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Thriller (album)

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Thriller is the sixth studio album by American recording artist Michael Jackson. The album was released on November 30, 1982 by Epic Records as the follow-up to Jackson's critically and commercially successful 1979 album Off the Wall. Thriller explores similar genres to those of Off the Wall, including funk, disco, soul, R&B, and pop. Thriller's lyrics deal with themes including paranoia and the supernatural.

With a production budget of $750,000, recording sessions took place between April and November 1982 at Westlake Recording Studios in Los Angeles, California.[11] Assisted by producer Quincy Jones, Jackson wrote four of Thriller's nine tracks. Following the release of the album's first single "The Girl Is Mine", some observers assumed Thriller would only be a minor hit record. With the release of the second single "Billie Jean", the album topped the charts in many countries. At its peak, the album was selling a million copies a week worldwide and began the only non-soundtrack album to be the best selling album of the year in the US for two consecutive times (1983 and 1984).[12][13] In just over a year, Thriller became—and currently remains—the best-selling album of all time. Additionally, according to official RIAA estimates, merely on shipments, the album is approaching 30 million albums sold in the United States alone. Achieving this sales status will make it the first and only album to be certified Triple Diamond in the US. Furthermore, it would officially become the highest selling album in the US, surpassing the album that currently holds that title, Their Greatest Hits (1971–1975) by The Eagles. Sony has stated that over 70 million copies of the album were sold[14], other sources have estimated worldwide sales to be up to 110 million.[15] Seven of the album's nine songs were released as singles, and all reached the top 10 on the Billboard Hot 100. The album won a record-breaking eight Grammy Awards at the 1984 Grammys.

Thriller cemented Jackson's status as one of the preeminent pop stars of the late 20th century, and enabled him to break down racial barriers via his appearances on MTV and meetings with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools—the videos for "Thriller", "Billie Jean" and "Beat It" all received regular rotation on MTV. In 2001, a special edition issue of the album was released, which contains additional audio interviews, a demo recording and the song "Someone In the Dark", which was a Grammy-winning track from the E.T. the Extra-Terrestrial storybook.[16] In 2008, the album was reissued again as Thriller 25, containing re-mixes that feature contemporary artists, a previously unreleased song and a DVD.

Thriller ranked number 20 on Rolling Stone magazine's 500 Greatest Albums of All Time list in 2003, and was listed by the National Association of Recording Merchandisers at number three in its Definitive 200 Albums of All Time. Thriller was preserved by the Library of Congress to the National Recording Registry, as it was deemed "culturally significant".

Background

Jackson's previous album Off the Wall (1979) was a critical success and received generally favorable reviews.[17][18] It was also a commercial success, eventually selling over 20 million copies worldwide.[19]

The years between Off the Wall and Thriller were a transitional period for the singer, a time of increasing independence and struggles with his family. In 1973, Jackson's father Joseph began a secret affair with a woman 20 years younger than he; the couple had a child in secret. In 1980, Joseph told his family of the affair and child. Michael, already angry with his father over his childhood abuse, felt so betrayed that he fell out with Joseph for many years.[20] The period saw the singer become deeply unhappy; Jackson explained, "Even at home, I'm lonely. I sit in my room sometimes and cry. It's so hard to make friends ... I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home."[21] When Jackson turned 21 in August 1979, he fired Joseph as his manager and replaced him with John Branca.[22]

Jackson confided in Branca that he wanted to be "the biggest star in show business" and "the wealthiest". The singer was upset about what he perceived to be the under-performance of Off the Wall, stating, "It was totally unfair that it didn't get Record of the Year and it can never happen again."[23] He also felt undervalued by the music industry; in 1980 when Jackson asked the publicist of Rolling Stone if they would be interested in doing a cover story on him, the publicist declined, to which Jackson responded, "I've been told over and over that black people on the cover of magazines doesn't sell copies ... Just wait. Someday those magazines are going to be begging me for an interview. Maybe I'll give them one. And maybe I won't."[23]

Recording

Jackson reunited with Off the Wall producer Quincy Jones to record his sixth studio album. The pair worked together on 300 songs, nine of which were eventually included.[24] Thriller was recorded between April and November 1982, with a production budget of $750,000. Several members of the band Toto were also involved in the album's recording and production.[24] Jackson wrote four songs for the record: "Wanna Be Startin' Somethin'", "The Girl Is Mine" (with Paul McCartney), "Beat It" and "Billie Jean".[25] Unlike many artists, Jackson did not write these songs on paper. Instead, he would dictate into a sound recorder; when recording he would sing from memory.[26][27]

