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Wayne Jackson Handy was had a successful but short-lived career as a rockabilly performer in the late 1950s and early 1960s. Contents

  * 1 Biography
        o 1.1 Early life
        o 1.2 Music career
  * 2 Style
  * 3 Discography
  

1.0 Biography

1.1 Early life

Wayne Handy was born in what is now Eden, North Caroilna on May 14,

1935. He grew up in neighboring Reidsville, North Carolina, a once

thriving tobacco town and home to the American Tobacco Company. Wayne's

father was a farmer and letter carrier, and his mother a housewife. The

last of five children, Wayne was charismatic, with a melodic, soothing

voice and a skilled ear for music and melody. He and his sister Frances

enjoyed singing popular church songs together at home, and in 1956 he

joined a Reidsville swing dance band called The Blue Flames for which

he provided the vocals.


1.2 Music career

In 1957 he was scouted by a local man to come down to Durham, North

Carolina and sing on the local show Saturday Night Country Style with

Jim Thornton. Watching the performance that night on the radio was

Howard Rambeau, the owner of a small Durham, North Carolina label

called Renown Records. Howard called the TV station that night before

Wayne left to ask if he wanted to record for Renown. Wayne signed with

Renown and released his first single "Say Yeah" in 1957. Authored by

Handy, "Say Yeah" climbed to the top ten on the weekly Billboard charts

in New Orleans and Orlando, Florida, and was later recorded by

rockabilly artist Sammy Salvo. After his initial success, the company

BMI struck a deal with Renown Records to license and promote Handy's

music.

Wayne recorded with some well-known musicians at the time such the

Melody masters, the King Sisters, and Boots Randolph (insert link to

Boots Randolph). In 1957 he was asked to appear in Philadelphia on the

television show Bandstand (insert link to Bandstand). After his

performance he was driven back to the airport by a representative from

the show. The representative informed Handy that if he wanted Bandstand

to keep playing his songs on the show, he or Renown Records would have

to pay for the priviledge. "Pay to play", also called "payola", is a

form of corruption in the music business where those who control the

media channels demand money for playing an artist's music. Neither

Handy nor Renown Records would cooperate, and consequently Handy's

songs were not played on Bandstand or anywhere else other than in North

Carolina. Handy joined the US Army in 1958 and was stationed in Alsaka.

After his Army enlistment, he returned to North Carolina to enroll at

the University of North Carolina at Chapel Hill and pursue a degree in

Business. Disillusioned by the music business,he did not extend his

contract with Renown Records and lost touch with Rambeau . He never

played music professionally again, but in the 1970s collaborated

briefly with a friend, Harold Langdon, to entertain with original

songs at social events as Handy and Landy. Wayne Handy currently

resides in Greensboro, North Carolina with his wife of over 50 years,

Marjorie. He works as a mortgage broker. His music is still appreciated

by American fans of vintage rock n' roll and rockabilly, and his singles

are played on the radio in eastern Europe and South America.

2.0 Style

Wayne Handy was influenced by the artist Little Richard and was part of

the original rockabilly (insert link to wikipedia rockabilly page)

movement, a blend of country and rock and roll. All of the songs

released on his singles were original material authored by Handy.


3.0 Discography

Wayne Handy released five singles with Renown Records, for a total of

ten published songs. All of his songs were authored by him and vary

from raucous rockablliy to crooning ballads. His biggest hit was "Say

Yeah". Today his songs can be found on compilations of rockabilly music

from the 1950s. The complete list of his published songs:

Betcha' Didn't Know So Much to Remember I'll Never Be the Same Say Yeah You'll Never Be Mine Seminole Rock n' Roll Problem Child I Think You Oughta' Look Again Could It Be Don't Be Unfair