Ring shout
A shout or ring shout is an ecstatic dance ritual, first practiced by African slaves in the West Indies and the United States, in which worshippers move in a circle while shuffling their feet and clapping their hands. Despite the name, shouting aloud is not an essential part of the ritual.
Description
"Shouting" often took place during or after a Christian prayer meeting or worship service. Men and women moved in a circle in a counterclockwise direction, shuffling their feet, clapping, and often spontaneously singing or praying aloud. In Jamaica and Trinidad the shout was usually performed around a special second altar near the center of a church building. In the Sea Islands of Georgia and South Carolina, shouters formed a circle outdoors, around the church building itself.[1] In some cases, slaves retreated into the woods at night to perform shouts, often for hours at a time, with participants leaving the circle as they became exhausted.[2] In the twentieth century some African-American churchgoers in the United States performed shouts by forming a circle around the pulpit[3], in the space in front of the altar, or around the nave in churches with fixed, immobile pews.
Origin
The origins of the ring shout are obscure, and it is usually assumed to be derived from African dance. The ritual may have originated among enslaved Muslims from West Africa as an imitation of tawaf, the mass procession around the Kaaba that is an essential part of the Islamic pilgrimage to Mecca. If so, the word "shout" may come from Arabic sha'wt, meaning a single circumambulation of the Kaaba.[4]
According to musicologist Robert Palmer, the first written accounts of the ring shout date from the 1840s. The stamping and clapping in a circle was described as a kind of "drumming," and 19th-century observers associated it with the conversion of slaves to Christianity.[5]
Impact on Other Black Music Forms
In his article, "Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry", Samuel A. Floyd Jr. argues that many of the stylistic elements observed during the ring shout later laid the foundations of various black music styles developed during the nineteenth and twentieth centuries. According to Floyd, "...all of the defining elements of black music are present in the ring...".[6] These basic elements included calls, cries, and hollers; blue notes; call-and-response; and various rhythmic aspects. Examples of black music that would evolve from the ring include, but are not limited to, Afro-American burial music of New Orleans, the Blues, the Afro-American Symphony, as well as the music that has accompanied various dance forms also present in Afro-American culture.[7]
Footnotes
- ^ Sylviane A. Diouf, Servants of Allah, 68-9.
- ^ Silvia King, quoted in Zita Allen, "From Slave Ships to Center Stage", http://www.pbs.org/wnet/freetodance/behind/behind_slaveships.html, 2001, accessed 8 July 2007
- ^ Lydia Parrish, Slave Songs, 54, quoted in Diouf, Servants of Allah, 68.
- ^ Diouf, Servants of Allah, 69. Lorenzo Dow Turner proposed the theory, and Lydia Parrish first reported it in 1942. Turner's translation of shaut (sic) as "to move around the Kaaba ... until exhausted" is inaccurate, according to Diouf, as neither sha'wt nor tawaf implies exhaustion.
- ^ Palmer, Robert (1981), Deep Blues, Penguin Books Ltd.: Middlesex, Eng., p. 38, ISBN 0140062238.
- ^ Floyd Jr., Samuel (2002), Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry, Black Music Research Journal, Vol.22: Center for Black Music Research - Columbia College of Chicago and University of Illinois Press, p. 52
{{citation}}: CS1 maint: location (link). - ^ Samuel A. Floyd Jr., Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry, 49-70.
References
- Diouf, Sylviane. Servants of Allah: African Muslims Enslaved in the Americas. New York: New York University Press, 1998. ISBN 0814719058
- Floyd Jr., Samuel A. "Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry." Black Music Research Journal, Vol.22. Center for Black Music Research - Columbia College Chicago and University of Illinois Press, 2002.
- Parrish Lydia. Slave Songs of the Georgia Islands. 1942. Reprint, Athens, Ga.: University of Georgia Press, 1992.
- Turner, Lorenzo Dow. Africanisms in the Gullah Dialect. 1949. Reprint, New York: Arno Press, 1969.
External links
- McIntosh County Shouters in New Georgia Encyclopedia
- The McIntosh County Shouters ring shout performers
- "Run Old Jeremiah": Echoes of the Ring Shout
- Carla Gardina Pestana, Sharon V. Salinger. "Shout Because You're Free: The African American Ring Shout Tradition in Coastal Georgia". books.google.com. Retrieved 2009-09-26.