The relationship between Jackson and Jones became strained during the album's recording. Jackson spent much of his time rehearsing dance steps alone.[27] When the album's nine songs were completed, both Jones and Jackson were unhappy with the result and remixed every song, spending a week on each.[27] Jones believed that "Billie Jean" was not strong enough to be included on the record, but Jackson disagreed and kept it. Jones told Jackson that Thriller would be unlikely to sell successfully like Off the Wall had, because the market had since weakened. In response, Jackson threatened to cancel the album's release.[24]

Jackson was inspired to create an album where "every song was a killer," as with Tchaikovsky's The Nutcracker, and developed Thriller on that concept.[28][29] Jones and songwriter Rod Temperton gave detailed accounts of what occurred for the 2001 reissue of the album. Jones discussed "Billie Jean" and why it was so personal to Jackson, who struggled to deal with a number of obsessed fans. Jones wanted the long introduction on the song to be shortened; however, Jackson insisted that it remain because it made him want to dance.[25] The ongoing backlash against disco made it necessary to move in a different musical direction from the disco-heavy Off the Wall.[29] Jones and Jackson were determined to make a rock song that would appeal to all tastes and spent weeks looking for a suitable guitarist for the song "Beat It", a song Jackson wrote and played drums on. Eventually, they found Eddie Van Halen of the rock band Van Halen.[25][27]

When Rod Temperton wrote the song "Thriller", he originally wanted to call it "Starlight" or "Midnight Man" but settled on "Thriller" because he felt the name had merchandising potential.[27] Always wanting a notable person to recite the closing lyrics, Temperton brought in actor Vincent Price, who completed his part in just two takes. Temperton wrote the spoken portion in a taxi on the way to the recording studio. Jones and Temperton said that some recordings were left off the final cut because they did not have the "edginess" of other album tracks.[25]

Music

"Thriller"
Excerpt of the album's title track, and one of Jackson's signature pieces, "Thriller", released as a single in 1984. Jackson utilizes cinematic sound effects, horror film motifs and vocal trickery to convey a sense of danger in his work.[30]
"Human Nature"
"Human Nature", a top ten hit single in the US. It is the most notable ballad on the album, praised for its moody, introspective lyrics and sound.
"Billie Jean"
"Billie Jean", a number one hit single in many countries. The song was written and co-produced by Jackson. The track mixed uptempo funk and disco with the somber themes of paranoia and obsession.
Problems playing these files? See media help.

According to Steve Huey of Allmusic, Thriller refined the strengths of Jackson's previous album Off the Wall; the dance and rock tracks were more aggressive, while the pop tunes and ballads were softer and more soulful.[31] Notable tracks include the ballads "The Lady in My Life", "Human Nature", and "The Girl Is Mine"; the funk pieces "Billie Jean" and "Wanna Be Startin' Somethin'"; and the disco set "Baby Be Mine" and "P.Y.T. (Pretty Young Thing)".[1][7][8][31] "1982 and has a similar sound to the material on Off The Wall. The song is accompanied by a bass and percussion background and the song's centerpiece, a climaxing Swahili chant, gave the song an international flavor.[32] "The Girl Is Mine" tells of two friends' fight over a woman, arguing over who loves her more and concludes with a spoken rap.[27][32]

Despite the light pop flavor of these two records, Thriller, more so than Off the Wall, displayed foreshadowings of the contradictory thematic elements that would come to characterize Jackson's later work.[33] With Thriller, Jackson would begin his association with the subliminal theme of paranoia and darker imagery.[7] This is evident on the songs "Billie Jean", "Wanna Be Startin' Somethin'" and "Thriller".[1] In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers; in "Wanna Be Startin' Somethin'" he argues against gossips and the media.[7][31] In the former song, Jones had Jackson sing vocal overdubs through a six-foot-long cardboard tube, and brought in jazz saxophonist Tom Scott to play a rare instrument, the lyricon, a wind-controlled analog synthesizer. Bassist Louis Johnson ran through his part on a Yamaha bass guitar. The song opens with a long bass-and-drums introduction.[34] In the song "Thriller", sound effects such as creaking door, thunder, feet walking on wooden planks, winds and howling dogs can be heard.[27]

