Thomas Hoving
Thomas Pearsall Field Hoving[1] (January 15, 1931 – December 10, 2009) was an American museum executive and consultant and the former director of the Metropolitan Museum of Art.
Biography
He was born in New York City to Walter Hoving, the head of Tiffany & Company, and his wife, Mary Osgood Field. Thomas Hoving grew up surrounded by New York's upper social strata. As recounted in his memoir, Making the Mummies Dance, these early experiences would be invaluable in his later dealings with the Met's donors and trustees.
After graduating from Hotchkiss School in 1949, he received a B.A. in 1953, a M.F.A. in 1958, and a Ph.D. in 1959, all from Princeton University. He went to work for the Met in 1959, serving on the staff of the medieval department at The Cloisters until 1965, when he became curator of the department. He left the Met in 1966 to become New York Mayor John V. Lindsay's parks commissioner, but in 1967 returned to the Met as director after the incumbent, James J. Rorimer, died suddenly on March 11, 1966. He assumed the directorship on March 17, 1967 and presided over a massive expansion and renovation of the museum, successfully adding many important collections to its holdings.[1]
He left the Met on June 30, 1977 to start an independent consulting firm for museums, Hoving Associates. From 1978 to 1984 he was an arts correspondent for the ABC newsmagazine 20/20.[2] He edited Connoisseur Magazine from 1981 to 1991; along with his memoirs of his time at the Met, he is also the author of books on a number of art-related subjects, including art forgeries, Grant Wood, Andrew Wyeth, Tutankhamen, and the 12th-century walrus ivory crucifix known as the Bury St. Edmunds Cross. Additionally, in 1999, he wrote the text for the Art For Dummies book in the "...For Dummies" series.[3]
Hoving appeared in Who the *$&% Is Jackson Pollock?, a documentary by Harry Moses about a purported "lost" Jackson Pollock painting, in which he, through a series of memorable interviews, claimed that true painting connoisseurs are the only ones who can identify the real from the fake (fingerprints and forensic evidence are secondary).[4]
Hoving died of lung cancer at his home in Manhattan, New York City on December 10, 2009.[1]
Career at the Met
His tenure at the Metropolitan Museum of Art was characterized by his distinctive approach to expanding the Met's collections. Rather than build more comprehensive holdings of relatively modest works, he pursued a smaller number of what he termed "world-class" pieces, including the Euphronios krater depicting the death of Sarpedon (returned to Italy in 2008), Velázquez's "Juan de Pareja", and the Temple of Dendur. [citation needed]
The expansion of the Met during Hoving's directorship was not confined to its collections. Hoving also spearheaded a number of building projects and renovations of the Met itself, from a controversial expansion of its galleries into Central Park to the construction of its underground parking garage. [citation needed] Two of the building's most characteristic features – the huge exterior banners announcing current shows, and the broad plaza and steps leading from Fifth Avenue to the Met's entryway – are products of Hoving's tenure. At one point, he even floated a plan to remove the Met's "great staircase" leading from the central lobby to the second-floor galleries. That particular project remains unrealized. [citation needed]
References
- ^ a b c Kennedy, Randy. "Thomas Hoving, Who Shook Up the Met, Dies at 78", The New York Times, Friday, December 11, 2009
- ^ Hoving, Thomas. Artful Tom, A Memoir (Chapter 29). Artnet Magazine, June 10, 2009.
- ^ Hoving, Thomas. "My Eye," Artnet Magazine, July 20, 1999.
- ^ Kennedy, Randy. "Could Be a Pollock; Must Be a Yarn," The New York Times, Thursday, November 9, 2006.
External links
Bibliography
- Watson, Peter (2007). The Medici Conspiracy. New York: Public Affairs. ISBN 978-1-58648-438-5.
- McPhee, John (1969). A Roomful of Hovings. New York: Farrar, Straus and Giroux.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - Hoving, Thomas (1993). Making the Mummies Dance: Inside the Metropolitan Museum of Art. New York: Simon and Schuster. ISBN 978-0-671-88075-0.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - Hoving, Thomas (1997). False Impressions: The Hunt for Big-Time Art Fakes. New York: Simon and Schuster. ISBN 0-684-81134-0.
{{cite book}}: Cite has empty unknown parameter:|coauthors=(help) - Hoving, Thomas. King of the Confessors. Simon and Schuster: New York, 1981.
- Hoving, Thomas. King of the Confessors: A New Appraisal. cybereditions.com: Christchurch, NZ, 2001.
- "Outdoorsman of the Big City," Life (magazine), April 29, 1966.
