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For other people named James Taylor, see James Taylor (disambiguation).
James Taylor

James Vernon Taylor (born March 12, 1948) is an American singer–songwriter and guitarist born in Boston, Massachusetts, and raised in Carrboro, North Carolina.[1] He currently owns a home in Berkshire County, Massachusetts.

Taylor's career began in the mid-1960s, but his commercial and critical breakthrough came with the 1970 album Sweet Baby James, a collection of sensitive and introspective songs ranked among the greatest folk rock albums ever.[2] He was part of a wave of singer-songwriters of the time that also included Cat Stevens, Carole King, Paul Simon, Joni Mitchell, Tom Rush, and Jackson Browne, as well as Carly Simon, whom Taylor later married, although the marriage did not last.

During the early seventies his work achieved success among critics[who?] and the public, with hit singles like Fire and Rain and the U.S. number-one You've Got a Friend, a cover of Carole King's song. His 1976 album Greatest Hits was certified diamond and has sold more than 11 million copies.[3] After the very successful JT (1977), he retained a large audience over the decades. His commercial achievements slipped down until a big resurgence during the late nineties and early 2000s, when some of his best-selling and most-awarded albums (Hourglass, October Road and Covers) were released[citation needed].

Biography

Early years

James Taylor was born at Massachusetts General Hospital in Boston, Massachusetts, on March 12, 1948, where his father, Isaac M. Taylor, was a resident.[4][5] His father was from a well-off family of Southern Scottish ancestry.[4] His mother, the former Gertrude Woodard, had studied at the New England Conservatory of Music and was an aspiring opera singer before the couple's marriage in 1946.[4][6] James was the second of five children, the others being Alex (born 1947), Kate (born 1949), Livingston (born 1950), and Hugh (born 1952).[7]

In 1951, when James was three years old, the family moved to the countryside of Carrboro, North Carolina, when Isaac took a job as Assistant Professor of Medicine at the University of North Carolina School of Medicine.[8] They built a house in the Morgan Creek area, which was sparsely populated.[9] James would later say, "Chapel Hill, the piedmont, the outlying hills, were tranquil, rural, beautiful, but quiet. Thinking of the red soil, the seasons, the way things smelled down there, I feel as though my experience of coming of age there was more a matter of landscape and climate than people."[9] James attended public primary school in Chapel Hill.[4] Isaac's career prospered, but he was frequently away from home, either on military service at Bethesda Naval Hospital in Maryland or as part of Operation Deep Freeze in Antarctica during 1955–1956.[10] Isaac Taylor later rose to become Dean of the UNC School of Medicine from 1964 to 1971.[11] The family spent summers on Martha's Vineyard beginning in 1953.[12]

Taylor first learned to play the cello as a child in North Carolina, and switched to the guitar in 1960.[13] His style on that instrument evolved from listening to hymns, carols, and Woody Guthrie, while his technique derived from his bass clef-oriented cello training and from experimenting on his sister Kate's keyboards: "My style was a finger-picking style that was meant to be like a piano, as if my thumb were my left hand, and my first, second, and third fingers were my right hand."[14] He began attending Milton Academy, a prep boarding school in Massachusetts in Fall 1961; summering before then with his family on Martha's Vineyard, he met Danny Kortchmar, an aspiring teenage guitarist from Larchmont, New York.[15] The two began listening to and playing blues and folk music together, and Kortchmar quickly realized that Taylor's singing had a "natural sense of phrasing, every syllable beautifully in time. I knew James had that thing."[16] Taylor wrote his first song on guitar at age 14, and continued to learn the instrument effortlessly.[14] By the summer of 1963, he and Kortchmar were playing coffeehouses around the Vineyard, billed as "Jamie & Kootch".[17]

Taylor faltered during his junior year at Milton, not feeling at ease in the high-pressured college prep environment despite having good scholastic performance.[18] The Milton principal would later say, "James was more sensitive and less goal oriented than most students of his day."[19] He returned home to North Carolina to finish out the semester at Chapel Hill High School.[18] There he joined a band his brother Alex had formed called The Corsayers (later The Fabulous Corsairs), playing electric guitar; in 1964 they cut a single in Raleigh that featured James's song "Cha Cha Blues" on the B-side.[18] Having lost touch with his former school friends in North Carolina, Taylor returned to Milton for his senior year.[18]