The anti-gang-violence "Beat It" became a homage to West Side Story, and was Jackson's first successful rock cross-over piece.[31][35] Jackson later said of "Beat It", "the point is no one has to be the tough guy, you can walk away from a fight and still be a man. You don't have to die to prove you're a man".[32] "Human Nature" is moody and introspective, as conveyed in lyrics such as, "Looking out, across the morning, the City's heart begins to beat, reaching out, I touch her shoulder, I'm dreaming of the street".[32]

By the late 1970s, Jackson's abilities as a vocalist were well regarded; Allmusic described him as a "blindingly gifted vocalist".[17] Rolling Stone compared his vocals to the "breathless, dreamy stutter" of Stevie Wonder. Their analysis was also that "Jackson's feathery-timbred tenor is extraordinary beautiful. It slides smoothly into a startling falsetto that's used very daringly".[18] With the release of Thriller, Jackson could sing low—down to a basso low C—but he preferred to sing higher because pop tenors have more range to create style.[36] Rolling Stone were of the opinion that Jackson was now singing in a "fully adult voice" that was "tinged by sadness".[37] "P.Y.T. (Pretty Young Thing)", credited to James Ingram and Quincy Jones, and "Lady in My Life" by Rod Temperton, both gave the album a stronger R&B direction; the latter song was described as "the closest Jackson has come to crooning a sexy, soulful ballad after his Motown years" by Taraborrelli.[32] The singer had already adopted a "vocal hiccup" which he continued to implement in Thriller. The purpose of the hiccup—somewhat like a gulping for air or gasping—is to help promote a certain emotion; be it excitement, sadness or fear.[38]

Release and reception

Thriller was released on November 30, 1982, and sold one million copies worldwide per week at its peak.[36] Seven singles were released from the album, including "The Girl Is Mine"—which was seen as a poor choice for the lead release and led some to believe that the album would be a disappointment, and to suggestions that Jackson was bowing to a white audience.[32] "The Girl Is Mine" was followed by the hit single "Billie Jean", which made Thriller a chart-topper.[39][40] Success continued with the single "Beat It", which featured guitarists Eddie Van Halen and Steve Lukather.[41] The title track "Thriller" was released as a single and also became a hit internationally.[32]

Thriller was mostly well received by critics. A four-star Rolling Stone review by Christopher Connelly described it as "a zesty LP" with a "harrowing, dark message". Despite the positive response, the title track came under strong criticism. Rolling Stone expressed a negative sentiment, criticizing its "degenerat[ion] into silly camp". The magazine expressed confusion at the use of Vincent Price over Count Floyd for the track's concluding rap.[7] The New York Times gave a positive review of the album, and dedicated a large amount of its coverage to the song "Human Nature". They described it as the most "striking" song on the record, and wrote, "this is a haunting, brooding ballad by Steve Porcaro and John Bettis with an irresistible chorus and it should be an enormous hit". Concluding their review The New York Times added; "there are other hits here, too, lots of them. Best of all, with a pervasive confidence infusing the album as a whole, Thriller suggests that Mr. Jackson's evolution as an artist is far from finished".[10]

Robert Christgau published a positive (A−) graded overview of the album a few days before its release. He acknowledged that there were "fillers" on the record but still labeled it "almost classic". He expressed the opinion that "Beat It" was the album's best track, calling it "the triumph and the thriller", but criticized "The Girl Is Mine" as "Michael's worst idea since 'Ben'". He was of the opinion that the collaboration did not work well, but still praised it for "getting interracial love on the radio".[4] A year after the album's release, Time summed up the three main singles from the album, saying, "The pulse of America and much of the rest of the world moves irregularly, beating in time to the tough strut of "Billie Jean", the asphalt aria of "Beat It", the supremely cool chills of "Thriller".[36] Conversely, in a Melody Maker review, Paolo Hewitt stated "[t]his is not a good LP"; in his opinion there were only "two songs worthy of mention". "Wanna Be Startin' Somethin'" was praised as an "exciting", "uptempo electro-funk song", as was "Billie Jean". Hewitt's stance was that as a whole, the album could only be described as "bland", particularly the closing tracks. He summed up: "Jackson seems to have lost his talent for turning gross into gold".[5]

