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Terracotta Army

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Mausoleum of the First Qin Emperor
UNESCO World Heritage Site
CriteriaCultural: i, iii, iv, vi
Reference441
Inscription1987 (11th Session)

The Terracotta Army (simplified Chinese: 兵马俑; traditional Chinese: 兵馬俑; pinyin: bīngmǎ yǒng; lit. 'soldier and horse funerary statues') are the Terra Cotta Warriors and Horses of Qin Shi Huang the First Emperor of China. The terracotta figures, dating from 210 BC, were discovered in 1974 by some local farmers near Xi'an, Shaanxi province, China near the Mausouleum of the First Qin Emperor. (Chinese: 秦始皇陵; pinyin: Qín Shǐhuáng Líng). The figures vary in height (183–195 cm - 6ft–6ft 5in), according to their role, the tallest being the generals. The figures include strong warriors, chariots, horses, officials, acrobats, strongmen, and musicians. Current estimates are that in the three pits containing the Terracotta Army there were over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry horses, the majority of which are still buried in the pits.[1]

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Construction

The terracotta figures were manufactured both in workshops by government laborers and also by local craftsmen. The head, arms, legs and torsos were created separately and then assembled. Studies show that eight face moulds were most likely used, and then clay was added to provide individual facial features.[2] Once assembled, intricate features such as facial expressions were added. It is believed that their legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would make it an assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece of terracotta and subsequently firing it. In those days, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying that workshops that once made tiles and other mundane items were commandeered to work on the terracotta army. Upon completion, the terracotta figures were placed in the pits in precise military formation according to rank and duty.

The terracotta figures are life-like and life-sized. They vary in height, uniform and hairstyle in accordance with rank. The colored lacquer finish, individual facial features, and actual weapons and armor from battle used in manufacturing these figures created a realistic appearance. The original weapons were stolen by robbers shortly after the creation of the army and the coloring has faded greatly. However, their existence serves as a testament to the amount of labor and skill involved in their construction. It also reveals the power the First Emperor possessed, enabling him to command such a monumental undertaking as this.

The pits

The four pits associated with the dig are about 1.5 km east of the burial ground and are about 7 meters deep. The outside walls of the tomb complex are as if placed there to protect the tomb from the east, where all the conquered states lay. They are solidly built with rammed earth walls and ground layers as hard as concrete. Pit one, 230 meters long, contains the main army, estimated at 8,000 figures. Pit One has 11 corridors, most of which are over 3 meters wide, and paved with small bricks with a wooden ceiling supported by large beams and posts. This design was also used for the tombs of noblemen and would have resembled palace hallways. The wooden ceilings were covered with reed mats and layers of clay for waterproofing, and then mounded with more soil making them, when built, about 2 to 3 meters higher than ground level.[3] Pit two has cavalry and infantry units as well as war chariots, and is thought to represent a military guard. Pit three is the command post, with high ranking officers and a war chariot. Pit four is empty, seemingly left unfinished by its builders.

Destruction and gradual decay

Terracotta figures in various stages of re-assembly after being unearthed.

There is evidence of a large fire that burned the wooden structures that once housed the Terracotta Army. It was described by Sima Qian, who said that the fire was a consequence of a raid on the tomb by General Xiang Yu less than five years after the death of the First Emperor. According to Sima Qian, General Xiang’s army looted the tomb and the structures holding the Terracotta Army, as well as setting fire to the necropolis and starting a blaze that allegedly lasted three months. Because of this, only one statue has survived intact: a statue of a kneeling archer. Despite the fire, however, much of the remains of the Terracotta Army still survives in various stages of preservation, surrounded by remnants of the burnt wooden structures.

In 1999, it was reported that the Terracotta warriors were suffering from "nine different kinds of mold," caused by raised temperatures and humidity in the building which houses the soldiers, and by the breath of tourists.[4] In addition, the South China Morning Post reported that the figures have become oxidized grey from being exposed to the air, which may cause arms to fall off, and noses and hairstyles to disappear.[5] However, officials have dismissed these claims.[6] In Daily Planet Goes to China, the Terracotta Warriors segment reported that the Chinese scientists found soot on the surface of the statues, concluding that the pollution introduced from coal burning plants was responsible for the decaying of the terracotta statues.

The Sichuan earthquake caused some slight damage to several soldiers. One soldier in Pit #2 tilted to the right at 5 degrees. Several small cracks appeared on two soldiers and one horse statue in Pit #3. But overall the damage was minimal. Recently, officials have begun to bury sections of the pits, to preserve the figures.

British Museum exhibition

A set piece of 120 objects from the mausoleum and 20 terracotta warriors were displayed at the British Museum in London as its special exhibition "The First Emperor: China's Terracotta Army" from September 13, 2007 to April 2008.[7] This Terracotta Army exhibition made 2008 the British Museum's most successful year ever, and made the British Museum the United Kingdom's top cultural attraction between 2007-08.[8][9] The exhibition also brought in the most visitors to the British Museum since the King Tutankhamun exhibition in 1972.[8] It was reported that the initial batch of pre-bookable tickets to the Terracotta Army exhibition sold out so fast that the museum extended the exhibition until midnight on Thursdays to Sundays.[10] According to The Times, many people had to be turned away from the exhibition, despite viewings until midnight,[11] and during the day of events to mark the Chinese new year, the crush was so intense that the gates to the museum had to be shut.[11] The Terracotta Army has been described as the only other set of historic artifacts (along with the remnants of ruins of the Titanic) which can draw a crowd simply on the back of the name alone.[10]

Notes

  1. ^ Jane Portal and Qingbo Duan, The First Emperor: China's Terra Cotta Army, British Museum Press, 2007, p. 167
  2. ^ Jane Portal and Qingdao Dan, The First Emperor: China's Terracotta Arm, British Museum Press, 2007, p. 170
  3. ^ Jane Portal and Qingbo Duan, The First Emperor: China's Terracotta Arm, British Museum Press, 2007, pp260-167
  4. ^ World: Asia-Pacific Pollution threat to terracotta army
  5. ^ Air pollution harms terracotta warriors
  6. ^ Is the terracotta army in danger?
  7. ^ The First Emperor: China's Terracotta Army. The British Museum
  8. ^ a b "Terracotta army makes British Museum favorite attraction". The Guardian. 2008-07-02. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  9. ^ "British Museum sees its most successful year ever". Best Western. 2008-07-03. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  10. ^ a b "The First Emperor: China's Terracotta Army (British Museum)". Great Exhibitions. 2008-02-09.
  11. ^ a b "Is the British Museum the greatest museum on earth?". The Times. 2008-07-09. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)

Bibliography

  • Debainne-Francfort, Corrine (1999). The Search for Ancient China. Discoveries. New York: Harry N. Abrams. ISBN 9780810928503.
  • Dillon, Michael (1998). China: A Historical and Cultural Dictionary. Durham East Asia series. Richmond, Surrey: Curzon. ISBN 9780700704392.
  • Kinoshita, Hiromi (2007). Jane Portal (ed.). The First Emperor: China's Terracotta Army. London: British Museum. ISBN 9780714124476.
  • Ledderose, Lothar (2000). "A Magic Army for the Emperor". Ten Thousand Things: Module and Mass Production in Chinese Art. The A.W. Mellon Lectures in the Fine Arts. Princeton, NJ: Princeton University Press. ISBN 9780691009575.
  • Perkins, Dorothy (1999). Encyclopedia of China: The Essential Reference to China, Its History and Culture. New York: Facts on File. ISBN 9780816043743.