Total Recall (1990 film)

For other uses, see Total recall (disambiguation).

Total Recall
Theatrical release poster
Directed by	Paul Verhoeven
Written by	Philip K. Dick (short story) Ronald Shusett Dan O’Bannon Jon Povill Gary Goldman
Produced by	Mario Kassar
Starring	Arnold Schwarzenegger Sharon Stone Michael Ironside Rachel Ticotin and Ronny Cox
Cinematography	Jost Vacano
Edited by	Carlos Puente Frank J. Urioste
Music by	Jerry Goldsmith
Distributed by	TriStar Pictures
Release date	June 1, 1990
Running time	113 min.
Country	Template:FilmUS
Language	English
Budget	$65 million
Box office	$261,299,840

Total Recall is a Template:Fy American science fiction film. The film features Arnold Schwarzenegger and Sharon Stone, based on the Philip K. Dick story "We Can Remember It for You Wholesale". The film was directed by Paul Verhoeven and written by Ronald Shusett, Dan O’Bannon, Jon Povill, and Gary Goldman. It won an Academy Special Achievement Award for its visual effects.

At the time of its production, Total Recall had the largest authorized budget for a film produced by a Hollywood studio. The film’s success confirmed Schwarzenegger as a major box office draw and launched Sharon Stone’s career scoring her a role in the hugely successful Basic Instinct, in 1992, also directed by Verhoeven and produced by Carolco Pictures.

Plot

The story is set in the year 2084. Douglas Quaid is a construction worker who has been experiencing dreams about exploring the planet Mars with a brunette. After seeing an ad from Rekall, a company that sells imaginary adventures by implanting false memories, he decides to buy a “vacation” on Mars from them, one in which he will take a vacation from himself by becoming a spy. Rekall calls it an “ego trip.” Before buying the vacation, Quaid is cautioned by a co-worker that Rekall is risky, and a memory implant failure “lobotomizes people,” in reference to failed memory implants which caused the recipients to suffer permanent brain damage. Quaid hesitates, but disregards this warning.

After the procedure starts, Quaid has a violent outburst and tries to break free, yelling incoherently about people who are coming to kill him. At first, it seems as though he was merely acting out the “spy” portion of the memory implant; however, when it’s confirmed that they hadn’t implanted the memories yet, the doctors at Rekall realize that they are real memories, and someone else had previously erased his memory. After narrowly subduing him, Quaid is returned home with no memories of ever going to Rekall, but then he is attacked by his friends and even his wife, Lori. She tells him that everything he remembers, including their marriage, is false; memories implanted less than two months before. While evading his assailants, he receives a phone call from someone claiming to be a former friend of his who had been asked to deliver a briefcase if he ever disappeared. The briefcase contains fake IDs, money, weapons, devices, and a video player, containing a video disk he left to himself beforehand. Watching it, Quaid starts piecing together his past on Mars as a secret agent named Hauser who worked for Mars administrator Vilos Cohaagen as a Mars Intelligence agent. Pursued by Richter, a man working for Cohaagen, Quaid travels to Mars to discover the truth.

On Mars, Quaid finds out that Cohaagen rules an airtight city via his monopoly of air production, and that the poor workers in the city’s slums have been turned into mutants from living within cheaply-produced domes that do not adequately protect against cosmic rays, which the thin atmosphere of Mars cannot block. He soon makes several allies, a cabbie named Benny and the woman from his dreams, Melina.

Quaid is later confronted by Lori and Dr. Edgemar, the man from the Rekall commercials, who try to convince him that the adventure he has been having, his experiences to this point and his future as the leader of mutant resistance have been part of the “vacation” he bought at Rekall. Quaid is now trapped in the ego trip and needs to let them help him recuperate from his paranoia episode. Edgemar offers him a pill to wake up to the truth, the alternative being lobotomization, since he’s still hallucinating in the Rekall facilities. Quaid is almost convinced until he notices that the doctor is sweating with anxiety. Quaid shoots the doctor in the head, before a group of hitmen storm the room and capture him. Melina arrives shortly after and shoots the hitmen, killing them all, but is then disarmed by Lori. The two engage in a vicious fight. Quaid recovers and shoots Lori, killing her.