The album won Jackson a record-breaking eight Grammy Awards in 1984, including Album of the Year. The eighth Grammy went to Bruce Swedien.[42][43] That same year, Jackson won eight American Music Awards, the Special Award of Merit and three MTV Video Music Awards.[44] Thriller was recognized as the world's best-selling album on February 7, 1984, when it was inducted into the Guinness Book of World Records.[45] It is one of only three albums to remain in the top ten of the Billboard 200 for a full year, and spent 37 weeks at number one out of the 80 consecutive weeks it was in the top ten. The album was also the first of three to have seven Billboard Hot 100 top ten singles, and was the only album to be the best-seller of two years (1983–1984) in the US.[46][47]

On March 6, 2009 Thriller was certified 28x Platinum by the Recording Industry Association of America, for shipments of at least 28 million copies in the US giving it Double Diamond Award status there.[48][49] The album topped the charts in many countries, sold 3.7 million copies in the UK,[49][50] 2.5 million in Japan[51] and went 15x Platinum in Australia.[52] Still popular today, Thriller sells an estimated 130,000 copies in the US per year; it reached number two in the US Catalog charts in February 2003 and number 39 in the UK in March 2007.[44] The album is cited as having sold between 65 and 110 million copies worldwide; the Guinness Book of World Records lists Thriller as having sold 65 million copies as of 2007.[53][54][55][56][57].[58]

Grammy Awards[59][42]

Year Nominee / work Award Result
1984 Thriller Album of the Year Won
"Beat It" Record of the Year Won
"Billie Jean" Song of the Year Nominated
"Beat It" Song of the Year Nominated
Thriller Producer of the Year - Non Classical Won
Thriller Best Engineered Recording - Non Classical Won
Thriller Best Pop Vocal Performance - Male Won
"Billie Jean" Best R&B Vocal Performance - Male Won
"Billie Jean" Best R&B Song Won
"P.Y.T. (Pretty Young Thing)" Best R&B Song Nominated
"Wanna Be Startin' Somethin'" Best R&B Song Nominated
"Beat It" Best Pop Vocal Performance - Male Won

Influence and legacy

Music industry

Blender described Jackson as the "late twentieth century pre-eminent pop icon", while The New York Times gave the opinion that he was a "musical phenomenon", and that "in the world of pop music, there is Michael Jackson and there is everybody else".[34][60] Jackson changed the way the industry functioned: both as an artistic persona, and as a financial, profitable entity. His attorney John Branca observed that Jackson achieved the highest royalty rate in the music industry to that point: approximately $2 for each album sold. As a result, Jackson earned record-breaking profits from compact disc sales, and from the sale of copies of the documentary, The Making of Michael Jackson's Thriller, produced by Jackson and John Landis. Funded by MTV, the film sold over 350,000 copies in its first few months. In a market then driven by singles, Thriller raised the significance of albums, yet its multiple hit singles changed perceived notions as to the number of successful singles that could be taken from an individual album.[61] The era saw the arrival of novelties like the Michael Jackson doll, that appeared in stores in May 1984 at a price of $12.[36] Thriller retains a position in American culture; biographer J. Randy Taraborrelli explains, "At some point, Thriller stopped selling like a leisure item—like a magazine, a toy, tickets to a hit movie—and started selling like a household staple".[62]

At the time of the album's release, a press statement from Gil Friesen, the then President of A&M Records, read that, "The whole industry has a stake in this success".[36] Time magazine speculated that "the fallout from Thriller has given the [music] business its best years since the heady days of 1978, when it had an estimated total domestic revenue of $4.1 billion".[36] Time summed up Thriller's impact as a "restoration of confidence" for an industry bordering on "the ruins of punk and the chic regions of synthesizer pop". The publication described Jackson's influence at that point as, "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".[36]

Music videos and racial equality

Before the success of Thriller, many felt Jackson had struggled to get MTV airing because he was black.[63] In an effort to attain air time for Jackson, CBS Records President Walter Yetnikoff pressured MTV and declared, "I'm not going to give you any more videos and I'm going to go public and fucking tell them about the fact you don't want to play music by a black guy".[34]

His position persuaded MTV to begin airing "Billie Jean" and later "Beat It", which led to a long partnership and later helped other black music artists to gain mainstream recognition.[64] MTV deny claims of racism in their broadcasting.[65] The popularity of his videos, such as "Beat It" and "Billie Jean", helped to place the young channel "on the map", and MTV's focus shifted in favor of pop and R&B.[64][66]

