East Coast–West Coast hip-hop rivalry

The East Coast–West Coast Hip Hop Rivalry was a feud in the early-mid 1990s between artists and fans of the East Coast and West Coast hip-hop scenes. Seeming focal points of the feud were West Coast-based rapper 2Pac (and his label, Death Row Records), and East Coast-based rapper The Notorious B.I.G. (and his label, Bad Boy Records), both of whom were murdered.

Background

During the late 1970s, Hip-hop emerged in the streets of New York City, which would remain the forefront of the genre throughout the 1980s and early 1990s. As the 1980s drew to a close, however, several west coast based acts such as Ice-T, MC Hammer, N.W.A and The D.O.C. began garnering attention. The origins of the conflict were arguably initiated in 1991 when East Coast based rapper Tim Dog released “Fuck Compton”, a scathing diss track aimed at N.W.A. and other Compton artists including Compton's Most Wanted and DJ Quik. N.W.A. never officially responded due to their pending break up, but upcoming West Coast artist Tweedy Bird Loc would respond on the track “Fuck the South Bronx.”

In late 1992, rapper/producer Dr. Dre’s solo debut album, The Chronic, was released on the fledgling Death Row Records. Into the new year, the album went triple platinum. In late 1993, Death Row Records released Doggystyle, the debut album by Dr. Dre protégé and Long Beach-based Snoop Dogg, which also became a multi-platinum opus. By early 1994, the quick success of Death Row Records (headed by Suge Knight and Dr. Dre) had effectively put a large media spotlight on Los Angeles and the west-coast hip-hop scene.

The Rivalry

Bad Boy vs. Death Row

“Any hip-hop artists out there who wants to be an artist and stay a star, and don’t wanna have to worry about the executive producer trying to be…all in the videos, all on the records, dancing…Come to Death Row!” — Suge Knight at The 1995 Source Awards

In 1993, fledgling A&R executive and record producer Sean “Puff Daddy” Combs founded the New York-centered hip-hop label, Bad Boy Records. The next year, the label’s debut releases by Brooklyn-based rapper Christopher “The Notorious B.I.G.” Wallace (also referred to as ‘Biggie Smalls’) and Long Island-based rapper Craig Mack became immediate critical and commercial successes, and seemed to revitalize the East Coast hip-hop scene by 1995.

New York born and Oakland, California-based rapper Tupac Shakur, meanwhile, forged a rivalry with Biggie, publicly accusing him and Combs of having facilitated his being robbed and shot five times in the lobby of a New York recording studio on November 30, 1994. Shortly after 2Pac’s shooting, “Who Shot Ya?,” a B-side track from the BIG’s “Big Poppa” single was released. Although Combs and Wallace denied having anything to do with the shooting and stated that “Who Shot Ya?” had been recorded before his shooting, 2Pac and the majority of the rap community interpreted it as B.I.G.’s way of taunting him. Shakur would claim that the song proved that Bad Boy had set him up.

In August 1995, Death Row CEO Suge Knight took a dig at Bad Boy and Sean “Puff Daddy” Combs at that year's Source Awards; announcing to the assembly of artists and industry figures:

“Any artist out there that want to be an artist and stay a star, and don’t have to worry about the executive producer trying to be all in the videos…All on the records…dancing, come to Death Row!”

It was a direct reference to Combs’ tendency of ad-libbing on his artists’ songs and dancing in their videos. With the ceremony being held in New York, to the audience, Knight’s comments seemed a slight to the entire East Coast hip-hop scene, and resulted in many boos from the crowd. Combs attempted to defuse the growing hostility in the air with a speech denouncing the rivalry, to little avail:

"I'm the executive producer that a comment was made about a little bit earlier...but check this out....contrary to what anyone else may feel...I would like to say that I am very proud of Dr. Dre, of Death Row and Suge Knight for all their accomplishments - and all this east and west needs to stop!"

