Locus amoenus
Latin for "pleasant place", locus amoenus is a literary term which generally refers to an idealized place of safety or comfort. A locus amoenus is usually a beautiful, shady lawn or open woodland, sometimes with connotations of Eden.
The literary use of this type of setting goes back, in Western literature at least, to Homer, and it became a staple of the pastoral works of poets such as Theocritus and Virgil. Horace (Ars poetica, 17) and the commentators on Virgil, such as Servius, recognize that descriptions of loci amoeni have become a rhetorical commonplace.
In Ovid's Metamorphoses, the function of the locus amoenus is inverted. Instead of offering a respite from dangers, it is itself usually the scene of violent encounters. [1]
In Beowulf, Heorot is a locus amoenus until it is attacked by Grendel.
In Boccaccio's Decameron, the garden in which the ten narrators tell their stories is a locus amoenus.
In Chaucer's The Book of the Duchess, the dreamer meets the Man in Black grieving in the clearing of the wood, interrupting the masculine hunt.
In the works of William Shakespeare, the locus amoenus is the space that lies outside of city limits. It is where erotic passions can be freely explored, away from civilization and thus hidden from the social order which acts to suppress and regulate sexual behavior. It is mysterious and dark, a feminine place, as opposed to the rigid masculine civil structure. Examples can be found in A Midsummer Night's Dream, As You Like It, and Titus Andronicus.
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