Jackson in the revolutionary Thriller video

Jackson transformed the medium of music video into an art form and promotional tool through the use of complex story lines, dance routines, special effects and cameo appearances by well known personalities.[31] When the 14-minute-long Thriller video aired, MTV ran it twice an hour to meet demand.[67] The short film marked an increase in scale for music videos and has been routinely named the best music video ever.[68] The popularity of the video sent the album back to number one in the album chart, but Jackson's label did not support the release of the third music video from the album. They were already pleased with its success, so Jackson convinced MTV to fund the project.[27][67] Author, music critic and journalist Nelson George wrote in 2004, "It's difficult to hear the songs from Thriller and disengage them from the videos. For most of us the images define the songs. In fact it could be argued that Michael is the first artist of the MTV age to have an entire album so intimately connected in the public imagination with its imagery".[30] Short films like Thriller largely remained unique to Jackson, while the group dance sequence in "Beat It" has been frequently imitated.[25] The choreography in Thriller has become a part of global pop culture, replicated everywhere from Bollywood to prisons in the Philippines.[69][70]

For a black artist in the 1980s to that point, Jackson's success was unprecedented. According to The Washington Post, Thriller paved the way for other African-American artists such as Prince.[71] "The Girl Is Mine" was credited for getting interracial love on the radio.[72] Time noted, "Jackson is the biggest thing since The Beatles. He is the hottest single phenomenon since Elvis Presley. He just may be the most popular black singer ever".[36]

Contemporary appeal

Today, the album is still viewed in a positive light by critics some two decades later. Stephen Thomas Erlewine of Allmusic gave the album the maximum five stars and wrote that the record had something to interest everyone. He believed it showcased harder funk and hard rock while remaining "undeniably fun". He went on to compliment "Billie Jean" and "Wanna Be Startin' Somethin'" and said, "The record's two best songs: 'Billie Jean, ...and the delirious 'Wanna Be Startin' Somethin'', the freshest funk on the album [but] the most claustrophobic, scariest track Jackson ever recorded." Erlewine gave the opinion that it was an improvement on the artist's previous album, although Allmusic was critical of the title track, describing it as "ridiculous" and as having the effect of "arriving in the middle of the record and sucking out its momentum".[1] Slant Magazine gave the album five stars and, like the Allmusic review and the original Rolling Stone review, paid compliment to the lyrics of "Wanna Be Startin' Somethin'".[8]

The author Nelson George wrote that Jackson "has educated R. Kelly, Usher, Justin Timberlake and countless others with Thriller as a textbook".[73] As a sign of the album's longevity, in 2003 Thriller was ranked at number 20 on the Rolling Stone 500 Greatest Albums of All Time list, and was listed by the National Association of Recording Merchandisers at number three of the Definitive 200 Albums of All Time.[74][75] In 2008, 25 years after its release, the record was inducted into the Grammy Hall of Fame and, a few weeks later, was among 25 recordings preserved by the Library of Congress to the National Recording Registry as "culturally significant".[76][77] In 2009, music critics for MTV Base and VH1 both listed Thriller as the best album released since 1981.[78] Thriller, along with other critic favorites were then polled by the public. 40,000 people found Thriller to be the Best Album of all time by MTV Generation, gaining a third of all votes.[78][79]

Grammy Hall of Fame[80]

Year Nominee / work Award Result
2008 Thriller Album Inducted

Reissues and catalog sales

Thriller was reissued in 2001 in an expanded set titled Thriller: Special Edition. The original tracks were remastered, and the album included a new booklet and bonus material, including the songs "Someone In the Dark", "Carousel", and Jackson's original "Billie Jean" demo, as well as audio interviews with Jones and Temperton discussing the recording of the album.[25][81] Sony also hired sound engineer and mixer Mick Guzauski [82][83] to work with Jackson on creating 5.1-channel surround sound mixes of Thriller, as well as all his other albums, for release on the then-new Super Audio CD format. Despite numerous retries, the artist never approved any of the mixes.[84] Consequently, Thriller was issued on SACD only in a stereo version. [85]

In February 2008, Epic Records released Thriller 25; Jackson served as executive producer.[49] Thriller 25 appeared on CD, USB and vinyl with seven bonus tracks, a new song called "For All Time", a snippit of Vincent Price's voice-over, and five re-mixes featuring American artists Fergie, will.i.am, Kanye West, and Akon.[49][86][87] It also included a DVD featuring three music videos, the Motown 25 "Billie Jean" performance, and a booklet with a message from Jackson.[49] The ballad "For All Time" supposedly dates from 1982, but is often credited as being from Dangerous sessions.[88] Two singles were released from the reissue: "The Girl Is Mine 2008" and "Wanna Be Startin' Somethin' 2008".

