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Mermaid

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A mermaid (from the Middle English mere in the obsolete sense 'sea' (as in maritime, the Latin mare, "sea") + maid(en)) is a legendary aquatic creature with the head and torso of human female and the tail of a fish. The male version of a mermaid is called a merman; gender-neutral plurals could be merpeople or merfolk. Various cultures throughout the world have similar figures.

Much like sirens, mermaids would sometimes sing to sailors and enchant them, distracting them from their work and causing them to walk off the deck or cause shipwrecks. Other stories would have them squeeze the life out of drowning men while trying to rescue them. They are also said to take them down to their underwater kingdoms. In Hans Christian Andersen's The Little Mermaid it is said that they forget that humans cannot breathe underwater, while others say they drown men out of spite.

The Sirens of Greek mythology are sometimes portrayed in later folklore as mermaid-like; in fact, some languages use the same word for both creatures. Other related types of mythical or legendary creature are water fairies (e.g. various water nymphs) and selkies, animals that can transform themselves from seals to humans.

Prior to the mid 19th century, mariners referred to Manatee and Dugongs as mermaids.

Legend and myth

Ancient Near East

Tales of mermaids are nearly universal. The first known mermaid stories appeared in Assyria, ca. 1000 BC. Atargatis, the mother of Assyrian queen Semiramis, was a goddess who loved a mortal shepherd and in the process killed him. Ashamed, she jumped into a lake to take the form of a fish, but the waters would not conceal her divine beauty. Thereafter, she took the form of a mermaid — human above the waist, fish below — though the earliest representations of Atargatis showed her as being a fish with a human head and legs, similar to the Babylonian Ea. The Greeks recognized Atargatis under the name Derketo, they have been proven to be real and seen very often Prior to 546 BC, the Milesian philosopher Anaximander proposed that mankind had sprung from an aquatic species of animal. He thought that humans, with their extended infancy, could not have survived early on. This idea does not appear to have survived Anaximander's death.

A popular Greek legend has Alexander the Great's sister, Thessalonike, turn into a mermaid after her death.[1] She lived, it was said, in the Aegean and when sailors would encounter her, she would ask them only one question: "Is Alexander the king alive?" (Greek: Ζει ο βασιλιάς Αλέξανδρος;), to which the correct answer would be "He lives and still rules" (Greek: Ζει και βασιλεύει). Any other answer would spur her into a rage, where she transformed into a Gorgon and meant doom for the ship and every sailor onboard.

Lucian of Samosata in Syria (2nd century AD) in De Dea Syria ("Concerning the Syrian Goddess") wrote of the Syrian temples he had visited:

"Among them - Now that is the traditional story among them concerning the temple. But other men swear that Semiramis of Babylonia, whose deeds are many in Asia, also founded this site, and not for Hera Atargatis but for her own Mother, whose name was Derketo"
"I saw the likeness of Derketo in Phoenicia, a strange marvel. It is woman for half its length, but the other half, from thighs to feet, stretched out in a fish's tail. But the image in the Holy City is entirely a woman, and the grounds for their account are not very clear. They consider fishes to be sacred, and they never eat them; and though they eat all other fowls, they do not eat the dove, for she is holy so they believe. And these things are done, they believe, because of Derketo and Semiramis, the first because Derketo has the shape of a fish, and the other because ultimately Semiramis turned into a dove. Well, I may grant that the temple was a work of Semiramis perhaps; but that it belongs to Derketo I do not believe in any way. For among the Egyptians, some people do not eat fish, and that is not done to honor Derketo."[2]

Arabian Nights

The Arabian Nights include several tales featuring "Sea People", such as Djullanar the Sea-girl. Unlike the depiction in other mythologies, these are anatomically identical to land-bound humans, differing only in their ability to breathe and live underwater. They can (and do) interbreed with land humans, the children of such unions inheriting the ability to live underwater.