There, Taylor started applying to colleges,[20] but soon descended into depression; his grades collapsed, he slept twenty hours a day, and he felt part of a "life that I [was] unable to lead."[18][21] In late 1965 he committed himself to the renowned McLean Hospital in Belmont, Massachusetts,[18] where he was treated with Thorazine and where the organized days began to give him a sense of time and structure.[19][21] As the Vietnam War built up, Taylor received a psychological rejection from Selective Service System when he appeared before them with two white-suited McLean assistants and was uncommunicative.[22] Taylor earned a high school diploma in 1966 from the hospital's associated Arlington School.[22] He would later view his nine-month stay at McLean as "a lifesaver ... like a pardon or like a reprieve,"[21] and both his brother Livingston and sister Kate would later be patients and students there as well.[19] As for his mental health struggles, Taylor would think of them as innate, and say: "It's an inseparable part of my personality that I have these feelings."[20]

1966-1969: Early career

Taylor checked himself out of McLean and, at Kortchmar's urging, moved to New York City to form a band.[22] They recruited Joel O'Brien, formerly of Kortchmar's old band The King Bees, to play drums, and childhood Taylor friend Zachary Wiesner (son of noted academic Jerome Wiesner) to play bass, and – after Taylor rejected the notion of naming the group after him – called themselves The Flying Machine.[19][23] They played songs that Taylor had written at and about McLean, such as "Knocking 'Round the Zoo", "Don't Talk Now", and "The Blues Is Just a Bad Dream".[21][23] In some other songs, Taylor romanticized his life, although he was plagued by self-doubt.[24] By summer 1966 they were performing regularly at the high-visibility Night Owl Cafe in Greenwich Village alongside acts such as The Turtles and Lothar and the Hand People.[25]

Taylor associated with a motley collection of people and began using heroin, to Kortchmar's dismay, and wrote the "Paint It, Black"-influenced "Rainy Day Man" to depict his drug experience.[19][25] In a hasty recording session in late 1966, the group cut a single, Taylor's "Brighten Your Night with My Day" backed with his "Night Owl".[26] Released on Jay Gee Records, a subsidiary of Jubilee Records, it received some radio airplay in the Northeast,[26] but only charted to #102 nationally.[27] The same session had recorded other songs, but Jubilee declined to go forward with an album.[26] After a series of poorly-chosen appearances outside New York, culminating with a three-week stay at a failing nightspot in Freeport, Bahamas for which they were never paid, The Flying Machine broke up.[26] (A UK band with the same name emerged in 1969 with the hit song "Smile a Little Smile for Me". The New York band's recordings were later released in 1971 as James Taylor and the Original Flying Machine.)

Taylor would later say of this New York period, "I learned a lot about music and too much about drugs."[24] Indeed, his drug use had developed into full-blown heroin addiction during the final Flying Machine period: "I just fell into it, since it was as easy to get high in the Village as get a drink."[26] He hung out in Washington Square Park, playing guitar to ward off depression and then passing out, letting runaways and criminals stay at his apartment.[28] Finally out of money and abandoned by his manager, he made a desperate call one night to his father. Isaac Taylor flew to New York and staged a rescue, renting a car and driving all night back to North Carolina with James and his possessions.[28] Taylor spent six months getting treatment and making a tentative recovery; he also required a throat operation to fix vocal cords damaged from singing too harshly.[29]

Taylor decided to try being a solo act and a change of scenery, and funded by a small family inheritance, moved to London in late 1967, living variously in Notting Hill, Belgravia, and Chelsea.[30] He recorded some demos in Soho and, based on Kortchmar's connection of The King Bees having once opened for Peter and Gordon, brought them to Peter Asher, who was A&R head for The Beatles' newly-formed label Apple Records.[31] Asher showed the demos to Paul McCartney, who later said, "I just heard his voice and his guitar and I thought he was great ... and he came and played live, so it was just like, 'Wow, he's great."[31] Taylor became the first non-British act signed to Apple.[31] Living chaotically in various places with various women, Taylor wrote additional material, including "Carolina in My Mind", and rehearsed with a new backing band.[32] Taylor recorded the album from July to October 1968 at Trident Studios, at the same time The Beatles were recording The White Album.[32][33] McCartney and an uncredited George Harrison guested on "Carolina in My Mind", whose lyric holy host of others standing around me made reference to the Beatles, while the title phrase of Taylor's "Something in the Way She Moves" provided the starting point for Harrison's classic "Something".[34][35] McCartney and Asher brought in arranger Richard Hewson to add orchestrations to several of the songs and unusual "link" passages in between them; these would receive a mixed reception at best.[34][36]