Thriller 25 was a commercial success and did particularly well as a reissue. It peaked at number one in eight countries and Europe. It peaked at number two in the US, number three in the UK and reached the top 10 in over 30 national charts. It was certified Gold in 11 countries including the UK, received a 2x Gold certification in France and received platinum certification in Poland.[89][90][91] In the United States, Thriller 25 was the second best-selling album of its release week, selling one hundred and sixty six thousand copies, just fourteen thousand short of reaching the number one position. It was ineligible for the Billboard 200 chart as a re-release but entered the Pop Catalog Charts at number one (where it stayed for ten non-consecutive weeks),[92] with the best sales on that chart since December, 1996.[93][94][95] With the arrival of Halloween that November, Thriller 25 spent an eleventh non-consecutive week atop the US catalog chart. This brought US sales of the album to 688,000 copies, making it the best selling catalog album of 2008.[96] This was Jackson's best launch since Invincible in 2001, selling three million copies worldwide in 12 weeks.[97]

After Jackson's death in June 2009, Thriller set additional records. It sold more than 100,000 copies, placing it at number two on the Top Pop Catalog Albums chart. Songs from Thriller also helped Jackson become the first artist to sell more than one million song downloads in a week.[98]

According to Nielsen Soundscan, Thriller has sold more than 1 million copies in the United States in 2009, as of August 30.[99]

Track listing

All tracks are written by Michael Jackson, except where noted

No.TitleLength
1."Wanna Be Startin' Somethin'"6:02
2."Baby Be Mine" (Rod Temperton)4:20
3."The Girl Is Mine" (with Paul McCartney)3:42
4."Thriller" (Temperton with Vincent Price)5:57
5."Beat It"4:17
6."Billie Jean"4:54
7."Human Nature" (John Bettis, Steve Porcaro)4:05
8."P.Y.T. (Pretty Young Thing)" (James Ingram, Quincy Jones)3:58
9."The Lady in My Life" (Temperton)4:59

2001 Special Edition

No.TitleLength
10."Quincy Jones Interview #1"2:19
11."Someone in the Dark (from E.T.: The Extra-Terrestrial storybook)"4:47
12."Quincy Jones Interview #2"2:04
13."Billie Jean (Home Demo from 1981)"2:20
14."Quincy Jones Interview #3"3:10
15."Rod Temperton Interview #1"4:03
16."Quincy Jones Interview #4"1:32
17."Voice-Over Session from "Thriller" (featuring Vincent Price)"2:52
18."Rod Temperton Interview #2"1:56
19."Quincy Jones Interview #5"2:01
20."Carousel (edited version)"1:50
21."Quincy Jones Interview #6"1:17

Personnel

See also

References

  • George, Nelson (2004). Michael Jackson: The Ultimate Collection booklet. Sony BMG.
  • Taraborrelli, J. Randy (2004). The Magic and the Madness. Terra Alta, WV: Headline. ISBN 0-330-42005-4.