British

Mermaids were noted in British folklore as both ominous, foretelling disaster, and provoking it.[3] Several variants of the ballad Sir Patrick Spens depict a mermaid speaking to the doomed ships; in some, she tells them they will never see land again, and in others, she claims they are near shore, which they are wise enough to know means the same thing. They can also be a sign of rough weather.[4]

Some mermaids were described as monstrous in size, up to 160 feet.[3]

Mermaids could also swim up rivers to freshwater lakes. One day, in a lake near his house, the Laird of Lorntie saw, as he thought, a woman drowning, and went to aid her; a servant of his pulled him back, warning that it was a mermaid, and the mermaid screamed after that she would have killed him if it were not for his servant.[5]

On occasion, mermaids could be more beneficient, giving humans means of cure.[6]

Some tales raised the question of whether mermaids had immortal souls to answer it in the negative.[7] The figure of Liban appears as a sanctified mermaid, but she was originally a human being transformed into a mermaid; after three centuries, when Christianity had come to Ireland, she came to be baptized.[8]

Mermen were also noted, as wilder and uglier than mermaids, but they were described as having little interest in humans.[9]

Other

Among the Neo-Taíno nations of the Caribbean the mermaid is called Aycayía.[10] Her attributes relate to the goddess Jagua, and the hibiscus flower of the majagua tree Hibiscus tiliaceus.[11] Examples from other cultures are the Mami Wata of West and Central Africa, the Jengu of Cameroon, the Merrow of Ireland and Scotland, the Rusalkas of Russia and Ukraine, and the Greek Oceanids, Nereids, and Naiads. One freshwater mermaid-like creature from European folklore is Melusine, who is sometimes depicted with two fish tails, and other times with the lower body of a serpent. It is said in Japan that eating the flesh of a mermaid can grant unaging immortality. In some European legends mermaids are said to grant wishes.

Also, some people claim they have seen dead or living mermaids in places like Scotland, Malaysia[citation needed] , British Columbia and Haiti. Two recent Canadian reports took place in the Strait of Georgia. [12] [13]

Mermaids and mermen are also characters of Philippine folklore, where they are locally known as sirena and siyokoy, respectively.[14]

Mermaids are said to be known for their vanity, but also for their innocence. They often fall in love with human men, and are willing to go to great extents to prove their love with humans (see mermaid problem). Unfortunately, especially younger mermaids, often tend to forget humans cannot breathe underwater. Their male counterparts, mermen, are rarely interested in human issues, but in the Finnish mythology mermen are able to grant wishes, heal sickness, lift curses and brew magic potions[citation needed].

Symbolism

According to Dorothy Dinnerstein’s book, The Mermaid and the Minotaur, human-animal hybrids such as the minotaur and the mermaid convey the emergent understanding of the ancients that human beings were both one with and different from animals and that, as such, humans' "nature is internally inconsistent, that our continuities with, and our differences from, the earth's other animals are mysterious and profound; and in these continuities, and these differences, lie both a sense of strangeness on earth and the possible key to a way of feeling at home here".[15]

Representations in Art and Literature

One influential image was created by John William Waterhouse, from 1895 to 1905, entitled A Mermaid, (see the top of this article). An example of late British Academy style artwork, the piece debuted to considerable acclaim (and secured Waterhouse's place as a member of the Royal Academy), but disappeared into a private collection and did not resurface until the 1970s. It is currently in the collection of Andrew Lloyd-Webber.

16th Century Zennor mermaid chair

The most famous in more recent centuries is Hans Christian Andersen's fairytale The Little Mermaid (1836), which has been translated into many languages. Andersen's portrayal, immortalized with a famous bronze sculpture in Copenhagen harbour, has arguably become the standard and has influenced most modern Western depictions of mermaids since it was published.

The most famous musical depictions of mermaids are those by Felix Mendelssohn in his Fair Melusina overture and the three "Rhine daughters" in Richard Wagner's Der Ring des Nibelungen. A more recent depiction in contemporary concert music is The Weeping Mermaid by Taiwanese composer Fan-Long Ko.

Representations in Heraldry

Coat of arms of Warsaw

In heraldry, the charge of a mermaid is commonly represented with a comb and a mirror, and blazoned as a 'mermaid in her vanity.' Merfolk were used to symbolize eloquence in speech.