Later that evening, a performance by Dr. Dre and Snoop Dogg was jeered by New Yorkers in attendance, to which Snoop famously responded:

“The East Coast ain’t got no love for Dr. Dre and Snoop Dogg and Death Row?!...Y'all don't love us!? Y'all don't love us!? Well let it be known: we all know you eastcoast fuckers - we know where the fuck we at. Eastcoast motherfuckers all up in the house”

Tensions were escalated when Knight later attended a party for producer Jermaine Dupri in Atlanta. During the bash, a close friend of Suge’s was shot in the arm. Knight accused Combs (also in attendance) of having something to do with the shooting. The same year, Knight posted the $1.4 million bail of the then-incarcerated 2Pac, in exchange for his signing with Death Row Records. Shortly after the rapper’s release in October 1995, he proceeded to join Knight in furthering Death Row’s feud with Bad Boy Records.

In 1996, the Death Row act Tha Dogg Pound released a music video for their single “New York, New York” in which they are seen knocking over New York skyscrapers and landmarks, a gesture to which many East Coast artists and music fans took offense. This led to suspicion that the song itself was targeted at Bad Boy Records and New York in general. Queens, New York-based artists Tragedy Khadafi, Capone-N-Noreaga and Mobb Deep responded with the release of “L.A., L.A.” aimed at Tha Dogg Pound. In the music video, members of Tha Dogg Pound are kidnapped and thrown off the Queensboro Bridge.

2Pac vs. The Notorious B.I.G.

Who shot ya? Separate the weak from the obsolete, hard to creep them Brooklyn streets.

— The Notorious B.I.G., “Who Shot Ya?”

Who shot me? But ya punks didn't finish now you 'bout to feel the wrath of a menace… Nigga, I hit ‘em up!

— 2Pac, “Hit 'Em Up”

After the release of Who Shot Ya?, which Shakur interpreted as a diss song mocking his robbery/shooting, 2Pac would appear on numerous tracks aiming threatening and/or antagonistic slants at Biggie, Bad Boy as a label, and anyone affiliated with them from late 1995 to 1996. During this time the media became heavily involved and dubbed the rivalry a coastal rap war, reporting on it continuously. This caused fans from both scenes to take sides. Although an official retaliation record was never released by the Brooklyn rapper in response, certain songs from B.I.G.'s catalog can be speculated as being an answer to Shakur's slurs, most notably "Long Kiss Goodnight" which Lil' Cease claimed was aimed at 2Pac in an XXL magazine interview.

2Pac vs. others

In addition to Biggie, “Hit 'Em Up” Pac also insulted Mobb Deep and New Jersey-based rapper Chino XL, who joked that 2Pac had been raped in jail on his song “Riiiot!” 2Pac only responded with the line “Chino XL, fuck you too”, saying it would be his only diss, because he felt Chino XL was trying to gain fame by insulting him.

During his incarceration, members of 2Pac’s group Outlawz allegedly attended a Mobb Deep concert. They then visited 2Pac, maintaining that the duo had snubbed them at the concert. Through his associates, 2Pac sent out a message to Mobb Deep, threatening violence. In Hit ‘Em Up, 2Pac made reference to Mobb Deep member Prodigy’s struggle with sickle cell anemia. Mobb Deep responded with the track Drop a Gem on 'em.

2Pac would later go on to insult various others, including Chicago-based rapper, Da Brat, her label So So Def Recordings, and New Jersey-based group The Fugees.

During this time, 2Pac met Nas and purportedly told him he didn’t have to be involved in the situation—however, a Nas radio freestyle seemingly slighting 2Pac and several direct slights from Shakur to Nas would both eventually turn up. On the introduction to Shakur’s final studio album, The Don Killuminati: The 7 Day Theory, he would bill Nas as the leader of a conspiracy against him, which included several of the artists he was having contentions with. Nas was upset that 2pac's song "all eyes on me" contained the same sample as nas's "street dreams". 2Pac furthermore, recorded then unreleased songs "Troublesome 96" & "Friendz" over the Friends sample that Nas used for "If I Ruled The World". Another unreleased 2Pac diss record towards Nas entitled "The World Is Mine" also contains this same sample and the same exact beat used for "Friendz". It has been stated by the outlawz that 2Pac & Nas made amends days before 2Pac's murder. Nas has stated in various interviews that he was supposed to appear on the One Nation album alongside 2Pac. 2Pac was shot and murdered before the two men got the chance to collaborate on a song together.