Notes

  1. ^ a b c d e Erlewine, Stephen (February 19, 2007). "Thriller Overview". Allmusic. Retrieved June 15, 2008.
  2. ^ Rolling Stone: Michael Jackson: The Unlikely King of Rock - Michael Jackson - Rolling Stone: "At first, the lustrous post-disco sound of Thriller...". Retrieved on August 12, 2009.
  3. ^ Heyliger, M., Music - Help - Web - Review - A State-of-the-Art Pop Album (Thriller by Michael Jackson): "Not many artists could pull off such a variety of styles (funk, post-disco, rock, easy listening, ballads) back then...". Retrieved on August 12, 2009
  4. ^ a b Christgau, Robert (December 28, 1982). "Christgau's Consumer Guide, Dec 28, 1982". Robert Christgau.com. Retrieved July 3, 2008.
  5. ^ a b Maker, Melody (1982). "Thriller Review". Uncut Presents NME Originals 80's (2005): 68.
  6. ^ "Review: Thriller". Q (January 2000): 138.
  7. ^ a b c d e Connelly, Christopher (January 28, 1983). "Michael Jackson: Thriller". Rolling Stone. Retrieved June 15, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  8. ^ a b c Henderson, Eric (2003). "Michael Jackson: Thriller". Slant Magazine. Retrieved June 15, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  9. ^ Rosenberg, Tal (June 19, 2007). "Review: Thriller". Stylus Magazine. Retrieved June 13, 2009.
  10. ^ a b Rockwell, John (December 19, 1982). "Michael Jackson's Thriller': Superb Job". The New York Times. Retrieved July 3, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  11. ^ artist development
  12. ^ "Year End Charts - Year-end Albums - The Billboard 200". Billboard.com. Retrieved October 16, 2009.
  13. ^ "Year End Charts - Year-end Albums - The Billboard 200". Billboard.com. Retrieved October 16, 2009.
  14. ^ "Bio". Retrieved August 31, 2009.
  15. ^ Anderson, Kyle (July 20, 2009). "Michael Jackson's Thriller Set To Become Top-Selling Album Of All Time". MTV. Retrieved October 7, 2009.
  16. ^ "Grammy Award Winners". The Recording Academy. Retrieved February 14, 2008.
  17. ^ a b Erlewine, Stephen. "Off the Wall Overview". Allmusic. Retrieved June 15, 2008.
  18. ^ a b Holden, Stephen (November 1, 1979). "Off the Wall: Michael Jackson". Rolling Stone. Retrieved July 23, 2008.
  19. ^ "Michael Jackson: Off the Wall - Classic albums - Music - Virgin media". Virgin Media. Retrieved December 12, 2008.
  20. ^ Taraborrelli, p. 196
  21. ^ Taraborrelli, p. 206
  22. ^ Taraborrelli, p. 190
  23. ^ a b Taraborrelli, p. 191
  24. ^ a b c Taraborrelli, pp. 220–221
  25. ^ a b c d e f Jackson, Michael. Thriller Special Edition Audio.
  26. ^ Taraborrelli, pp. 209–210
  27. ^ a b c d e f g h "Michael Jackson's Monster Smash". The Daily Telegraph. November 25, 2007. Retrieved April 20, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  28. ^ Ebony Magazine: Michael: 25 Years After Thriller, December 2007, pg. 97–98
  29. ^ a b Jackson, Michael (March 2005). (Interview). Interviewed by Jesse Jackson. {{cite interview}}: Missing or empty |title= (help)
  30. ^ a b George, p. 23
  31. ^ a b c d e Huey, Steve. "Michael Jackson - Biography". Allmusic. Retrieved November 11, 2006.
  32. ^ a b c d e f g Taraborrelli, pp. 223–225
  33. ^ Pareles, Jon (September 1987). "Critic's Notebook; How Good Is Jackson's 'Bad'?". The New York Times. Retrieved April 19, 2007. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  34. ^ a b c "Michael Jackson, "Billy Jean"". Blender. 2005. Retrieved April 11, 2007. {{cite web}}: Unknown parameter |month= ignored (help)
  35. ^ "Michael Jackson: Biography". The New Rolling Stone Album Guide. 2004. Retrieved February 14, 2008. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
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Preceded by Billboard 200 number-one album
February 26 – June 24, 1983
July 9–22, 1983
September 10–16, 1983
December 24, 1983 – April 20, 1984 		Succeeded by
Flashdance by Various artists
Synchronicity by The Police
Synchronicity by The Police
Footloose by Various artists
Preceded by
"Lies" / "Beach Culture" by Thompson Twins
 Billboard Hot Dance Club Play number-one single (all cuts)
January 22 – April 2, 1983 		Succeeded by
Preceded by UK Albums Chart number one album
March 5–11, 1983
March 19–25, 1983
May 21, 1983 – June 24, 1983
January 28, 1984 – February 3, 1984 		Succeeded by
Preceded by
1983 The Hot Ones by Various artists
The Number Ones by The Beatles
Thru the Roof '83 by Various artists
1984 Shakin' by Various artists
 Australian Kent Music Report number-one album
June 13–19, 1983
June 27 – July 10, 1983
January 23 – March 4, 1984
March 19 – April 1, 1984 		Succeeded by
Preceded by
Kokinshū by Hiroko Yakushimaru
Each Time by Eiichi Otaki
 Japanese Oricon LP Chart number-one album
March 12 - March 19, 1984 (2 consecutive weeks)
April 23 - April 30, 1984 (2 consecutive weeks) 		Succeeded by
Touch Me, Seiko by Seiko Matsuda
Variety by Mariya Takeuchi
Preceded by
Flashdance by Various artists (Soundtrack)
 Japanese Oricon Chart biggest selling album of the year
1984 		Succeeded by


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