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Tetralogy

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A tetralogy is a compound work that is made up of four (numerical prefix tetra-) distinct works, just as a trilogy is made up of three works.

The name comes from the Attic theater, in which a tetralogy was a group of three tragedies followed by a satyr play, all by one author, to be played in one sitting at the Dionysia as part of a competition.[1] Antiphon of Rhamnus, an orator, taught his students with Tetralogies, each one consisting of four speeches: the prosecutor's opening speech, the first speech for the defence, the prosecutor's reply, and the defendant's conclusion. Three of Antiphon's tetralogies survive.[2]

In more recent times, Shakespeare wrote two tetralogies, the first consisting of the three Henry VI plays and Richard III, and the second consisting of Richard II, the two Henry IV plays, and Henry V.[3] Richard Wagner's Der Ring des Nibelungen ("The Ring of the Nibelung" or "The Ring Cycle") is also referred to as a tetralogy.[4]

As an alternative to "tetralogy", "quartet" is sometimes used, particularly for series of four books. The term "quadrilogy", a nonce word basing the prefix on Latin prefix quadri- instead of the Greek prefix, and first recorded in 1865[5], has also been used for marketing series of movies, such as the Alien series and Die Hard series, [6] probably because, to the intended audiences, the Latin "quadri-" would bear more relation to the number 4 than the correct "tetra".

Examples

Examples of works which have been described as tetralogies are as follows:

Literary works

In literature, the term tetralogy has been applied to series of novels, plays and poetry with four entries. These include the following:

Major tetralogy[9]: Richard II; Henry IV, Part 1; Henry IV, Part 2; Henry V
Minor tetralogy[9]: Henry VI, Part 1; Henry VI, Part 2; Henry VI, Part 3; Richard III

Movies

Music

Historical works

See also

References

  1. ^ Rush Rehm. Greek Tragic Theater. Routledge, 1994. Page 16.
  2. ^ C. M. Bowra. Landmarks in Greek Literature. Weidenfeld and Nicholson, 1966. Pages 236-7.
  3. ^ Victor L. Cahn. Shakespeare the playwright: a companion to the complete tragedies, histories, comedies, and romances. Greenwood, 1991.
  4. ^ Hans von Wolzogen. Guide to the music of Richard Wagner's tetralogy: The ring of the Nibelung. A thematic key. Translated by Nathan Haskell Dole. G. Schirmer, New York, 1895.
  5. ^ Simpson, J.A., and Weiner, E.S.C. (eds.) The Oxford English Dictionary. 2nd ed. 1989. Oxford. Clarendon Press. "quadri-"
  6. ^ http://www.urbandictionary.com/define.php?term=quadrilogy
  7. ^ Review: David Markson, The Last Novel Writes Susan Kleid in her review:

    "The Last Novel is the fourth of four books (a quartet? a tetralogy?) that witness a creator's struggle with -- and against -- what he is creating. In the first of the four, Reader's Block, the narrator is referred to as "The Reader." In This Is Not a Novel, he's "The Writer." In Vanishing Point he's moved up to "Author,..."

  8. ^ [1]
  9. ^ a b Shakespeare in Performance: Film