Melina and Quaid flee and eventually meet resistance leader Kuato, who is revealed to be a mutant growing out of his own brother's abdomen. With Kuato's psychic help, Quaid sees a mysterious alien machine in the Martian mines, but then Cohaagen's forces storm the resistance hideout. Kuato is killed and Quaid and Melina are captured, with the help of Benny, who is actually a traitor. Cohaagen then reveals that Hauser willingly had his mind wiped in order to gain Kuato’s trust; this is the only way the mutant psychics could be fooled. The whole incident, with the exception of Richter’s maniacal pursuit of Quaid and Quaid’s activation at Rekall, was planned. To convince Quaid that this is true, Cohaagen provides another video that Quaid’s alter ego, Hauser, left for himself. Cohaagen reveals that he has decided to eliminate the rebels by cutting off the air supply to their section of the city. He orders Quaid’s mind to be restored to Hauser’s and Melina’s mind be altered to be subservient to Quaid.

Realizing how evil Hauser truly is, Quaid refuses to go back, and manages to escape with Melina. They hurry to reach the alien machine and activate it. After killing Benny, Quaid runs into Richter, fights him on top of an elevator, and finally defeats him when Richter's arms are severed. Richter then falls to his doom. Quaid activates the machine over Cohaagen’s protests that it will destroy the planet. In the struggle to activate the machine, Cohaagen is ejected onto the nearly airless surface of Mars, where he dies of asphyxiation and decompression. Quaid and Melina almost die from exposure to the atmosphere as well, but the alien machine creates a breathable atmosphere that saves them and the mutants just in time to see a blue sky over Mars.

As Melina says that it is like a dream, Quaid wonders if the whole thing has been real or if he is still in an implanted fantasy. Melina replies “Then kiss me quick before you wake up.” Just as they kiss each other, a bright flash of white light illuminates the screen, and the credits roll.

Cast

• Arnold Schwarzenegger as Douglas Quaid/Hauser
• Sharon Stone as Lori Quaid
• Rachel Ticotin as Melina
• Ronny Cox as Vilos Cohaagen
• Michael Ironside as Richter
• Marshall Bell as George/Kuato
• Mel Johnson, Jr. as Benny
• Roy Brocksmith as Dr. Edgemar
• Ray Baker as Bob McClane
• Michael Champion as Helm
• Rosemary Dunsmore as Dr. Renata Lull
• Robert Costanzo as Harry
• Lycia Naff as Mary
• Dean Norris as Tony
• David Knell as Ernie

Production and distribution

The original screenplay for Total Recall was written by Dan O'Bannon and Ronald Shusett, the writers of Alien, who had bought the rights to Philip K. Dick's short story "We Can Remember It for You Wholesale" while Dick was still alive. They were unable to find a backer for the project and it drifted into development hell, passing from studio to studio. In the mid-1980s, producer Dino De Laurentiis took on the project with Richard Dreyfuss attached to star. Patrick Swayze, who had recently starred in Dirty Dancing, was also considered for the role. David Cronenberg was attached to direct but wanted to cast William Hurt in the lead role. Cronenberg described his work on the project and eventual falling out with Shusett: "I worked on it for a year and did about 12 drafts. Eventually we got to a point where Ron Shusett said, 'You know what you've done? You've done the Philip K. Dick version.' I said, 'Isn't that what we're supposed to be doing?' He said, 'No, no, we want to do Raiders of the Lost Ark Go to Mars.'" When the adaptation of Dune flopped at the box office, De Laurentiis similarly lost enthusiasm for the project.

The collapse of De Laurentiis' project provided an opening for Schwarzenegger, who had unsuccessfully approached the producer about starring in the film. He persuaded Carolco to buy the rights to the film for a comparatively cheap $3 million and negotiated a salary of $10–11 million (plus 15 percent of the profits) to star, with an unusually broad degree of control over the production. He obtained veto power over the producer, director, screenplay, co-stars and promotion. Schwarzenegger personally recruited Paul Verhoeven to direct the film, having been impressed by the Dutch director's Robocop. By this time the script had been through forty-two versions but it still lacked a third act. Gary Goldman was therefore brought in by Verhoeven to work with Shusett to develop the final version of the screenplay. The director also brought in many of his collaborators on Robocop, including Ronny Cox, cinematographer Jost Vacano and special effects designer Rob Bottin.

