The Medusa Frequency
| File:The Medusa Frequency by Russell Hoban Bloomsbury paperback.jpg | |
| Author | Russell Hoban |
|---|---|
| Language | English |
Publication date | 1987 |
| Publication place | Great Britain |
| Media type | Print (Hardback & Paperback) |
| Pages | 143 |
| ISBN | 0747559090 |
The Medusa Frequency is a 1987 novel by Russell Hoban.
Plot summary
Narrator Herman Orff is a London-based freelance writer of comics and an unsuccessful novelist. He is preoccupied by Vermeer's Girl with a Pearl Earring, an ex-girlfriend called Luise von Himmelbett, and characters from mythology including The Kraken. His own name is a reference to Hermes and Orpheus.
Lacking inspiration to write his third novel, he responds to a leaflet put through his letterbox one day advertising a treatment for blocked artists. The procedure turns out to be the invention of an old friend who was once also Luise's lover. Following the treatment, Orff periodically hallucinates, finding that spherical found objects (a stone on the banks of the River Thames, a football, a cabbage) appear to him as the dismembered head of Orpheus. Through a series of surreal scenes, the head tells Orff its "story", namely how he started playing the lyre, met Eurydice and lost her. In Hoban's retelling, Eurydice was not bitten by a snake and did not descend to the Underworld, but rather Orpheus was unfaithful to her and she left him for Aristaeus. This reflects Orff's own experience of being unfaithful to Luise.
The scenes retelling the Orpheus myth are interspersed with Orff's daily life as he finds a new girlfriend, is hospitalised after suffering an attack of angina and travels to The Hague to see the Vermeer painting in the Mauritshuis. When he gets there he finds the painting is on loan to the US, and bumps into a man claiming to be another of Luise's ex-lovers. On returning to his hotel he unexpectedly bumps into Luise herself, who he finds is happily married.
On Orff's return to London, his new girlfriend breaks up with him. Orff turns down lucrative offers of work adapting the Orpheus story into a tacky cartoon strip and developing the myth into a pretentious film, and instead develops his own original science fiction comic strip. He cures himself of his Orpheus hallucinations by dropping the "head" into the Thames, and the slim memoir of this strange period of his life effectively becomes the third novel he has been trying to write.
Reception
The book was well received, with The Listener commenting: "in the course of this tour through the imaginative outback of Mr. Hoban's mind, we are treated to brilliant flashes of mordant humour, not to mention splendidly baroque evocations of present day London" while The New York Times remarked "There's a sense of wonder in these passages...a love of fantasy and myth-making, an interest in language and puns, and a concern with philosophic speculation and the pyrotechnics of storytelling."[1]
The Russell Hoban resource website The Head of Orpheus (named after the character in the book) comments[2], "for those of us who read a book not to get to the end of it, but rather to savor its humor, wisdom, eloquence and insight, The Medusa Frequency is a priceless treasure. The sort of book that may take a little concentration to get through the first time, but after that never manages to sit on your bookshelf long enough to acquire a respectable film of dust before you pull it down to re-read passages at random, or look up a particular line or incident that's stuck in your mind."