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The Banks of Green Willow

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The Banks of Green Willow is a short orchestral impressionist piece by George Butterworth. It was composed in 1913, is written in the key of A major, and is around six minutes long.

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The tune as noted by Butterworth from the singing of Mr & Cranstone of Billingshurst, Sussex, in June 1907. It varies in several respects from that used in the orchestral work of 1913.

Composition

This is a short orchestral piece by George Butterworth, probably his most played piece for orchestra. It has certainly been his most recorded orchestral work.

Described by its composer as an "Idyll", and written in 1913, it is scored for a small orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, two horns, one trumpet, harp and strings.[1] It is thus a belated companion to the Two English Idylls of 1910-1911. All three pieces are founded on folk melodies Butterworth coillected in Sussex in 1907, each has a similar "arch" shape, and each lasts between 4½ and 6 minutes.[2] Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - 'The banks of green willow" and "Green bushes". The first was noted from the singing of "Mr & Mrs Cranstone" of Billingshurst.[3]Versions of the second tune were noted from at least ten different singers, though the tune as it appears in the Idyll is not any of them. Each use of each tune varies slightly, and it is likely that Butterworth created new variants based on features of all the various versions he collected. "Green Bushes" as it appears in the Idyll most closely resembles that sung by Ned Harding of Lower Breeding, Sussex, in June 1907.[4] It is interesting that he also noted a version from Mr Cranstone, though it is not much like the one in the Idyll. "Green Bushes" was a common tune, and there are notable uses of it in works by Vaughan Williams (Folk Song Suite, Movement 2) and Percy Grainger( Passacaglia:Green Bushes, and The Lost Lady Found).

As the composer said this piece is a "musical illustration to the ballad of the same name"[5]it may be useful to realise that the folk ballad tells the tale of a farmer's daughter who falls in love with a young sea-captain, becomes pregnant and runs away with him to sea, having first stolen money from her parents. When her child is born on board ship, the labour is especially difficult and there is no "woman's help" available. Knowing she will die, she asks her lover to "bind a napkin round my head, then throw me overboard, both me and my baby"[6]Her lover does this and watches as she "quivers" - presumably in her death-throes - and he sings a lament to "my true love, whom I once loved so dearly" and who shall be buried on "The Banks of Green Willow" (Butterworth's capitalisation). It is a shocking tale, even more so in other collected versions, where it is the man who decides to throw the girl and baby overboard rather than risk the shame of taking them home (Mr & Mrs Cranstone's text is a little more palatable).

A solo clarinet and strings create a pastoral scene with the title theme, followed by a short development and restatement of the tune. The mood becomes more sombre and agitated as a new theme (Butterworth's own, on horns) is introduced. An animated motif leads to the main climate, which is surpisingly passionate for such a short work, before the music subsides to introduce Green Bushes hesitantly on oboe. This is repeated gently on flute, accompanied by harp, and the piece ends tranquilly with snatches of violin solo, horn and oboe.

The premiere of The Banks of Green Willow took place on 27th February 1914, when Adrian Boult conducted a combined orchestra of forty members of the Hallé and Liverpool orchestras in West Kirby. This was, in fact, the 24-year-old conductor’s first concert with a professional orchestra (he also gave the British premiere of Hugo Wolf’s Italian Serenade at the same concert: a considerable achievement for a debut!). The London premiere took place three weeks later, and seems to have been the last occasion Butterworth heard his own music.

Modern representations

The popular piece is often used in TV adverts with wholesome panoramic views of the British countryside, for products such as dog food and life insurance, as well as being a favourite of Classic FM.

There are many variant folk songs by the same name. A 2003 novel by the Irish writer Kevin Myers also has the title.

Butterworth was killed on 5 August 1916, during the Battle of the Somme. He was aged 31, and was a Lieutenant in the Durham Light Infantry.


  1. ^ Score published by Stainer & Bell, London, 1918
  2. ^ Barlow, Michael, Whom The Gods Love, Toccata Press, London, 1997
  3. ^ All songs that Butterworth collected are in the Vaughan Williams Memorial Library, Cecil Sharp House, London. This song is manuscript no.GB/6b/26.
  4. ^ Manuscript no.GB/6a/80. Vaughan Williams Memorial Library, Cecil Sharp House, London.
  5. ^ . Musikproduktion Jürgen Höflich, Munich. Preface by Michael Barlow. 2006. {{cite book}}: Missing or empty |title= (help)
  6. ^ Text as noted by Butterworth from Mr & Mrs Cranstone, Vaughan Williams Memorial Library, Cecil Sharp House, London. Manuscript no.GB/6b/26.


See also

Audio clips

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