Though 2Pac, his group The Outlawz, Snoop Dogg, and Tha Dogg Pound had all been involved in the discord, several Death Row artists refused to follow suit. Lady of Rage stated in an AllHipHop.com interview that 2Pac had once called her “the weak link on Death Row” for not insulting Bad Boy. Death Row co-founder Dr. Dre also snubbed the strife, and collaborated with Nas shortly thereafter.

Rapper Jay-Z would also become embroiled in the rivalry when, in an appearance on Jay’s debut album Reasonable Doubt, "Brooklyn's Finest," Biggie recited the line: “If Faith have twins she’d probably have Tupac's, get it, 2… pacs…” in reference to the allegations that she had cheated on him with the rapper, though it’s unclear if he was insulting her, 2Pac himself or anyone at all. Shakur took it as an affront and, since it was on Jay-Z’s song, went on to insult him as well. 2Pac originally called out Jay-Z during the outro of “Hit Em Up,” but later was convinced by Outlaw member, Hussein Fatal, that Jay was not part of the rivalry, and ultimately edited that part out. However, later in 1996, Pac would persist in slandering Jay-Z on the songs “Friends”, "All Out" “Bomb First” and the unreleased song entitled "War Games". Posthumous material released underground following 2Pac’s death revealed that he had also had tension with LL Cool J due to the fact that LL recorded a diss record over the "Who Shot Ya?" beat.

Interestingly, East Coast rapper Tim Dog (whose 1991 single “Fuck Compton” is often regarded as the beginning of this coastal feud) would later acknowledge 2Pac on his second album Do Or Die for assisting him in a potentially violent situation while touring Los Angeles. He would go on to mention in interviews that he hadn’t anticipated that “Fuck Compton” would ‘blow up the way it did,’ citing that it was only recorded for the purpose of venting out his anger towards record companies only wanting to sign West Coast rappers.

End of the Feud

In March 1996, during the Soul Train Awards ceremony in Los Angeles, California, there was a confrontation in the parking lot between the respective entourages of Bad Boy and Death Row in which guns were drawn.No violence ensued. Local papers referred to the situation as, “the hip hop version of the Cuban Missile Crisis.”

At the MTV Video Music Awards in New York, Nas and 2Pac also confronted each other outside the venue. Though accounts from Suge, The Outlawz, Snoop Dogg and Nas himself somewhat vary, most agreed that 2Pac said he would remove the insults to Nas from his next album, if Nas would in return refrain from insulting him. Their previous verbal abuse was, as found in the meeting, based on publicity. The media’s sensationalizing of the East vs. West Coast rivalry, meanwhile, fueled record sales. Although Nas kept his end of the bargain, 2Pac was murdered before he was able to do the same.

At 8:45 P.M. on September 7, 1996—two months after Tray Lane was robbed of his Death Row medallion—Lane was in the lobby of the MGM Grand Hotel in Las Vegas. He was with Tupac Shakur, Suge Knight, and a group of Mob Piru Blood bodyguards. They had just attended the Mike Tyson-Bruce Seldon prizefight at the hotel—one of Tyson's many Round 1 knockouts—and were on their way out when Lane spotted a young man across the lobby. The young man's name was Orlando Anderson, and Lane recognized him as one of the Crips who had beaten him and stolen his medallion. Lane's group rushed Anderson, knocked him to the ground, and proceeded to beat, kick, and stomp him. The 30-second incident was caught on tape by the hotel's security cameras. It showed Shakur and Knight participating in the assault, Shakur throwing the first punch. By the time the police arrived, the Death Row contingent was gone. Anderson refused to press charges.

Later that night, Shakur , Suge and company headed for Club 662, a known Blood hangout. Suge Knight was behind the wheel of the lead car, a black BMW 750. Tupac Shakur was sitting in the front passenger seat. At around 11:17 P.M., Knight pulled to a stop at a red light on Flamingo Road.A white Cadillac with four black men inside pulled up on their right.Shots were fired into the BMW through the drivers window of the Cadillac.