During the recording sessions, Taylor fell back into his drug habit, using heroin and methadrine.[34] He underwent visepdone treatment in a British program, returned to New York and was hospitalized there, and then finally committed himself to the Austen Riggs Center in Stockbridge, Massachusetts, which emphasized cultural and historical factors in trying to treat difficult psychiatric disorders.[37] Meanwhile, Apple released his debut album, James Taylor, in December 1968 in the UK and February 1969 in the U.S.[37] Critical reaction was generally good, including a very positive Jon Landau review in Rolling Stone which said "this album is the coolest breath of fresh air I've inhaled in a good long while. It knocks me out."[36] The record's commercial potential suffered from Taylor's inability to promote it due to his hospitalization and it sold poorly; "Carolina in My Mind" was released as a single, but failed to chart in the UK and only made #118 in the U.S.[37]

Apple Corps itself had fallen into chaos, with anarchic business planning and freeloaders taking advantage of it in every direction.[38] Three of the Beatles brought in Allen Klein to clean up the situation in early 1969, who began purging Apple personnel.[39] Asher did not like Klein; he resigned on his own accord and offered to manage Taylor, to which Taylor agreed.[40] Klein wanted to hit Taylor with a $5 million lawsuit for leaving,[41] but McCartney (a Klein antagonist) and then the other Beatles, overruled him on the grounds that artists should not be holding each other to contracts.[40]

In July 1969 Taylor had a six-night stand at the Troubadour Club in Los Angeles. On July 20 he performed at the Newport Folk Festival as the last act, and was cheered by thousands of fans who stayed in the rain to hear him.[42][43] Shortly thereafter, he broke both hands and both feet in a motorcycle accident on Martha's Vineyard and was forced to stop playing for several months.[44] But while recovering, he continued to write songs and in October 1969, signed a new deal with Warner Bros. Records.[44]

1970-1973: Breakthrough

Once recovered, Taylor moved to California, keeping Asher as his manager and record producer. In December 1969, he held the recording sessions for his second album there. Entitled Sweet Baby James, and with the participation of Carole King, the album was released in February 1970 and was Taylor's critical and popular triumph, buoyed by the single "Fire and Rain," a song about Taylor's experience in psychiatric institutions and the suicide of his friend, Suzanne Schnerr. Both the album and the single reached #3 in the Billboard charts, and this success piqued interest in both Taylor's debut album as single, "Carolina in My Mind," back into the charts. Sweet Baby James was received at its time as a folk-rock masterpiece, an album that effectively showcased Taylor's talents to the mainstream public, marked the direction he would take in following years, and made Taylor one of the main forces of the nascent movement. It was nominated to a Grammy Award for Album of the Year, and would be listed at #103 on Rolling Stone's 500 Greatest Albums of All Time[45] in 2003. ("Fire and Rain" was also listed #227 on Rolling Stone's list of the Greatest Songs of All Time).

During the time Sweet Baby James was released, Taylor appeared with Dennis Wilson of The Beach Boys in a Monte Hellman film, Two-Lane Blacktop. In January 1971, sessions for Taylor's next album, Mud Slide Slim and the Blue Horizon, began. Released in April, the album also gained massive critical acclaim and contained Taylor's biggest hit single in the U.S., a version of the Carole King standard "You've Got a Friend" (featuring backing vocals by Joni Mitchell, which reached #1 on the Billboard charts in late July. The album itself reached #2 in the album charts, which would be Taylor's highest position ever on this list). (Ironically, Mud Slide Slim was knocked off the top spot by a Carole King album, who was at the moment rocketing the charts with the blockbuster Tapestry). In early 1972, Taylor received his first Grammy, for (Best Pop Vocal Performance, Male) for "You've Got a Friend" (King also won Song of the Year for the same song on that ceremony).