Much of the filming took place in Mexico City. The futuristic subway station and vehicles are actually part of the Mexican public transportation system, with the subway cars painted gray and television monitors added.

In an interview with Starlog magazine, Schwarzenegger stressed the challenge of acting in the film, “Because you’re not coming in with the same character that you’re going out with. Hauser’s an interesting character, but Quaid’s just this big program...”

The film was initially given an “X” rating. Violence was trimmed and different camera angles were used in the over-the-top scenes for an “R” rating. It was one of the last major Hollywood blockbusters to make large-scale use of miniature effects rather than computer generated imagery. Five different companies were brought in to handle Total Recall's effects. The only CGI sequence in the entire film was a 42-second sequence, produced by MetroLight Studios, showing the X-rayed skeletons of commuters and their concealed weapons. Only a year later, Schwarzenegger's Terminator 2: Judgment Day prompted a revolution in special effects with its extensive use of CGI.

“Total Recall” was translated as “El Vengador del Futuro” /"O Vingador do Futuro" (Spanish/Portuguese for “The Avenger of the Future”), in Latin America. In Spain and Portugal it was called “Desafío Total” and “Desafio Total” respectively, which means “Total Challenge”. In Turkey it was called “Gerçeğe Çağrı,” which means “The Call for Reality.” In Italy it was called “Atto di Forza,” which means “Act of Strength.”. In Poland it was called “Pamięć absolutna,” which means “Absolute Memory.” In Israel it was called “זיכרון גורלי,” which means “Fatal Memory.” In French Canada it was called “Voyage au centre de la mémoire,” which means “Journey to the Center of the Memory”, a play on the Jules Verne novel Journey to the Center of the Earth.” In USSR it was called “Вспомнить всё,” which means “To Recall Everything.” In Hungary, it was called “Emlékmás,” which means “A Counterpart of Remembrance." In Germany it was called “Total Recall: Die totale Erinnerung,” which is a literal translation and also means "(the) total recall" ("Erinnerung" can also mean 'memory' as in "a memory that I have").” In Serbia, it was called “Totalni Opoziv” which literally translates to “Total Recall”. In Greece, it was called “Ολική Επαναφορά“, which is a literal translation.

Soundtrack

The score for Total Recall was composed by Jerry Goldsmith, and 40 minutes of it were released through the Varese Sarabande label in 1990 . Ten years later, the same label released a "Deluxe Edition", with additional cues that were left out, spanning 71 minutes .

The Main Title track features a metal percussion pattern that was inspired by the similar drum pattern from Anvil of Crom. The score has been hailed as one of Goldsmith's best, most especially the deluxe edition, and commented for its blend of electronic and orchestral elements .

Reception

The film grossed $261,299,840 worldwide, a box office success. Critical reaction to Total Recall has been mostly positive. It currently holds a 79% positive rating on Rotten Tomatoes, based on 39 reviews. Metacritic reported, based on 17 reviews, an average rating of 57 out of 100.

Roger Ebert awarded the film three and a half stars (out of four), calling it "one of the most complex and visually interesting science fiction movies in a long time." Owen Gleiberman of Entertainment Weekly praised the film, giving it a score of "B+" and said that it "starts out as mind-bending futuristic satire and then turns relentless [and] becomes a violent, post-punk version of an Indiana Jones cliff-hanger."

Mick LaSalle of the San Francisco Chronicle said the film is not a classic, "but it's still solid and entertaining." James Berardinelli gave the film two and a half stars (out of four), saying that "neither Schwarzenegger nor Verhoeven have stretched their talents here," but added, "with a script that's occasionally as smart as it is energetic, Total Recall offers a little more than wholesale carnage."

