Dharmamangal

The Dharmamangalkavya (Template:Lang-bn) is an important sub-genre of mangalkavya, the most significant genre of medieval Bengali literature. The texts belonging to this sub-genre eulogize Dharmathakur, a folk deity worshipped in the Rarh region of Bengal. According to tradition, the earliest poet of Dharmamangal was Mayura Bhatta. The Dharmamangal texts were meant for singing during the twelve-day ritual ceremony, known as Gajan. These texts are part of a larger group of texts associated with the worship of Dharma. In addition to the Dharmamangal texts, this larger group includes a number of texts known as the Dharmapurans, which narrate the story of creation and the liturgical texts known as the Samjatpaddhatis.

The texts of the Dharmamangal comprise two narratives, the narrative of the Puranic king Harishchandra and the narrative of exploits of an folk hero of Bengal, Lausen. Most significant poets of Dharmamangal were Rupram Chakrabarty (17th century) and Ghanaram Chakrabarty (17th-18th century). Other poets of Dharmamangal include Khelaram Chakrabarty, Shrishyam Pandit, Dharmadas, Ramdas Adak, Sitaram Das, Yadunath or Yadavram Pandit, Maniklal Ganguli, Ramchandra Bandyopadhyaya, Narasimha Basu, Prabhuram Mukhopadhyaya, Hridayram Sau, Shankar Chakrabarty, Ramnarayan and Ramkanta Ray.

The texts of Dharmapuran begin with narrative of creation. The other narratives included in these texts are the narrative about Shiva, the hagiographies of Minanatha andGorakshanatha, the narrative of Ganga, the narrative of Sada Dom and Ramai Pandit, the description of the atrocities of Dharma in Jajpur and the narrative of king Harishcahndra, his queen Madana and Luichandra. The significant poets of Dhramapuran or Anilpuran were Ramai Pandit and Sahadeb Chakrabarty.

See also

• Mangalkavya