November 1972 saw the release of Taylor's following album, One Man Dog. A concept album primarily recorded on his home recording studio, it featured cameos by Linda Ronstadt and consisted in eighteen short pieces of music put together. It was another Top 5 hit, and the single "Don't Let Me Be Lonely Tonight" reached #18 on the charts. Almost simultaneously, Taylor married fellow singer-songwriter Carly Simon on November 3, in a small ceremony at her Murray Hill, Manhattan apartment.[46] A post-concert party following a Taylor performance at Radio City Music Hall turned into a large-scale wedding party, and the Simon-Taylor marriage would find much public attention over the following years.[46] They had two children, Sarah Maria "Sally" Taylor, born January 7, 1974, and Benjamin Simon "Ben" Taylor, born January 22, 1977.[47]

1974-1976: Career ups and downs

Taylor spent most of 1973 enjoying his new life as a married man, and he didn't return to the recording studio until January 1974, when sessions for his fifth album began. Walking Man was released in June and featured appearances of Paul and Linda McCartney and guitarist David Spinnoza. The album was a critical and commercial disaster, being his first album to miss the Top 5 since his contract with Warner. It received lukewarm critical reviews and wasn't even certified Gold in the United States. The title track was a huge disappointment, and failed to even appear on the Top 100 (nevertheless, it stands today as an often reprised fan favourite in concerts).

James Taylor returned to the forefront in May 1975 when the album Gorilla was a #6 hit and provided one of his biggest hit singles, a cover version of Marvin Gaye's "How Sweet It Is (To Be Loved by You)," which featured wife Carly in backing vocals and reached #5 in America and #1 in Canada. A follow-up single, "Mexico", also reached the Top 50. In many ways, Gorilla showcased Taylor's electric, lighter side that was evident on Walking Man. However, it is arguably a more consistent and fresher sounding Taylor with classics such as "Wandering" and "Angry Blues." It also featured a song ("Sarah Maria") about his daughter Sally.

Gorilla was followed in 1976 by In the Pocket, Taylor's last studio album to be released under Warner Bros. Records. The album found him with many colleagues and friends, including Art Garfunkel, David Crosby, Bonnie Raitt and Stevie Wonder (who co-wrote a song with Taylor and contributed an harmonica solo). In the Pocket was a very melodic album, highlited with the single "Shower the People", an enduring classic that peaked at #22 on the charts. But the album was not very well-received, reaching only #16 and being highly criticized, particularly by Rolling Stone.

Finished his contract with Warner, in November the label released greatest hits, the album that comprised most of his best work between 1970 and 1976 and it became with time his best-selling album ever. It was certified eleven times platinum, earning a Diamond certification by the RIAA and selling over fifteen million copies worldwide.

1977-1981: Move to Columbia and maintained success

In 1977 Taylor signed with Columbia Records. Between March and April, he quickly recorded the first album for the label. JT, released that June, gave Taylor his best reviews since Sweet Baby James, earning a Grammy nomination for Album of the Year in 1978. Rolling Stone was particularly favorable to the album – "JT is the least stiff and by far the most various album Taylor has done. That's not meant to criticize Taylor's earlier efforts [...]. But it's nice to hear him sounding so healthy." [48] JT reached #4 in the Billboard charts, supported with the highly successful cover of Jimmy Jones and Otis Blackwell's "Handy Man", which also reached #4 (also topping the adult contemporary charts) and earning Taylor another Grammy Award for Best Male Pop Vocal Performance for his cover version. The album also provided another Top 20 hit single, "Your Smiling Face.

Back in the forefront of popular music, Taylor collaborated with Paul Simon and Art Garfunkel in the recording of a cover of Sam Cooke's "Wonderful World", which reached the Top 20 in the U.S. in early 1978. After briefly working on Broadway, he took a one-year break, reappearing in May 1979 with the cover-studded album Flag, featuring a Top 40 version of Gerry Goffin and Carole King's "Up on the Roof." Taylor also performed at the No Nukes concert in Madison Square Garden and appeared on the album and the film from the concert.

