Dr Dillamond's persistent mispronunciation. Fiyero does not appear to notice and, feeling bad for Glinda, Elphaba invites her along to see the Wizard.
After a day of sightseeing in the Emerald City ("One Short Day"), Elphaba and Glinda meet the Wizard. Eschewing special effects, which he employs for the benefit of most visitors, he invites Elphaba to join him ("Sentimental Man"). As a test, he asks that Elphaba give his monkey servant, Chistery, the ability to fly using the Grimmerie, an ancient book of spells. Elphaba demonstrates an innate understanding of the lost language and successfully gives Chistery wings. The Wizard reveals an entire cage full of winged monkeys, and remarks that they will make good spies to report any subversive Animal activity. Realizing that she has been used and that the Wizard has no power of his own, Elphaba runs away with the Grimmerie, pursued by the palace guards.
Elphaba and Glinda run into the tallest tower, where they hear Madame Morrible declaring to all of Oz that Elphaba is a "Wicked Witch" and is not to be trusted. Elphaba enchants a broomstick to fly and tries to convince Glinda to join her in her cause, but Glinda cannot resist the call of popularity and refuses. Leaving Glinda behind, Elphaba flies off, promising to fight the Wizard with all her power ("Defying Gravity").
Act II
A few years have passed, and Elphaba's exploits have earned her the title "The Wicked Witch of the West" ("No One Mourns the Wicked (reprise)"). Glinda and Morrible hold a press conference to announce Glinda's surprise engagement to Fiyero ("Thank Goodness"). Meanwhile, Elphaba arrives at the governor's residence in Munchkinland seeking refuge. Nessa, now the governess, criticizes Elphaba for not using her magical powers to help Nessa overcome her disability. To assuage her feelings of guilt, Elphaba enchants Nessa's jeweled shoes, enabling Nessa to walk. Boq, Nessa's servant, is summoned and reveals that his affection for Nessa was put on and that his heart lies with Glinda. Furious, Nessa miscasts a spell from the Grimmerie, causing Boq's heart to shrink. While Elphaba attempts to save him, Nessa reflects on how her obsession with Boq has led her to oppress the Munchkin people ("The Wicked Witch of the East"). Elphaba saves Boq by turning him into the Tin Man – horrified, Nessa lays the blame on Elphaba.
Elphaba returns to the Wizard's palace in order to free the rest of the winged monkeys. The Wizard attempts to regain her favor by agreeing to set them free ("Wonderful"). Upon discovering a now-speechless Dr. Dillamond among the monkeys, Elphaba rejects his offer and attempts to escape, running into Fiyero in the process. Confirming his true love for Elphaba, he runs off with her. Glinda sees this and is crestfallen that she has been betrayed by those closest to her ("I'm Not That Girl (Reprise)"). In an attempt to capture Elphaba once and for all, Madame Morrible decides to create a cyclone that will endanger Nessa.
In a dark forest, Fiyero and Elphaba express their mutual love but are interrupted when Elphaba senses that her sister is in danger ("As Long As You're Mine"). She flies off to help but is too late, arriving just after Dorothy's house has landed on Nessa, killing her. The palace guards capture Elphaba, but Fiyero intervenes and allows Elphaba to escape before surrendering himself. The guards take him to a nearby cornfield to be tortured until he tells them where Elphaba has fled. At one of Fiyero's family's castles, Elphaba tries to cast a spell to save Fiyero but, thinking she has failed, she begins to accept her reputation as "wicked" ("No Good Deed").
Meanwhile, Boq and the citizens of Oz prepare a witch hunt ("March of the Witch Hunters"). Seeing this, Glinda travels to Elphaba and Fiyero's castle to persuade her to let Dorothy go, but she refuses. She makes Glinda promise not to clear her name and to take charge in Oz, and the two confirm a true friendship ("For Good"). As the mob arrives at the castle, Dorothy throws a bucket of water on Elphaba (there had been previous rumours of Elphaba's allergy to water). Elphaba collapses to the ground, and only her hat and robe are left behind. Glinda tells the Wizard to leave Oz in his balloon, and sends Morrible to prison, before preparing to address the citizens of Oz, returning to the opening scene of the show.
Meanwhile, Fiyero, whom Elphaba had turned into the Scarecrow with her spell to prevent his suffering from the torture, opens a trap door in the castle. Elphaba, very much alive, emerges, and the two are reunited. Glinda addresses the citizens of Oz, proclaiming that she would like to be "Glinda the Good" as she will reform the government. Elphaba and Fiyero leave Oz forever, as Glinda celebrates with the citizens of Oz ("Finale").