A shield and sword-wielding mermaid (Syrenka) is on the official Coat of arms of Warsaw, the capital of Poland. The city of Norfolk, Virginia also uses a mermaid as a symbol, and a civic art project with variously decorated mermaid sculptures has been displayed all over the municipal area. The capital city of Hamilton, Bermuda has the mermaid in its coat of arms, displayed across the city.

The personal coat of arms of Michaëlle Jean, Canada's Governor General, features two Simbi, mermaid-like spirits from Haitian Vodou, as supporters.

Like many creatures from mythology and folklore, mermaids appear regularly in popular media. The two most ubiquitous images are surely the Disney character based on the tale by Andersen (see "Art and Literature," above) and the logo for the Starbucks coffee chain, which features a twin-tailed mermaid wearing a crown under a star. In Disney the two-fold nature of mermaids is exploited to tell a coming-of-age story in which the sea represents childhood and land represents adult life--a place where one stands on one's "own two feet."[original research?] For most of the story the adolescent heroine is torn between the two worlds. The Starbucks mermaid echoes the nautical implications in the name of the franchise (drawn from the famous Starbuck character in Herman Melville's Moby-Dick) while the representation itself is indebted to the pictures of mermaids often encountered on the "Star" card in many Latin suited Tarot decks.

Hoaxes

During the Renaissance and Baroque eras, dugongs, frauds and victims of sirenomelia were exhibited in wunderkammers as mermaids.

In the 19th century, P. T. Barnum displayed in his museum a taxidermal hoax called the Fiji mermaid. Others have perpetrated similar hoaxes, which are usually papier-mâché fabrications or parts of deceased creatures, usually monkeys and fish, stitched together for the appearance of a grotesque mermaid. In the wake of the 2004 tsunami, pictures of Fiji "mermaids" were passed around on the internet as something that had washed up amid the devastation, though they were no more real than Barnum's exhibit.[16]

Sirenomelia

Sirenomelia, also called "mermaid syndrome", is a rare congenital disorder in which a child is born with his or her legs fused together and the genitalia are reduced. This condition is about as rare as conjoined twins and is usually fatal within a day or two of birth because of kidney and bladder complications. Four[17] survivors are known to be alive today, with two of them – 19 year-old[citation needed] and 2 year-old girls – having undergone successful operations to separate their legs.

See also

References

  1. ^ Template:PDFlink
  2. ^ Lucian of Samosata, De Dea Syria Part 2, Chapter 14
  3. ^ a b Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Mermaids", p 287. ISBN 0-394-73467-X
  4. ^ Francis James Child, The English and Scottish Popular Ballads, v 2, p 19, Dover Publications, New York 1965
  5. ^ K. M. Briggs, The Fairies in English Tradition and Literature, p 57 University of Chicago Press, London, 1967
  6. ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Mermaids", p 288. ISBN 0-394-73467-X
  7. ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Mermaids", p 289. ISBN 0-394-73467-X
  8. ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Liban", p 266-7. ISBN 0-394-73467-X
  9. ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Mermen", p 290. ISBN 0-394-73467-X
  10. ^ http://www.conexioncubana.net/tradiciones/diccionario/a.htm
  11. ^ Hibiscus tiliaceus - Hau (Malvaceae) - Plants of Hawaii
  12. ^ Myths & Legends
  13. ^ Folklore Examples in British Columbia
  14. ^ "Tagalog-English Dictionary by Leo James English, Congregation of the Most Holy Redeemer, Manila, distributed by National Book Store, 1583 pages, ISBN 971910550X
  15. ^ Dorothy Dinnerstein, The Mermaid and the Minotaur. New York: Harper and Row, 1963. Cited by Northstar Gallery
  16. ^ Urban Legends Reference Pages: Mermaid to Order
  17. ^ "Journal of Pediatric Surgery: A surviving infant with sirenomelia (mermaid syndrome) associated with absent bladder". ScienceDirect. Retrieved 2008-02-16.