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Daṇḍin

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Daṇḍin is a 6th-7th century Sanskrit author of prose romances and expounder on poetics. Although he produced literature on his own, most notably the Daśakumāracarita, first translated in 1927 as Hindoo Tales, or The Adventures of the Ten Princes, he is best known for composing the Kāvyādarśa ('Mirror of Poetry'), the handbook of classical Sanskrit poetics, or Kāvya. His writings were all in Sanskrit. He lived in Kanchipuram in modern-day Tamil Nadu.[citation needed]

Kāvyādarśa

The Kāvyādarśa is the earliest surviving systematic treatment of poetics in Sanskrit. It has been shown that Kāvyādarśa was strongly influenced by the Bhaṭṭikāvya of Bhaṭṭi[1]. In Kāvyādarśa, Daṇḍin argued that a poem's beauty derived from its use of rhetorical devices – of which he distinguished thirty-six types. He was the main proponent of gunaprasthana, the view that poetry needed qualities or virtues such as shlesa (punning), prasada (favour), samata (sameness), madhurya (beauty), arthavyakti (interpretation), and ojah (vigour). Poetry consisted in the presence of one of these qualities or a combination of them.

He is also known for his complex sentences and creation of very long compound words (some of his sentences ran for half a page, and some of his words for half a line).

Daśakumāracarita

The Daśakumāracarita relates the vicissitudes of ten princes in their pursuit of love and royal power. It contains stories of common life and reflects a faithful picture of Indian society during the period couched in the colourful style of Sanskrit prose. It consists of (1) Pūrvapīṭhikā, (2) Daśakumāracarita Proper, and (3) Uttarapīṭhikā.

A shloka (hymn) that explains the strengths of different poets says: Dandinaha padalalithyam ("Daṇḍin is the master of playful words").

Books

Notes

  1. ^ Söhnen, Renate. 1995. “On the Concept and Presentation of ‘yamaka’ in Early Indian Poetic Theory”. In: Bulletin of the School of Oriental and African Studies Vol. 58. No. 3 p 495–520.

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