Principal roles
| Character[12] | Voice[12] | Description |
|---|---|---|
| Elphaba | mezzo soprano | An intelligent, misunderstood girl with green skin. Shunned because of her appearance, she finds a friend in Glinda and falls in love with Fiyero. Her pro-Animal motives and her rebellion against the Wizard cause her to be branded the Wicked Witch of the West. |
| Glinda | soprano | Beautiful and ambitious, she initially seems conceited and vain, though her friendship with Elphaba reveals more depth in her character. She later changes her name to "Glinda" in honor of Doctor Dillamond's persistent mispronunciation. Glinda is a social climber and seizes the opportunity to join the Wizard, who decrees that she be known as "Glinda the Good." |
| The Wonderful Wizard of Oz | tenor | The illegitimate dictator of Oz. Though he appears fatherly and brands himself a "sentimental man," the Wizard is secretly the driving force behind the oppression of Oz's Animals. |
| Madame Morrible | contralto | The power-hungry headmistress of Shiz University, who is revealed to be working in collaboration with the Wizard of Oz. Morrible has a magical talent for controlling the weather. |
| Fiyero | tenor | A handsome Winkie prince with a "scandalacious" reputation who is attracted to Galinda. Fiyero initially acts shallow and self-absorbed, but his encounters with Elphaba cause him to reevaluate his way of thinking. |
| Nessarose | mezzo soprano | Elphaba's spoiled, crippled younger sister. Though heavily dependent on Elphaba, Nessarose is also embarrassed by her sister. She develops an obsessive attachment to Boq while at Shiz; after becoming the governor of Munchkinland, she abuses her authority to keep him near her, earning her title, "The The Wicked Witch of the East." |
| Boq | tenor | A Munchkin who has eyes for Glinda but is instead attached to Nessarose against his will; he is unable to tell her his true feelings. Eventually he is enslaved and forbidden from leaving Munchkinland when Nessarose strips the Munchkins of their rights. |
| Doctor Dillamond | baritone | A goat, and the only Animal professor left at Shiz University, Doctor Dillamond is a victim of the Wizard's Animal suppression policy. Elphaba is fond of him, but he is taken away from Shiz after the Wizard decrees that Animals are no longer permitted to teach. Doctor Dillamond eventually loses his ability to speak. |
Music
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score.[13] While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. Some of these motifs indicate irony – for example, when Galinda presents Elphaba with a "ghastly" hat in "Dancing Through Life", the score reprises a theme from "What is this Feeling?" a few scenes earlier,[13] in which Elphaba and Galinda had espoused their mutual loathing.
Two musical themes in Wicked run throughout the score. Although Schwartz rarely reuses motifs or melodies from earlier works,[13] the first – Elphaba's theme – came from The Survival of St. Joan, on which he worked as musical director.[13] "I always liked this tune a lot and I never could figure out what to do with it," he remarked in an interview in 2004.[13] The chord progression that he first penned in 1971 became a major theme of the show's orchestration. By changing the instruments that carry the motif in each instance, Schwartz enables the same melody to convey different moods. In the overture, the tune is carried by the orchestra's brass section, with heavy percussion. The result is, in Schwartz' own words, "like a giant shadow terrorising you".[13] When played by the piano with some electric bass in "As Long As You're Mine", however, the same chord progression becomes the basis for a romantic duet. And with new lyrics and an altered bridge, the theme forms the core of the song "No One Mourns the Wicked" and its reprises.[13]
Schwartz uses the "Unlimited" theme as the second major motif running through the score. Although not included as a titled song, the theme appears as an interlude in several of the musical numbers. In a tribute to Harold Arlen, who wrote the score for the 1939 film adaptation, the "Unlimited" melody incorporates the first seven notes of the song "Over the Rainbow." Schwartz included it as an inside joke as, "according to copyright law, when you get to the eighth note, then people can come and say, 'Oh you stole our tune.' And of course obviously it's also disguised in that it's completely different rhythmically. And it's also harmonized completely differently.... It's over a different chord and so on, but still it's the first seven notes of 'Somewhere Over the Rainbow'".[13] Schwartz further obscured the motif's origin by setting it in a minor key. This also creates contrast to the songs it interrupts, for example in "Defying Gravity", which is written primarily in the key of D flat major.[14] In "The Wicked Witch of the East", on the other hand, when Elphaba finally uses her powers to let her sister walk, the "Unlimited" theme is played in a major key.[13]
Musical numbers
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Response
Critical reception