Though Shakur tried to protect himself, he was hit three times; once in the hip, once in the hand, and the fatal round in the chest.Knight was also injured in the head, but managed to maneuver the BMW around the stopped traffic, making a u-turn and heading back toward the Strip. The other vehicles in the Death Row caravan followed him. He finally stopped when he ran his car into a curb. When the police arrived, they called for an ambulance for Shakur and ordered everyone else out of their vehicles, treating the Death Row entourage as suspects. In the meantime the white Cadillac slipped away into the night.

Shakur was rushed to the University Medical Center where doctors performed emergency surgery to save his life. In an effort to stem the internal bleeding, surgeons removed his right lung. Suge Knight stood vigil at the hospital with Shakur's family, waiting for hopeful news. His heart stopped beating several times, and doctors revived him. Finally Shakur's mother Afeni decided not to resuscitate her son if he went into arrest again, explaining to reporters that "it was important for his spirit to be allowed to be free." Six days after he was shot, Tupac Shakur died.

Six months after the death of Tupac Shakur, Notorious B.I.G. was in Los Angeles for the 11th Annual Soul Train Music Awards at the Shrine Auditorium and Expo Center. When he took the stage to present an award, the audience booed him.

He leaned into the microphone and tried to lighten the mood by saying "What's up, Cali?" The booing increased and continued through his presentation of an award to singer Toni Braxton

B.I.G. left the stage deeply embarrassed. He had been trying to distance himself from the rap feuds and just make music , but rumors were circulating that he was in some way responsible for Shakur's murder. A party hosted by Vibe and Qwest Records was scheduled for the next night at the Petersen Automotive Museum on Wilshire Boulevard. According to Cathy Scott in her book The Murder of Biggie Smalls, B.I.G. wasn't in the mood for partying after being booed at the awards ceremony, but he agreed to go "because Puffy Combs had asked him to go." They were both eager for the release of B.I.G.'s next album Life After Death later that month, and being seen at the party would be good promotion.

Witnesses reported that B.I.G. had a good time at the party. He spoke to old friends and met several flirtatious women. Some asked him to dance, but he was walking with a cane, still on the mend from a leg injury due to a car accident, so a few of the women danced suggestively in front of him as he sat and watched. The party was the place to be that night as 2,000 people crowded the museum space, and outside 200 more jostled to get in. By midnight fire marshals decided that the museum was dangerously overcrowded, and at 12:35 A.M. they shut the party down and ordered everyone out. The crowd dispersed, disappointed guests heading for the doors. B.I.G. was moving slowly with his injured leg, so he, Puffy Combs, and the rest of the Bad Boy entourage hung back and let the others go first. They walked to their two rented G.M.C. Suburbans, a black one and a dark green one, which they'd parked on the street because the valet parking lots were full by the time they had arrived. B.I.G. got into the front passenger seat of the dark green Suburban along with two friends and his driver. Puffy and his friends piled into the black Suburban. At night, the two vehicles looked identical.

Puffy's vehicle pulled out first, followed closely by B.I.G.'s and then another SUV carrying their bodyguards who were all off-duty Inglewood police officers. All three vehicles drove to the intersection of Fairfax Avenue and Wilshire Boulevard where they stopped for a red light. They were heading for an after-party. The stereo in Biggie's car was bumping hard, playing his new album.

While they waited for the light to turn, a man called out to the green Suburban. Thinking it was a fan who just wanted to wish him well, B.I.G. rolled down his window. Then, a dark-colored Chevrolet Suburban pulled up along the right side of B.I.G.'s vehicle. The driver—a black man wearing a suit and bow tie—pulled out an 9mm automatic pistol and opened fire on the rapper. B.I.G. was hit several times in the chest. Puffy got out of his Suburban and ran to B.I.G.'s side as the Suburban sped off, but B.I.G. had already lost consciousness. They raced to get him to the hospital, but B.I.G. was dead upon arrival.

Following the Rivalry

The outcome of the feud (significantly due to the deaths of Shakur and Wallace) would shake the culture of hip hop, changing the way rap rivalries were both handled by artists, viewed by fans, and reported on by the media. In 1997, several rappers, including: Bizzy Bone, Doug E. Fresh and Snoop Dogg met at the request of Louis Farrakhan, leader of the Nation of Islam, and pledged to forgive any slights that may be related to the rivalry and/or deaths of Shakur and Wallace.