In March 1981, James Taylor released the album Dad Loves His Work, whose themes concerned his relationship with his father, the course his ancestors had taken, and the effect he and Simon had had on each other.[49] The album was another success, reaching #10 and providing a hit single in a duet with J. D. Souther, "Her Town Too", which reached #11 in Billboard. The album's title was, in part, drawn from the reasons for Taylor's divorce from Carly Simon. She gave him an ultimatum: cut back on his music and touring, and spend more time with her and their children, or the marriage was through. The album's title was Taylor's answer, and Simon asked for divorce. (The emotional repercussions of the divorce likely served as at least part of the inspiration for "Her Town Too".)

1981-1996: Troubled times and new beginnings

Simon announced her separation from Taylor in September 1981 – saying "Our needs are different; it seem[s] impossible to stay together" – and their divorce became final in 1983.[50] Taylor was living on West End Avenue in Manhattan and on a methadone maintenance program.[51] Over the course of four months starting in September 1983, spurred on in part by the deaths of his friends John Belushi and Dennis Wilson and in part by the desire to be a better father to his children, he dropped methadone and finally kicked his drug habit for good.[51]

Taylor had thoughts of retiring by the time he played the massive Rock in Rio festival in Rio de Janeiro in January 1985.[52] He was encouraged by the nascent democracy in Brazil at the time, buoyed by the positive reception he got from the large crowd and other musicians, and musically energized by the sounds and nature of Brazilian music.[53] "I had... sort of bottomed-out in a drug habit, my marriage with Carly had dissolved, and I had basically had been depressed and lost for a while, " he recalled in 1995. "I sort of hit a low spot. I was asked to go down to Rio de Janeiro to play in this festival down there. We put the band together and went down and it was just an amazing response. I played to 300,000 people. They not only knew my music, they knew things about it and were interested in aspects of it that to that point had only interested me. To have that kind of validation right about then was really what I needed. It helped get me back on track." [54] The song "Only a Dream in Rio" was written in tribute to that night, with verses like I was there that very day and my heart came back alive.[53] The October 1985 album, That's Why I'm Here, from which that song came, started a series of studio recordings that, while spaced further apart than his previous records, showed a more consistent level of quality and fewer covers.

On December 14, 1985, Taylor married actress Kathryn Walker at the Cathedral of St. John the Divine in New York.[55] Taylor's next albums were partially successful – in 1988, he released Never Die Young and in 1991, the platinum New Moon Shine. During the late eighties, he began touring regularly, especially on the summer amphitheater circuit. His later concerts feature songs from throughout his career and are marked by the musicianship of his band and backup singers. The 1993 two-disc (LIVE) album captures this, with a highlight being Arnold McCuller's descants in the codas of "Shower the People" and "I Will Follow." In 1995, Taylor performed the role of Lord in Randy Newman's Faust.

1997-2003: Successful comeback

After six years since his last studio album, Taylor released Hourglass, an introspective album that gave him the best critical reviews in almost twenty years. The album had much of its focus on Taylor's troubled past and family. "Jump Up Behind Me" paid tribute to his father's rescue of him after The Flying Machine days, and the long drive from New York City back to his home in Chapel Hill.[56] "Enough To Be On Your Way" was inspired by the alcoholism-related death of his brother Alex earlier in the decade.[57] The themes were also inspired by Taylor and Walker's divorce, which took place in 1996.[58] Critics embraced the dark themes on the album, and Hourglass was a huge commercial success, reaching #9 on the Billboard 200 (Taylor's first Top 10 album in sixteen years) and also provided a big adult contemporary hit on "Little More Time With You". The album also gave Taylor his first Grammy since JT, when he was honored with Best Pop Album in 1998.