The Broadway production opened October 30, 2003 to mixed and largely conservative reviews from theatre critics.[15][16] While Menzel and Chenoweth received nearly unanimous praise for their performances as Elphaba and Glinda, the plot was derided as "muddled" and the sound quality in the massive Gershwin Theatre as "smearing".[17][18] Despite these mixed reviews, Wicked's popularity spread quickly by word-of-mouth. Speaking to The Arizona Republic in 2006, Schwartz defended the musical, saying, "What can I say? Reviews are reviews ... I know we divided the critics. We didn't divide the audience [though], and that's what counts."[19]
The West End production opened to similarly ambivalent, if slightly more upbeat, critical reception. Although The Daily Telegraph described it as "at times ... a bit of a mess", it proceeded to praise Holzman's script, described Kenneth Posner's lighting design as "magical" and lauded the two lead actresses.[20] The Guardian gave it three out of five stars and remarked on the competence of all the lead actors; however, it also complained that Wicked was "all too typical of the modern Broadway musical: efficient, knowing and highly professional but more like a piece of industrial product than something that genuinely touches the heart or mind".[21]
Awards
Wicked was nominated for ten of the 2004 Tony Awards, including Best Musical, Best Book, Best Orchestration and twice for Best Leading Actress, for Menzel and Chenoweth.[22] Menzel won the Best Actress award, and the show also won the Tony Awards for Best Scenic Design and Best Costume design, although it lost the Best Musical award to Avenue Q.[23] In the same year the show won six Drama Desk Awards out of eleven nominations, including the Book, Director and Costume Design categories.[24][25] The West End production was nominated for four Laurence Olivier Awards in 2007.[26]
Financial success
With a $14 million capitalization, the Broadway production earned back its entire initial investment by December 21, 2004.[9] In its first year it grossed more than $56 million.[27] The production, which is open-ended, has been playing to capacity crowds for almost every recent performance and grosses more than a million dollars every week according to reports published by Playbill.[28] In the week ending January 1, 2006, Wicked broke the record, previously held by The Producers, for the highest weekly box office gross in Broadway history, earning $1,610,934.[29] Wicked broke its own record in the week ending November 26, 2006, when it grossed a total of $1,715,155.[30] The Broadway production broke its own record again in the week ending December 30, 2007, grossing $1,839,950. That week the show also broke its own weekly gross records in Los Angeles ($1,949,968), Chicago ($1,418,363), and on tour ($2,291,608), as the seven worldwide productions of the show grossed a collective $11.2 million.[31]
The Broadway company of Wicked celebrated its 1000th performance on March 23, 2006.[32] The Chicago company celebrated its 1000th show on November 4th, 2007.[33]
Although West End theatres do not publish audited weekly grosses,[34] the London production of Wicked claims to hold the record for highest reported one-week gross at £761,000, achieved in the week ending December 30, 2006.[35][36] On September 7, 2007, the producers reported that over 800,000 people had seen the London production in its first year, grossing over £28 million.[36] The show has consistently been one of the two highest grossing shows in the West End. Its West End performance run has been extended until at least September 2008.[36]
Popular culture
The extraordinary success of Wicked has made several of the songs popular and engendered references to the show, characters and songs in popular culture. Media as diverse as the anime series Red Garden, the daytime drama Passions and the Buffy the Vampire Slayer graphic novels have all parodied Wicked's songs and characters.[37][38] The production itself has been featured in episodes of television programs, including Brothers & Sisters and The War at Home.[39] In an episode of Ugly Betty ("Brothers"), Betty gets tickets to see Wicked, discussing with a friend how much she relates to Elphaba's outcast status in a popularity and beauty-oriented environment.[40] In a later episode ("Something Wicked This Way Comes"), Betty actually goes to see Wicked on a date and accidentally stops the show.[41] Although Betty attends the Broadway production, the episode is shot primarily in Los Angeles: the Pantages Theatre in Hollywood doubled for the Gershwin Theatre for filming purposes.[42]
Other productions
- North American tour
Wicked launched its first national tour in Toronto, Ontario, Canada in March, 2005. Since then it has visited numerous cities throughout the United States.[9] The original touring cast included Kendra Kassebaum as Glinda, Stephanie J. Block as Elphaba, Derrick Williams as Fiyero, Jenna Leigh Green as Nessarose, Carol Kane as Madame Morrible, Timothy Britten Parker as Doctor Dillamond and David Garrison as the Wizard. Notable replacements have included Kristy Cates, Eden Espinosa, Julia Murney, Shoshana Bean and Victoria Matlock as Elphaba; Megan Hilty as Glinda; Sebastian Arcelus and Cliffton Hall as Fiyero; Carole Shelley and Alma Cuervo as Madame Morrible; and Deedee Magno as Nessarose.