Following the death of 2Pac, most of Death Row Records prominent artists departed the label. Afeni Shakur, Tupac’s mother, sued the label for allegedly cheating her son out of millions. Suge Knight, meanwhile, was incarcerated for unrelated probation violations. This bad turn for Death Row Records led, in turn, to a long lull in the mainstream popularity of West Coast rap, leading some fans to believe that West Coast hip hop was being blacklisted. Since his 2001 release from prison, attempts by Suge Knight to revitalize his label have been largely futile.

Though Bad Boy Records hasn’t suffered a collapse as steep as that of Death Row’s, it too has seen its fortunes decline. Rapper Mase achieved a good deal of success on the label before his early retirement in 1999. In the late 1990s, Bad Boy label head, Sean Combs (who now calls himself “Diddy”) began recording solo albums and earned considerable commercial success as a recording artist, but saw his sales dwindle with each subsequent effort. More recently, however, Bad Boy has struggled to remain commercially competitive, due to a lack of marketable talent and allegations that Combs is now more concerned with his other ventures (e.g., his Sean John clothing line.)

At the MTV Music Video Awards, in September 1999, Afeni Shakur and Voletta Wallace (mothers of 2Pac and The Notorious B.I.G.) publicly met on stage in a show of solidarity. Ms. Wallace also offered to help Ms. Shakur investigate Tupac’s death. Even so, Afeni and her attorney noted that they wouldn’t accept federal investigations.

While rivalries in hip-hop continue to exist, since the murders of Shakur and Wallace, there has not been a rivalry of such magnitude. This may be due largely to the fact that, seeing the outcome of this episode (though no physically sustainable connection has been made linking the actual homicides of these two slain rappers to their rivalry), artists and prominent industry figures have been mindful of tempering battles and commercializing contention, in a seemingly direct attempt to prevent them from reaching this level.