On February 18, 2001 at the Emmanuel Episcopal Church, Boston, Taylor wed for the third time, marrying Caroline ("Kim") Smedvig, the director of public relations and marketing for the Boston Symphony Orchestra.[59] They had begun dating in 1995, when they met as he appeared with John Williams and the Boston Pops Orchestra.[59] Part of their relationship was worked into the album October Road, on the song "On the 4th of July."[60] The couple reside in the town of Washington, Massachusetts[61] with their twin boys, Rufus and Henry, born in April 2001 to a surrogate mother via in vitro fertilization.[59]

Flanked by two greatest hit releases, October Road appeared in 2002 to a receptive audience. It featured a number of quiet instrumental accompaniments and passages. Overall, it found Taylor in a more peaceful frame of mind; rather than facing a crisis now, Taylor said in an interview that "I thought I'd passed the midpoint of my life when I was 17."[62] The album appeared in two versions, a single-disc version and a "limited edition" two-disc version which contained three extra songs including a duet with Mark Knopfler, "Sailing to Philadelphia," which also appeared on Knopfler's Sailing to Philadelphia album. Also in 2002, Taylor teamed with bluegrass musician Alison Krauss in singing "The Boxer" at the Kennedy Center Honors Tribute to Paul Simon. They later recorded the Louvin Brothers duet, "How's the World Treating You?" In 2004, after he chose not to renew his record contract with Columbia/Sony, he released James Taylor: A Christmas Album with distribution through Hallmark Cards.

Current events

In concert at DeVos Hall, Grand Rapids, Michigan – April 2006

Always visibly active in environmental and liberal causes, in October 2004 Taylor joined the "Vote for Change" tour playing a series of concerts in American swing states. These concerts were organized by MoveOn.org with the goal of mobilizing people to vote for John Kerry and against George W. Bush in that year's Presidential campaign. Taylor's appearances were joint performances with the Dixie Chicks.

Taylor performed "The Star-Spangled Banner" at Game 2 of the World Series in Boston on October 24, 2004. In December, he appeared as himself in an episode of The West Wing entitled "A Change Is Gonna Come." He sang Sam Cooke's classic "A Change Is Gonna Come" at an event honoring an artist played by Taylor's wife Caroline. Later on, he appeared on CMT's Crossroads alongside the Dixie Chicks. In early 2006, MusiCares honored Taylor with performances of his songs by an array of notable musicians. Before a performance by the Dixie Chicks, lead singer Natalie Maines acknowledged that he had always been one of their musical heroes, and had for them lived up to their once-imagined reputation of him.[63] They performed his song, "Shower the People", with a surprise appearance by Arnold McCuller, who has sung backing vocals on Taylor's live tours for many years.

In the fall of 2006, Taylor released a repackaged and slightly different version of his Hallmark Christmas album, now entitled James Taylor at Christmas, and distributed by Columbia/Sony. In 2006, Taylor performed Randy Newman's song "Our Town" for the Disney animated film Cars. The song was nominated for the 2007 Academy Award for the best Original Song. On January 1, 2007, Taylor headlined the inaugural concert at the Times Union Center in Albany, New York, honoring newly sworn in Governor of New York Eliot Spitzer.

Taylor's next album, One Man Band was released on CD and DVD in November 2007 on Starbucks' Hear Music Label, where he joined with Paul McCartney and Joni Mitchell. The digital discrete 5.1 surround sound mix of One Man Band won a TEC Award for best surround sound recording in 2008.[64]

On November 28–30, Taylor, accompanied by his original band and Carole King, headlined a series of six shows at The Troubadour. The appearances marked the 50th anniversary of the venue, where Taylor, King and many others, such as Tom Waits, Neil Diamond, and Elton John, began their music careers. Proceeds from the concert went to benefit the Natural Resources Defense Council, MusiCares, Alliance for the Wild Rockies, and the Los Angeles Regional Foodbank, a member of America's Second Harvest — The Nation's Food Bank Network. Parts of the performance shown on CBS Sunday Morning in the December 23, 2007, broadcast showed Taylor alluding to his early drug problems by saying, "I played here a number of times in the 70s, allegedly..." Taylor has used versions of this joke on other occasions, and it appears as part of his One Man Band DVD and tour performances.