Some critics, such as Janet Maslin of the New York Times, considered the film excessively violent. Rita Kempley of the Washington Post gave the film a negative review, saying that director Paul Verhoeven "disappoints with this appalling onslaught of blood and boredom."

Due to the success of the movie, a sequel was written with the script title Total Recall 2, and with Arnold Schwarzenegger’s character still Douglas Quaid, now working as a reformed law enforcer. The sequel was based on another Philip K. Dick short story, “The Minority Report” which postulates about a future where a crime can be solved before it’s committed—in the movie, the clairvoyants would be Martian mutants. The sequel was not filmed, but the script survived and it was changed drastically and contained greater elements from the original short story. The film was eventually directed as a sci-fi thriller as Minority Report by Steven Spielberg and opened in 2002 to box-office success and critical acclaim.

Awards

Academy Award	Result
Best Sound	Nominated
Best Sound Effects Editing	Nominated
Special Achievement in Visual Effects	Won

Themes

The film explores the question of reality versus delusion, a recurrent topic in Philip K. Dick’s works. The plot calls for the lead character and the audience to question whether the character’s experience is real or being fed directly to his mind. There are several visual and informational clues which point in both directions. Verhoeven and Dick play up the intentional ambiguity to the very end and no definitive answer is ever given. Thus, the viewer is left wondering whether or not the events actually happened, if the entire story is simply the memory purchased at Rekall gone terribly awry, or if in fact Rekall had simply delivered on its original promise of “action” and “adventure.” This theme has been revisited since in similarly-themed films such as The Matrix, eXistenZ, The Thirteenth Floor, and Vanilla Sky.

A consistent motif throughout the film is the presentation of striking dichotomies: Earth/Mars; Quaid/Hauser; the mutants Kuato and his brother George; the use of holographic doubles by Quaid and Melina; reflections of Quaid, Lori and Dr. Edgemar in mirrors in Quaid's hotel room; Melina/Lori. The latter example subverts a standard film noir convention, the saintly blonde versus the devilish brunette; in Total Recall, the blonde turns out to be the villain and the brunette the heroine.

Adaptations

The film was novelized (ISBN 0-380-70874-4) by Piers Anthony. The novel and film correspond fairly well, although Anthony was evidently working from an earlier script than the one used for the film, and was criticized for the ending of his book which removed the ambiguity whether the events of Total Recall are real or a dream. In addition, the novel had a subplot wherein the aliens planted a failsafe device within their Mars technology, so that if it were misused or destroyed, the local star would go nova and therefore prevent the species from entering the galactic community. It coincided with a comment earlier in the novel that astronomers were noticing an abnormal number of recent supernovae, giving an indication that the aliens seeded their tech as part of a galactic experiment in technological maturity. Instead of mentioning that he dreamt of her earlier in the film, Melina mentions she was once a model, explaining how Quaid could have seen her on the screen at Rekall.

A video game was made based on the movie, featuring 2D action, platformer scenes and top-down racing scenes; a version was released for popular 8-bit home computers (Commodore 64, ZX Spectrum and Amstrad CPC), and the popular 16-bit home computers (Amiga and Atari ST). The game was developed and released by Ocean Software. There was also a much-maligned NES version which was notably different from the others, being developed by a different team (Interplay). Interplay defended the changes, however, claiming that their alteration stuck closer to the spirit of the original short story, which they said "read more like a platformer."

In 1999, there was a television series named Total Recall 2070 which was meant to be a prequel; however, the show had far more similarities with the Blade Runner movie (also inspired by a Philip K. Dick story) than Verhoeven's film. The two-hour series pilot, released in VHS and DVD for the North American market, borrowed footage from the film, such as the space cruiser arriving on Mars.

In February 2009 The Hollywood Reporter stated that Neal H. Moritz and Original Films were in negotiations for developing a contemporary version of Total Recall for Columbia.

See also

• Simulated reality
• Vanilla Sky

External links

• Total Recall at IMDb
• ‹The template AllMovie title is being considered for deletion.› Total Recall at AllMovie
• Total Recall at Rotten Tomatoes
• Total Recall at Metacritic
• Total Recall at MobyGames