Over 2.2 million people saw the touring production in its first two years, and it grossed over $155 million.[3] The tour has played to capacity crowds on almost every performance,[3] with tickets for four-week engagements selling out in as little as seven hours.[3] In the week ending December 30, 2007 the production took in $2,291,608 in St Louis, Missouri, the highest weekly gross in North American touring history.[43]
- 2005 Chicago production
The first non-Broadway sit-down production of Wicked opened in Chicago, Illinois at the Ford Center for the Performing Arts Oriental Theatre on July 13, 2005. In its first week, the show grossed $1,400,000. It has continued to set records, becoming the longest running Broadway musical in Chicago history,[33] and is considered a key part of the booming Chicago theatre scene.[44] The limited engagement from April 29–June 122005 with the original touring cast was extended to an open-ended run.[45]
During the Chicago run, the 2005 touring cast has been gradually replaced by local actors.[46] The original Chicago cast included Ana Gasteyer as Elphaba, Kate Reinders as Glinda, Rondi Reed as Madame Morrible, Kristoffer Cusick as Fiyero, and Gene Weygandt as the Wizard of Oz.[46] Notable Chicago cast replacements have included Kristy Cates and Dee Roscioli as Elphaba; Erin Mackey as Glinda; Ben Vereen and David Garrison as the Wizard; Brad Bass as Fiyero; Timothy Britten Parker as Doctor Dillamond; and Carole Shelley as Madame Morrible. The Chicago Tribune reported that the production is scheduled to close in January 2009.[47]
During the 2007 Christmas holiday season, the production broke its own Chicago box office record with a gross $1,418,363.24 for the week ending December 302007.[48] Producer David Stone commented on the unanticipated success of the production in Variety magazine, saying "To be honest, we thought it would run 18 months, then we'd spend a year in Los Angeles and six months in San Francisco... but sales stayed so strong that the producers created another road show and kept the show running in Chicago."[49] The Chicago production played its 1,000th performance on November 14, 2007.[50] Wicked has now played to more than 2 million visitors in Chicago with a gross of over $140 million, making it the highest grossing show in Chicago history by June 2007.[50][51]
Behind the Emerald Curtain, an auxiliary show originally developed for the Broadway production, has been added to capitalize on the production's success: cast members lead fans on a sixty minute behind-the-scenes tour of the props, masks, costumes and sets and take part in a question-and-answer session.[52]
- Original London West End production
The first international production of Wicked debuted in previews on September 7, 2006 at the Apollo Victoria Theatre in London's West End with an official opening of September 27, 2006. The West End production reunited the show's original creative team with its Tony Award-winning star, Idina Menzel.[53] Other original London cast members included Australian Helen Dallimore as Glinda, Miriam Margolyes as Madame Morrible, Martin Ball as Doctor Dillamond, Adam Garcia as Fiyero, and Nigel Planer as the Wizard. Replacements have included Kerry Ellis as Elphaba, Dianne Pilkington as Glinda, and Susie Blake as Madame Morrible.
The production was slightly tailored for a British audience, including minor creative changes to dialogue, choreography, and special effects. In the same fashion as the modifications that were made for the US/Canada tour, most of these changes were later incorporated into all productions of Wicked.[54]
- 2006 Universal Studios Japan (Osaka) mini-version
The theme park Universal Studios Japan in Osaka, Japan presents a 30-minute theme park version of Wicked, which began performances in July 2006. It focuses mainly on Elphaba and Glinda's relationship, but also includes the Wizard. Fiyero, Nessarose and Madame Morrible are absent from the production. The production generally uses American and Australian actresses to play Elphaba, while Japanese actresses play Glinda. The show is performed four times a day, with several actresses sharing each role. This version is performed mostly in Japanese, with portions in English.[55]
- 2007 Los Angeles production
Wicked launched its fifth open-ended production in Los Angeles, California at the Pantages Theatre. Performances began on February 10, 2007, with an official opening on February 21. All but two of the principals had previously performed their roles in another production – representatives from the Broadway, Chicago and Touring productions made up most of the original cast, with Eden Espinosa and Megan Hilty in the leads as Elphaba and Glinda, respectively.[56] Other original cast members included Carol Kane as Madame Morrible, Timothy Britten Parker as Doctor Dillamond, Jenna Leigh Green as Nessarose, Kristoffer Cusick as Fiyero, and John Rubinstein as the Wizard. Replacements have included Caissie Levy as Elphaba and Jo Anne Worley as Madame Morrible.