In December 2007 James Taylor at Christmas was nominated for a Grammy Award. In January 2008 Taylor recorded approximately 20 songs by others for a new album with a band including Luis Conte, Michael Landau, Lou Marini, Arnold McCuller, Jimmy Johnson, David Lasley, Walt Fowler, Andrea Zonn, Kate Markowitz, Steve Gadd and Larry Goldings. The resulting live-in-studio album, named Covers, was released in September 2008.[65] Meanwhile, in summer 2008, Taylor and this band toured 34 North American cities with a tour entitled James Taylor and His Band of Legends. A additional album, called Other Covers, came out in April 2009, containing songs that were recorded during the same sessions as the original Covers but had not been put out to the full public yet.[66]

During October 19-21, 2008, Taylor performed a series of free concerts in five North Carolina cities in support of Barack Obama's presidential bid.[67][68] On Sunday, January 18, 2009, he performed at the We Are One: The Obama Inaugural Celebration at the Lincoln Memorial, singing "Shower the People" with John Legend and Jennifer Nettles of Sugarland.[69]

Taylor performed on the final The Tonight Show with Jay Leno on May 29, 2009, distinguishing himself further as the final musician to appear in Leno's 17-year run.

On September 8, 2009 Taylor made an appearance at the twenty-fourth season premiere block party of the Oprah Winfrey Show on Chicago's Michigan Avenue.

Musicians in the family

Taylor's four siblings—Alex, Livingston, Hugh, and Kate—have also been musicians with recorded albums. Livingston is still an active musician; Kate was active in the 1970s but did not record another album until 2003; Hugh operates a bed-and-breakfast with his wife, The Outermost Inn in Aquinnah on Martha's Vineyard; and Alex died in 1993. Taylor's children with Carly Simon—Ben and Sally—have also embarked on musical careers. In September 2008, Billboard said that Taylor is writing for a new album.

James Taylor collaborators

The following is a list of musicians who have played with Taylor.

Awards and recognition

Grammy Awards

Other recognition

James Taylor Bridge, Chapel Hill, North Carolina

Discography

Main article: James Taylor discography
U.S. Top 10 albums
U.S. Top 10 singles

Other appearances

Bibliography

  • Moritz, Charles (ed.) (1973). Current Biography Yearbook 1972. H. W. Wilson Company. {{cite book}}: |first= has generic name (help)
  • Risberg, Joel (2005). The James Taylor Encyclopedia. GeekTV Press. ISBN 1-4116-3477-2.
  • White, Timothy (2002). James Taylor: Long Ago and Far Away. Omnibus Press. ISBN 0-7119-9193-6.

