Jump to content

Julius Shulman

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 71.107.254.96 (talk) at 23:42, 28 May 2010 (→External links). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Julius Shulman
Los Angeles California Fire Station No. 28 by Julius Shulman
Born(1910-10-10)October 10, 1910
Brooklyn, New York,
United States
DiedJuly 15, 2009(2009-07-15) (aged 98)
Los Angeles, California,
United States
OccupationArchitectural photographer

Julius Shulman (October 10, 1910 – July 15, 2009) was an American architectural photographer best known for his photograph "Case Study House #22[1], Los Angeles, 1960. Pierre Koenig, Architect." The house is also known as The Stahl House. Shulman's photography spread California modernism around the world. Through his many books, exhibits and personal appearances his work ushered in a new appreciation for the movement beginning in the 1990s. His vast library of images currently reside at the Getty Center in Los Angeles. His contemporaries include Ezra Stoller and Hedrich Blessing. In 1947, Julius Shulman asked architect Raphael Soriano to build a mid-century steel home and studio in the Hollywood Hills.[2]

Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friend, Richard Neutra, was first brought to light by Shulman's photography. The clarity of his work demanded that architectural photography had to be considered as an independent art form. Each Shulman image unites perception and understanding for the buildings and their place in the landscape. The precise compositions reveal not just the architectural ideas behind a building's surface, but also the visions and hopes of an entire age. A sense of humanity is always present in his work, even when the human figure is absent from the actual photographs.

Today, a great many of the buildings documented by Shulman have disappeared or been crudely converted, but the thirst for his pioneering images is stronger than ever.

Biography

In 1987, the Shulman House was designated a Cultural Heritage Monument by the city of Los Angeles.[3]

In 2000 Julius Shulman gave up retirement to begin working with business partner Juergen Nogai Juergen Nogai.

The Getty Research Institute held a 2005–2006 exhibition of Shulman's prints entitled "Julius Shulman, Modernity and the Metropolis"[4]. The exhibition included sections entitled "Framing the California Lifestyle," "Promoting the Power of Modern Architecture," "The Tools of an Innovator" and "The Development of a Metropolis"[4]. The exhibition traveled to the National Building Museum[5] and to the Art Institute of Chicago[6].

Julius Shulman and Juergen Nogai have had exhibitions at the Design and Architecture Museum in Frankfurt, Germany, in fall 2005 as well as an exhibition at the Barnsdall Municipal Gallery in Los Angeles 2006, Craig Krull Gallery Bergamont station, Los Angeles, October 2007, and another show in spring 2009. An exhibition of their work is also scheduled in Mannheim, Germany, in 2010.

On Dec. 16, 2007, Shulman attended a showing of his architectural photography at the Los Angeles Public Library[7]. Organized by the Getty Research Institute, the exhibit included 150 photographs documenting architectural changes in Los Angeles over the past 80 years. This progression includes the redevelopment of Bunker Hill, the growth of Century City, the avant-garde architectural designs in Los Angeles such as Watts Towers, Grauman's Chinese Theatre and the Getty Villa, as well as the growth of Wilshire Boulevard. The exhibition features the industrial engines at the Port of Los Angeles and the Los Angeles International Airport that helped fuel the growth of Los Angeles. Also featured, diverse residential fabric from Echo Park to South Los Angeles. The exhibit spotlighted Shulman's unique role in capturing and promoting innovative, sleek case study houses as well as the contrasting tract housing developments with repeated floor plans.

In February 2008, the Palm Springs Art Museum presented "Julius Shulman: Palm Springs," guest curated by Michael Stern. Containing more than 200 objects, it is the largest Julius Shulman exhibition ever presented to date. In addition to photographs and renderings, illustrations and models of many of the buildings Shulman photographed were presented to complement his extensive documentation of a place that was so inspirational to him. Rizzoli published the accompanying catalog, "Julius Shulman: Palm Springs." Additionally, a documentary DVD was produced in conjunction with the exhibition "Julius Shulman: Desert Modern."

Selected Shulman works were included in the Annenberg Space for Photography's inaugural exhibit, L8S ANG3LES [8]. One of his last commissioned works was of the Space, which opened in March, 2009, with Shulman in attendance.

Shulman's final exhibit at Craig Krull Gallery (his Los Angeles gallery since 1991) was scheduled for July 4th to August 8th, 2009, but Shulman's death one week into the show caused it to be extended by two weeks [9]. Shulman's daughter Judy Shulman McKee-- along with Krull, Nogai, Benedikt Taschen and Wim de Wit-- spoke at the Getty Center on Sunday, September 20, 2009 during a memorial to celebrate the life of Julius Shulman [10]

Film

Shulman was the subject of a 2008 documentary film, Visual Acoustics: The Modernism of Julius Shulman. The film, narrated by Dustin Hoffman and directed by Eric Bricker, explores both Shulman’s art and uniquely individualistic life offering a lyrical portrait of modernism’s most eloquent ambassador. It discusses how Shulman's images helped to shape the careers of influential 20th century architects, including Frank Lloyd Wright, Richard Neutra and John Lautner. The film won the 2009 Palm Springs International Film Festival Audience Award for Best Documentary Feature as well as awards at the Austin Film Festival, Newport Beach Film Festival and the Lone Star International Film Festival. The film was released theatrically by Arthouse Films across the U.S. late 2009 through early 2010.

Death

Shulman died at his home in Los Angeles, California on Wednesday, July 15, 2009; he was 98 years old.[11]

Bibliography

  • “Shulman face to face,” interview with Julius Shulman, CA Modern magazine, Summer 2007, pp. 16–17 by Jeffrey Head
  • Case Study House #21, "A Conversation with Julius Shulman” Summer 2006, pp. 9–12 by Jeffrey Head. Published by (Richard) Wright, Chicago.
  • Julius Shulman: The Man Behind the Camera, article by Michael Stern, Palm Springs Life Magazine, February 2008, pp. 80–91
  • Shulman House. In: Raphael Soriano: Monograph by Wolfgang Wagener. 2002.

References

  1. ^ Case Study House #22 – photograph Getty Museum
  2. ^ Shulman House. In: Raphael Soriano. Monograph written by Wolfgang Wagener.http://www.phaidon.com/Default.aspx/Web/raphael-soriano-9780714840635
  3. ^ Shulman House. In: Raphael Soriano. Monograph written by Wolfgang Wagener.http://www.phaidon.com/Default.aspx/Web/raphael-soriano-9780714840635
  4. ^ a b Getty Research Institute. Julius Shulman, Modernity and the Metropolis. October 11, 2005–January 22, 2006. Retrieved August 29, 2008.
  5. ^ National Building Museum. Julius Shulman: Modernity and the Metropolis. April 1, 2006–July 30, 2006. Retrieved August 29, 2008.
  6. ^ Art Institute of Chicago. Julius Shulman: Modernity and the Metropolis. September 2, 2006–December 3, 2006. Retrieved August 29, 2008.
  7. ^ Los Angeles Public Library. Julius Shulman's Los Angeles. October 6, 2007–January 27, 2008. Retrieved August 29, 2008.
  8. ^ Annenberg Space for Photography's L8S ANG3LES
  9. ^ [1]
  10. ^ [2]
  11. ^ Los Angeles Times Julius Shulman dies at 98
Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Julius_Shulman&oldid=364754272"