Participants

East Coast

Participant	Based	Involvement
The Notorious B.I.G.	Brooklyn, New York	Once a friend of 2Pac, Shakur accused him and his crew of being involved in his 1994 shooting in New York, and proceeded to continually blast Biggie for the remainder of his life. The feud escalated when Biggie's song "Who Shot Ya?" was interpreted as an insult mocking Shakur's robbery/shooting. Though Biggie never directly responded to 2Pac’s repeated slants (despite mentioning his name in "Brooklyn's Finest", referring to rumors that Shakur was having sexual relations with Faith Evans, Biggie's estranged wife) such released tracks as “Long Kiss Goodnight”, “What’s Beef,” “My Downfall,” "You're Nobody (Till Somebody Kills You)", "Going Back to Cali", “Notorious Thugs” and "Dangerous MCs" have caused some to ponder as to whether they contain subliminal jabs aimed at the West Coast rapper and/or his label Death Row Records. Although Sean Combs denies these claims, Biggie's cousin Lil' Cease has revealed in XXL magazine that the song "Long Kiss Goodnight" was indeed about 2Pac. Despite the media dubbing the feud between Shakur and the Brooklyn rapper as an inter-coastal war, Biggie made it clear in his song "Going Back to Cali" that his beef was not with California as a whole, but only with those that 'violated' him.
Junior Mafia	Brooklyn, New York	Subsidiary act of The Notorious B.I.G., which included: Lil' Cease and Lil' Kim. All were slighted by 2Pac and The Outlawz. According to the Notorious B.I.G.’s Behind The Music profile, the members of Junior Mafia intended to record an answer song to 2Pac’s insults, but were instructed not to by Biggie. The original version, however, of Lil' Kim’s album track “Big Momma Thang” from her debut, Hard Core, does contain insults directed towards 2Pac; including references to him being shot and his purported affair with Faith Evans.
Mobb Deep	Queens, New York	A rap duo from Queens, New York. After having allegedly insulted 2Pac and his associates; 2Pac publicly insulted them in interviews and, most notably, on his song “Hit ‘Em Up.” They later recorded an answer song. “Drop a Gem On ‘Em.” The duo also appeared on the song “LA, LA,” a track in which Snoop Dogg and Tha Dogg Pound were slighted.
Capone-N-Noreaga	Queens, New York	Recorded the song “LA, LA” (which took jabs at Snoop Dogg and the Tha Dogg Pound) as in response to “New York, New York.”
Tim Dog	Bronx, New York	Tired of being overlooked as a result of the growing west-coast hip-hop movement, recorded the infamous underground track “Fuck Compton.” The track sparked a rip wave in the hip hop scene which led to many responses from West Coast artists and criticisms from hip hop fans . Was later answered back by various west-coast artists, including: Snoop Dogg, Comptons Most Wanted , Dr.Dre, The D.O.C (20 dollar sack pyramid) DJ Quik, and Tweedy Bird Loc. Numerous other put downs and sneers at other artists were present on his debut album Penicillin on wax.
Masta Ace	Brooklyn, New York	Heavily criticized the direction Hip-Hop was heading due to growing dominance of West Coast Gangsta Rap on his 1993 album Slaughtahouse. The Title track and intro were a parodies of the west coast gangsta rap of the time.
De La Soul	Amityville, New York	One of the founders of the alt-rap Native Tongues Posse movement, they parodied and lamented the state of Hip-Hop throughout their 1991 Album De La Soul is Dead through frequent skits and the track Who Do U Worship?.
Black Sheep	Bronx, New York	Another member of the Native Tongues Posse, criticized both the Gangsta themes (U Mean Im Not) and the militant Afrocentrism (Are You Mad?) of the West Coast on their 1991 album A Wolf In Sheep's Clothing.
Kool Keith	South Bronx, New York	Frequently featured on Tim Dogs debut album, most notably on the scathing track "I Aint Having It". Later dismissed the G-Funk style of the West Coast as "Fake" and "Over-Commercial" on his 1998 album First Come, First Served under the alias Dr.Dooom.
Nas	Queens, New York	A radio freestyle from Nas allegedly contained subliminal insults levied at 2Pac, who in turn insulted him on songs and in interviews. Claims now speculate that the two later settled their differences prior to the other rapper’s death.
Jay-Z	Brooklyn, New York	An associate of The Notorious B.I.G., whose cameo appearance on Jay’s song “Brooklyn’s Finest” seemingly referenced 2Pac, who later insulted Jay-Z. Though he never publicly retaliated, Jay-Z later claimed that he had prepared a retaliatory song levied at 2pac, but shelved it in observance of Shakur’s death.
Chino XL	East Orange, New Jersey	Poked fun at 2Pac’s prison stint, claiming that the rapper had been raped while in jail, on his song “Riiiot!” 2Pac responded by proclaiming ‘Chino XL, fuck you too!’ on his song “Hit ‘Em Up.”
DMX	Yonkers, New York	Involved in a feud with Kurupt, a member of Tha Dogg Pound, over allegations of having slept with Kurupt’s fiance. He, allegedly, recorded a 2pac slant called “Fuck That Nigga Pac,” but the song was never released .
Luther Campbell	Miami, Florida	Dissed many popular gangsta rappers with the track "Fakin' Like Gangstas" from his debut solo album I Got Shit On My Mind (featuring JT Money from the group Poison Clan) Dr. Dre and Snoop Dogg responded with Fuck Wit Dre Day (And Everybody's Celebratin') on Dr. Dre's solo debut The Chronic.