References

  1. ^ Susan Broili. "Native son coming to Carolina for tribute - Chapel Hill naming Morgan Creek bridge after James Taylor on April 26," The Chapel Hill Herald (Chapel Hill, NC), March 27, 2003, page 1: "Even though Taylor was born in Boston on March 12, 1948, he moved to Carrboro when he was 3 and considers himself a North Carolinian."
  2. ^ http://www.rocklistmusic.co.uk/rs200.html
  3. ^ "RIAA - Gold & Platinum". RIAA. Retrieved 2008-10-03.
  4. ^ a b c d Current Biography Yearbook 1972, p. 428.
  5. ^ White, Long Ago and Far Away, p. 51.
  6. ^ White, Long Ago and Far Away, pp. 50–51.
  7. ^ White, Long Ago and Far Away, pp. 51, 52, 59.
  8. ^ White, Long Ago and Far Away, pp. 55, 57.
  9. ^ a b White, Long Ago and Far Away, p. 61.
  10. ^ White, Long Ago and Far Away, pp. 68–69.
  11. ^ "Carolina on my mind: The James Taylor story," exhibit at the Chapel Hill Museum, Chapel Hill, North Carolina. Information retrieved 2007-12-24.
  12. ^ White, Long Ago and Far Away, pp. 68.
  13. ^ White, Long Ago and Far Away, pp. 93, 98.
  14. ^ a b White, Long Ago and Far Away, pp. 106–107.
  15. ^ White, Long Ago and Far Away, pp. 102, 103.
  16. ^ White, Long Ago and Far Away, p. 105.
  17. ^ White, Long Ago and Far Away, p. 111.
  18. ^ a b c d e f White, Long Ago and Far Away, pp. 111–112, 114.
  19. ^ a b c d e "James Taylor: One Man's Family of Rock". Time. 1971-03-01.
  20. ^ a b Braudy, Susan (February 21, 1971). "James Taylor, a New Troubadour". The New York Times Magazine.
  21. ^ a b c d Beam, Alex (November 26, 2001). "Shrink Wrapped Drugs and Rock 'n' Roll Were Regular Features of Life at McLean Psychiatric Hospital in Belmont". The Boston Globe. Retrieved 2008-04-12. {{cite news}}: Italic or bold markup not allowed in: |publisher= (help)
  22. ^ a b c White, Long Ago and Far Away, p. 115.
  23. ^ a b White, Long Ago and Far Away, p. 116.
  24. ^ a b Palmer, Robert (1981-04-08). "Taylor: After the Turmoil and Wanderlust". The New York Times.
  25. ^ a b White, Long Ago and Far Away, p. 117.
  26. ^ a b c d e White, Long Ago and Far Away, pp. 118–119.
  27. ^ Dexter, Kerry (1997). "James Taylor and the Original Flying Machine - 1967". Folk and Acoustic Music Exchange. Retrieved 2008-12-26.
  28. ^ a b White, Long Ago and Far Away, pp. 120–123.
  29. ^ White, Long Ago and Far Away, p. 126.
  30. ^ White, Long Ago and Far Away, pp. 127–129.
  31. ^ a b c White, Long Ago and Far Away, pp. 134–135.
  32. ^ a b White, Long Ago and Far Away, pp. 136–137.
  33. ^ Lewisohn, Mark (1988). The Beatles: Recording Sessions. Harmony Books. ISBN 0-517-57066-1. p. 146.
  34. ^ a b c White, Long Ago and Far Away, pp. 137–140.
  35. ^ Cross, Craig (2004). "Beatles songs - S". Retrieved 2004-06-03. {{cite web}}: Check |archiveurl= value (help)
  36. ^ a b Landau, Jon (1969-04-19). "Album Reviews: James Taylor". Rolling Stone.
  37. ^ a b c White, Long Ago and Far Away, pp. 142–144.
  38. ^ Schaffner, Nicholas (1977). The Beatles Forever. Cameron House. ISBN 0-8117-0225-1. p. 103.
  39. ^ Schaffner, Beatles Forever, p. 123.
  40. ^ a b White, Long Ago and Far Away, p. 146.
  41. ^ Schaffner, Beatles Forever, p. 125.
  42. ^ "James Taylor Fine Art Print". Wolfgang's Vault. Retrieved 2008-12-26.
  43. ^ Current Biography Yearbook 1972, p. 429.
  44. ^ a b White, Long Ago and Far Away, p. 144–145, 147.
  45. ^ http://www.rollingstone.com/news/story/6598638/103_sweet_baby_james
  46. ^ a b White, Long Ago and Far Away, p. 208.
  47. ^ White, Long Ago and Far Away, pp. 216, 243.
  48. ^ http://www.rollingstone.com/artists/jamestaylor/albums/album/230947/review/6068275/jt
  49. ^ White, Long Ago and Far Away, pp. 275–276.
  50. ^ White, Long Ago and Far Away, pp. 279–280, 286.
  51. ^ a b White, Long Ago and Far Away, pp. 281–286.
  52. ^ Rossi, Valeria Rossi and Vianna, Luciano (2001-01-13). "Sting and James Taylor get Rock In Rio off to a gentle start". NME. Retrieved 2009-03-17.{{cite news}}: CS1 maint: multiple names: authors list (link)
  53. ^ a b White, Long Ago and Far Away, pp. 287–288.
  54. ^ "James Taylor: At home on the road," by Ron Thibodeaux, The Times-Picayune, New Orleans, May 4, 1995.
  55. ^ White, Long Ago and Far Away, p. 288.
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  63. ^ Dixie Chicks (2006). "Musicares Honoring James Taylor". Video of Stage Performance. Grammy Award Sponsored Musicares. Retrieved 2008-12-31.
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  66. ^ James Taylor Newsletter March/April 2009
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  68. ^ Staton, John (2008-10-21). "Concert Review: James Taylor sings Obama's praises". The Star-News. Retrieved 2009-03-17.
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  71. ^ "The Immortals: The First Fifty". Rolling Stone Issue 946. Rolling Stone.
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