Jump to content

Cowpunk

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 24.164.147.147 (talk) at 02:25, 6 October 2008 (Other Notable Cowpunk bands and musicians). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Cowpunk or Country punk is a subgenre of punk rock that began in Southern California in the 1980s, especially Los Angeles. It combines punk rock with country music, folk music, and blues in sound, subject matter, attitude, and style. It tends to downplay the fashion elements associated with the British psychobilly genre, and grew directly out of the city's strong roots in both country music, country rock, and folk rock.[1] Many of the musicians in this scene have now become associated with alternative country or roots rock.

Bands associated with the 1980s "Cowpunk" ethos in Los Angeles

Other Notable Cowpunk bands and musicians


Secondary Sources

  • Einarson, John. Desperados: The Roots of Country Rock. New York: Cooper Square Press, 2001
  • Haslam, Gerald W. Workin' Man Blues: Country Music in California. Berkeley: University of California Press, 1999
  • Wolff, Kurt. The Rough Guide to Country Music. London: Rough Guides, 2000.

See also

References

  1. ^ Gerald Haslam, Workin' Man Blues: Country Musc in California (Berkeley: University of Calfornia Press, 1999) covers all of the major movements in California Country music from the Hollywood Cowboys to Country Rock. He also includes a chapter on the 1980s and the "Los Angeles renaissance" of country-styled "roots", rockabilly and cowpunk music and interviews members of The Blasters, Los Lobos, X/The Knitters, Lone Justice, Dwight Yoakam, Rosie Flores, Rank and File and The Beat Farmers. Kurt Wolff in The Rough Guide to Country Music (London: Rough Guides, 2000) also highlights chapters covering major California contributions to Country Music: Hollywood Cowboys, The Bakersfield Sound and Country Rock as well as California's contribution to Western Swing. Under chapters dealing with Dwight Yoakam and Alternative Country, Wolf mentions the influence of Los Angeles and its 1980s "roots" music scene.