West Coast

Participant	Based	Involvement
2Pac	Oakland, California	The east-west coastal rivalry's most central and, arguably, most vocal figure who, ironically, was born and raised for a time on the East Coast. In the two years leading up to his death, the rapper took potshots at various East Coast rappers; most notably, The Notorious B.I.G. and his label Bad Boy Records. Songs with threats/antagonistic slants or music videos lampooning Shakur’s adversaries include: “All Eyez On Me,” “Troublesome ‘96,” “When We Ride On Our Enemies,” “Wonder Why They Call U Bitch,”, "Ambitionz Az a Ridah", “Hit 'Em Up,” "Bomb First (My Second Reply)," “2 Of Amerikaz Most Wanted,” "Made Niggaz", "Fuckin' With the Wrong Nigga" and “Against All Odds.” 2Pac made it clear, however, that his personal beef with Bad Boy and other artists from New York had nothing to do with 'east or west' in the intro to "Bomb First (My Second Reply)".
Suge Knight	Compton, California	CEO of Death Row Records. His grudge against the success of the New York-based Bad Boy Records and its label head, Sean Combs, led him to sign 2Pac and (allegedly) encourage the coastal feud. His record label would eventually begin to implode following the death of 2Pac in 1996, the departure of Dr. Dre, and Knight’s imprisonment for probation violation charges.
Tha Dogg Pound	Long Beach, California	A duo consisting of rappers Kurupt and Daz Dillinger on the Death Row Records roster, who in 1996 released “New York, New York”— a track in which many New York emcees took to be a slight to their city. Kurupt became involved in a dispute with East Coast rapper DMX over allegations of DMX having slept with Foxy Brown. Kurupt insulted him on “Calling Out Names.” Their feud has since ended.
Snoop Dogg	Long Beach, California	A former Death Row Records recording artist, who appeared with Tha Dogg Pound on the song “New York, New York.” He also slighted Bronx rapper Tim Dog on the Dr. Dre’s “Dre Day.” Has since denounced coastal feuding in hip-hop, and has gone on to collaborate with other artists based outside of the west coast scene.
Ice Cube	Compton, California	Became embroiled in a feud with Chicago-based rapper Common, after he denounced the themes of west coast gangsta rap in his song “I Used To Love H.E.R.” Recorded the track “Westside Slaughterhouse” in response. Common answered back with the scalding track, “The Bitch In Yoo.” The two have since made peace.
Westside Connection	Los Angeles, California	A supergroup consisting of west coast hip-hop rappers Ice Cube, Mack 10, and WC. Recorded “All The Critics In New York,” and “West Up” in reaction to feeling that the east coast hip-hop community lacked respect for their coast. Interestingly they also brutally dismissed alternative hip-hop act A Tribe Called Quest Cross Em Out And Put A 'k".
Compton's Most Wanted	Compton, California	Slurred Bronx rapper Tim Dog for his song “Fuck Compton” on their track “Who’s Fucking Who.”
DJ Quik	Compton, California	Quarreled with rapper Tim Dog for his tracks: “Fuck Compton,” “DJ Quik Beat Down” and “Step To Me.” DJ Quik responded on “Way 2 Fonky” and “The Last Word.”
Tweedy Bird Loc	Compton, California	A rapper from Compton that insulted Tim Dog in the song "Fuck the South Bronx".
E-40	Bay Area, California	According to sources, E-40 was insulted by a remark The Notorious B.I.G. made on a radio interview stating that he did not like E-40's music. When Biggie and his crew were visiting in Los Angeles, they were held at gun point by associates of E-40, threatening to kill the Brooklyn rapper. Biggie asked if he could make a phone call to E-40 so that he can make amends. They made up after the call and E-40 told his associates to lay down their arms.
Top Dogg	Compton, California	Rapper who released the track "Goin' Back to Cali" in response to The Notorious B.I.G.'s song "Going Back to Cali".

Opposing artists

• Sean Combs; CEO of New York-based Bad Boy Records, and rapper. Primary target of 2Pac and Suge Knight during the middle 1990s; never publicly responded to the allegations, criticism and insults levied his way, and refused to allow any of his Bad Boy artists to lash back on record. However, Combs lashed out against many of his nemeses by calling them playa haters and accusing them of being jealous of him and his label's success, such as in the track "Stop Yappin' Niggaz"

• Dr. Dre; former president of, and artist on, Death Row Records. Despite his participation with 2Pac on the west coast-centric “California Love,” he actively attempted to denounce the conflict between opposing coasts, music fans, and artists. In 1996, he appeared on Nas' It Was Written on the song "Nas Is Coming" where the two discussed the rivalry saying it wasn't necessary; in the same year, he assembled a collaboration of multi-coastal rappers (consisting of KRS-One, Nas, RBX, B-Real) tagged ‘Group Therapy’ to record the anti-coastal battle anthem, “East Coast West Coast Killas.”

• A Tribe Called Quest; A much revered hip-hop group from the east coast, they were well-respected on both sides. They protested the feud on their track Keeping It Moving on their album Beats, Rhymes and Life.

See also

• G-Unit vs. The Game feud
• LL Cool J vs. Kool Moe Dee feud
• Nas vs. Jay-Z feud
• Hip-hop rivalry

References

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