In the week ending on March 4 2007, the show grossed $1,786,110 and became the highest-grossing attraction in Los Angeles theatre history, taking the record from The Producers, which had set the record in June 2003 at the same theatre.[57] In the week ended December 30, 2007, Wicked set a new box office record of $1,949,968 in Los Angeles.[43]
- 2007 Tokyo production
Wicked opened its first non-English production in Tokyo, Japan on June 17, 2007, with previews starting on June 15, 2007. Numao Miyuki and Hamada Megumi played Glinda and Elphaba in the original Tokyo production. The Shiki Theatre Company at the Dentsu Shiki Theatre "Umi" produces it. The production has a Japanese and Chinese cast and is performed entirely in Japanese.[55]
- 2007 Stuttgart production
Wicked: Die Hexen von Oz ("Wicked: The witches of Oz") premiered November 15, 2007, at the Palladium Theater in Stuttgart. Willemijn Verkaik and Lucy Scherer headline the production as Elphaba and Glinda, and Mark Siebert plays Fiyero. Wicked has become one of Germany's top musicals. [58] A recording of this production was released on December 7, 2007.
- Planned Melbourne production
An open-ended Australian production of Wicked is scheduled to open on July 12, 2008, with previews commencing June 27, at the Regent Theatre in Melbourne, Australia.[59] Helen Dallimore, who starred as Glinda in the London production, has reportedly been invited to reprise her role as Glinda,[60][61] but John Frost, producer of the Australian production, has denied any precasting, saying Dallimore was only one of several candidates under consideration.[62]
- Other planned international productions
According to press releases from the Australian producers of Wicked and various European fan websites, Wicked is expected to begin performances at the Joop van den Ende Theater in Amsterdam in late 2008 or 2009.[43] A Toronto production is also expected to be produced by Mirvish Productions in 2010.[63] Other productions are rumoured for Mexico, South Korea, Singapore and Dubai.[citation needed]
Recordings
A cast recording of the original Broadway production was released on December 16, 2003. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness".[64] The recording received the Grammy Award for Best Musical Show Album in 2005[65] and was certified platinum by the RIAA on November 30, 2006.[66]
Idina Menzel released a remixed studio recording of "Defying Gravity" in May 2007, which became a Top 5 hit on the Billboard Dance Chart.[67]
A recording of the Stuttgart production was released on December 7, 2007, featuring a track listing and arrangements identical to those of the Broadway recording.[68] Although a London cast recording has been discussed, none has been recorded.[69]
Notes
- ^Animal – When capitalised, "Animal" is used throughout the musical and Maguire's novel to refer to talking creatures. When begun with a lower-case letter, "animal" refers to creatures who have lost the ability of speech.
References
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- ^ "Wicked now longest-running musical in Chicago history". BroadwayWorld.com. 2007-06-21. Retrieved 2007-11-09.
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- ^ "Wicked Breaks Los Angeles Box Office Records". BroadwayWorld.com. 2007-03-05. Retrieved 2007-11-08.
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{{cite news}}: Check date values in:|date=(help); Cite has empty unknown parameter:|coauthors=(help) - ^ Wicked (Media notes). Universal Music. 2003.
{{cite AV media notes}}:|format=requires|url=(help); Unknown parameter|albumlink=ignored (help); Unknown parameter|bandname=ignored (help) - ^ Jones, Kenneth (2005-02-13). "Wicked's Cast Album Wins Grammy Award". Playbill. Retrieved 2007-11-08.
{{cite news}}: Check date values in:|date=(help); Cite has empty unknown parameter:|coauthors=(help) - ^ "WICKED Original Cast Recording Certified Platinum". BroadwayWorld.com. 2006-11-30. Retrieved 2007-11-08.
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{{cite AV media notes}}:|format=requires|url=(help); Unknown parameter|albumlink=ignored (help); Unknown parameter|bandname=ignored (help) - ^ "Episode 37: Ball in our court". MusicalTalk. 2007-06-26. Retrieved 2008-01-09.
{{cite news}}: Check date values in:|date=(help)
External links
- Official production sites
- Wicked at the Internet Broadway Database
- Wicked pages on official Stephen Schwartz fan site
